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A multiplied happy bouquet for you today!
My first creation with mosaic.
Thanx for all your warm comments my friends!
I planted one plant here, three years ago, and the number of flowers doubles each year. But the same iris in old beds in other parts of the yard barely flowered. Guess that should teach me something ...
Flickr Friday theme: Multiply
Thanks to everyone who took the time to view, comment, and fave my photo. It’s really appreciated. 😊
I was tweaking the original photo of the Bow and couldn't decide which to upload to flickr.
So I just put them all together and posted it as one large collage.
Seen at 14mm and f/9 (Tokina 11-16mm f/2.8)
Bac Ha (Vietnam) - Quand on souhaite réaliser une série de photos cohérente, il faut éviter les doublons. Pour un sujet tel que le marché aux buffles de Bac Ha, on a de grandes chance de refaire cent fois la même photo, même si les éléments qui la composent ne sont pas les mêmes ; d’où la nécessité de multiplier les angles et les prises de vues
Oui, il est recommandé de multiplier les prises car on n’est jamais à l’abri d’un élément parasite qui s’invite dans le cadre et réduit à néant la composition.
A l’inverse, il arrive que le hasard soit un allié. Sur cette photo, l’élément positif inattendu est la femme avec son seau à droite à l’arrière-plan. Malgré sa présence anecdotique, elle équilibre la composition. Mais le fait qu’elle soit la seule à être consciente de ma présence, attire le regard. Malgré son « éloignement », elle est pour moi, l’élément le plus présent.
The Woman with a Bucket
Bac Ha (Vietnam) - When you want to create a coherent series of photos, you must avoid duplicates. For a subject such as the Bac Ha buffalo market, there is a good chance of taking the same photo a hundred times, even if the elements that compose it are not the same; hence the need to multiply the angles and shots.
Yes, it's recommended to multiply the shots because you're never safe from a stray element that might enter the frame and destroy the composition.
Conversely, sometimes chance can be an ally. In this photo, the unexpected positive element is the woman with her bucket on the right in the background. Despite its anecdotal presence, it balances the composition. But the fact that she's the only one aware of my presence draws the eye. Despite its “remoteness”, it is for me, the most present element.
Scanned print.
Holga 120 CFN w/ built-in flash.
Feb 19, 2023.
Fomapan 200 in Rodinal 1+100, semistand 1 h.
Printed on Fomatone MG 131 and split toned in Thiourea and Se.
Multiexposure experiment with the Holga.
More in Hi-Res @ www.burieddreams.nl
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#multiply #FlickFriday
Helsinki, Finland. 08.05.2022
Olympus OM-D E-M5 with Lensbaby Composer Pro II + Sweet 35
Marina Ovsyannikova / марина овсянникова:
Остановите войну
не верьте пропаганде
здесь вам врут.
Stop the war
Don't believe the propaganda
They lie to you
Stoppt den Krieg
Glaubt der Propaganda nicht
Sie lügen euch an
Each stitch is like a breath, a steady reminder, an anchor to the present moment, a tiny step in the healing process that multiplies and gives life. As I worked on tearing the paper to size, folding the signatures, creating the cover, piercing the stitching holes, stitching the binding, contemplating, creating and hand-making the pages of this book it was an opportunity to remind myself that the storm is over—the exact same unspeakable events from the past are not happening in the present even though it often feels like I’m trapped there, unable to escape to freedom. I am still experiencing and dealing with the awful, crippling, devastating, disorienting effects of the storm….and the storm is over. I can’t “logic” my way out of this and I can work to remind myself that the storm is over.
In addition to photography, book binding and art journaling have become deeply meaningful and helpful in my healing process—I am so thankful for the survival, coping and healing found in these moments of creativity.
[image created on 5-13-2024]
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Dug out my College hi tech calculator.
Still works, but can't find out where the batteries go.
12x12=144 or 1.2x1.2= 1.44 or 1200x1200=1,440,000 or .....
More photos at: www.eliadatoska.com
© Eliada Toska. All Rights Reserved. You need my written permission to use this image in any way. It is here only for viewing purposes.
London – Lloyds Building
Construction started: 1978
Completed: 18. Nov. 1986
Architects: Richard Rogers and Partners
The building at the Lime Street is the head office of the insurance institution "Lloyd's of London".
This approach of outwardly demonstrative technologyIn in the Lloyd's Building Richard Rogers continued also in his later high-rise constructions. This unconventional construction was surprisingly close to the futurists' visions (=> Centre Pompidou, Paris).
Rogers's proposal for the new Lloyd's building was just as controversial as his co-designed Centre Pompidou in Paris, due to its so-called High Tech style design, where functional elements such as pipes are moved to the outside of the building to create more interior space.
The exterior is more refined than that of Centre Pompidou however, with polished stainless steel and glass instead of a cacophony of colors.
Nonetheless, when Richard Rogers's design was shown to the public in 1978 it caused quite a controversy as it contrasted sharply with the centuries old buildings in the area and in particular the adjacent historic Leadenhall Market.
(51.51247, -0.08172); [280°]