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*Pose available at Caress Poses store on MP*
Caress Poses Marketplace Store
Pack up loneliness, and hello tenderness
I've been waiting for your call for so long
And must've been hard just to follow your soul
To stick to the road that your heart wants you to go
And as you slide through the door
With your morals on your sleeve
I think it's time for all those morals to leave
So let's get down and freaky baby
Let's get restless baby
Come on get crazy with me
And I see when you're loving me, I'm loving you
I love the prowess in the things that you do
And it's your flawless soul that bleeds my stone
And when you're loving me, I'm loving you
And that's when we've got it going on
"A kind of light spread out from her
And everything changed color
And the world opened out
And the day was good to awaken to
And there were no limits to anything
And the people of the world were good and handsome
And I was not afraid anymore "
―John Steinbeck, East of Eden
Please take a look at her version of this,
two portraits of our elves-selves : Oceane here and Me here
-----
To my strong girl, to my light in dark times, to the girl who is unconditionally kind, the girl with the brave heart and smart mind, the girl who supports others with wide arms and a warm smile, the girl whose morals never fall out of line, you deserve everything good and divine.
To the Ying to my Yang, to my Twinnie that I love so deeply ♥
♫ Something Wonderful - Fakear ✨
Wait and see what is on the other side
Trust in me, live it all, make it golden
Why shouldn't we run over these steps and rise?
'Cause you got, you got nothing to lose, you got it all in me
There'll be ups and downs, highs and lows
In the darkest fire, you'll make it snow
You got this, baby, you got this
Keep on trying hard, don't take it slow
You'll be breaking the walls, it'll make it glow
You got this, you got this
There's something wonderful
-----
Note :
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All the poses used in my pictures are made from scratch by me
Taken @ home ♥
No AI
Rotterdam - Willemsplein - Erasmusbrug
Copyright - All images are copyright © protected. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited.
See my "About" page on Flickr for the link to support my efforts... just the price of a cup of coffee is appreciated. Thank you. www.flickr.com/people/jax_chile/
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Thanks for your visit, FAVs, and comments, I truly appreciate it.
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This image may not be reproduced or used in any form whatsoever without my express written permission.
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© Fotografía de John B
© John B Fotografía
© John Edward Bankson
---
Flores de La Serena - 021922 - Enhanced-3
Rice terraces, a couple working together.
"Agriculture is our wisest pursuit because it will, in the end, contribute most to real wealth, good morals & happiness." "The farmer has to be an optimist or he wouldn't still be a farmer." "A good farmer is nothing more nor less than a handyman with a sense of humus."
Brenda Schoepp
"My grandfather used to say that once in your life you need a doctor, a lawyer, a policeman, and a preacher. But every day, three times a day, you need a farmer."
TDT(Copyright 2021) All my images are protected under international authors' copyright laws and may not be downloaded, reproduced, copied, transmitted, or manipulated without my written explicit permission.
Thierry Djallo.
See my "About" page on Flickr for the link to support my efforts... just the price of a cup of coffee is appreciated. Thank you. www.flickr.com/people/jax_chile/
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Thanks for your visit, FAVs, and comments, I truly appreciate it.
----------------------------------------------------------------------------------
Press 'F11' for Large View then 'L' for a Largest View.
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This image may not be reproduced or used in any form whatsoever without my express written permission.
All rights reserved.
© Fotografía de John B
© John B Fotografía
© John Edward Bankson
---
Bird of Paradise 2 - Santa Gemita - 09-2022 - Enhanced-3
This photo was taken at the Kabuki-chou crossing on the Yasukuni Doori avenue. It is a classic location to take photos of Shinjuku.
Kabuki-chou was so named as there was a plan to relocate the Kabuki Theatre from Ginza. The plan did not realise but the name remained. A theatre was constructed instead by the Touhou movie company, which was rebuilt recently as the Godzilla building as you see today.
