View allAll Photos Tagged multimedia
Lee Kuan Yew, former prime minister of Singapore, watches a multimedia presentation during the book launch of "Lee Kuan Yew: Hard Truths to Keep Singapore Going" in Singapore January 21, 2011. REUTERS/Tim Chong
Thomas Ford B7000.
14:12 | 03.06.2011 | Rancagua, Republica de Chile.
Tipo de Servicio: Privado.
Placa Patente Unica: GV*3083.
Numero de Orden Interno: --- .
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
||○► мвϋѕeѕ◄○|| Þавłô маятïиež © ||
Contacto: mbuses@gmail.com◄◄◄
Le champ des compétences d'un animateur multimédia et ses liens avec les autres secteurs d'activités connexes
Updated Dec 8, 2011
Writer / Social Media Journalist / Multimedia Producer
Student Co-Op Opportunity
NASA invites students working towards degrees in journalism, communications, media relations, science writing, interactive journalism, or broadcast journalism, to participate in our science storytelling program – before you graduate.
You’ll gain on the job experience as you work with a leading team of writers and multimedia producers to create and share content from some of NASA’s most exciting missions: mind-blowing results from the Hubble Space Telescope; breaking solar storm imagery and the emerging field of space weather; new views of the moon from the Lunar Reconnaissance Orbiter; and major stories on our changing planet from NASA’s Earth observing fleet of satellites.
Students wishing to explore the intersection between print, broadcast journalism and social media environments are particularly encouraged to apply.
DUTIES: Writing, editing, pitching, recording, creating, crunching, captioning, surfing, shooting, feeding, porting, posting, designing, updating, networking, texting, tweeting, playing, mashing, and exploring. You’ll collaborate on sophisticated communications campaigns and work on web features, press releases, newsletter articles, press conferences, media interviews, tweet ups, satellite media tours, and video news releases.
REQUIRED: Program is open to both graduate and undergraduate students in matriculated academic programs. Excellent writing skills and personal participation in social media communities required. Experience in newsroom, web, video and multimedia environments desired. We are especially interested in students who are able participate in the program for a minimum of a year. You may work on an alternating semester or quarterly basis and are expected to spend a minimum of three semesters/quarters on the job prior to graduation. This can include a summer tour. You are expected to meet the same employment standards as permanent employees. Applicants must be US citizens and have a strong academic record.
NASA GODDARD CO-OP PROGRAM: This unique program is designed to give promising undergraduate students the opportunity to gain practical experience complimenting their academic studies. You’ll be provided with challenging assignments that are aligned with your academic studies and personal interests. We seek highly motivated undergraduates in variety of fields including journalism, science writing, multimedia production, and corporate communications.
GRADUATE STUDIES: Our graduate studies Co-Op program looks for highly motivated students. Students selected for this program should be entering either their first or second year of graduate studies following this assignment.
Apply: Send a resume and cover letter to Goddard Multimedia [goddard.multimedia@yahoo.com]. Please include the position title “NASA Co-Op” in the email header.
DEADLINE: For best results, apply before January 6, 2012.
APPLY: send resume and cover letter to goddard.multimedia@yahoo.com
–––––––––––––
Check us out:
Twitter: twitter.com/NASAGoddard
Facebook: www.facebook.com/NASA.GSFC
YouTube page: www.youtube.com/user/NASAexplorer
NASA Goddard: www.nasa.gov/centers/goddard/home/index.html
Pics of some of our team in action: www.flickr.com/photos/gsfc/sets/72157611927415946/
Simple multimedia tools to create great content. A note pad, optiFlow pens, colored flag tags, Mp3 recorder/player, Flip video camera,laptop computer, CD/DVD media disks and for tired eyes a magnifier glass. Also the picture taken with a digital camera. These tools will not break the bank and get the job done.
In this image:
NASASocial attendees pose for a group photo in front of the B-2 Test Stand at Stennis Space Center.
More about the Vertical Assembly Center:
The largest spacecraft welding tool in the world, the Vertical Assembly Center officially is open for business at NASA's Michoud Assembly Facility in New Orleans. The 170-foot-tall, 78-foot-wide giant completes a world-class welding toolkit that will be used to build the core stage of America's next great rocket, the Space Launch System (SLS).
SLS will be the most powerful rocket ever built for deep space missions, including to an asteroid and eventually Mars. The core stage, towering more than 200 feet tall (61 meters) with a diameter of 27.6 feet (8.4 meters), will store cryogenic liquid hydrogen and liquid oxygen that will feed the rocket's four RS-25 engines.
