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I was asked to photograph male models sported underwear and speedos for local retailers in Salt Lake City, Utah.
Mischievous and Cockers both donated underwear from top men's clothing lines and these photos will be featured in QSaltLake Magazine.
mischievous gnome messenger bag pattern from sew liberated.
love the bag but i find the dimensions a bit awkward...perhaps it's a little too tall for this short frame of mine. i really need to get a few more shots to show the back and the inside.
i used an upcycled wool sports jacket for the main fabric, erin mcmorris wildwood for the accent and liner, and some previously thrifted decor weight fabric for the bottom and back of strap.
...insisted that we go out into the 12 degree Fahrenheit early morning air for some photos. That "warming trend" that the weather people keep saying is happening, um...not so much!
Sorry for being so absent...the days are too full...I miss you guys and hope to catch up soon!!! xox
The 48th Annual
Renaissance Pleasure Faire And Artisans Market
Saturdays and Sundays
April 10th through May 23rd, 2010
Visit a simpler time this year - a vibrant, whimsical place where all that is asked of you is to Eat, Drynke and Be Merrie. Come to the Original Renaissance Pleasure Faire, one of Southern California’s favorite springtime events, and let us fill your day with magic and mirth. Celebrating its 48th year, the portal to fun will open April 10th and run weekends only through May 23rd, on twenty gorgeous acres of the beautiful, shady Santa Fe Dam Recreation Area in Irwindale, CA. The Faire, open 10AM to 7PM, gives the public a chance to step back in time to a land Where Fantasy Rules!
Hand over your ticket at the front gate and step through the towering ship that delivers you to the bustling town of Port Deptford, England, as it might have appeared during the late 1500’s under the glorious reign of Queen Elizabeth I. Stroll through the colorful commotion and meet a wide variety of townsfolke, from mischievous Privateers to hard working Fish Mongers, preaching Puritans to fabulous Fools. Trained artisans have brought their finest crafts to entice your sense of beauty and skilled cooks will tantalize your taste buds. Everyone is doing their best to impress, as the Queen, herself, is scheduled to visit accompanied by her dazzling entourage of courtiers. Even the likes of Captain Sir Francis Drake and the bard William Shakespeare have come to speak with the Queen.
As ships of old brought the world to the real Port Deptford, Entertainment Director Maggie Soboil has been bringing international acts to the Faire’s thirteen stages, all to recreate the variety of exotic flavors of performance that could be seen in a port town. A plethora of dance styles, including, Thai, Indian, Celtic, and Tribal Bellydance entreat your eyes while a sympony of music from Italy, Spain, and the Celtic lands soothe your soul. Italian Commedia shares stages with Shakespearean tales. Suspended Reality brings the ethereal beauty of Aerial Ballet from places only faeries have seen. Our Drake’s Hinde Stage has become the new home to a pair of comedic duos: The dirty laundry of the Washing Well Wenches and the daring knife throwing of the Van Kleaver Brothers. Of course, fine English dance, music and entertainment is always present, and this year marks the dashing return of the heroic sword stylings of the Manly Men in Tights after a 10 year hiatus.
Begun in 1962 in Agoura, near Malibu, to create “living history” for schoolchildren and their families, the Original Renaissance Pleasure Faire has grown into an annual interactive playground and gallery for over 200,000 participants and guests. It has given birth to an industry nationwide and this year is more fun and exciting than ever.
Since its inception more than 5 million people from around the world have visited Southern California’s Renaissance Pleasure Faire, averaging approximately 20,000 each weekend.
The site of the event, the Santa Fe Dam Recreation Area in Irwindale, is a beautiful park and a perfect location for the Faire, right on the lake with many trees, river stone shade pavilions, and abundant parking.
Santa Fe Dam Recreation Area, a United States Army Corp of Engineers’ Facility and a unit of the County of Los Angeles Department of Parks and Recreation System, is located off the Irwindale exit off the 210 Freeway, just east of where the 210 and 605 freeways cross.