From the late 16th to early 17th century, there were groups of people who wore outlandish clothes with odd hairstyles, involved in crimes and violence, and violated public morals and government orders. Kabuki originally meant such conducts. They may be a root of Yakuza gangs.
Izumono Okuni (出雲阿国), the founder of Kabuki, invented a dance performance influenced by their fashion and unusual aesthetic sense. Although Kabuki as a theatre-play is gentrified by now, actors' costumes, make-ups and conducts retain the original identity.
Kabuki-cho is said to be the safest gangtown in the world. It is safe as far as you behave properly, but it is a fact that there are offices of Yakuza here and there. Kabuki-cho sounds like a suitable name for the original meaning of Kabuki.
ls projectes per urbanitzar els costers de Montjuïc com a pulmó i espai d'esbarjo de Barcelona daten de principis del segle xx. Fou decisiu en aquesta orientació el fet que la muntanya fos escollida com a escenari de la gran Exposició Internacional de Barcelona de 1929: la direcció de la part urbanística i arquitectònica del projecte fou confiada al prestigiós arquitecte modernista Josep Puig i Cadafalch i els jardins, a Jean Claude Nicolas Forestier i a Nicolau Maria Rubió i Tudurí. El Palau Nacional fou concebut dins aquesta planificació com a palau central de l'exposició i el 1924 fou convocat un concurs per a la seva realització –un cop apartat del projecte, Puig i Cadafalch amb l'arribada de la dictadura de Primo de Rivera (1923)–, que guanyaren els arquitectes Eugenio P. Cendoya, Enric Catà i Pere Domènech i Roura. Estava destinat a allotjar una magna exposició –El Arte en España–,[6] amb més de 5.000 peces i reproduccions representatives de la història de l'art espanyol, que tenia dues extensions, el conjunt arquitectònic del Poble Espanyol, encara actiu, i el Palau d'Art Modern, que s'enderrocà.
L'edifici del Palau Nacional de Montjuïc és obra d'Eugenio Cendoya i Enric Catà, sota la supervisió de Pere Domènech i Roura, desestimant un projecte inicial de Puig i Cadafalch i Guillem Busquets. Presenta una façana principal simètrica, amb un cos central que sobresurt i dos laterals; el cos central està coronat per una cúpula d'estil romà, dominant tot el conjunt de la façana i s'acompanya de dues cúpules més petites als costats. Els quatre angles del gran Saló estan compostos per unes torres de planta quadrada que s'integren a la composició de la façana exterior.[7]
L'obra té una superfície de 32.000 m² i és d'estil classicista, inspirada en el Renaixement espanyol. Té una planta rectangular amb dos cossos laterals i un de posterior quadrat, amb una gran cúpula el·líptica a la part central. Les cascades i brolladors de l'escalinata del Palau són obra de Carles Buïgas. En la mateixa època, es van col·locar nou grans projectors que encara avui emeten uns intensos feixos de llum que escriuen el nom de la ciutat al cel.
Al seu Saló Oval es va efectuar la cerimònia d'inauguració de l'exposició El Arte en España, presidida per Alfons XIII i la reina Victòria Eugènia.
En la decoració del Palau –d'estil noucentista (contràriament al classicisme de l'estructura)– hi intervingueren diversos artistes, com els escultors Enric Casanovas, Josep Dunyach, Frederic Marès i Josep Llimona, i els pintors Francesc d'Assís Galí, Josep de Togores, Manuel Humbert, Josep Obiols, Joan Colom i Francesc Labarta.[8] Des del 1934 és la seu del MNAC.
L'any 1985 es van començar a debatre els primers projectes per rehabilitar l'edifici, però no fou fins al 1990 que van començar les obres de restitució segons el projecte dels arquitectes Gae Aulenti i Enric Steegman. L'any 1992 es va realitzar la rehabilitació de la Sala Oval i la consolidació i adequació estructural parcial de l'edifici, així com la reestructuració de dues sales d'exposicions temporals.[9] Entre 1995 i 2004 el palau va patir diverses reformes i ampliacions a càrrec de Gae Aulenti, Enric Steegman, Josep Benedito Rovira i Agustí Obiol, amb l'objectiu de crear espais per poder encabir totes les obres de la col·lecció.[10] Les obres foren encomanades a Eduard Carbonell, el director del museu en aquell moment.
