View allAll Photos Tagged multiple
Multiple pavement cracks along US 71 north of Mountainburg. This is about a mile south of Artists' Point. Spring rains have damaged the already fragile pavement.
Extreme close-up of multiple-ornament decoration
Camera Used: Canon EOS Rebel T6i
Lens Used: Canon EF-S 18-55mm f/3.5-5.6 IS STM lens
Be sure to join this group I started:
crafted multiples assignment. collaborate with a group to produce multiples of an object using slip casting and hand building. use these multiples to create a collaborative piece. glaze and bisque fired ceramics, shelf. fall 2011.
This is not a photograph of a moment.
In my most recent escapade to the West, my film got stuck in a frame. I must have taken 30 shots on that one frame, maybe more.
I forgot what I tried to capture. Where I was. What I felt. Who was with me.
This one photograph holds time and a few stories of loved ones, strangers, city lights, country roads, the ocean, and maybe one of my reflections.
It is all together, unrecognizable. Beautiful.
Multiple choice:
Incest with Cain and siblings is cool because
a) God was cool with it back then
b)Well, they were at least married first
c)biology didn't work the same back then, so no need to worry about deformities
d)all of the above
If you answered d) theres a brontosaurus burger in Noahs Cafe with your name on it.
NEW YORK, NY - MAY 7: Atmosphere at Multiple Myeloma Research Foundation's Laugh for Life at 583 Park Avenue on May 7, 2019 in New York. (Photo by Owen Hoffmann/PMC) *** Local Caption *** Atmosphere
Tony Stewart is the first and only driver to have won championships in stock cars, Indy cars and open-wheel Midget, Sprint and Silver Crown cars. And his two NASCAR Sprint Cup Series championships made him one of just 15 drivers who have scored multiple Sprint Cup titles.
The Paparazzi Bots is a series of five autonomous robots each standing at the height of the average human. Comprised of multiple microprocessors, cameras, sensors, code and robotic actuators on a custom-built rolling platform, they move at the speed of a walking human, avoiding walls and obstacles while using sensors to move toward humans. They seek one thing, which is to capture photos of people and to make these images available to the press and the world wide web as a statement of culture's obsession with the “celebrity image” and especially our own images. The flash autonomously goes off, capturing people’s photos and elevating them to “celebrity” in a kind of momentary anointing by the robots. The robots also become celebrities through their association to the “famous people” at the exhibition that are captured by the Paparazzi Bots.
Each autonomous robot can make the decision to take the photos of particular people, while ignoring other humans in the exhibition, based on things such as, whether or not the viewers are smiling or the shape of their smile. When the robots identify a person or group they will automatically adjust their focus and use a series of bright flashes to record that moment.
Surveillance technologies straddle a delicate balance that we have in contemporary culture, where we are all photographed without our knowledge by cell phones, hidden cameras and sometimes “celebritized”. This is a kind of modern baptism with the camera flash and the spectacle of being the focus of the camera becoming a kind of techno anointing.
This work explores ideas surrounding the shifting territories of self and machine and how machines can manipulate the other (us) in a grand co-evolutionary dance of emerging robot-human relations.
The recent emergence of social networks and their ability to connect people through software prompts via the world wide web is a prime example of the co-evolution of humans and their intelligent machines. The fact that the software prompts exploit our social needs for connectivity and social space is so easily exploited in this new critical juncture in our emerging machine human relations.
This camera can track your head and be set to take a photo if you smile mildly, medium-smile or pull-a-muscle smile. When set to smile mode, they do seem to prefer even smiles rather than crooked smiles so here the machine is making determinations about issues of "beauty". I have considered holding a robot beauty contest as an addition to this work.
By Ken Rinaldo.
Special Thanks to Shirley Madill curator who invited these works to Toronto for Nuit Blanche
Special Thanks to Amy Youngs the midwife to the birth of these robots.
Thanks to the Dynasty Foundation, Russia and Dmitry Bulatov Curator, for funding this robot Commission.
Thanks to Malcolm Levy who invited the production of three more Paparazzi Bots for the Vancouver Olympics in 2010
Thanks to the College of Arts and Humanities for further funding of this project.
Multiple Westchester fire department on scene of a multi-alarm structure(s) fire. 1 House fully collapsed and one was heavily damaged.
Brad Zimmerman==
Multiple Myeloma Research Foundation's Laugh For Life==
583 Park Avenue, New York, NY==
May 1, 2018==
©Patrick McMullan==
Photo - Sylvain Gaboury/PMC==
==
She kept dressing in layers from the clothes in her closet, so I pulled out her summer clothes and put them in her dress up drawer. She loves to see how many layers she can put on!
The Daily Grill, Palm Desert, California; February 2012
It's not really a multiple exposure, of course.
The Occasional Odd Crop, my photoblog
The Occasional Odd Thought, my tumblelog
Comentarios en español estan bienvenidos.
Commentaires en français sont les bienvenus.