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Big Boss 12 'is now close to reaching the final stop. 70 days have passed. Gradually people are getting out of the house, while there is a growing pressure on the survivors. This week there was a strange poor task to choose nominated members. After this 'LOC' task, there was also a border-like tension in the house. Earlier, Sreesanth was surprised at his crying.
1. Nominate something you are going to go out and hunt for - the more abstract the better
2. Give yourself a time constraint
3. Go out and start work
4. Ask yourself why everything else that you encounter is so much more engaging than what you are hunting for
5. Ask yourself whether the time constraint is a useful tool
Richard Wentworth (See examples of his work here.)
This is the thirty-fifth instruction for the Street Photography Now Project, written to inspire fresh ways of looking at and documenting the world we all live in.
l remember seeing Richard Wentworth's exhibition at the Serpentine Gallery in 1993. One of the pieces was called From Boost to Wham. Back at school I got my class to collect the correct sweet wrappers which we put in a copy of the Pocket Oxford Dictionary and displayed in the school entrance hall. (One boy's mother brought him in to confirm that it really was part of his homework to buy a Boost bar, eat it and bring the wrapper in to school. It was one we didn't have and I was pleased to get it :)
Wentworth's photographs seem to be seen by chance, so how can one nominate something which one might see only occasionally? l guessed that a discarded sweet wrapper wouldn't be too hard to find, so l set off on the hunt for a Wentworth discovery - it didn't take long :)
Hard Labor Creek State Park
Rutledge, Georgia
Listed 03/27/2013
Reference Number: 13000107
Hard Labor Creek State Park is being nominated at the state level of significance as an excellent example of a recreational park built by the Civilian Conservation Corps (CCC) in Georgia. The park is one of ten CCC-built state parks in Georgia and contains the only extant CCC Camp, Camp SP-8, built for the workers. The park is significant in the area of architecture for its remaining buildings and structures that were constructed in the park in the 1930s and 1940s. Built in the rustic style popularized for recreational facilities in the early 20th century, the extant historic buildings and structures include those built by the CCC as their work camp, in addition to the buildings and structures built for the park. The park is significant in the areas of conservation, politics and government, and social history for its direct association with the CCC in Georgia. Created in 1933 by Franklin D. Roosevelt's New Deal legislation, the CCC was a work program that employed young men to work in the areas of reforestation, road construction, soil erosion prevention, building national and state parks, and flood control projects. Two CCC camps were located at Hard Labor Creek, SP-8 and SP-11. Their projects included damming Hard Labor Creek and clearing land to create Lake Rutledge and Lake Brantley, building roads and bridges, reforesting land, constructing telephone lines, and building the group camp infrastructure, such as cabins, rock walls, paths, and trails. The park is significant in the area of landscape architecture for its intact historic landscape and landscape features created by the CCC. The CCC planted trees, reshaped the farmland to prevent erosion, and built many landscape features including two lakes, rock walls, roads, paths, and trails. The park is significant in the area of recreation as an excellent example of a 1930s Recreational Development Area landscaped park that included man-made recreational facilities. Group camps were built in the park for use by civic and church groups and were comprised of a lodge, cabins, dining hall, showerhouse, and administration buildings. The park was deeded to the state of Georgia in 1946 and continues to be used for public recreation.
National Register of Historic Places Homepage
Hard Labor Creek State Park, Rutledge, Georgia, Summary Page
From the 1978 NRHP nominating form:
Pleasant Hill, a small Cumberland Plateau community, is located eleven miles west of Crossville, the seat of government of Cumberland County. Pioneer Hall, the oldest Pleasant Hill Academy building, stands in the center of the town on the old Crossville-Sparta Road.
The three-story, rectangular frame building, which was designed by Rev. Benjamin Dodge, measures fifty-six feet long and thirty feet wide. (The original design called for the building to be thirty-six feet long but its length was extended by twenty-feet before it was completed; a shed roof covers this section.) It has a stone foundation and a full basement. The weather boarded building is surmounted by a Mansard roof which was originally covered with hand-shaved, white oak shingles coated with crude petroleum and painted with mineral paint. When completed in 1889, a hipped section rose above the Mansard in the northeastern half of the roof, and this was topped with a rectangular, balustraded widow's walk. These elements were removed during a ca. 1920 renovation and replaced with a shallow gable section. At that time a large single chimney on the southeast elevation supplanted the four internal stacks; these chimneys remain just under the present composition shingle-clad roof.