La zona del palau que va necessitar una reforma més complexa fou l'ala on s'exposa l'art romànic. Es va haver de desmuntar la primera planta, reforçar la cúpula i construir parets noves i plafons, a més de canviar totes les instal·lacions de seguretat. Per tal de garantir unes condicions de conservació favorables (humitat, calor,...) el febrer de 1995 es va haver de traslladar la col·lecció d'absis romànics, sota la supervisió d'Aulenti. L'objectiu de la reforma arquitectònica era «reunir el passat i el present, preservar les necessitats filosòfiques i morals de l'edifici», interessant-se sobretot en el tema de la il·luminació. Per això es van col·locar llums arran de terra enfocant els absis, deixant alguns punts de les sales més enfosquits de manera que es reproduís l'ambient de les esglesioles romàniques. Moltes de les restauracions van ser realitzades per Gianluigi Colalucci i el seu equip, restauradors també de la Capella Sixtina del Vaticà.[11][12]
The Museu Nacional d'Art de Catalunya (Catalan pronunciation: [muˈzɛw nəsi.uˈnal ˈdaɾd də kətəˈluɲə], English: "National Art Museum of Catalonia"), abbreviated as MNAC, is the national museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004.[1] It is one of the largest museums in Spain.
he history of this institution dates back to the 19th century, when, in accordance with the principles that inspired Catalonia's cultural and political Renaixença (renaissance), a movement particularly active in that century, many projects were launched to help revive and conserve the country's artistic heritage. This process began with the establishment of the Museu d'Antiguitats de Barcelona (Barcelona Museum of Antiquities) in the Chapel of St Agatha (1880) and the Museu Municipal de Belles Arts (Municipal Fine Art Museum) in the Palau de Belles Arts (1891), a palace built to mark the occasion of the 1888 Universal Exhibition. A project to install all these Catalan art collections in the Palau Nacional, launched in 1934 under the initiative of Joaquim Folch i Torres, the first director of Catalonia Museum of Art, was frustrated by the outbreak of the Spanish Civil War (1936–1939), when for protection many works were transferred to Olot, Darnius and Paris (where an important exhibit was established). During the postwar period, the 19th- and 20th-century collections were installed in the Museu d'Art Modern, housed from 1945 to 2004 in the Arsenal building in Barcelona's Parc de la Ciutadella, whilst the Romanesque, Gothic and baroque collections were installed in the Palau in 1942.
The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. In 1992 a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004.
Since 2004, the Palau Nacional has once more housed several magnificent art collections, mostly by Catalan art, but also Spanish and European art. The works from that first museum have now been enriched by new purchases and donations, tracing the country's art history from early medieval times to the mid-20th century: from Romanesque, Gothic, Renaissance and baroque to modern art. This heritage is completed by the Gabinet Numismàtic de Catalunya (coin and medal collections), the Gabinet de Dibuixos i Gravats (drawings and engravings) and the library.[1]
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
Echinopsis pachanoi (syn. Trichocereus pachanoi) — known as San Pedro cactus — is a fast-growing columnar cactus native to the Andes Mountains at 2,000–3,000 m (6,600–9,800 ft) in altitude.[2][3] It is found in Argentina, Bolivia, Colombia, Chile, Ecuador and Peru,[4][5] and it is cultivated in other parts of the world. Uses for it include traditional medicine and traditional veterinary medicine, and it is widely grown as an ornamental cactus. It has been used for healing and religious divination in the Andes Mountains region for over 3,000 years.
See my "About" page on Flickr for the link to support my efforts... just the price of a cup of coffee is appreciated. Thank you. www.flickr.com/people/jax_chile/
----------------------------------------------------------------------------------
Thanks for your visit, FAVs, and comments, I truly appreciate it.