MORE INFORMATION: www.renfair.com/socal
Alexandra Danilova (1903-1997) trained at the Russian Imperial Ballet School and was a member of St. Petersburg’s Imperial Ballet. She left Russia in 1924, with George Balanchine, and both were soon picked up by Sergei Diaghilev’s Ballets Russes, she as a dancer and he as a choreographer. Her last ballet performance was in 1957, after which she debuted in a Broadway musical comedy “Oh Captain” starring Tony Randall. The show was a commercial failure and quickly closed. In financial straits, she came across Balanchine on the streets in 1964 and, when he heard of her plight, he hired her on the spot to teach at the School of American Ballet. She remained there as one of the most valued members of the faculty until her retirement in 1989.
Serge Lifar (1905-1986) was considered the successor to Nijinsky in the Ballets Russes and one of the greatest male ballet dancers in the 20th century. He was the pupil of Bronislava Nijinska in Kiev. He left the Soviet Union in 1921 and made his debut at the Ballets Russes in 1923, where he became a principal dancer in 1925. He originated leading roles in three Balanchine ballets for the Ballets Russes and, after Diaghilev’s death in 1929, Lifar took over the directorship of the Paris Opera Ballet. During three decades as director, he led the company through turbulent times during World War II and the German occupation of France. In 1977 the Paris Opera Ballet devoted a full evening to his choreography.
“One of the ballets that premiered late in Diaghilev’s final season, Le Bal was choreographed by George Balanchine to commissioned music by Vittorio Rieti. The striking costumes, décor, and curtain were all designed by the Greek-Italian surrealist artist Giorgio de Chirico. The dancers included Alexandra Danilova (Young Woman), Anton Dolin (Young Man), André Bobrov (Astrologer), George Balanchine, Felia Doubrovska, Serge Lifar, Eugenia Lipkovska, and Léon Woizikowski.” [Harvard College Library]
“A young man, dressed as a military officer, attends a masked ball where he meets a beautiful masked lady accompanied by an old astrologer, and falls in love with her, even as she flirts with his rival, a young Italian man. While overseen by the ballroom’s giant classical statue, which is possessed of magical powers, the sylphides mischievously dress to imitate the couple in order to confuse their suitors. The young man finally persuades the lady to remove her mask and is dismayed to see her as an old woman. He tries to leave but she pursues him, and as the ball ends the old woman leaves on the arm of the astrologer. As she passes the young officer she and the astrologer both remove further masks, revealing them as a beautiful young couple. Attempting to follow them, the dazed young officer is held back by the statue to contemplate his behaviour.
“While the Italian Surrealist painter, Giorgio de Chirico, had worked in theatre design since 1924, his commission from Diaghilev for Le Bal gave him his most public success. As a version of the popular theme of the masked ball, the story’s dreamlike quality explored the nature of duplicity, ambiguity and deception. De Chirico drew upon his interest in desolate, unpeopled built spaces for his design of the ballroom, an austere room with exaggerated cornices, strangely proportioned openings and scattered with fragments of classical architecture. This theme is echoed in the guests’ costumes, rendering each performer a moveable element of an architectural ensemble. Jackets and trousers became pilasters and columns, shirts and dresses roughly sketched examples of the classical orders. Their complexity and weight was further laden with stuccoed wigs for the dancers, adding to an air of ossified antiquity even though Balanchine’s choreography was light and acrobatic. While the radicalism of rational modernism was taking hold in the late 1920s in Europe, de Chirico’s work for Le Bal is a vivid example of the Italian Novecento design movement that returned classicism to mainstream taste during the 1920s. It also echoed Diaghilev’s lifelong admiration for Italian history, and gained particular poignancy as his last production before his death in Venice one month after the closure of the ballet’s London season.” [National Gallery of Australia]
Check out the following Youtube video for a very brief look at “Le Bal”:
New whimsically fun handmade hooked pillows featuring sweet but naughty "Mischievous Cats" ~ art by Johanna Parker Design ~ licensed to Peking Handicraft, Inc...
Artist: Christine Ay Tjoe
Title: 1083 - Mischievous Player
Material: oil
Summer Exhibition 2017
13 June - 20 August 2017
Royal Academy of Arts
Main Galleries, Burlington House
London, England, UK
For some reason,nothing turned out right tonight! So I defaulted back to Sissy,refusing to look at the camera lol
Maybe tomorrow my pics will look different. lol
Dean Koontz, horror and suspense writer, wrote 2 children's Christmas stories. Though written in long tedious rhyme, the illustrations by Phil Parks are marvelous.