A large gable dormer with paired four-over-four light windows delineates the center bay of the three-bay façade (northeast elevation); this element is flanked by shed dormers with six-over-six light windows. (The remaining windows of the façade duplicate those found in the gable dormer.) Prior to ca. 1920, the center bay of this elevation had a small balcony with a balustrade and supported by simple diagonal braces-a diminutive gabled stoop, shelters the entrance of the present building. Sidelights and a headlight surround the single-leaf door. The builder used a brace and bit and keyhole saw to decorate the pediment of the gable dormer, Mansard edge trim, cornice, and window lintels; holes drilled partially or completely through the boards and occasionally joined with saw cuts create a variety of unusual and decorative patterns. The same fenestration configuration appears on the five-bay northwest and southeast elevations. All of the dormers on-these walls and the three-bay southwest elevation are shed dormers.
The plan of the first floor is irregular; the rooms, which once included a lobby, school office, principal's office, and storerooms, cluster around a staircase located in the approximate center of this level. A longitudinal central hall bisects the second and third floors; the stairs rise in the center of the halls. Students' rooms lined both sides of the central hall. The attic is unfinished and useful only as storage space. Throughout, the twenty-four room interior has beaded-board walls and ceilings and narrow board floors.
Pioneer Hall, the only remaining, unaltered Pleasant Hill Academy building, is representative of an era in the educational history of the state which, until it was recently revived, had largely vanished—the private academy system. During the years immediately following the Civil War, Cumberland County, like many other counties in the state, had no free public schools; subscription schools operated, but access to these was limited by the ability of the student's family to pay the tuition costs. The American Missionary Association recognized the plight of the plateau residents and sent a teacher to Pleasant Hill in 1884. Pleasant Hill Academy was founded shortly thereafter, and by 1887 classes were being held in the new Academy Building.
The second school building, Pioneer Hall, was begun in 1887 and completed eighteen months later. Benjamin Dodge (1818-1897), a Maine-born Congregationalist minister, donated the land, designed the building, solicited the necessary funds, and supervised the construction of the dormitory. Until housing for the female students could be built, Pioneer Hall served as a co-ed dormitory—a novelty in the nineteenth century. Stylistically, Pioneer Hall would not attract attention in Rev. Dodge's native New England; however, in Tennessee very few such buildings—particularly those with widow's walks-were erected, and fewer still have survived.
The American Missionary Association in general, and Pleasant Hill Academy in particular, contributed considerably more to the Cumberland Plateau region than uplifting the educational level of the residents. The school helped to improve the quality of life of these isolated, mountain folk by providing their initial educational experiences. The academy closed its doors in 1947 when the county school system assumed the responsibility for teaching the children of Pleasant Hill. Among the alumni of Pleasant Hill Academy are numerous teachers, librarians, school administrators, attorneys, physicians, ministers, and businessmen, most of whom continue to live and work in Cumberland and the surrounding counties.
The Pleasant Hill Historical Society of the Cumberlands has expressed a keen interest in the preservation and restoration of Pioneer Hall. This organization is comprised of many of the academy's former students. The building is now used as a thrift shop and for other community activities. Although some minor alterations were made during the more than ninety years of the building's existence, it remains structurally sound and in relatively good condition.
This past year Mateo recorded the film for the Academy Award-nominated “Juno” Inspired by the loss of a friend's daughter, Mateo made it his mission to raise money for uncompensated care at Seattle Children's. The journey began eleven years ago and continues today with Mateo producing extraordinary annual benefit concerts. In 2008 it took place at Benaroya Hall in Seattle.
Mateo: “While on the journey of unfolding what An American Symphony would sound like, I was fortunate enough to be introduced to a photographer I have come to admire. He sees our American landscape a little different than the rest of us. His portrayal of America is beautiful, immeasurable, and each image holds a surreal quality. I've worked with Gavin Farrell to handpick each image to be displayed across the entire backdrop of the symphony hall synchronized with each performance.”