----------------------------------------------------------------------------------
Press 'F11' for Large View then 'L' for a Largest View.
----------------------------------------------------------------------------------
This image may not be reproduced or used in any form whatsoever without my express written permission.
All rights reserved.
© Fotografía de John B
© John B Fotografía
© John Edward Bankson
---
Cactus Flower - Stacked - Santa Gemita - 012022 - Enhanced
Who's Next is the fifth studio album by English rock band The Who. It developed from the aborted Lifehouse project, a multi-media rock opera written by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity (...) but the group salvaged some of the songs, without the connecting story elements, to release as their next album.
Who's Next was an immediate success when it was released on 14 August 1971.
One of my all time favorite albums.
Happy 50th anniversary!
(about Won't Get Fooled Again) "Townshend described the song as one "that screams defiance at those who feel any cause is better than no cause". He later said that the song was not strictly anti-revolution despite the lyric "We'll be fighting in the streets", but stressed that revolution could be unpredictable, adding, "Don't expect to see what you expect to see. Expect nothing and you might gain everything".
(From Wikipedia)
"We'll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgement of all wrong
They decide and the shotgun sings the song
I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again..." youtu.be/UDfAdHBtK_Q
♥ You don't teach morals and ethics and empathy and kindness in the schools. You teach that at home, and children learn by example !
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
Bushido refers to the attitudes, morals and behaviours of the samurai. Here is a list of the Bushido codes:
i. Rectitude or Justice
ii. Courage
iii. Benevolence or Mercy
iv. Politeness
v. Honesty and Sincerity
vi. Honor
vii. Loyalty
viii. Character and Self-Control
Posed portrait taken at the Sydney Exhibition Centre at Darling Harbour.
July, 2022
"A 2013 study showed that couples' selections of rooms at love hotels were made by women roughly 90% of the time. The Businesses Affecting Public Morals Regulation Law was amended in 2010, imposing even stricter limitations and blurring the line between regular hotels and love hotels."
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
Tune: www.youtube.com/watch?v=Mac95k85pJw&list=PLH22-xSMERQ...
Use my breath for every line you'll take, when you are lonely, words are holy
A deadly grip on lies, sing to these blood red skies, hail Mary, whisper softly
What you became
Some things never change and so we
We learn from all your hate
We are lost in your mistakes
Play our hymn for the brand new day
We burn, we learned
Here's to your martyr watch her morals bend, an empty story we grow hungry
To reclaim the notes we lend, you cannot win, when saints are glory I'll die slowly
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
Another pair of Japanese cultural icons on the wall of the passageway.
In the right is Hatsune Miku (初音ミク). It was originally the name given to a vocal synthesiser application first released in 2007 by Crypton Future Media Inc.
Later, its anthropomorphic mascot character was promoted as a virtual singer and became an icon of the Japanese Otaku (おたく 御宅) culture that is associated with Manga, Anime, computer games, cosplay and pop idols.
In the centre is a partial copy of the famous woodblock printing in the 19th century by Toushuusai Sharaku (東洲斎写楽) of Segawa Kikunojou III (三代目瀬川菊之丞), a Kabuki “actor” playing the wife of a Samurai. Kabuki is a classical theatre play performed only by men.
Kabuki used to be a negative word for outlaws, rogues, punks etc.
A woman named Izumono Okuni (出雲阿国) invented a dance performance that incorporated their fashions and styles in the early 17th century. It was originally performed by women and became a popular entertainment for the commoners. I suppose it was like cabaret shows in the beginning.
Kabuki was drastically transformed by the government ban in 1629 on women’s performance in Kabuki as the Confucius government thought it was against the public morals. The Kabuki business tried to survive by replacing women with boys, which was also banned.
The present form is their desperate last resort, with which they barely survived.
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
Hahaha, this is about you
Beware, beware, be skeptical
Of their smiles, their smiles of plated gold
Deceit so natural
But a wolf in sheep's clothing is more than a warning
Baa baa, black sheep, have you any soul?