Read more:
www.nasa.gov/press/2014/september/nasa-unveils-worlds-lar...
Image credit: NASA/SSC
More about SLS:
More SLS graphics and concepts:
www.nasa.gov/exploration/systems/sls/multimedia/gallery/S...
Space Launch System Flickr album
www.flickr.com/photos/28634332@N05/sets/72157627559536895/
_____________________________________________
These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
she must be on www.flickr.com , if you look to her face (Lukas his first day on school today, so i took some pics, this one i want to share with you..)
Construction in 1912 by architect Marcel Oudin for Mr. Boisselat who was the owner of a store called "A l'economie ménagère".
In 1914 the building was sold to the Magasins Réunis which stayed there up to the 80es.
This building made of concrete is a good adaptation of Art Nouveau to department stores.
At the origins there were many stained glass windows designed by Jacques Grüber but they disappeared along the years. The present ones are copies made in 1991 during the renovation of the building, which now houses the FNAC (books, music and multimedia store).
Sending MMS by self cellphone. A lot of people do that, but a little number think about volume of it.
The day the N800 became friend of the ol' stereo. We use the TV mainly to watch DVDs (satellite tuning: pending). About the library, Quimi uses it much more than ourselves these days. I guess this is normal for busy young parents.
NCAA DII Mens Soccer - 2022 - St Michaels Purple Knights at New Haven Chargers, Charger Gymnasium, West Haven, Connecticut.
Mom & I went on a five day driving trip through Eastern, Oregon.
Some highlights: Outsider Art Monument: Petersen Rock Garden in Redmond (friendliest peacocks I’ve ever met!). The John Day Fossil Area was amazing – the Painted Hills and Sheep Unit. At the latter we went down a trail called something like “Island back in time” and were mesmerized by the strange chalky green rocky landscape with no life growing from it. We were lucking out with 75 and Sunny in a place that can get 110 this time of year. The new Paleontology Museum is very interesting. I became obsessed with touring cyclists and wished I was on my bike. Even saw a group of 4 punk-style riders, with just boxes and blankets strapped to the back of their bikes. We barely made the last tour at the Kam Wah Chung Museum in John Day not knowing that you can only visit with a guide. This old apothecary/store/house set in what once was a Chinatown was really interesting to me. Then on to Baker City, Oregon which is really a great town – I walked around at Sunset and thought about setting up a portable press shop here for a month. We stayed in the Geiser Grand Hotel, which isn’t as expensive as you’d think, and my oh my were those sheets soft. The next day for the firs half of the we visited the National Oregon Trail Interpretative Center a top Flagstaff Hill, 5 miles outside of town. The museum got a thumbs down from me (too general, busy, not into taxidermy horses), But the center and walking trails are worth it and I loved visiting the actual Oregon trail and seeing the old wagon ruts. Mom and I realized that we could visit Hell’s Canyon afterall. I really wanted to go, but we didn’t want to hit gravel roads. We found there was a road to an overlook that we could take on our way to Joseph. We stopped in Halfway, Oregon and I got a chocolate milkshake. At the overlook in Hells Canyon there is a pretty amazing view of the nation’s deepest Canyon. You can’t see the floor or anything, and you feel far away, but it was still beautiful. In Joseph we didn’t like our stinky overpriced smelling cabin or the fact that everyone and their family seemed to be around the Lake in the Wallowas, but I took advantage of the pool/hot tub and beat my mom in Scrabble even though she made two whole words. In the morning we played mini golf at the resort while a couple long haired boys watched us. Mom loves Mini golf! We were going back and forth on whether we should take the Tram to the top of Mt Henry, we heard it was good, but wondering if we should get a move on. But luckily we decided to go. The weather was great and I couldn’t believe the Swiss Gondola style tram went an entire mile up. We were at over 8000 feet! At the top we were greeted by a gopher and a chipmunk, little did we know that we’d meet many more “friends” on our visit up there. We walked around the trails and had a very chipper time. On the way out of Joseph we stopped at the local county museum – I asked the friendly senior ladies what they liked most in the museum. One lady said the electric curler (a scary monstrosity!) and the other lady said a grade school exhibit from the 1905 Lewis & Clark Fair. I myself was amused by the Moonshine exhibit. I gave the one lady a painting I made of the electric curler and she was so pleased! We then drove through a few small towns and headed towards Pendleton, getting loss in La Grande on the way. Pendleton was so much smaller than I thought (all the round-up/blanket hype), but I enjoyed the murals, and my mom and walked on the riverwalk which was buggy at dusk. We played another game of Scrabble where I almost won, until I made a stupid fatal error on my second to last turn. In the morning (Saturday) we walked around town, but nothing was open and we looked like hick tourists. I guess all the action was on Friday night. Finally a few shops opened, but every one seemed to be selling old stuff – some of it good (the Curio shop!) some bad (beanie babies, and romance novel, now really!) And everyone wanted a lot of money for crap. We headed out of town (backtracking a few miles) to go to the Tamástslikt Cultural Institute which in on the Indian Reservation. Right before we stopped for gas, and waited to be served (can’t pump your own gas in Oregon), but no one came, and then we realized, oh on the reservation you pump your own gas! The museum is past the casino that had a full parking lot. The museum lot only had three cars. I was really impressed with the exhibits and design and learned a lot about five Indian groups from the area. Outside it was heating up, planning on getting up to 100, I walked around displays of different kinds of Indian housing.
