View allAll Photos Tagged multipleexposure
If you stand still for long enough while looking down the straight, the cars themselves tend to fade into the background as the roar of the engines fills the air around you.
I suspect it’s something to do with the excitement of the race. Failing that it’s the amount of Castrol R you inhaled as you walked around the paddock before the race began.
Petrol head indeed.
Just riding in a car, seeing everything pass by, houses, trees and the eternal light that turns and twists as the car is changing its road. Winter is coming to an end.
my interpretation of the dead trees at Benacre (Suffolk) on a cloudless sunrise....A 3 image ME and ICM at 55mm and 0.8 seconds , blended in camera ....bit out there but I found it strangely compelling :)....thanks for looking
Many photographers, when attending the Goodwood Revival, take care to maintain careful notes of the marques they shoot. Not so yours truly, who gets so excited by a simple steering wheel that all thoughts of later identification evaporate into the billowing clouds of Castrol-R-scented air that settle over the paddock.
13 hand-held exposures representing 49 seconds of Sunday, 9th of September 2018 at the Goodwood Revival.
Looks colder than it was, but still; time to go inside now...
Hand-held; multiple exposure (three frames) in Average mode.
Get the full story at Pelcomb Portraits.
L’automne, fall… and the second photo is a Mix of photos of the same place, multiple exposure and superposition.
original photographs, snapseed, procreate, apple pencil— includes three figures from the union street sculptor’s ‘under wraps’ group sculpture, photographed at the 10th palmer sculpture biennial in 2022