Santa's Twin Sisters, Charlotte and Emily, are determined to save Santa from his mischievous twin -- Bob Claus -- who has not only stolen Santa's sleigh and stuffed his toy bag full of mud pies, cat poop, and broccoli, but has also threatened to turn Donner, Blitzen, and the others into reindeer soup! - and the sisters do succeed. Harper & Collins, 1996.
Robot Santa Exactly a year has passed since Bob kidnapped Santa and visited Charlotte and Emily in his stead, bearing gifts of mud pies, cat poop, and broccoli. After his defeat at the hands of the two brave sisters, Bob has worked hard to redeem himself in Santa's eyes. Unfortunately Bob's spare time has been spent secretly building a robot Santa Claus. Super Santa One was designed to help Santa halve his delivery time, but Bob has left a screw loose on his creation Harper & Collins, 2004
Full color portrait of Lucid. I should have centered her Torc but totally perfect is boring, right?
Oh, now that it is many months past, I can note an important thing. She had just found out (like a couple of days before I took her photos) that she and her husband were expecting a little one (a healthy, little boy born in May).
Starring Hugh Marlowe, Nancy Gates, Nelson Leigh, Rod Taylor, Shawn Smith, Lisa Montell, Christopher Dark, Booth Colman, Everett Glass, and Stanley Fraser. Directed by Edward Bernds. While not especially well known, World Without End (WWE) is actually a pretty good sci-fi movie. Keep in mind that it's the 50s, so special effects and sets will be minimal. Nonetheless, WWE could easily have been a Star Trek episode 10 years later. Swap out Hugh Marlowe and the other three for Kirk, Spock, Scotty and McCoy and you'd have a solid Trek episode. WWE features reasonable acting, a good pace and some still-relevant social commentary. The look at post-apocalypse earth didn't break any new ground, but overall effect is quite watchable.
Synopsis
"Man's first trip into space" is a rocket carrying four men, sent to orbit Mars. On the way back, they encounter a "time displacement" that accelerates them to near the speed of light. They're rocket crash lands on a snowy, mountainous world. The four get out and explore the earth-like world. It turns out to be earth, but hundreds of years in the future. They're attacked by a giant spider (dog size) and grossly disfigured cavemen. When they seek shelter in a cave, they find a steel door to an advanced civilization living underground. The undergrounder men are milk-toast, the women are all tall 20-somethings in short skirts. The men refuse to help the 50s men fix their ship, half out of spinelessness at having to face the mutated cavemen (radiation sickness descendants) but half out of stirred up intrigue by one of the underworlders who is jealous. Hugh Marlow is stealing his girl. The intrigue man is discovered for who he is, exposed by a non-mutated girl (20ish) from the surface. The underworlders agree to help the 50s men make weapons to face the cavemen. They make a bazooka. (?!) With their trusty bazooka, they corner the mutates in a cave. Hugh Marlow challenges the leader to hand to hand combat. He wins and the mutates disband. Buoyed by such a victory, the underworlders come up and start building houses on the surface. Mankind resumes its place. The end.
The pacing is good and the plot full of things going on: a trip to Mars, a crash landing, attack by mutant cavemen, a secret underworld civilization, murder intrigue and cavemen vs. a bazooka. (sakes!) The scenario is intriguing enough to carry over the weak parts. This is a good look into the psyche of 50s atomic angst and bunker mentality.
WWE is built upon the assumption that Cold War would eventually turn "hot" and be as bad (or worse) than imagined. Amid WWE's social commentaries, is the resignation that nuclear war would happen and it would wipe out all that mankind had built, turning men back into savages.
The model rocket in WWE is the same one used in Flight to Mars ('51). It was a cool 50s style rocket. It was fun to see it going back to Mars.
While this plot device would become common to the point of cliche in later years, it was pretty novel at this point. Time displacement was a background feature in The Twonky to explain how the mischievous future robot got to 1953. WWE may be the first sci-fi movie to feature time travel by humans.
