Tesla Model 3 on the Avant Garde M580R in the standard Dark Graphite Metallic finish done by GetYourWheels.

Along Alberni Street in Vancouver, BC, Canada

Hi everyone!

We are part of an independent belgian 3D studio called Miysis and we decided to dedicate some of our free time to produce this fanwork animation showcasing Tesla Products.

Vimeo (best quality) : vimeo.com/225606186

Youtube : www.youtube.com/watch?v=KfTLIm8FtC8

Maybe with your help, this could reach Elon Musk himself, it would be amazing! If you like what we did, don’t hesitate to share and comment.

Thank you in advance for your strong support!

Best,

Miysis Team

facebook.com/miysis.be

gorgeous @teslamotors #model3 lowered on @unpluggedperformance moderate drop kit and smoked the headlights with @stekautomotiveusa and got it all wrapped up with @3m #battleshipgray vinyl as well accented the vehicle with custom anodized blue calipers which really pop behind these new #blaquediamond 20 inch BD-F18 wheels @bdwheels and locked in all this perfection with @ceramicprousa #ppf/vinyl to protect the wrap and keep it looking perfect

gorgeous @teslamotors #model3 lowered on @unpluggedperformance moderate drop kit and smoked the headlights with @stekautomotiveusa and got it all wrapped up with @3m #battleshipgray vinyl as well accented the vehicle with custom anodized blue calipers which really pop behind these new #blaquediamond 20 inch BD-F18 wheels @bdwheels and locked in all this perfection with @ceramicprousa #ppf/vinyl to protect the wrap and keep it looking perfect

gorgeous @teslamotors #model3 lowered on @unpluggedperformance moderate drop kit and smoked the headlights with @stekautomotiveusa and got it all wrapped up with @3m #battleshipgray vinyl as well accented the vehicle with custom anodized blue calipers which really pop behind these new #blaquediamond 20 inch BD-F18 wheels @bdwheels and locked in all this perfection with @ceramicprousa #ppf/vinyl to protect the wrap and keep it looking perfect

This one caught my eye; the figure (of Superman crashing through a brick wall) appears to be the classic Aurora plastic model which was a quite popular item in my boyhood.

By a very clear spring weather, I loaded in my Rollei 3,5F (likely year 1962, see below details) with of a roll of Rollei film Superpan 200 for photowalk in Lyon city, France.

I used the film Rollei Superpan 200 many times in 35mm format but it is the first time for me in 6x6 format. Superpan 200 is the former Agfa Aviphot 200 used in aerial photography. The film is sensitized in the red to 760nm in the near infrared band and consequently called « superpanchromaric ». Rollei Superpan is coated on a maskless PET (polyethylene teraphtalate) support with anti-halation layers that dissolve in the developper upon processing.

The camera was fitted with the original Rollei RII shade hood for all the session. I used also the Rollei Orange 1.5—3 for views 1-10 and a protective Rollei Anti-UV -0.5 on the viewing lens. With the orange filter I exposed the film for 80 ISO instead of the nominal 200 ISO to compensate the filter absorption. Light-metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas.

View Nr. 8 : 1/125s, f/9, focusing @ 8m, Rollei Orange 1.5...3 filter.

Fontaine Bartholdi***, March 31 2025

Place des Terreaux

69001 Lyon

France

_________________

*** The Fontaine Bartholdi is a fountain sculpted by Frédéric Auguste Bartholdi and realised in 1889 by Gaget & Gautier. It was erected at the Place des Terreaux, in Lyon, France, in September 1892. On 20 April 1857, the Bordeaux city council decided to hold a competition to create a fountain for Place Quinconces. Frédéric Bartholdi, then aged 23, won the contest. However, the city hall of Bordeaux decided not to carry out his project. After Bartholdi had made the Statue of Liberty in New York in 1886, the mayor of Bordeaux contacted him, but his new project was canceled after much hesitation. It was finally achieved in 1888, but it was deemed as too expensive and therefore was sold to Lyon. It was unveiled as part of the Exposition Universelle (1889). The fountain was eventually put at the Place des Terreaux and is currently still there.

The fountain depicts France as a female (Marianne) seated on a chariot controlling the four great rivers of France, represented by wildly rearing and plunging horses, highly individualized but symmetrically arranged, with bridles and reins of water weeds. The fountain weighs 21 tons and is made of lead supported by a frame of iron and was presented at the Exposition Universelle of 1889. It has been classified as monument historique since 29 September 1995.

_______________

After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 17min at 20°C.

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.

The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic (Version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG.

About the camera

I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in a remarkable state of conservation.

The Rolleiflex 3.5F is the model-3 or K4F that Rollei-Werke Franke & Heidecke produced in about 50.000 units in Germany from Nov. 1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.

This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.

The Rolleiflex 3,5 F model 3 K4F is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.

Serial number with ‘3,5F’ prefix on of top name shield.