We then headed down the Gorge towards Portland and watched the scenery slowly change from beige to green. We crossed the toll bridge at Hood River to Bingen to meet my Sister Sarah and 3 ½ year old nephew Andy who were coming on the 6:20 train. They had a long day starting in Mt. Vernon, Washington. We ate at a really good local Pizza place and were glad there was a play area for Andy who had been confined on a train all day with my sister. Sarah and I each had Keylime pie! We stayed at the Bingen School House hostel. Stuart who runs it was very nice and I liked it very much, though the kitchen/common area needs some help. We had our own family room. Unfortunately in the night there was a lot of commotion/terrible human noises which kept me from going to sleep for some time, in the morning we found out that a man was having a life threatening asthma attack. We had no idea what it was, and I got really spooked out. The guy was okay which is good. We had pre-purchased tickets to go on the Hood River Train excursion, not thinking that Sarah and Andy had spent an entire day before on the train. We couldn’t get out of them, so we went anyway. The train ride is pleasant following a river and behind groves the fruit trees and the talk a little about the area over the intercom, but it’s a little pricey for what it is, of course we were in second class (not the upstairs viewing bubble, and trying to keep a 3 ½ year old entertained). But the destination of Parkdale had a secret museum I didn’t know about – the Hutson Museum with the famed rock supper! I had heard about it but never quite figured out where it was. So at last! The museum was run by the collector’s neice, who showed me a fun video of Jesse who was crazy about rocks and wanted to collect one of each kind. Once back in Hood River, we drove around Mt Hood to Hwy 26 and finally hit a huge rain system, the first really on the whole trip. I had hoped to stop in Sandy so Andy could go on a train ride in this man’s backyard, but he was napping, and it was raining, so next time.
Still on the theme of the Oregon Trail, the next day we headed to Oregon City stopping for a brief hike on Elk Island in Milwaukee. The End of the Oregon Trail Museum was such a hit for little Andy. There were so many hands on things, ladies dressed in pioneers, and even the multimedia “Bound for Oregon” film kept Andy’s attention. But it was the Cedar Man who made stuff out of cedar that Andy liked best until he saw the Trolley, which gives free loop rides around town. The driver lady told some stories, let us out to look at the falls, and then we got out up on the bluff to look at John McLouglin’s home (not open) and ride up and down the Municipal Elevator, and then hopped back on the trolley only to hop off again for local cherries for $1 a pound – and good ones at that. The next day, with a free family pass, we headed to OMSI because I wanted to see my nephew Andy in one of the little chipmunk costumes. Andy loved OMSI he ran around from place to place, but especially liked the sand and water areas, and for a little while loved being a little chipmunk. After that I thought it would be fun to take Andy to Sushi World, so he could see the food go around and round. He loved it, Mom wasn’t so into it, Sarah and I enjoyed it. The day ended with my Birthday party in the Park (in a separate photo set.). I sent the family off to the Beach for two days, and they will stop over for one more night before heading back to Minnesota.
Natural abstract artwork reveals a complex history of the coastal dunes in Great Sandy National Park, Cooloola, Queensland:
The charcoal highlight tells of the recent bushfire.
The brown spill of sandy soil tells of the humic layer that has formed on the top of the dunes.
The sepia coloured sand rippled by the cross flow of the onshore wind reveals the aeolian processes that have formed the dunes.
The yellow sand identifies the dominant mineral ingredients of the sand which derives from granite and sandstone ranges inland of a thousand kilometres of coast.
The brightly coloured pieces of rock demonstrate the fragility of the indurations that have occurred as water infiltrates the dunes.
The whitish sand forming the surface of the beach reminds one of the marine life of corals and molluscs now washed up on the beach contributing their skeletal calcium carbonate to the shore.