Gavin: WHAT A NIGHT! So many talented musicians and artists; they actually had to extend the length of the stage: Symphony composer Mateo Messina, the band Eisley, the Evan Sisters, Matthew Schoening, the North West Symphony, the Pacific Children’s Chorus, the North-West Chorale, The Whittier Elementary School Choir, the Total Experience Gospel Choir, Mariah McManus, and it felt like the entire city of Seattle was there! I was honored that my work could be a part of this amazing experience.
Female Spanish Sparrow (nominate) (Middelhavsspurv / Passer hispaniolensis hispaniolensis) Sitting apx. one meter from the nest in the kitchen ventialtion tube on my terrace at SBH jandia Resort (Morro Jable, Fuerteventura, Spain).
Canon 60D, Sigma 150-500mm.
The photo is part of an Spanish Sparrow (nominate), Fuerteventura set.
Here are more Spanish Sparrows (nominate): Male , Female and Juvenile.
Indian Telly Awards 2014: MTV Splitsvilla Season 6 Nominated Best Reality Show.
Watch video for voting details: bit.ly/SplitsvillaSeason6-BestRealityShow
Nominated for the Latin Grammy Awards in 2020 for best album Cumbia/Vallenato, Los Cumbia Stars are a band that performs Colombian tropical music, and the only one of tropical genre signed by the legendary record label Discos Fuentes.
Composed by the singer Cristina Escamilla, one of the most important voices of the genre in Colombia, and eight musicians with extensive experience and recognized musical quality, this band is directed by composer, guitarist and accordion player Juan Pablo Acosta. Their repertoire is 100% danceable and fuses unreleased songs from their three albums with original arrangements by the great masters of Colombian tropical music such as Lucho Bermúdez, Rodolfo Aicardi, Los Corraleros de Majagual, Joe Arroyo, Fruko y sus Tesos, among others.
3/5 Black & White Photo Challenge
I was nominated for this short little challenge by Kim & I am going to give it a try-it should be fun!
In turn, I am nominating Shaun for the challenge! What do you think? Yes or no? :)
All you do is take 5 b/w photos, They don't have to be on consecutive days and you can take pics of anything you want. On each day you post a photo, you have to nominate someone else to try it!
** PS - This totally separate from our challenge group! :)
Their Honours Brigadier-General The Honourable J.J. Grant, CMM, ONS, CD (Ret'd), Lieutenant Governor of Nova Scotia were delighted to join with Ms. Megan Leslie, Member of Parliament for Halifax to host a Queen Elizabeth II Diamond Jubilee Medal Investiture at Government House Halifax.
The recipients were nominated by Ms. Leslie and included a wide variety of backgrounds and community volunteers.
13 November 2012
Images courtesy: Communications Nova Scotia
This past year Mateo recorded the film for the Academy Award-nominated “Juno” Inspired by the loss of a friend's daughter, Mateo made it his mission to raise money for uncompensated care at Seattle Children's. The journey began eleven years ago and continues today with Mateo producing extraordinary annual benefit concerts. In 2008 it took place at Benaroya Hall in Seattle.
Mateo: “While on the journey of unfolding what An American Symphony would sound like, I was fortunate enough to be introduced to a photographer I have come to admire. He sees our American landscape a little different than the rest of us. His portrayal of America is beautiful, immeasurable, and each image holds a surreal quality. I've worked with Gavin Farrell to handpick each image to be displayed across the entire backdrop of the symphony hall synchronized with each performance.”
Gavin: WHAT A NIGHT! So many talented musicians and artists; they actually had to extend the length of the stage: Symphony composer Mateo Messina, the band Eisley, the Evan Sisters, Matthew Schoening, the North West Symphony, the Pacific Children’s Chorus, the North-West Chorale, The Whittier Elementary School Choir, the Total Experience Gospel Choir, Mariah McManus, and it felt like the entire city of Seattle was there! I was honored that my work could be a part of this amazing experience.
Roberto Sebastian Matta ‘Le Dénommeur renommé’ (The Un-Nominator Renominated), 1952-53, Guggenheim, Venice
I was nominated this year at the Latin Grammys and we assisted to Las Vegas to the event, I had 2 personal nominations as Best Album and Best Record of the year, also Andres Cepeda Album that I mixed was nominated for Best Pop Vocal Album and we won! (yeah!) so we have another Latin Grammy.