Tesla Model 3 on the VS Forged VS03 in the Gloss Black Brushed Tinted face finish done by GetYourWheels.

gorgeous @teslamotors #model3 lowered on @unpluggedperformance moderate drop kit and smoked the headlights with @stekautomotiveusa and got it all wrapped up with @3m #battleshipgray vinyl as well accented the vehicle with custom anodized blue calipers which really pop behind these new #blaquediamond 20 inch BD-F18 wheels @bdwheels and locked in all this perfection with @ceramicprousa #ppf/vinyl to protect the wrap and keep it looking perfect

THE HOTTEST YET!!!

...with the back and the finder done, it's time to scrape the rotten Porvair off of the top and apply the last two pieces. It's a fairly messy business since the stuff crumbles instead of peeling off in a sheet.

By a very clear spring weather, I loaded in my Rollei 3,5F (likely year 1962, see below details) with of a roll of Rollei film Superpan 200 for photowalk in Lyon city, France.

I used the film Rollei Superpan 200 many times in 35mm format but it is the first time for me in 6x6 format. Superpan 200 is the former Agfa Aviphot 200 used in aerial photography. The film is sensitized in the red to 760nm in the near infrared band and consequently called « superpanchromaric ». Rollei Superpan is coated on a maskless PET (polyethylene teraphtalate) support with anti-halation layers that dissolve in the developper upon processing.

The camera was fitted with the original Rollei RII shade hood for all the session. I used also the Rollei Orange 1.5—3 for views 1-10 and a protective Rollei Anti-UV -0.5 on the viewing lens. With the orange filter I exposed the film for 80 ISO instead of the nominal 200 ISO to compensate the filter absorption. Light-metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas.

View Nr. 3 : 1/250s, f/5.6, focusing @ infinite, Rollei Orange 1.5...3 filter.

Quais de Saône, March 31 2025

Quai Tilsitt

69002 Lyon

France

After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 17min at 20°C.

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.

The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic (Version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG.

About the camera

I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in a remarkable state of conservation.

The Rolleiflex 3.5F is the model-3 or K4F that Rollei-Werke Franke & Heidecke produced in about 50.000 units in Germany from Nov. 1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.

This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.

The Rolleiflex 3,5 F model 3 K4F is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.

Serial number with ‘3,5F’ prefix on of top name shield.

By a very clear spring weather, I loaded in my Rollei 3,5F (likely year 1962, see below details) with of a roll of Rollei film Superpan 200 for photowalk in Lyon city, France.

I used the film Rollei Superpan 200 many times in 35mm format but it is the first time for me in 6x6 format. Superpan 200 is the former Agfa Aviphot 200 used in aerial photography. The film is sensitized in the red to 760nm in the near infrared band and consequently called « superpanchromaric ». Rollei Superpan is coated on a maskless PET (polyethylene teraphtalate) support with anti-halation layers that dissolve in the developper upon processing.

The camera was fitted with the original Rollei RII shade hood for all the session. I used also the Rollei Orange 1.5—3 for views 1-10 and a protective Rollei Anti-UV -0.5 on the viewing lens. With the orange filter I exposed the film for 80 ISO instead of the nominal 200 ISO to compensate the filter absorption. Light-metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas.

View Nr. 10 : 1/125s, f/9, focusing @ 18m, Rollei Orange 1.5...3 filter.

Place Rouville, March 31 2025

69001 Lyon

France

After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 17min at 20°C.

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.

The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic (Version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG.

About the camera

I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in a remarkable state of conservation.

The Rolleiflex 3.5F is the model-3 or K4F that Rollei-Werke Franke & Heidecke produced in about 50.000 units in Germany from Nov. 1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.

This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.

The Rolleiflex 3,5 F model 3 K4F is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.

Serial number with ‘3,5F’ prefix on of top name shield.

By a very clear spring weather, I loaded in my Rollei 3,5F (likely year 1962, see below details) with of a roll of Rollei film Superpan 200 for photowalk in Lyon city, France.

I used the film Rollei Superpan 200 many times in 35mm format but it is the first time for me in 6x6 format. Superpan 200 is the former Agfa Aviphot 200 used in aerial photography. The film is sensitized in the red to 760nm in the near infrared band and consequently called « superpanchromaric ». Rollei Superpan is coated on a maskless PET (polyethylene teraphtalate) support with anti-halation layers that dissolve in the developper upon processing.

The camera was fitted with the original Rollei RII shade hood for all the session. I used also the Rollei Orange 1.5—3 for views 1-10 and a protective Rollei Anti-UV -0.5 on the viewing lens. With the orange filter I exposed the film for 80 ISO instead of the nominal 200 ISO to compensate the filter absorption. Light-metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas.

Contact sheet

March 31, 2025

69004 Lyon

France

After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 17min at 20°C.

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.

The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic (Version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG.

About the camera

I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in a remarkable state of conservation.

The Rolleiflex 3.5F is the model-3 or K4F that Rollei-Werke Franke & Heidecke produced in about 50.000 units in Germany from Nov. 1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.

This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.

The Rolleiflex 3,5 F model 3 K4F is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.

Serial number with ‘3,5F’ prefix on of top name shield.