View allAll Photos Tagged moerschse5
Cemetery, Wisconsin Av., Washington D.C.
Camera: Olympus 4, Lens 35-70mm
Film: Tri-X 400, 35mm
Development:
Paper: Forte FB Polywarmtone
Chemistry:Lith 1-50 dilution Moersch SE5
Exposure: F.8, 80secs
Development Time: 9 minutes
München, Oktoberfest, Wies´n, Lithprint, Moersch SE5 auf Moersch VC Sepia Select, Hasselblad XPan, 4/45mm
Mamiya C330 , 80 mm sekor, ilford delta 100 , DDX , Kentmere warmtone VC fineprint , Moersch SE 5 45/45/5 , selenium
Lith Print
Paper: Agfa Cykora "Kasmir" surface, 8x10, exp. 1941
Developer: Moersch SE5 1:15 for ~8-10 min.
Untoned
Camera: Holga 120N
Film: Ilford Hp5+
Karneval in Bedburg, Februar 2018
Nikonos-V, 2,5/35 mm, Ilford HP5+ mit 800 ASA, in Moersch efd entwickelt
printed on Fomatone MG Classic 131
Moersch SE5 (Lith) (50A+50B+10D+900 H2O),
4 min XX sec
Omega 1:200, 1 min
Selen 1+ 9, 1 min
Gold (Moersch MT10), 90 sec
Lobostab, 1 min
3041_27_I_Gefieder
Lith Print
Paper: GAF Ansco Allura "K" (lightly grained lustre), 8x10, (no date, post 1967 because of the GAF/Ansco name change)
Developer: Moersch SE5
Untoned
Camera: Holga 120N w/hot shoe flash
Film: Ilford Hp5+
Ansco Allura paper was a high speed chlorobromide paper designed specifically for portrait photography. It was available in one grade and 5 different surface. I obtained a small quantity of it (10 sheets) from ebay a while back and recently got around to using it. It responded very well to the Moersch chemistry giving bright orange and yellow midtones and dark blacks. Because of the limited amount of paper I had, each print was the first and final print.
Lith Print
Paper: Kodak Ektalure X (tweed texture) 8x10, expired 1983
Developer: Moersch SE5
Toner: Ilford Selenium 1:4
Camera: Bronica SQ-A, 80mm 2.8
Film: FP4+ in ID-11
Lighting: only a 200 watt clear incandescent light bulb
Lith Print
Paper: GAF Ansco Allura "K" (lightly grained lustre), 8x10, (no date, post 1967 because of the GAF/Ansco name change)
Developer: Moersch SE5
Untoned
Camera: Holga 120N w/hot shoe flash
Film: Ilford Hp5+
Ansco Allura paper was a high speed chlorobromide paper designed specifically for portrait photography. It was available in one grade and 5 different surface. I obtained a small quantity of it (10 sheets) from ebay a while back and recently got around to using it. It responded very well to the Moersch chemistry giving bright orange and yellow midtones and dark blacks. Because of the limited amount of paper I had, each print was the first and final print.
Lith Print
Paper: GAF Ansco Allura "K" (lightly grained lustre), 8x10, (no date, post 1967 because of the GAF/Ansco name change)
Developer: Moersch SE5
Untoned
Camera: Holga 120N w/hot shoe flash
Film: Ilford Hp5+
Ansco Allura paper was a high speed chlorobromide paper designed specifically for portrait photography. It was available in one grade and 5 different surface. I obtained a small quantity of it (10 sheets) from ebay a while back and recently got around to using it. It responded very well to the Moersch chemistry giving bright orange and yellow midtones and dark blacks. Because of the limited amount of paper I had, each print was the first and final print.
Lith Print
Paper: Agfa Brovira "Crystal White #7171" exp. 1939 double wt.,
Developer: Moersch SE5 1:15 @ 75 °F
Film: Arista Premium 400 (Tri-X)
Camera: Canon A1 50mm 1.4
Despite being almost 75 years old, this paper performed very well with nice infectious development. There was some discoloration around the edges due to oxidation but nothing serious. The first print developed unevenly with a big white line down the middle. Therefore, I used a prebath of water (2 min) before developing to fix this.
The paper is very heavy at a measured 326 gsm! The packaging said the paper has a white base but is was a strong ivory tone, most likely due to aging. The surface texture "Crystal" is very unique unlike any other paper I've used before. It's most similar to the old Kodak "K" (high luster) or the more modern Kodak "E" luster.
Lith Print
Paper: Agfa Brovira "Crystal White #7171" exp. 1939 double wt.,
Developer: Moersch SE5 1:15 @ 75 °F
Film: Arista Premium 400 (Tri-X)
Camera: Canon A1 50mm 1.4
Despite being almost 75 years old, this paper performed very well with nice infectious development. There was some discoloration around the edges due to oxidation but nothing serious. The first print developed unevenly with a big white line down the middle. Therefore, I used a prebath of water (2 min) before developing to fix this.