No sir, by the way, what the hell are morals?
Jack be nimble, Jack be quick
Jill's a little whore, and her alibis are dirty tricks
So could you
Tell me how you're sleeping easy
How you're only thinking of yourself
Show me how you justify
Telling all your lies like second nature
Listen, mark my words, one day
You will pay, you will pay
Karma's gonna come collect your debt
Aware, aware, you stalk your prey
With criminal mentality
You sink your teeth into the people you depend on
Infecting everyone, you're quite the problem
Fee-fi-fo-fum, you better run and hide
I smell the blood of a petty little coward
Jack be lethal, Jack be slick
Jill will leave you lonely dying in a filthy ditch
So could you
Tell me how you're sleeping easy
How you're only thinking of yourself
Show me how you justify
Telling all your lies like second nature
Listen, mark my words, one day
You will pay, you will pay
Karma's gonna come collect your debt
Some friends told me that they miss me here so I decided to wish all of you wonderful weekend and an amazing pre-christmas-time!
than a moral. Even when it contains a fossil, it teaches history rather than morals :-)
John Burroughs, "The Gospel of Nature," Time and Change, 1912
HFF!!
rose, 'Dick Clark', little theater rose garden, raleigh, north carolina
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
London, England
“I don't know what London's coming to — the higher the buildings the lower the morals.”
― Noël Coward, Collected Sketches and Lyrics
The only Zen you find on tops of mountains is the Zen you bring there.
Robert M Pirsig.
Robert Maynard Pirsig (born September 6, 1928) is an American writer and philosopher, and the author of the philosophical novels Zen and the Art of Motorcycle Maintenance: An Inquiry into Values (1974) and Lila: An Inquiry into Morals (1991).
He is of German and Swedish descent. His father was a University of Minnesota Law School (UMLS) graduate, and started teaching at the school in 1934. The elder Pirsig served as the law school dean from 1948 to 1955, and retired from teaching at UMLS in 1970. He resumed his career as a professor at the William Mitchell College of Law, where he remained until his final retirement in 1993.
Because he was a precocious child, with an I.Q. of 170 at age 9, Robert Pirsig skipped several grades and was enrolled at the Blake School in Minneapolis. At 15, Pirsig was awarded a high school diploma (in May 1943) and entered the University of Minnesota to study biochemistry that autumn. In Zen and the Art of Motorcycle Maintenance, he described the central character, thought to represent him, as being far from a typical student; he was interested in science as a goal in itself, rather than as a way to establish a career. Source Wikipedia.
What about the value of Granddad's word in today's morals?"
Robert Brault
j c raulston arboretum, ncsu, raleigh, north carolina
I shot this tattered USA flag at an antique store in Yarmouth Port, Cape Cod with my Olympus OMD EM 1ii. Processed with Snapseed and Enlight apps. Our flag will fly forever, our Founding Fathers’ wishes will stay forever, but we need to rise above the current administration’s actions that undermine our moral foundation.
◇ ◆Never Totally Dead - Forgive- The Meat Pie Shop RARE
◇ ◆Never Totally Dead - Forgive Outside Table
◇ ◆Never Totally Dead - Tavern Bench
♪ ♫There's a hole in the world like a great black pit
and the vermin of the world inhabit it
and its morals aren't worth what a pig can spit
and it goes by the name of London...
At the top of the hole sit a privileged few
Making mock of the vermin in the lower zoo
turning beauty to filth and greed...
I too have sailed the world and seen its wonders,
for the cruelty of men is as wondrous as Peru
but there's no place like London!♪ ♫
This isn't the greatest photo as it was just my phone that I used. With the rise of both AI and government surveillance, I don't want to post any photos where someone can be identified with facial recognition software. We live in a very alarming world right now where our freedoms are being taken away.
