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The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
I had to dip my camera (almost) into the water to take this low angle shot. I love the way the clouds are arranged in this frame.
See more pics at Flicker for Kashmir
Chand Minar, Daulatabad Fort
Coming out of the Jain Temple, you cross the pathway to the Chand Minar, a circular tower rising to a height of 210 feet erected by Alauddin II Bahmani in 1435 AD. Its midway gallery is supported by brackets with balustrades all around. Very few of the glazed persian tiles of diamond shape and lapis lazuli color which once decorated the minar can now be seen on it. The top is accessed by a spiral staircase. On the rectangular base, there is a mosque to one side and a Drum-Hall (Nakhar Khana) on the other side.
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
Daulatabad Fort
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments[edit]
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
The third courtyard is where the private quarters of the Maharaja, his family and attendants were built. This courtyard is entered through the Ganesh Pol or Ganesh Gate, which is embellished with mosaics and sculptures. The court yard has two buildings, one opposite to the other, separated by a garden laid in the fashion of the Mughal Gardens. The building to the left of the entrance gate is called the Jai Mandir, which is exquisitely beautified with glass inlaid panels and multi-mirrored ceilings. The mirrors are of convex shape and designed with coloured foil and paint which would glitter bright under candle nights at the time it was in use. Also known as Sheesh Mahal (mirror palace), the mirror mosaics and coloured glasses were "glittering jewel box in flickering candle light". However, most of this work was allowed to deteriorate during the period 1970–80 but has since then been subjected to a process of restoration and renovation. Carved marble relief panels are placed on walls around the hall. The other building seen in the court yard is opposite to the Jai Mandir and is known as the Sukh Niwas or Sukh Mahal (Hall of Pleasure). This hall is approached through a sandalwood door with marble inlay work with perforations. A piped water supply flows through an open channel that runs through this edifice keeping the environs cool, as in an air conditioned environment. The water from this channel was led into the garden. The hall provides enchanting vistas of the Maota Lake, which gives a reflected view of the ramparts and terraces of the fort.
The garden, located between the Jai Mandir on the east and the Sukh Niwas on the west, both built on high platforms in the third courtyard, was built by Mriza Raja Jai Singh (1623–68). It is patterned on the lines of the Chahar Bagh or Mughal Garden. It is in sunken bed, shaped in a hexagonal design. It is laid out with narrow channels lined with marble around a star shape pool with a fountain at the centre. Water for the garden is led from the Sukh Niwas cascades of water channel and also from the cascade channels called the "chini khana niches" that originate from terrace of the Jai Mandir.
With terraced lawns, cascading fountains, paint-box-bright flowerbeds with the panorama of the Dal in front of them - the three Mughal Gardens of Chesmashahi, Nishat and Shalimar are the Mughal Emperors' concept of paradise and are today very popular places for picnics and excursions.
Shalimar Bagh: Built by Emperor Jehangir for his wife Nur Jehan, Shalimar is a beautiful garden with sweeping vistas over gardens and lakes, and shallow terraces. The garden is 539 m by 182 m and has four terraces, rising one above the other. A canal lined with polished stones and supplied with water from Harwan runs through the middle of the garden.
Chand Minar, Daulatabad Fort
Coming out of the Jain Temple, you cross the pathway to the Chand Minar, a circular tower rising to a height of 210 feet erected by Alauddin II Bahmani in 1435 AD. Its midway gallery is supported by brackets with balustrades all around. Very few of the glazed persian tiles of diamond shape and lapis lazuli color which once decorated the minar can now be seen on it. The top is accessed by a spiral staircase. On the rectangular base, there is a mosque to one side and a Drum-Hall (Nakhar Khana) on the other side.
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
Bharat Mata Jain Temple, Daulatabad Fort
A path by the side of the Hathi Hauz leads to the dome-shaped front entrance of the temple. The open courtyard inside had three galleries running on the sides and the front. Only the stumps of the pillars of these galleries are still insitu, the other parts of the pillars and of the roof lie scattered here and there. All that now remains of the Jain Temple is a big hall, the roof of which is supported by 150 stone pillars with decorative carvings of ornamental designs. Probably this celebrated Jain Temple was converted into the renowned mosque said to have been built by Qutb-ud-din Mubarak Khilji in 1318-1319 when he stayed at Daulatabad for a year. There is now a shrine of recent date to Mother India, on the back wall of the majestic hall.
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments[edit]
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
Humayun's tomb is the tomb of the Mughal Emperor Humayun. The tomb was commissioned by Humayun's wife Hamida Banu Begum in 1562 AD, and designed by Mirak Mirza Ghiyath, a Persian architect.