The experience was just wonderful, emotive, filled with emotions and great moments next to many friends and colleagues. We where very happy that we assisted, Being nominated was already great treat, but i cant lie that it feels nice to have won one :-)
Photo Stuff: I took my new (to me) Canon G15 compact, as at all these events, big cameras are a big No No, I have to say this little camera is a big surprise, not only practical, light and compact to carry, much nicer results than expected, Not my Full Frame Nikon D600 by any stretch, but got the job done, mostly shot RAW, developed in LR4
Nominated for BEST SCREENPLAY – MOTION PICTURE for "Lady Bird," Greta Gerwig and actor Saoirse Ronan attend the 75th Annual Golden Globes Awards at the Beverly Hilton in Beverly Hills, CA on Sunday, January 7, 2018.
Sam Burckhardt
Nominated for the 2016 Swiss Jazz Award, the Chicago-based tenor saxman Sam Burkhardt, originally from Basel, brings back the magic of R&B, swing, and of the big bands of former days.
In his album "Fly Over", tenor saxophonist Sam Burckhardt travels ‒ or rather flies ‒ back to the age of rhythm and blues, swing and the Count Basie and Duke Ellington big bands. He co-wrote three compositions with guitarist Joel Paterson, one of them the swinging title song "Fly Over" (probably an allusion to Illinois Jacquet's "Fly Home"), a truly inspired piece somewhere between jazz and 1940s R&B. "Bird Watching" and "Early Bird Blues" also show the extent to which rhythm and blues and traditional jazz are part of Sam's identity. A native of Basel, Sam has lived in Chicago for over 30 years, performing with such great bluesmen as Sunnyland Slim ‒ so to him the sound of those years isn't nostalgia, it's more like a second skin. Burckhardt's quintet ‒ with keyboard player Pete Benson, bass player Beau Sample, drummer Alex Hall and guitarist Joel Paterson ‒ teases out the incomparable beauty of the standards they play with respect, even understatement.
From: CH
Style: Swing, Mainstream Jazz
Dates: 26.6 – 30.6 2016
SWISS JAZZ AWARD 2016 FINALIST
Sam Burckhardt, tenor sax and vocals
Joel Paterson, guitar
Luca Leombruni, bass
Andreas Schmid, drums
The Knox County Courthouse was individually nominated to the National Register of Historic Places in 1973.
Knox County was formed on March 1, 1808 from Fairfield County. Sometime between that time and 1809, a courthouse was constructed on the southwest corner of the Public Square, near the center of the intersection of Main and High Streets. This first courthouse was a simple log structure with clapboard siding standing at a single story, with a footprint of 15 x 18 feet. Although it had a sizable fireplace, located at one end of the building, the chimney was made of nothing more substantial than mud. The earthen floor and grease-paper windows also attested to the harsh conditions faced by the early settlers of the county.
This courthouse was only used for a few years before a more substantial building was constructed of brick on the northeast corner of the Public Square. The second courthouse was ready for occupancy in April of 1812, and was situated in such a way that it faced both Main and High Streets, with a set of double doors for each entrance. This new building rose two stories high, perfectly square in size, with a pyramidal roof that was topped by a small cupola, which was nothing more than a small square box to house a bell. At the time of construction, the Public Square was approximately ten feet higher than it is today. To make the ground more level, the earth along Main Street was graded sometime in 1828 by a gentleman of the name Norton. During the process, Norton came too close to the courthouse, compromising the foundation to such an extent that the entire building came crumbling down before the supporting stone wall, as contracted to James McGibney on October 28, 1828, was even began.
Plans were immediately set in motion for a third courthouse, which was constructed between 1828 and 1829, this time on the northwest corner of the Public Square. This two-story brick building had a large portico that faced Main Street, supported by tall, white fluted columns and raised a couple of steps to the entrance. A small cupola topped the roof of the building. The embankment on which it stood was so severe that the ground reached to the base of the 2nd story in the rear of the building. This allowed natural light to penetrate the full basement, occupied by various stores and shops, from both the east and the south. The courtroom was located on the 1st floor, flanked by a couple of offices, while the 2nd story was reserved exclusively for office space. Many thought that this third courthouse was very poorly constructed, which proved to be true on April 9, 1854. On this date, a severe storm raged through Mount Vernon, destroying the courthouse. The high winds ripped off the roof and its heavy timbers. Rafters and shingles were strewn across the Public Square several hundred feet, and the brick chimney collapsed, crashing through the floors down to the basement. What remained was nothing more than a partial shell of a building.
