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This is the GoodFET's monitor client, which is used to debug the host board, rather than a target board.
Es el tipo monitor y el segundo blindado (acorazado) a flote más antiguo del mundo después del HMS Warrior (1860) Capturado por chile en la guerra del pacifico 1879
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It is the monitor type and the second oldest afloat armored (battleship) in the world after HMS Warrior (1860) Captured by Chile in the Pacific War 1879
Clouded Monitor Lizard
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By: Tontan Travel
Link: www.tontantravel.com/
THE AIR DOMINANCE CENTER, May 11, 2015 - A surveillance technician from the Georgia Air National Guard's 117th Air Control Squadron monitors radar data emitted from aircraft flying in the Sentry Savannah 15-2 exercise from an operations module at The Air Dominance Center.
Sentry Savannah is a National Guard Bureau sponsored training event with a focus on Joint Dissimilar Air Combat Training and 5th Generation Fighter Integration. It offers a chance for fighter pilots to participate in war simulations that depict what they would face in real-world scenarios.
(Georgia Air National Guard photo by the 116th Air Control Wing Public Affairs | released)
(Note: A portion of the photo is blurred and the name of the military member has been withheld for security purposes)
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right side cleaned(rubber surround)with some 3m wet silicone lubricant. notice how dark it is? And yes it was as dirty as the left side speaker was. now it is soft and pliable again. the silicone lubricant helps to restore the rubber, and extends it life.
Both speakers are now cleaned with the lube,
How i did it was i sprayed some into a small medicine bottle. Catching any overspray with a paper towel by covering the mouth. Then using a q-tip to apply the lube then subsequently scrubbing it(q-tip)
The night time cutting of a 400mm thick reinforced concrete wall using a diamond tipped cutting disc on a rail.
As always NEoN celebrates its festival with a late night party. Acts include Plastique Fantastique, Verity Brit & Musician U, Fallope & The Tubes and Resident DJ RHL. With a pop up bar and performances amongst our large group exhibition the vast factory space West Ward Works, this night promises to be a visual audible delight.
Plastique Fantastique (UK)
A performance fiction envisaged as a group of human and non-human avatars delivering communiqués from the past and the future. The communiqués are channelled through installations, writing, comics and sound and moving image work and performances, addressing technology, popular and mass media and sacred cultures and also human-machine animals and non-human entities and agents. Over several years, numerous people have produced Plastique Fantastique but there is also a core group producing the performance fiction. Plastique Fantastique was first presented by David Burrows and Simon O’Sullivan and developed with long-term collaborators Alex Marzeta and Vanessa Page, and more recently with Mark Jackson. For NE0N 2017, this group will call forth and trap a bit-coin-fairy-spirit to ask it seems questions. The performance – Plastique Fantastique Protocols for the Society for Cutting Up Mun-knee-snakers (S.C.U.M.): I-Valerie-Solaris-AKA-@32ACP-Amazon.co.uk-recommends-‘Pacific-Rim’ may/may-not shoot b1t-c0in-f@iry-sp1r1t) – uses drone-folk-songs, moving image projection, reliquaries and ritual to manifest the block-chain-spirit.
David Burrows, Alex Marzeta, Vanessa Page and Mark Jackson will be performing.
Rites of the Zeitgeber, Verity Brit & Musician ‘U’ (UK)
9 channel video installation, live score performed by musician ‘U’
The Zeitgeber (‘time giver’ or ‘synchroniser’) is honoured by a triadic henge of stacked CRT monitors in which past durations collide with future vacuums. Strange extra-terrestrial topographies are traversed across geological time and the internet. Curious substances are unearthed and lost languages resurrected. Fragments from Mina Loy, J. G. Ballard and Henri Bergson emerge amongst an archaeology of media from Super 8, VHS, to HD. Time bends from matter, history is up-set and the clock is obsolete.
Verity Birt an artist based in London. She studied an MA in Moving Image at the Royal College of Art (2013–2015) and BA in Art Practice at Goldsmiths University of London (2008–2011). She is involved with collaborative research groups; The Future is a Collective Project, Reconfiguring Ruins and a founding member of women artists collective Altai. This summer, Verity was artist in residence at BALTIC and The Newbridge Project in Newcastle. Previous exhibitions include: Our House of Common Weeds; Res. Gallery, London (2017); Relics from the De-crypt | Gossamer Fog Gallery London (2017), Altai in Residence, Experiments in Collective Practice, Dyson Gallery, London (2017); Chemhex Extract, Peacock Visual Arts, Aberdeen (2016); Feeling Safer, IMT Gallery, London and Gallery North, New York (2016); Come to Dust, Generator Projects, Dundee (2016)
Fallopé & The Tubes (UK)
A weirdo-punk performance band. Each live show features live humans! film and visuals! costumes! sculpture! visual props! and music/a sequence of sounds!
Fallopé and The Tubes is a fluctuating live musical and performative event with contributions from Sarah Messenger, Ruby Pester, Nadia Rossi, Rachel Walker, Catherine Weir, Emma McIntyre and Skye Renee Foley. The group are made up of Scottish based artists and musicians that are also filmmakers, festival organisers, librarians, boatbuilders and more who work collaboratively to devise live performances. Drawing influence from a wide range of fringe and mainstream musical genres, exploring sexuality, elements of social satire, self promotion and leftist political ideologies.
