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This shot has been entered in the "Beloved" theme at JPG Magazine. If you're a fan, please vote for it here!
While there's no denying that MOMA is a great place to visit for the art, its also one of my absolute favorite places to shoot as well. This particular shot was taken on a reasonably busy day on the benches just past the entrance ropes where they take your ticket. The woman was waiting for someone and looking extremely bored in the process.
hanging out in the soon to be Paige's room. sorting through all Danes baby cloths
I don't understand why so many people are viewing this one ? Thanks for looking
Shot on a crazy day and edited on another crazy day! And MoMA turned this way!
black background is better!
"Dance (I)," Henri Matisse (1909)
Miscellaneous photos from a recent visit to the Museum of Modern Art in New York City.
5 of 10 oh, now this young man...
Mark Rothko American, born Russia ( now Latvia). 1903 - 1970
No. 16 (Red, Brown, and Black) 1958
Oil on canvas
Mrs. Simon Guggenheim Fund, 1959
In 1943, Rothko, with his friend the painter Adolph Gottlieb, wrote several philosophical statements that would continue to guide his painting for years to come: “We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.” The scale and surface of this painting reflect these ideas. Rothko abandoned traditional Renaissance three-point perspective, which conceives of the canvas as a window onto another world. Multiple glazes of dark pigments of varying opacity result in a picture surface that seems flat yet quivers and vibrates, offering a sense of atmospheric depth. Rothko hoped that these compositional strategies would invite visual and emotional contemplation, creating the conditions for silence and reflection.
From the Placard: MoMA Museum of Modern Art, New York, NY
bigger at joe's nyc
Someone on my blog asked -- yes, this is a full-size room filled with art/furniture. I shot it from a floor or two above.
Sarah with me at the moma, From my Book " The Boy with the Russian Camera". Photo taken with a lomography Lc-A+.
Ian and I went to a free Friday at the MOMA last week, and while we were hanging out people-watching in the room with the video exhibit, a group of people started doing yoga in front of us. Naturally, I needed a video of this, especially to capture the woman in the gold leotard. SERIOUSLY.
I really enjoyed the Museum of Modern Art (MOMA)! They have such a fantastic collection, although it was extremely crowded the day we were there.
I usually like to take horizontal shots, but this space suggested I use vertical. MOMA had interesting architectural spaces including this one that opened on a large open space. I initially wanted a picture with no one on the stairwell, but decided it was more interesting with a person. I like the lines, but wish the glass didn’t reflect so much.
Jessica Rosenkrantz, Jesse Louis Rosenberg. Nervous System (usa, est 2007)
Museum of Modern Art, MOMA NYC 2015
Kinematics Dress, Laser-sintered nylon and digital applications.
"Working at the intersection of math, science, and technology, designers Jessica Rosenskrants and Jesse Louis Rosenberg, study patterns inherent to organic forms, using them as blueprints for man-made printed materials. Kinematics is a branch of classical mechanics that investigates the motion of points and objects, a term adopted by the designers for their 4D printed system. The dress consists off over three thousand unique parts that have been combined into one complete, complex assemblage in a 3D printer. To produce the dress, the client's body is imaged through a 3D scan, onto which the garment surface is then digitally tessellated into triangular shapes that hinge together (the smaller the triangles, the more flexible and likely to drape the fabric will be). The tessellation is compressed to fit the volume of the 3D printer and the form is generated using a selective laser sinter process that binds nylon powder into concrete forms. This method allows garments to be customized based on client's individual body shapes and aesthetic desires".
Museum of Modern Art, MOMA NYC 2015
@ MoMA
This lady, seemed as she was having a flash-back of her life, her career, her old boyfriend perhaps, everything that belonged to her...were so darn treasured i believe...
yet, she closes her eyes NOT to remember of those broke her lil' heart.
Another inevitable flash-back in 10 years later, WHICH I AM SURE that she is highly likely to remember the ones that she promised herself NOT to remember....
Will it then bring a smile back on her face......?
le momoires...
Regardless how painful it was ...
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........
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photographed by TEKkiz