And the green leaves sprouting from a root remind us of the plant life that seeks to stabilise an otherwise fragile dune system.
This is a photograph from the first running of the Trim AC Bewley's 10 Mile Road Race which was held on Sunday 1st February 2015 at 12:00 in Trim, Co. Meath, Ireland. This race also incorporated the 2015 Meath 10 Mile Road Championships. For the first staging of this event this was an incredible success with almost 800 runners, joggers and walkers talking to the start line. The weather was perfect for running despite the bitter cold temperatures with air temperature of 4C recorded at the start. Some beautiful Spring sunshine helped brighten the day and the roads were clear and dry for racing.
Want to use this photograph or share it? Please read/scroll down a little further to find out how - it's very easy!
The race started on the Trim Athboy Road (the R154) and headed towards the town before making a left turn onto the Trim Dunderry road. The one mile mark comes just after a Y-junction which the race joins back to before the final 600 meters to the finish. Heading north to Dunderry the route takes a left in the middle of the village and heads west for 2 miles on the Dunderry Athboy road. At the next major junction the race takes another left turning south towards Trim town again. One of the only significant hills/drags of the course happens at around the 6.5 mile marker. Miles 7 - 9 are ran on winding roads with nice hedgerows and shelter from any breeze. During these miles you will begin to see the spire of Trim church in the distance. At the Y-Junction from mile one you have 600 meters to go with a final right turn into the industrial estate and the finish line.
The success of today's race is not an accident. Trim AC, and their army of volunteers and help from other Meath athletic clubs, put in huge work to make this race a success.
Today's race adds significantly to Trim AC's reputation for top quality organisation of race events. The 10 mile road race today follows on from the Braveheart 5KM Trail Race which is held annually in June around the beautiful and historical fields of Porchfields and Trim Castle. Today's race could be the begining of one of the region's largest and most popular 10 mile road races.
Are there more photographs from this race? This photograph is part of a larger set of photographs from the Trim AC 10 Mile Road Race 2015. They are available on our Flickr photostream in the album set here www.flickr.com/photos/peterm7/sets/72157650166189770
Trim 10 Mile 2015 Event Page on Facebook: www.facebook.com/events/1519629891656513/?fref=ts (may require Facebook logon)
Trim Athletic Club on Twitter twitter.com/trimathletic
Trim Athletic Club Internet Homepage www.trimac.ie/
GPS Trace of the 10 Mile Route 2015 www.mapmyrun.com/routes/fullscreen/590734250/
Boards.ie Athletics Forum Discussion Thread: www.boards.ie/vbulletin/showthread.php?t=2057321634
Precision Timing Results from the Trim 10 Mile 2015: www.precisiontiming.net/result.aspx?v=2381
Sponsors: Bewley's 1840: bewleys.com/
Read about Bewley's company on Wikipedia: en.wikipedia.org/wiki/Bewley%27s
Trim Athletic Club on Facebook: www.facebook.com/trimathleticclub?fref=ts (may require Facebook logon)
Google Streetview - St. Loman's Hall Registration and Refreshments www.google.ie/maps/place/St+Loman%27s+St,+Trim,+Co.+Meath...
Our photographs from the Trim AC Braveheart 5KM 2014 www.flickr.com/photos/peterm7/sets/72157645195984413/
USING OUR PHOTOGRAPHS - A QUICK GUIDE
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Esta imagem pode ser utilizada livremente por qualquer membro da comunidade do Técnico Lisboa para fins profissionais, tais como trabalhos académicos ou comunicação de eventos ou projetos. Está proibido qualquer tipo de uso desta imagem por indivíduos ou entidades exteriores ao Técnico Lisboa sem consentimento prévio. O uso da imagem implica uma menção ao autor das imagens: Técnico Lisboa. Em caso de dúvidas contacte o Núcleo de Multimedia e E-learning através do email nme@tecnico.ulisboa.pt.
This image can be used freely by any member of the Técnico Lisboa community for professional purposes, such as academic work or communication of events or projects. Any use of this image by individuals or entities outside the Técnico Lisboa without prior consent is prohibited. The use of the image implies a mention of the author of images: Técnico Lisboa. In case of doubt please contact the Multimedia and E-learning Unit through the email nme@tecnico.ulisboa.pt.
Thomas Ford B7000.
14:07 | 03.06.2011 | Rancagua, Republica de Chile.
Tipo de Servicio: Privado.
Placa Patente Unica: GV*3083.
Numero de Orden Interno: --- .
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
||○► мвϋѕeѕ◄○|| Þавłô маятïиež © ||
Contacto: mbuses@gmail.com◄◄◄