Construction of the fourth and final courthouse began in 1855, and was completed by 1856 at a cost of nearly $40,000. No longer residing on the Public Square, its new location and solid construction led many citizens, remembering courthouses past, to comment that they finally had a courthouse that "appears solid and substantial as if it might withstand the storms of centuries." nearly 160 years after that fateful day in April, it seems that they were right.
This current courthouse was designed by architect Daniel Clark, who favored the Greek Revival style, as many public buildings of this time were designed throughout the United States. It rests on a heavy stone foundation, and rises two very tall stories. The main entrance, facing East High Street, is composed of two large, fluted stone Doric columns, flanked by two brick pilasters on either side with square stone capitals. The large pediment is supported by a series of stone triglyphs with brick metopes in between, and the central ocular window is divided into quarters and is surrounded by foliated scroll. Between each set of pilasters is a single window, one for each story. The 1st-story windows possess pediment hoodmolds supported by small brackets. The large cupola, placed directly above the entrance and the second rendition of the building's roofline, stands two stories in height. Because of its height and the building's position near the top of a rise, its four clock faces are visible from a long distance. The base of the cupola consists of a fanlight with heavy stone lintel on all four sides. At the very top of the rounded copper cap, detailed by two lancet-like embellishments, is a small, square finial.
The interior of this building contains a staircase with two flights of stairs located on the east side of the 1st floor. Original floor coverings have been replaced with asphalt tile, but some of the original mosaic tile remains in the west doorway.
The three nominated buildings cover one city block and adjoin one another. Together they represent the finest and earliest remaining commercial structures in Galion.
The earliest of the buildings is the Central Hotel (Ritchey House Hotel). Built in 1852 the brick structure was originally 2-1/2 stories in height, six bays wide and five bays deep. It measured 50' wide and 66' deep. In 1869 the building was enlarged to three stories and a three story brick addition was added to the west side for an additional 49' frontage. In 1898 two more three story wings were added to the rear. A wooden parapet was added to the roofline about 1910. Today the three-story brick hotel utilize s the original portion of the structure and the rear additions. The west portion of the facade (1869) houses two stores.
The hotel portion features 1/1 light windows which are 1972 replacements for the original which were 2/2. All windows have segmental arches with brick headers and plain stone sills . A band of corbeled brick arches decorates the area beneath the dentiled wood frieze. Plain wood brackets support the molded wood cornice. Above the cornice is a wood parapet. Cut-out panels alternate with solid panels in the parapet. Some of the open panels are damaged and are covered with tin . The frieze, brackets, cornice, and parapet; are painted white. The first floor is altered. The north face has two doors between which is a multi-paned hay window, one bricked-in window, and a rectangular multi-paned window. Originally this face had a door at the northeast comer and three windows (matching the windows above) to the right of the door. The east side has two doorways, a large multi-paned bay window, two 12/12 pane windows, and a large rectangular multi-paned window. Originally the entrance on this side was in the third bay from the northeast corner. There were four windows to the left of the entrance and two to the right. The various firs t floor windows and doorways are 1940's alterations. Also added in the 40's is a curved copper overhang which extends across the east and north sides and is placed between the first and second floors.
The 1869 portion of the hotel building now houses two shops. The north face is six bays wide. Windows are tall , round-arched with hoodmolds. The building shares the same band of brick corbeling, frieze, cornice, and parapet as the earlier portion of the hotel. The storefronts on the first floor have wide plate-glass windows. The store to the right has wood paneling above the windows. To the right of the building the storefront has a wide metal store sign above the windows. Both portions of the building had been painted for many years but the structure was sandblasted in 1972.
To the left of and contiguous with the southeast corner of the hotel is another large, three-story brick commercial building. It is known historically as the Hackedorn building. Built ca. 1865, the north face of the building is altered by modern glass tile and plate-glass windows. The upper stories are little altered. The second and third stories are divided into three recessed rectangles which are framed by plain brick bands. Within the center and left recess each floor has two 1/1 light windows. The right recess has three windows per floor. All windows have plain stone lintels and sills . Originally this separation into three portions was evident on the first floor also where there were three distinct storefronts.
