View allAll Photos Tagged nanocoating
Over the span of summer, I've been wanting to secure a space for the Nikon in my kit by replacing my 50 1.8G for a "super 50mm" lens. I've been comparing the 58, the sony A7+ZA55 combo and the Sigma 50ART as candidates. Although the 50ART and the ZA55 rate many times higher than the 58 almost everything, I still went for the 58 for the way it renders life and from images I've shot with it (these are the first ones), it's plenty sharp for me. There are clearly no such lenses in the dSLR world that has autofocus and the rendering quality of the ZM C Sonnar 50mm f/1.5 (despite its field curvature problem) aside from the 58.
The way it brings the subject into the frame and the way it makes the background go wild in such interesting yet smooth yet undistracting way (so many ways) is perhaps the one reason why this lens exist and for those who truly understand its purpose can create images of the unique (all of this with the usual 2000$ Nikon lens goodies of Nanocoating and optical magical colors etc...)
Now to use this lens, you absolutely need an AF system that needs to keep up with it. Since the lens has the strong design intentions of Haruo Sato (well respected lens designer at Nikon), most of the emphasis has been put on balancing correction (aberations, glow) with rendering (colors, bokeh, etc) and has resulted in a very short depth of field focus zone that needs to be nailed wide open. I was fortunate to have the D750 to calibrate the lens with (it took a week or two to get it perfectly right to an absurd number).
If you are new to 50mm lens, by all means go for the 50 1.8g or go for anything else than this pricey one. You buy the 58 because you have tried all and you require the lens to accomplish something specific in which not many lens company has had the guts to make in this day and age of high technology, in this case bokeh rendering.
Over the span of summer, I've been wanting to secure a space for the Nikon in my kit by replacing my 50 1.8G for a "super 50mm" lens. I've been comparing the 58, the sony A7+ZA55 combo and the Sigma 50ART as candidates. Although the 50ART and the ZA55 rate many times higher than the 58 almost everything, I still went for the 58 for the way it renders life and from images I've shot with it (these are the first ones), it's plenty sharp for me. There are clearly no such lenses in the dSLR world that has autofocus and the rendering quality of the ZM C Sonnar 50mm f/1.5 (despite its field curvature problem) aside from the 58.
The way it brings the subject into the frame and the way it makes the background go wild in such interesting yet smooth yet undistracting way (so many ways) is perhaps the one reason why this lens exist and for those who truly understand its purpose can create images of the unique (all of this with the usual 2000$ Nikon lens goodies of Nanocoating and optical magical colors etc...)
Now to use this lens, you absolutely need an AF system that needs to keep up with it. Since the lens has the strong design intentions of Haruo Sato (well respected lens designer at Nikon), most of the emphasis has been put on balancing correction (aberations, glow) with rendering (colors, bokeh, etc) and has resulted in a very short depth of field focus zone that needs to be nailed wide open. I was fortunate to have the D750 to calibrate the lens with (it took a week or two to get it perfectly right to an absurd number).
If you are new to 50mm lens, by all means go for the 50 1.8g or go for anything else than this pricey one. You buy the 58 because you have tried all and you require the lens to accomplish something specific in which not many lens company has had the guts to make in this day and age of high technology, in this case bokeh rendering.
Rohan Uttarwar, a Wayne State University College of Engineering Ph.D. student, was presented with the Youth Council for Sustainable Science and Technology (YCOSST) Outstanding Graduate Research Award at the 3rd International Congress on Sustainability Science and Engineering (ICOSSE'13) in Cincinnati, Ohio, Aug. 11-16. Uttarwar received the award based on his research paper, "Nanopaint Spray and Nanocoating Development: Analysis of Energy and Material Efficiency, Environmental Quality and Health Impact." YCOSST is an organization under the American Institute of Chemical Engineers. It provides a forum for youth to participate in national and international sustainability efforts and discussions.
For more College of Engineering student accomplishments, visit engineering.wayne.edu/students/accomplishments.php.
Car Glass Sealant
Mount Nano Car Glass Sealant system contains
Cleaner- Mount Nano Glass Cleaning Milk MN121
Sealant- Mount Nano Car Sealant(K1+K2) MN241 & MN 242
Micro fiber towel
Instruction sheet
Mount Nano Glass Cleaning Milk MN 121 is water based cleaner for glass and glazed ceramics. This nano coating is based on nanotechnology and contains abrasive components and citric acid which cannot produce scratches on hard surfaces. Abrasive cleaner, absorbs cutting and silicon oils, removes heavy soiling, and is specialized for cleaning of glass and glazed ceramics before application of Mount Nano Glass Sealant.
Mount Nano Car glass sealing is a 2-component system developed on basis of the chemical nanotechnology.
K1 – Mount Nano Car Sealant MN241
k2 - Mount Nano Car Sealant MN242
Mount Nano Car Glass Sealant guarantee an optimal protection of glass surfaces. The coated glass surface adapts hydrophobic properties which is long lasting water and dirt repellent, easily removes any contaminants, insects, ice and frost . The Mount Nano 2 K glass sealant can be used on car windows, as well on shower cubicles, winter gardens, dormer windows and many more. The sealant is UV-resistant and resistant against mechanical and chemical influences.
Advantages
Easy to clean effect
Water and Dust repellent
Easy to apply
Long term protection against contamination
Brilliant and shiny surfaces for a long time
Resistant against scratches
Transparent and breathable
Less work effort and costs
Room temperature curing
Coating is nanometer thin, transparent and colourless and does not affect glass optics
UV-, Abrasion, heat and chemical resistant
Non toxic and environmentally friendly