It was the first garden-tomb on the Indian subcontinent.
This photograph is taken with Canon 550D with kit lens.
Thanks a lot for stopping by and looking.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
Daulatabad Fort
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments[edit]
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
The Taj of the Deccan - Bibi ka Maqbara
The Bibi Ka Maqbara (English:"Tomb of the Lady") is a tomb located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal emperor Aurangzeb in 1660 in the memory of his first wife and chief consort Dilras Banu Begum (posthumously known as Rabia-ud-Daurani). It bears a striking resemblance to the famous Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal. It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. He was not very interested in architecture, though he had built the small, but elegant, Pearl Mosque at Delhi. The Bibi Ka Maqbara was the largest structure that Emperor Aurangzeb had to his credit.
The comparison to the Taj Mahal has often obscured its very own considerable charm. Due to the strong resemblance, it is also called the Dakkhani Taj (Taj of the Deccan). The Bibi Ka Maqbara is the principal monument of Aurangabad and its historic city. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), who was the Viceroy of Gujarat. She married Prince Muhi-ud-din (later known as 'Aurangzeb' upon his accession) on 8 May 1637 in Agra. Dilras was his first wife and chief consort, as well as his favourite. She bore her husband five children: Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son.
Three years after her death, in 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as her final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). It is notable that Aurangzeb never raised monumental edifices during his half-a-century reign, but made just one exception, that is, to build the mausoleum of his wife. Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). The Bibi Ka Maqbara bears a striking resemblance to the famous Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth.
Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit. In the following years, her tomb was repaired by her son, Azam Shah, under Aurangzeb's orders. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1660 and 1661 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 6,68,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 7,00,000 for its construction. An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a poor copy of the latter.
The mausoleum is laid out in a Charbagh formal garden. It stands at the centre of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the centre of north, east and western part of the enclosure wall. The high enclosure wall is crenellated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low profile screen wall leads to the main structure. The screened pathway has a series of fountains at its centre.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. The structure is in the form of a hexagon, its angles ornamented with minarets.
Daulatabad Fort
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments[edit]
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
At Wah Cantt near Taxila about 50Km west from Islamabad.
Raja Maan Singh, brother in law of Emperor Jahangir, was a famous Court Chief of Emperor Akbar. He was posted here at Wah from the year 1581 to 1586 to stop the entries of enemies at the place of Attock. During his stay he made a pond surrounded by a structure of twelve doors (Baradari).The Mughal Emperor Jahangir while going to Kabul stayed here on 29 April 1607 and made fishing in the pond.
Daulatabad Fort
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments[edit]
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.
Daulatabad Fort
Daulatabad also known as Devagiri, is a town which includes the Devagiri-Daulatabad fort It is a 14th-century fort city in Maharashtra state of India, about 16 kilometres (9.9 mi) northwest of Aurangabad. The place was originally named Devagiri when it was an important uplands city along caravan routes (ca. sixth century AD), but the intervening centuries have reduced it to a village. However it is also considered to be one of the seven wonders of Maharashtra and a developing tourist spot.
The historical triangular fort of Daulatabad was built by first Yadava king Bhillama V in 1187.
Starting 1327, it famously remained the capital of Tughlaq dynasty, under Muhammad bin Tughluq (r. 1325-1351), who also changed its name, and forcibly moved the entire population of Delhi for two years before it was abandoned for lack of water and Tughluq was constantly known to shift the capital from Delhi to Daulatabad and Daulatabad to Delhi.
There is a belief that Devagiri was built in 1203 AD by a Dhangar or herdsman who acquired vast wealth by his good fortune. He had a brother who was a shepherd named 'Raja Ram' and in correlation with it he assumed the rank of a Raja (King).
Lord Shiva is believed to have been stayed on the hills surrounding this region. Hence the fort was originally known as Devagiri, literally (Hills of Gods)
The area of the city includes the hill-fortress of Devagiri (sometimes Latinised to Deogiri). It stands on a conical hill, about 200 meters high. Much of the lower slopes of the hill has been cut away by Yadava dynasty rulers to leave 50 meter vertical sides to improve defenses. The fort is a place of extraordinary strength. The only means of access to the summit is by a narrow bridge, with passage for not more than two people abreast, and a long gallery, excavated in the rock, which has for the most part a very gradual upward slope.
About midway along this gallery, the access gallery has steep stairs, the top of which is covered by a grating destined in time of war to form the hearth of a huge fire kept burning by the garrison above. At the summit, and at intervals on the slope, are specimens of massive old cannon facing out over the surrounding countryside. Also at the mid way, there is a cave entrance meant to confuse the enemies.