The east side has five windows in the second and third floors. A fire escape was added to this side necessitating the third story window in the northeast corner and the center window of the second floor being changed into doorways opening onto the fire escape. The original entrance in the northeast corner of the first floor has been covered over by the modern storefront. The flattened hip roof features a bracketed, overhanging box cornice. A square lantern with small rectangular three-light windows on all sides is placed at the crest of the roof. The east and west sides of the building each had two tall interior chimneys. These have been shortened and are barely visible . To the rear of the building is a two-story flat-roofed brick addition.
To the right side of and adjoining the west side of the 1869 portion of the hotel building is the Zimmerman building. It was constructed in 1874 and is also built of brick and is three stories. The facade is less altered than the former two buildings. A center door on the street level leads to a stairway to the second and third story apartments (two per floor) . To either side of this center entry is a recessed doorway, each opening into a different store. Cast iron columns with Corinthian capitals divide the storefronts and doorways. There is a metal frieze between the first and second floors. The second and third stories each have six, 2/2 light windows. All windows have bracketed stone sills . Deep cornices are supported by carved brackets, and on each floor the six cornices are banded together with a continuous molding. Cornice moldings of the two floors vary. The window area is inset in a round-shouldered panel. The metal frieze is decoratively molded with semi-circular panels between the brackets. The west side has six 2/2 light windows with plain lintels and sills one both the second and third floors. The first floor is quite plain. It has a small rectangular window and a single door toward the rear of the building. There are five interior chimneys at the roofline. There is a one-story flat-roofed brick addition across the rear. A two-story frame porch and staircase addition rests on the brick addition and stretches across the second and third floors.
Located in Galion at the southwest corner of the public square, these three brick buildings are the most important of Gallon's early commercial buildings. They are all that remain of Gallon's past commercial boom which came during the 1860's when numerous railroads crossed through Galion and the town prospered from their trade. During this period the downtown developed rapidly and numerous brick commercial buildings and hotels were built. In 1851 Joel and David Riblet opened a dry goods store at the southwest corner of the public square. In 1852 Brown and McMillan leased the building and opened a hotel called the Western House. In subsequent years the inn was known as the Riblet House. When the building was enlarged in 1869, at the height of the
railroad prosperity, its name was changed to the Central Hotel. Proprietors at that date are listed as Cherry and Pomphrey. The hotel was said to have 66 sleeping rooms, three large sample rooms, and a 60 seat dining room. In 1940 it was purchased by Dean Talbott and extensively remodeled inside and out. It re-opened in 1941 as the Hotel Talbott. It was purchased by the Ritchey family in 1963.
The Hackedorn Building was completed in 1865 by N.E. Hackedorn and remained in the same family until 1952. A drug store has been operated in the corner store since 1865. Quay Drug Store now occupies the entire ground floor. The Western Union office was located here for many years and a union hall occupied the third floor until recently.
The Zimmerman Building was built in 1874. Daniel Zimmerman had to acquire the right to use the west wall of the Central Hotel, Investigation eventually showed that the 1869 addition of the hotel was on a portion of Zimmerman's property, so permission was granted to Zimmerman to use the west wall of the hotel. The building was owned by the Zimmerman family until 1922. It was sold to the Odd Fellows Lodge in 1928. The Odd Fellows sold the building in 1940.
Additional historical notes are associated with the hotel. Documentation at Milan, Ohio (birthplace of Thomas Edison) states that Thomas Edison was once a guest. Alexander Graham Bell is reported to have tested telephone equipment by running a line from room 201 to the old Maccabee building (now the site of the First National Bank) and hired high school students at a nickel apiece to test sound transmissions. They hoped to prove with the softer voices of children that sound did indeed travel through the lines and wasn't simply carried by it s volume.
Grammy-nominated violinist. My work will be featured in her upcoming Saint-Lubin album. Thank you for Mr. Jonathan Frohnen for arranging the shoot.
This past year Mateo recorded the film for the Academy Award-nominated “Juno” Inspired by the loss of a friend's daughter, Mateo made it his mission to raise money for uncompensated care at Seattle Children's. The journey began eleven years ago and continues today with Mateo producing extraordinary annual benefit concerts. In 2008 it took place at Benaroya Hall in Seattle.