The group was established in January 2014 at Insriach Bothy, Aviemore and have developed their practice during numerous residency experiences across Scotland. By living and working together ‘off grid’ the group have developed experimental techniques to create a collective energy. Fallopé & The Tubes draw influence from a wide range of fringe and mainstream musical genres, as well as sexuality, elements of social satire and self promotion and leftist political ideologies. Soakin Records
DJ RHL (UK)
Resident NEoN DJ has been entertaining us since 2010. Djing for about 25 years, he predominately plays Techno but you often find him playing anything dance music related. Spinning old school vinyl sets containing an eclectic mix of old and new stuff. RHL just likes making people dance. Check here for past performances.
Accompanying DJ RHL is ‘The Wanderer‘ aka Naomi Lamb. Naomi works layers of diverse video loops into an ever evolving collage colours textures and shape and intuitively mixies visuals live. She improvises, freestyles and channels the room, customising the ephemeral moving collage in response to the tone of the happening.
For the past 20 years Naomi has been a prolific live video art performer utilising techniques and process that is often associated with the ever growing subculture of VJing and presents under the name of ‘The Wander’. Naomi has an intimate knowledge of not only the process of live video performance but also an wide reaching connections within the VJ community and has performed at many of the leading outdoor music and art festivals in New Zealand with a debut at two English Festivals this summer and she is super please for her first time mixing it up in Scotland to be at NEoN. “
AGK Booth
Yuck ’n Yum hereby invites you to attend the Annual General Karaoke booth at this year’s NEoN at Night. The AGK is a fiercely contested karaoke video competition, getting creative types to make videos that will shock, delight and confound its audience. First staged back in 2010, over the years the AGK has built up a sizeable back catalogue of singalong anthems encompassing everything from pop classics to the most extreme avant garde out there. Now Yuck ’n Yum will bring the AGK archive to NEoN revellers in an audiovisual extravaganza that will overturn everything you ever thought you knew about karaoke convention. This November, Yuck ’n Yum together with NEoN are making a song and dance about it.
About the Artists Yuck ‘n Yum is a curatorial collective formed in Dundee 2008. Until 2013 its main raison d’etre was to make zines and distribute art. The AGK booth is the first of three projects that will kick start a period of activity after a couple of years of hibernation.
Yuck ‘n Yum are Andrew Maclean, Gayle Meikle, Ben Robinson, Alexandra Ross, Alex Tobin, Becca Clark and Morgan Cahn.
WEST WARD WORKS
Guthrie Street
DD1 5BR
Images: Kathryn Rattray Photography
How to monitor Nginx web server from the command line in real time
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Not quite since this doesn't go all the way to black and all the way to white. This is an abstract image of the column of a water tank. It's actually the column of a Fluted Column Elevated Storage Tank or a Fluted Pillar Tank. Be on the lookout for them because they have very nice shadows around mid day., probably other times of the day are good but I just happend to drive by this one at noon and noticed how the white was going into the dark and the dark was going into the white. Here are some images of other storage tanks in a Google Image search goo.gl/ytjDbl
After some fighting with linux I got 2 screens on linux and 2 on Mac OS X now, wee surrounded by LCD goodness.
Heute, nach nur 36 Stunden nach der Bestellung kam mein neuer 24" Monitor von BenQ an. Da ich von heute an zu Hause arbeiten werde ist das schon sehr praktisch einen großen Monitor zu haben.
Today, after only 36 hours, my new 24" BenQ monitor has arrived. I'm now working from home, so it's cool to have a big monitor to work with.
Idag, efter bara 36 timmar efter beställningen hos www.inet.se (vad jävla snabb de är) kom min nya 24" BenQ monitor. Jag ska jobba hemifrån nu, så det är bra att ha en stor och fin monitor att jobba på.
Dual 23" monitors. Printer, filing cabinet, GTD Inbox, and big volume knob all within an arm's reach. Emergency Sam Adams Octoberfest for the extra tough jobs.
The permanent cables are threaded and attached, and then tensioned. This crew member is monitoring the tensioning loads.
Licensed for all uses by TriMet.
Radiation portal monitors are now installed at every port of entry along U.S. northern and southern borders. All vehicles and cargo entering the U.S. via the RPMs are scanned for radioactive materials.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.
The Mariners' Museum is located in Newport News, Virginia. Designated as America’s National Maritime Museum by Congress, it is one of the largest maritime museums in North America.
The museum was founded in 1930 by Archer Milton Huntington, son of Collis P. Huntington, a railroad builder who brought the Chesapeake and Ohio Railway to Warwick County, Virginia and who founded the City of Newport News, its coal export facilities, and Newport News Shipbuilding in the late 19th century.
The Mariners' Museum is home to the USS Monitor Center. In 1973, the wreck of the ironclad USS Monitor, made famous in the Battle of Hampton Roads in 1862, during the American Civil War, was located on the floor of the Atlantic Ocean about 16 miles southeast of Cape Hatteras, North Carolina. The wreck site was designated as the United States' first national marine sanctuary. Monitor Sanctuary is the only one of the thirteen national marine sanctuaries created to protect a cultural resource, rather than a natural resource or a mix of natural and cultural resources.
The Monitor National Marine Sanctuary is now under the supervision of the U.S. National Oceanic and Atmospheric Administration. Many artifacts from Monitor, including her innovative turret, propeller, anchor, engine and some personal effects of the crew, have been brought to the museum. For several years, they were conserved in special tanks to stabilize the metal. The new USS Monitor Center officially opened on March 9, 2007, and a full-scale replica of the Monitor, the original recovered turret, and many artifacts and related items are now on display. Current efforts are focused on restoring the engine.