The fort had the following specialities which are listed along with their advantages :
No separate exit from the fort, only one entrance/exit - This is designed to confuse the enemy soldiers to drive deep into the fort in search of an exit, at their own peril.
No parallal gates - This is designed to break the momentum of theconfusing the invading army. Also, the flag mast is on the left hill, which the enemy will try to capitualte, thus will always turn left. But the real gates of the fort are on the right & the false ones on the left, thus confusing the enemy.
Spikes on the gates - In the era before gunpowder, intoxicated elephants were used as a battering ram to break open the gates. The presence of spikes ensured that the elephants died of injury.
Complex arrangement of entryways, curved walls, false doors - Designed to confuse the enemy, false, but well-designed gates on the left side lured the enemy soldiers in & trapped them inside, eventually feeding them to crocodiles.
The hill is shaped like a smooth tortoise back - this prevented the use of mountain lizards as climbers, because they cannot stick on it.
The site had been occupied since at least 100 BCE, and now has remains of Buddhist temples similar to those at Ajanta and Ellora.
The city is said to have been founded c. 1187 by Bhillama V, a Yadava prince who renounced his allegiance to the Chalukyas and established the power of the Yadava dynasty in the west. During the rule of the Yadava king Ramachandra, Alauddin Khalji of Delhi Sultanate raided Devagiri in 1296, forcing the Yadavas to pay a hefty tribute. When the tribute payments stopped, Alauddin sent a second expedition to Devagiri in 1308, forcing Ramachandra to become his vassal.
In 1328, Muhammad bin Tughluq of Delhi Sultanate transferred the capital of his kingdom to Devagiri, and renamed it Daulatabad. Some scholars ague that it the idea behind transfer of the capital was rational, because it lied more or less in the centre of the kingdom, and geographically secured the capital from the north-west frontier attacks.
In the Daulatabad fort, he found the area arid & dry. Hence he built a huge reservoir for water storage & connected it with a far-away river. He used siphon system to fill up the reservoir. However, his capital-shift strategy failed miserably due to lack of application & other factors. Hence he shifted back to Delhi & earned him the moniker "Mad King".
The next important event in the Daulatabad fort time-line was the construction of the Chand Minar by the Bahmani ruler Hasan Gangu Bahmani, also known as Ala-ud-Din Bahman Shah (r. 3 August 1347 – 11 February 1358).
Hasan Gangu built the Chand Minar as a replica of the Qutb Minar of Delhi, of which he was a great fan of. He employed Iranian architects to built the Minar who used Lapis Lazuli & Red Ochre for coloring. Currently, the Minar is out of bounds for the tourists, because of a suicide case.
As we move further into the fort, we can see the Chini Mahal, a VIP prison built by Aurangzeb. In this prison, he kept Abul Hasan Tana Shah of the Qutb Shahi Dynasty of Hyderabad. The antecedents of Abul Hasan Tana Shah, the last Qutub Shahi king are shrouded in mystery. Although a kinsman of the Golconda royals, he spent his formative years as a disciple of renowned Sufi saint Shah Raju Qattal, leading a spartan existence away from the pomp and grandeur of royalty. Shah Raziuddin Hussaini, popularly known as Shah Raju, was held in high esteem by both the nobility and commoners of Hyderabad. Abdullah Qutub Shah, the seventh king of Golconda was among his most ardent devotees. He died in prison leaving no male heir to the throne.
In this Chini Mahal, Sambhaji, son of Shivaji was kept.
Most of the present-day fortification was constructed under the Bahmanis and the Nizam Shahs of Ahmadnagar. The Mughal Governor of the Deccan under Shah Jahan, captured the fortress in 1632 and imprisoned the Nizam Shahi prince Husain Shah.
Monuments
The outer wall, 2.75 miles (4.43 km) in circumference, once enclosed the ancient city of Devagiri and between this and the base of the upper fort are three lines of defences.
Along with the fortifications, Devagiri contains several notable monuments, of which the chief are the Chand Minar and the Chini Mahal. The Chand Minar is a tower 210 ft (64 m). high and 70 ft (21 m). in circumference at the base, and was originally covered with beautiful Persian glazed tiles. It was erected in 1445 by Ala-ud-din Bahmani to commemorate his capture of the fort. The Chini Mahal (literally: China Palace), is the ruin of a building once of great beauty. In it Abul Hasan Tana Shah, the last of the Qutb Shahi kings of Golconda, was imprisoned by Aurangzeb in 1687.