Mateo: “While on the journey of unfolding what An American Symphony would sound like, I was fortunate enough to be introduced to a photographer I have come to admire. He sees our American landscape a little different than the rest of us. His portrayal of America is beautiful, immeasurable, and each image holds a surreal quality. I've worked with Gavin Farrell to handpick each image to be displayed across the entire backdrop of the symphony hall synchronized with each performance.”
Gavin: WHAT A NIGHT! So many talented musicians and artists; they actually had to extend the length of the stage: Symphony composer Mateo Messina, the band Eisley, the Evan Sisters, Matthew Schoening, the North West Symphony, the Pacific Children’s Chorus, the North-West Chorale, The Whittier Elementary School Choir, the Total Experience Gospel Choir, Mariah McManus, and it felt like the entire city of Seattle was there! I was honored that my work could be a part of this amazing experience.
Nominated for BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA for his role in "The Good Doctor," actor Freddie Highmore arrives at the 75th Annual Golden Globe Awards at the Beverly Hilton in Beverly Hills, CA on Sunday, January 7, 2018.
Male Spanish Sparrow (nominate) (Middelhavsspurv / Passer hispaniolensis hispaniolensis) coming for bread crumbles on my hotelroom terrace.
Canon 60D, Sigma 150-500mm.
The photo is part of an Spanish Sparrow (nominate), Fuerteventura set.
Here are more Spanish Sparrows (nominate): Male , Female and Juvenile.
Nominated for Global Awards
Nominated for Zlata Pecka
CD: Pavel Fuksa
AD: Alexis Blanco
CW: Eugen Suman
3D: Playground
Nominated for BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION for her role in "The Sinner," actress Jessica Biel attends the 75th Annual Golden Globes Awards at the Beverly Hilton in Beverly Hills, CA on Sunday, January 7, 2018.
It was such a great event to be part of this magazine award : CA Awards.
You could find some amazing nominated.
Legends Recognition recipients
1. Norwell Roberts (QPM).
2. Prof. Donna Kinnair (DBE)
3. Lord Dolar Popat
ICON Recognition Recipients
1. Laban Roomes
2. Vivian Timothy
3. Peter Hogan
4. Marjorie Ngwenya
5. Willy Mutenza
6. Ismail Ahmed
2016 Award nominee finalists
BEST EVENT
Vocals and Verses
Mr & Miss Nigeria UK
Inspirational U
Miss Pride of Africa
BEST EVENT ORGANISER
Michaelene Holder-March
Sonia Meggie
Ron Biggz
Cecilia Marquis
Best Event Host /MC
Melanie Gayle
Sonia Meggie
Victor Oluwole
Michaelene Holder-March
BEST BRAND
Leo Management
BlacknBold Group
Dentaa Amoateng
BEST BUSINESS
MHM Health Consultancy
(www.mhmhealthconsultancy.com/
MDC Design Group – www.mdcgroup.co.uk
Fero Media
Genistar (genistar.co.uk/)
BEST ENTREPRENEUR
Karine Laudort
Michaelene Holder-March
Tricia Vanessa Blake
Dean Williams
BEST START UP
Sandra Brown-Pinnock
Bianca Miller
PepperFruit
Charlene Cumberbatch
FEMALE FASHION DESIGNER
Afua Sam
Grace Wallace
Feyisola Adeyemi
Yvonne Yvette
Lydia Cutler
MALE FASHION DESIGNER
Romero Bryan
BEST FASHION ACCESSORIES
Maryse M’bo Ako
Akosua Afriyie-Kumi
BEST FASHION STYLIST
Keisha Des Vignes
Emmanuel Keezy Karo (Plush Styles)
Siphiwe Zwane Ofori
BEST MALE MODEL
Samuel Bravo
Samuel Yeboah
Victor Momoh
Giuseppe Nkansah
BEST FEMALE MODEL
Letitia Kapuscinska
Aramatou Toure
Trishana Fearon
Maurisa Coleman
BEST MODEL AGENCY
New Generation Exquisite Model Management (Ngem Ngem)
UNRTHDX Talent Agency
Damilola Siyanbola
BEST MOVIE
Basira in London – Philippa Abraham
Ibu in Sierra Leone. – Collins Archie-Pearce
Return of The Don. – Malcolm Benson
Golden Love – Helen Atim
Heaven – Samuel Bravo
BEST MALE PRODUCER
Malcolm Benson
Kunle Afolayan
Collins Archie-Pearce
Samuel Bravo
BEST FEMALE PRODUCER
Philippa Abraham
Helen Atim
BEST MALE ACTOR
Ken Smart
Paul Van Beaumont
Solomon Taiwo Justified
Samuel Bravo.