All the more reason to protest, though. Some of you international artists may have seen that there was a huge showing in several major cities. Our news outlets here are pretty terrified of Trump but even the republican ones like Fox News is still showing his approval rating is low 30s...which makes you wonder how low it actually is. Of course, when they can't win an election, they try to just cheat more and that's exactly what they are doing with new voting restrictions proposed. We don't have three branches of government these days, we have a reincarnated Marie Antoinette who has gotten away with extreme wealth while the constituents suffer.
When Trump was first elected, I thought the worst thing that anyone could do in my country was put children in cages. Now, it's an entire industry. Meanwhile, we're waging a war that initially some Iranians thought might be their chance out of decades of oppression...like one could ever trust the US to do anything on behalf of humanity.
Between the ICE Raids targeting innocent mothers and the lack of nutrition and health care, there's of course the Epstein Files, which it seems obvious Trump's wars are just trying to cover up. When you start to look deeper and see kids on missing person's lists are mentioned, you realize, the rich and powerful likely kidnapped, raped, then murdered some of these children and, unlike in other countries, people have yet to be held accountable here. For years, QAnon thought Trump was just "infiltrating the deep state" of Epstein despite decades of photos and notes that were revealed between the two pedophile friends and they ended up succeeding in electing the pedophile criminal they were so determined was some sort of truth seeker. I don't know how people are so absolutely illogical but there you have it....a lack of education, of believing everything on their screen, of no critical thinking has all culminated into this moment.
So what is going to happen now? Does it mean anything at all to protest peacefully? Probably not. The billionaires in this oligarchy masquerading as a democracy control everything and we've just gone too far down this rabbit hole. They have no morals and have all the power. They will do what they see fit and NOT ask questions later.
So, why protest? Why resist? I guess, for one's own sense of humanity. Continue to object, resist, say no with every cell in your body. Realize that there is an evil presence that has taken over and convinced many of the "religious" people that he is Jesus, as if Jesus ever hung out with billionaires and murdered innocent people. If we are to persist not as Americans but as humans, we must continue to say, "I believe this is wrong." That's all there is to it.
**All photos are copyrighted**
Friendship is an extraordinary mixture that humans feel the need to develop, feel and maintain for a harmonization of group life. It is of a bewitching resonance, making a softness and an ardour of well-being, to live well and especially to communicate well. It surpasses benevolence, which goes far beyond simple behavior and a gracious sympathy customary to good morals. Friendship is this bond woven with tenderness, benevolence, altruism, generosity and especially honesty.
Why are you doing this to me?
Am I not living up to what I'm supposed to be?
Why am I seething with this animosity?
(Hey god) I think you owe me a great big apology
Terrible lie
Terrible lie
Terrible lie
Terrible lie
I really don't know what you mean
Seems like salvation comes only in our dreams
I feel my hatred grow all the more extreme
(Hey god) can this world really be as sad as it seems?
Terrible lie
Terrible lie
Terrible lie
Terrible lie
Don't take it away from me, I need you to hold on to
Don't take it away from me, I need you to hold on to
Don't take it away from me, I need you to hold on to
Don't take it away from me, I need someone to hold on to
Don't tear it away from me, I need you to hold on to
Don't tear it away from me, I need you to someone on to
Don't tear it away from me, I need you to hold on to
Don't tear it, don't tear it, don't tear it, don't tear it, don't
there's nothing left for me to hide
I lost my ignorance, security and pride
I'm all alone in a world you must despise
(Hey god) I believed the promises, your promises and lies
Terrible lie
Terrible lie
Terrible lie
Terrible lie
Terrible lie
You made me throw it all away
My morals left to decay (terrible lie)
How many you betray you've taken everything (terrible lie)
My head is filled with disease
My skin is begging you please (terrible lie)
I'm on my hands and knees, I want so much to believe
www.youtube.com/watch?v=rSjPAwsEXMU
(Inspired by "Terrible Lie" by Nine Inch Nails, off the 1989 album "Pretty Hate Machine)
Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there--on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
carl sagan pale blue dot. 1994
@natthimmel
HSS 😊😊😍
I know that AI has some beneficial qualities, and those I am delighted with. However, I am apprehensive about the harm it may cause.
