View On Black

Sorrry, another picture of me. I just add to try this, got the idea from this shot by BurlapZack

11/365

Coming out of the shadows

of the past and reaching

to the light that is now

shining in its glory

i realized i am standing all alone,

with the whole world at my disposal;

i searched, i needed somebody

to continue the exploration,

or so i thought; how

naive and so dumb one can become;

wasting precious time

doing nothing other

than wandering through life

i became more confused than before;

unable to run anymore,

i sat down to take stock

and i realized i got

me, myself and I

I learned a lot along the way,

and now my very own best friend

exploring uncharted territories

me myself and I

that’s all i got in the end

that’s what i found out

me, myself and I

first multiple exposure photo experimentation

Multiple.

An air vent on a colourful wall. (034a)

Strike while the iron is hot

Etowah Indian Mounds Historic Site

Home to several thousand Native Americans between 1000 A.D. to 1550 A.D., this 54-acre site contains six earthen mounds, a plaza, village area, borrow pits and defensive ditch. This is the most intact Mississippian Culture site in the Southeastern United States.

Multiple.

built by LIRR about a century ago to carry power to the subs that energized the third rail. taken down in 1980's. Signal power wires still being used long after power lines above were taken down

Trying out multiple exposures with this Friday the 13th style hockey mask. Its visible enough if you look closely. Its a bit hard to get shots right just by myself.

Nikon F4. AF Nikkor 24mm F2.8D lens. ADOX Silvermax 100 35mm B&W film.

Justin at Kats Like Us Tattoos

to compose black block of text.

(uma homenagem pro meu comparsa Hipertipo).

set 13.

Multiple.

For the full story regarding this collection of images Please read the NEW album introduction HERE; www.flickr.com/photos/jbschofield/sets/72157632196706891/... It tells a much fuller story than that provided below.

This is a scanned print from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection consisted of 30,000 prints,20,000 negatives – and copyright! Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them.

I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jims work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work.

You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. It is easier to scan and process a print than check my files - on three different PC's - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine. To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads in this Album – I didn't take them!

None of my photographs are free to use - only free to view!

Please read the album intro’ before contacting me with requests, it may answer your query.

Thank you for taking the time to look and best regards

Mark Schofield

EPSON MFP image

Multiple exposure (multiple = 2 in this case), in camera.

Multiple Choice Test

selfie droplets

Multiple.

Another three frame multiple exposure, this time looking at a rush of fresh water heading out to sea on Nolton Haven, of course!

Tripod-mounted & polarised & probably using a Kood .9 ND Grad. Also the two-second delay is engaged.

Lock and Dam 14

Class 319 dual-voltage electric multiple-unit (EMU) number 319215 (previously 319015) comprised of 77319, 62905, 71786 and 77318 built by BREL York in 1987 or 1988 works 2E35 from West Hampstead Thameslink to Sevenoaks on 6 April 2016 using 750 V direct current (DC) third rail. The previous "Travel the Swiss Way" livery can be seen here and here .

According to Realtime Trains the route and timings were;

W. H'stead Thameslink 1...1220.........................1220 1/4.............RT

West Hampstead Sth Jn...1221..........................1220 1/2.............RT

Carlton Road Junction......1223.........................1222....................RT

Kentish Town Junction.....1223 1/2...................1222 1/2.............RT

Kentish Town [KTN] 1.........1224 1/2/1225........1223 3/4/1225..RT

Dock JunctionNorth..........1226 1/2..................1226....................RT

St Pancras International...1228/1230..............1228/1230.........RT

Farringdon [ZFD] 3.............1234 1/2/1235 1/2..1233/1235..........RT

London Blackfriars 1..........1241/1242................1240/1242.........RT

Elephant & Castle 4...........1245/1246...............1245/1246.........RT

Denmark Hill [DMK] 4........1251 1/2/1252 1/2...1251/1252..........RT

Crofton Road Junction......1253 1/2...................1253 1/2.............RT

Peckham Rye [PMR] 4.......1254 1/2/1255........1254 1/2/1255...RT

Nunhead [NHD] 2...............1257/1257 1/2.........1257 1/4/1258...RT

Catford [CTF].......................1302 1/2/1303........1302/1303.........RT

Bellingham [BGM]...............1305/1305 1/2........1305/1305 3/4..RT

Shortlands Junction...........1310 1/2....................1311 1/4................RT

Shortlands [SRT].................1311/1311 1/2.............1312 1/4/1313......1L

Bromley South [BMS] 3.....1313 1/2/1314 1/2....1314/1314 3/4.....RT

Bickley Junction[XLY].......1318..........................1319......................1L

St Mary Cray Junction.......1319..........................1320.....................1L

Swanley [SAY] 2.................1325.........................1326....................RT

Otford Junction[XOT]........1338.........................1337 1/2..............RT

Sevenoaks [SEV] 3.............1343.........................1344.....................1L

Multiple.

Multiple exposure during a maternity shoot in Bowral.

Nikon F4. AF Nikkor 50mm F1.4D lens. ADOX Silvermax 100 35mm B&W film.

Northern Class 319 electric multiple unit 319 446 is pictured at Preston whilst working 1F07 13:05 Blackpool North - Liverpool Lime Street on August 27th, 2018.

playing with multiple exposure effects yesterday ..10 exposures

Thank you for your comments

Multiple exposure, Pagoda in Pine Valley Ranch Park, Colorado

Created this through one photo. Reversed and changed it upside down along with changing RGB Curves .

One of the pieces in my ap studio art 2d concentration. I wanted to go for a less dark/creepy look, which is what most of my pieces have been like so far. So here it is! :) I'm also aware there is a large flaw to this photo, but if you can't see it than I'm not going to point it out to you.. So embarrassing -___-. Comment/rate/whatever! Post feedback if you can!

Rainy Days collection.