BEST FEMALE ACTOR
Taiwo Odebode
Melanie Gayle
Nnenna Ani
BEST ANIMATOR
Eguvwe Yugbovwe
Dotun Ogunsakin
Ebele Okoye
Alex Pancras
BEST ANIMATION
Aje vs Kpako- Eguvwe Yugbovwe
Legacy of Rubies – Ebele Okoye
Nubuke (a new dawn) – Bismark Aryee
BEST CINEMATOGRAPHER
Normen Luzinsky
Eric Myers.
BEST PUBLIC SPEAKER
Funke Abimbola
Allan Sealy
Dickson Alero
Michaelene Holder-March
BEST COMMUNITY LEADER
Yetunde Adeshile
Bassey Ikpi
Sonia Meggie
Jenni Chika Okafor.
BEST MENTOR/COACH
Placida Acheru
Daryl Harper
Dean Williams
Michaelene Holder-March.
YOUNG ACHIEVER
Claudine Adeyemi
Ariane Takyi
Gertrude Asumadu
Abdulai Kabba
BEST DJ
DJ Mahama Abubakari
BEST FEMALE ACT/SINGER
Mellonie Page
Ijeoma Amazin
Darlene Madu
BEST MALE ACT/SINGER
Owen Reid
Peter Adeshile
Patrick Onen (Hyper Hype)
UPCOMING ARTIST
Letitia Kapuscinska
Kieyen Iloyi
BEST GROUP ACT
Shiikane Shiikane
BEST DANCER
Ayo Rufai
Rawlings Armah Adams.
BEST SPOKEN WORD ACT
Panya Banjoko
Bassey Ikpi
BEST COMPOSER/MUSIC ARRANGER
Anthony Everest
Edewede Oriwoh
BEST VLOGGER
Duchess Cleo Moyo
Coleen Mensa
What Dawn Did in Heels
BEST BLOGGER
Noellin Imo-Griffiths
Feyisola Adeyemi
Anthony Everest
BEST ONLINE MAGAZINE
Tropics Magazine
Hugh Magazine
African Dazzle
BEST ONLINE TV/SHOW
Born To Model
Chanise Thompson
Lorenzo Video
BEST TV PRESENTER
Noellin Imo- Griffiths
Chanise Thompson
BEST RADIO PRESENTER
Hyper Hype
Danny Erskine.
BEST MAGAZINE EDITOR
Venicia Guinot
Noellin Imoh-Griffiths
Duchess Cleo Moyo
Phinnah Ikeji
BEST WRITER
Anthony Everest
Bernadette Kerr
Dike Chukwumerije
Phinnah Ikeji
BEST AUTHOR
Allan Sealy
Ferdinard Lawson
Ibitola Ojoye
Godwin Okri
BEST FICTION WRITER
Caroline Bell-Foster
Ibitola Ojoye
Chioma Nnani
Richard Botchwey
BEST NON-FICTION
Career Nuggets (Morenike Ajayi)
Women in Leadership (Dr Shola Mos-Shogbamimu)
Cherish Me Journal – (Carolyn Clark)
Opening Up or Shutting Out (Funke Abimbola and Co.)
BEST PUBLICIST/PR
Venicia Guinot
Karine Laudort
Ronke Lawal
Ayodele Adepoju
BEST PROMOTER
Hyper Hype
Danny Erskine
Ron Biggz
BEST PHOTOGRAPHER
Des Richards
Smollett Kalua
Sandra Nwokocha
Damilola Siyanbola
BEST VIDEOGRAPHER
Christabell Leonard Peters
Mr gee /superstarvideos Gareth
Lorenzo videos
BEST FINE ARTIST
Rita Kappia
Olaniyi Akirash Akindiya
BEST GRAPHIC DESIGNER
Hanif Shahad
Onyinye Iwu
BEST MAKEUP ARTIST
Trish Rawlins
Karen Messam
Sandra Shamu
Keisha Des Vignes.
BEST FITNESS COACH
Kelechi Okafor
Gina Obeng
James Comley