With heartfelt thanks for your kind visit. Have a wonderful day, stay healthy, stay alert, appreciate the beauty around you, enjoy your creativity, stay safe, and laugh often! ❤️❤️❤️
Rotterdam
Copyright - All images are copyright © protected. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited
Life is full of experiences. We wouldn't be living if we don't have them. It is how we learn. How would we know what life is without them?
To name a few; affectionate experiences, emotional experiences, desire experiences, sensational experiences, traumatic experiences, transformational experiences.
Isn't it amazing how these life experiences shape us into the individuals we are. They shape how we define people different from ourselves.
We can get lost in them. Sometimes we even lose ourselves in them.
I believe each experience we have continuously shape us. I believe we are constantly changing. I believe our core values and morals never change but I am here to testify all of my good and traumatic experiences have shaped me.
Sometimes I forget who I am then I take a breath, look back through my past, the good, bad and ugly and I smile.
I smile because without each loving, joyful, painful experience life wouldn't have been worth living without every experience I've had.
Tonight, I am thinking about the pain I've caused others, I am thinking of the hearts I broke and it saddens me and although these thoughts are painful I am grateful for the experiences because now I know what not to do. Now I know what not to get involved in. Now I know.... Now I know I am no longer.... lost.
I have a home
When others are homeless.
Am I a good person?
I take a bath every day in winter when
Others don't have access to drinking water.
Am I a good person?
I sometimes buy clothes I don't need because they are on sale when others don't have warm clothing or clothes without holes.
Am I a good person?
The people who most need to do art for their mental health cannot afford to do art and I have expensive camera equipment.
Am I a good person?
I have enough to eat for sustenance and I indulge in extra treats like chocolate when others go hungry.
Am I a good person?
I don't believe in violence as an answer but the taxes I pay fund my government's oppression of people all over the world.
Am I a good person?
I travel to different countries for pleasure
While others travel out of necessity to stay alive.
Am I a good person?
I am definitely a person with good intentions. I am also a lonely person, a human amazed by vastness, a philosophical person
and often a devastated person but
Am I a good person?
**All photos are copyrighted**
THE ANIMAL CRUSADE
One day all the sties and burrows opened
And out came the cave-bear the mammoth the seafaring
cormorant, that poetic diving bird, the white-headed vulture
the rock-goat from the mountains, the sea unicorn
You could see by their snouts that they meant business
You could hear by their flapping wings and their burr
They had thrown off their humility, cast down their yoke
once imposed by Adam’s secretive hero
the one with the garden
They were, to cut a long story short, fed up
And the morals of the shotgun had been cast off
the flayed skin of flight had faded
The viper walked tall and the swine wore polaroid glasses
that lent him pleasant looks. The beavers
gnawed down telegraph poles and so cut off any form of communication
Predictably enough, the lion led the way black black
as black gold and gold-coloured as deep black
It was a magnificent procession, blinding to the eye
At the back the unicorn reported as missing, the dodo the passenger pigeon
as well as various viruses and the elated spermatozoids
So the holy animals
travelled the holy world
And do you know how or why?
Oh no, they just went travelling, they didn’t have a flag!
Sometimes ripped up laws out of sheer happiness
or bled a city dry
Now and then trampled on a Jesus
or struck down a prophet or a princess
They were beginning to get tired
Haste no longer necessary
The one day’s deities left the fire
H.H. ter Balkt
Translation: Willem Groenewegen
"We'll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgement of all wrong
They decide and the shotgun sings the song
I'll tip my hat to the new Constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again"
The Who - Won't Get Fooled Again
Head: LeL Evo X
Body: Maitreya Lara X
Hair: DOUX - Ines hairstyle [BASIC PACK]
Ears: L'Etre - Ringed mesh ears
Outfit: [LECASTLE] Hazirol Set LARAX
Jewellery:
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