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Activated modules of fire and rain.
These animation loads the cpu, so usually they're stopped, but they are too beautiful
Desktop background is animated too: the central logo switch from blue to red and viceversa when mouse pass over it
I finally went out to take some pictures for the last module of this camera school. I've been very busy, with shooting a bunch of other things while trying to balance it out with my exams. (I shot a couple concerts, and my school's basketball team has asked me to be their photographer, after shooting a couple of their matches.
So, this is what I've come up with. I'm not sure what to pick and help would be appreciated.
This is one of the 6 boxes with a speaker playind its part of a sound montage, leds that light up to the sound intensity, a light sensitive resistor (in the light bulb) that when covered reveals music, and an infrared range sensor (the eyes) that detects people and mangles the sound appropriately. The (sharp) infrared sensors are read by ladyadas wonderful ADIO board and the light sensors are read by an arduino and the information is thansmitted via MIDI to a computer that sits in the central brain and sends the audio back to the the respective modules.
These modules are a big as my travel trailer! These were dropped off in an open lot across from the cotton gin, probably because the gin was busy and there were already trucks lined up waiting to unload.
The Lunar Module in the National Air and Space Museum in Washington D.C.
It´s one of the 16 Lunare Modules which where built during the Apollo program.
This is my first module and was built in the spring of 1977. I based its theme on a Southern Railway Locomotive #722 Steam Train Excursion I rode between Richmond and Keysville VA some time earlier. It features a town with train station on the right and a lumber facility on the left served by a siding. This module made its first appearance at a NMRA-MER meet in Baltimore MD in the fall of 1977 and appeared again in a layout in Raleigh NC in November of 1977. It also made appearances in Princeton NJ in 1979, the NMRA 1982 National Convention in Washington DC and several appearances with the NMRA-MER conventions that the Tidewater Division hosted. It does not have a mountain division track, so in order to use it in layouts that use the mountain division, two more modules were built to swing the mountain division behind and back out again so that this module could be used in those layouts.
This is one of the 6 boxes with a speaker playind its part of a sound montage, leds that light up to the sound intensity, a light sensitive resistor (in the light bulb) that when covered reveals music, and an infrared range sensor (the eyes) that detects people and mangles the sound appropriately. The (sharp) infrared sensors are read by ladyadas wonderful ADIO board and the light sensors are read by an arduino and the information is thansmitted via MIDI to a computer that sits in the central brain and sends the audio back to the the respective modules.
While this photograph was very different than the others I had presented in this course, I found that this was my favorite combination of pictures I had ever taken and edited together. In this photograph I intended to show the dream of a young woman being with her soulmate trapped and stopped by her current relationship and societal standards. I used some of my friends from school and my dorm bathroom to create the first image. I tired to make the lighting in the bathroom extremely yellow and dirty feeling. I wanted my two subjects to feel bigger than what the space was allowing them to be, almost as if the room was enclosing around the female subject. The photograph I laid over the base photo was one I took of the female subject, with another female subject, at a beach. They were playing in the water and running back on a cement path that was covered in water. I wanted to capture the dream that was the moment, the way they were having fun and the peace it omitted to not only them but to onlookers as well.
The way in which the photograph of the beach almost looks projected onto the walls of the shower shows how encompassed she is with this daydream, or the dream of her soulmate. The way in which it covers everything as a filter makes it change how the viewer sees the world they are in, showing them how the female subject sees the world.
When editing this photographs together I wanted to keep both the darkness of the base photo, and the dreaminess of the layered one. This was difficult to do but ultimately taught me a lot about balance, and how colors work together to create a photograph that is aesthetically pleasing. I really wanted to create the dream of my subject and show how it is unobtainable to her in a new and unique way. I think with both my editing and the strong compositions of both photographs, their coming together really worked well in the story I was trying to tell, both in terms of them being able to stand alone as parts of the story by themselves, and them working together in a way in which they equal there very own part of the story when together.
Playing with the camera and figuring out how to capture both a natural moment taking place and one that was staged was fun. It really helped me work on my artistic intuition as well as my directing capabilities. I think pairing the two really help the story come to life as well. Overall this is one of my favorite edited pieces.
I do believe this picture is a work of art, or that it is artistic because of the intention and story behind it, as well as the time and care I took to create it as if it was a painting.