The paper is very heavy at a measured 326 gsm! The packaging said the paper has a white base but is was a strong ivory tone, most likely due to aging. The surface texture "Crystal" is very unique unlike any other paper I've used before. It's most similar to the old Kodak "K" (high luster) or the more modern Kodak "E" luster.
Lith Print
Paper: Kodak Ektalure X (tweed texture) 8x10, expired 1983
Developer: Moersch SE5
Toner: Ilford Selenium 1:4
Camera: Bronica SQ-A, 80mm 2.8
Film: FP4+ in ID-11
Lighting: only a 200 watt clear incandescent light bulb
Lith Print
Paper: Kodak Ektalure "G" 8x10, exp. 1995
Developer: Moersch SE5 1:15, 2 L Old Brown + 0.5 L New Developer 1:15
Untoned
Camera: Holga 120N
Film: Ilford Hp5+
This Ektalure gave a very saturated yellow-orange tone in very exhausted developer.
Pizza Chef, Montgomery County Agricultural Fair 2009.
Kodak Tri-X 400, 120mm, Mamiya RB67.
Paper Forte Polywarmtone RC. Exposed F11, 60 secs (Enlarger) Develope on Moersch SE5 Lith (28C Temperature), 5 minutes. Dilution 1-150
Lith Print
Paper: GAF Ansco Allura "K" (lightly grained lustre), 8x10, (no date, post 1967 because of the GAF/Ansco name change)
Developer: Moersch SE5
Untoned
Camera: Holga 120N w/hot shoe flash
Film: Ilford Hp5+
Ansco Allura paper was a high speed chlorobromide paper designed specifically for portrait photography. It was available in one grade and 5 different surface. I obtained a small quantity of it (10 sheets) from ebay a while back and recently got around to using it. It responded very well to the Moersch chemistry giving bright orange and yellow midtones and dark blacks. Because of the limited amount of paper I had, each print was the first and final print.
Montgomery County Agricultural Fair 09
Camera Mamiya RB 67, Kodak Tri-X 400 Medium Format.
Enlarger: 1:15 min Exposition, F 11. Paper: Forte Polywarmtone RC. Moesrch SE5 diluted 1 to 30. 12 minutes
Lith Print
Paper: Agfa Cykora "Kasmir" surface, 8x10, exp. 1941
Developer: Moersch SE5 1:15 for ~8-10 min.
Untoned
Camera: Holga 120N +External Flash
Film: Ilford Hp5+
Lith Print
Paper: Kodak Ektalure X (tweed texture) 8x10, expired 1983
Developer: Moersch SE5
Toner: Ilford Selenium 1:4
Camera: Bronica SQ-A, 80mm 2.8
Film: FP4+ in ID-11
Lighting: only a 200 watt clear incandescent light bulb
Lith Print
Paper: Agfa Cykora "Kasmir" surface, 8x10, exp. 1941
Developer: Moersch SE5 1:15 for ~8-10 min.
Untoned
Camera: Holga 120N
Film: Ilford Hp5+
Lith Print
Paper: Agfa Brovira "Crystal White #7171" exp. 1939 double wt.,
Developer: Moersch SE5 1:15 @ 75 °F
Film: Arista Premium 400 (Tri-X)
Camera: Canon A1 50mm 1.4
Despite being almost 75 years old, this paper performed very well with nice infectious development. There was some discoloration around the edges due to oxidation but nothing serious. The first print developed unevenly with a big white line down the middle. Therefore, I used a prebath of water (2 min) before developing to fix this.
The paper is very heavy at a measured 326 gsm! The packaging said the paper has a white base but is was a strong ivory tone, most likely due to aging. The surface texture "Crystal" is very unique unlike any other paper I've used before. It's most similar to the old Kodak "K" (high luster) or the more modern Kodak "E" luster.
Lith Print
Paper: Agfa Brovira "Crystal White #7171" exp. 1939 double wt.,
Developer: Moersch SE5 1:15 @ 75 °F
Film: Arista Premium 400 (Tri-X)
Camera: Canon A1 50mm 1.4
Despite being almost 75 years old, this paper performed very well with nice infectious development. There was some discoloration around the edges due to oxidation but nothing serious. The first print developed unevenly with a big white line down the middle. Therefore, I used a prebath of water (2 min) before developing to fix this.
The paper is very heavy at a measured 326 gsm! The packaging said the paper has a white base but is was a strong ivory tone, most likely due to aging. The surface texture "Crystal" is very unique unlike any other paper I've used before. It's most similar to the old Kodak "K" (high luster) or the more modern Kodak "E" luster.