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The Flatiron bulding in downtown San Francisco, California.

Original photograph.

“When the whole world is silent, even one voice becomes powerful.” - Malala Yousafzai

Did you notice? Lately some crazy moody weather is shaping our every day lives here in Chicago. It’s been transforming our city in various different ways. It is amazing how with just a little fog and haze different corners of the city that are very easily overlooked become magical. This is one of the frames from the pond at Lincoln Park shot at 8am, 2h after the sunrise. I left the Ulysses S. Grant Monument in the frame as a clue that this is indeed shot in the middle of the city. What do you think?

Another Shot from my series of light and shadows.

I took this photograph in 2018

Part of my 'Duffus Castle through the seasons' project.

 

601314487fe3c.site123.me/

 

The castle is situated on the Laich of Moray, a fertile plain that was once the swampy foreshore of Spynie Loch. This was originally a more defensive position than it appears today, long after the loch was drained.

 

The motte is a huge man-made mound, with steep sides and a wide ditch separating it from the bailey. The whole site is enclosed by a water-filled ditch, which is more a mark of its boundary than it is a serious defensive measure.

Duffus Castle was built by a Flemish man named Freskin, who came to Scotland in the first half of the 1100s. After an uprising by the ‘men of Moray’ against David I in 1130, the king sent Freskin north as a representative of royal authority.

 

He was given the estate of Duffus, and here he built an earthwork-and-timber castle. Freskin’s son William adopted the title of ‘de Moravia’ – of Moray. By 1200, the family had become the most influential noble family in northern Scotland, giving rise to the earls of Sutherland and Clan Murray.

In about 1270, the castle passed to Sir Reginald Cheyne the Elder, Lord of Inverugie. He probably built the square stone keep on top of the motte, and the curtain wall encircling the bailey. In 1305, the invading King Edward I of England gave him a grant of 200 oaks from the royal forests of Darnaway and Longmorn, which were probably used for the castle’s floors and roofs.

   

Pruebas de revelado desde negativos. Duplicado con Olympus EM5, Macro 60mm Olympus, procesado con NegSet, LRC y Nik. www.blastovar.com

Yucatán, MÈXIC 2017

I get this feeling I may know you as a lover and a friend.

But this voice keeps whispering in my other ear,

Tells me I may never see you again.

CTF Finance Center Building

( #Guangzhou, #Guangdong, #China. #Photograph by #GustavoThomas © #2018)

 

Black and White photography

© Rien Gieltjes

 

My posts are also on Instagram.

www.instagram.com/fineartview/

Gemälde im Hintergrund von Xenia Hausner

Part of my 'Duffus Castle through the seasons' project.

 

601314487fe3c.site123.me/

 

The castle is situated on the Laich of Moray, a fertile plain that was once the swampy foreshore of Spynie Loch. This was originally a more defensive position than it appears today, long after the loch was drained.

 

The motte is a huge man-made mound, with steep sides and a wide ditch separating it from the bailey. The whole site is enclosed by a water-filled ditch, which is more a mark of its boundary than it is a serious defensive measure.

Duffus Castle was built by a Flemish man named Freskin, who came to Scotland in the first half of the 1100s. After an uprising by the ‘men of Moray’ against David I in 1130, the king sent Freskin north as a representative of royal authority.

 

He was given the estate of Duffus, and here he built an earthwork-and-timber castle. Freskin’s son William adopted the title of ‘de Moravia’ – of Moray. By 1200, the family had become the most influential noble family in northern Scotland, giving rise to the earls of Sutherland and Clan Murray.

In about 1270, the castle passed to Sir Reginald Cheyne the Elder, Lord of Inverugie. He probably built the square stone keep on top of the motte, and the curtain wall encircling the bailey. In 1305, the invading King Edward I of England gave him a grant of 200 oaks from the royal forests of Darnaway and Longmorn, which were probably used for the castle’s floors and roofs.

   

Leica M9 and Voigtländer Nokton 35mm f1.2 in Augsburg

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