View allAll Photos Tagged multipleexposure
This is an in-camera multiple exposure of a car driving along a road suitably mangled for Sliders Sunday today.
It’s an idea I have had lurking in the back of my mind for a while. The multiple exposure image is converted to polar coordinates. I’ve used GIMP to do the conversion because it gives you many more tweaking options than either Photoshop or Affinity.
I was first introduced to the potential for using GIMP this way by Elisabeth (flic.kr/ps/pFnGP; see for example flic.kr/p/2jg4PzY ). It’s particularly effective on landscapes and cityscapes. Here, though, I wanted to emphasise the rolling wheel idea..
I think the best thing about this is that the idea is no longer lurking lol.
Also for my 100x project about captured motion...
I’ll post an in-camera version of one of the contributing images so that you can see how far we came.
Thank you for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday and Happy 100x!
[Handheld in daylight; a ten-image in-camera multiple exposure.
Developed in Affinity to get the tonal gradient across the image a bit more balanced.
Strengthen the colours (Curves in LAB mode) and sharpened with High Pass/Linear Light and Unsharp Mask.
Into GIMP for the co-ordinate conversion putting the break at the bottom with a black boarder filling in the unmapped space.
Back in Affinity flood-erased the black boarder and placed a white fill layer underneath. Increased the size of the canvas and cropped to a square.
Applied LayerFx to the circle image to give it a drop shadow, to give the impression of circular artwork hung on a wall.]
If you stand still for long enough while looking down the straight, the cars themselves tend to fade into the background as the roar of the engines fills the air around you.
I suspect it’s something to do with the excitement of the race. Failing that it’s the amount of Castrol R you inhaled as you walked around the paddock before the race began.
Petrol head indeed.
Just riding in a car, seeing everything pass by, houses, trees and the eternal light that turns and twists as the car is changing its road. Winter is coming to an end.
my interpretation of the dead trees at Benacre (Suffolk) on a cloudless sunrise....A 3 image ME and ICM at 55mm and 0.8 seconds , blended in camera ....bit out there but I found it strangely compelling :)....thanks for looking
Many photographers, when attending the Goodwood Revival, take care to maintain careful notes of the marques they shoot. Not so yours truly, who gets so excited by a simple steering wheel that all thoughts of later identification evaporate into the billowing clouds of Castrol-R-scented air that settle over the paddock.
13 hand-held exposures representing 49 seconds of Sunday, 9th of September 2018 at the Goodwood Revival.
Looks colder than it was, but still; time to go inside now...
Hand-held; multiple exposure (three frames) in Average mode.
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2021-04-21 @ Yilan County, Taiwan, Rep. of China© copyright by May Lee 廖藹淳
From thedailylumenbox.com New Classic EZ-400 pushed to 1600, shot with Lomo LC-W, developed in Bellini Eco Film (Xtol).