The 1952 movie Captive Women (more speculative fiction than sci-fi), looked at America many generations after the much-expected nuclear war. They have many similarities. The normal people live underground. The mutants rule the surface. Among the mutates, there are some which have become normal again. The normals are weak and somewhat corrupt, though they have great women. In the end, the underworlders and the surface dwellers reunite.
The "normals" who lived underground are like the logical extension of 50s bunker survivalists. H.G. Wells even touched on this in his 1898 novel "War of the Worlds" when his artilleryman character (on Putney Hill) expounded on his plan to live (with others) in the sewers and tunnels under London, learning science, keeping civilization alive. The underworlders are a likely result of what the artilleryman's dream would have turned into.
Totally incongruous for the story line, though of great interest to teen male movie goers, the women of the future are all 20-somethings with great figures and go around dressed in low-cut dresses with very short skirts. Their attire is much like that of the martian women in Flight to Mars and as spoofed by Abbott and Costello in their ...Go to Mars romp in '53.
One of the social commentary messages in WWE is that people are becoming complacent and weak. The "pioneers" are the standard of tough self-reliance. Men of the 50s were already getting soft. By 2508, the men were all cowardly milk-toast. Being safe and comfortable was all that mattered to them. Our four men from 1957 re-ignite the pioneer spark in the under world men.
Bottom line? WWE is a good tale. While not as much high-art as Forbidden Planet, it has enough plot and thought to entertain even viewers who aren't already 50s sci-fi fans.
A wooden ornament from Stromboli's Wagon. Taken from Ellen Clapsaddle's artwork from the early 1900's. 2 boys with their Hallowe'en masks in hand and their pumpkins. It reminded me of my 2 mischievous boys and how they will be trick or treating soon.
66 / 365
Can you spell "mischievous"?
I for sure can but I don't think I have time to do it during out walks. Because during the time it takes me to spell it, this little ball of energy can run haflway around the world.
Strobist info:
A yellow star, 12 o'clock high, with clouds partially covering the sky as a diffuser. The object was immobilized with a call "where's papa's camera?".
Strobist setup shot? You must be kidding me.
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© 2010 Me. Don't use it wthout explicit permission from me.
A child tries to wrap a streamer around as many poles as she can. I actually enjoyed watching kids be kids.
I'd like to introduce everyone to Claire, a commission for Emily Jepsen. Claire is an adorable little girl, who I imagine could probably turn into a golden cat or fox. She's kept her secrets to herself though! But her eyes are luminous and striking just like a cat. She's a little mischievous and certainly is not above using her cuteness to get what she wants!
We were given free range on how Claire could look, so I decided to go with a completely new style. This was Emily's first custom doll, so I wanted Claire to be quite special. I really wanted her to be adorable, but in a distinctive and unique way.
This new faceup style gives Claire a beautiful pair of droopy doe eyes. However, her dark eye makeup doesn't weigh her down; they instead make her molten gaze stand out. The rest of her faceup is quite light, with golden eyebrows, light blush and full pink lips. Her eyelids are a stunning mix of pearlescent purple and pink.
We hope you like her!
Model: Claire
Custom by Kiki & Chrysanthemum. Eyechips by Kiki.
Frank was particularly mischievous on this day. He stuck by my side as I moved along the kelp reef... then when we reached this bed he instigated a little game of peek-a-boo- sinking into the kelp bed and springing out of it every time I approached.
Want to see more???? Check out my page:
94. Peter Rabbit
by Penguin
In 1902, Beatrix Potter introduced the world to a mischievous little rabbit called Peter in The Tale of Peter Rabbit. Over 110 years later, this famous tale has gone on to become one of the best-selling children’s classics of all time, and hasn’t been out of print since it was first published. This year, the exciting adventures of Peter Rabbit continue: in a magical new animated TV series coming to CBeebies; and in Emma Thompson’s much anticipated follow-up to The Further Tale of Peter Rabbit.
Lindt is proud to join
THE BIG EGG HUNT 2013
in support for Action For Children
Our fun family event starts in London, Covent Garden on Shrove Tuesday and promises to delight all; from the exciting egg-hunts and giant chocolate bunnies to the uniquely designed eggs by leading artists and celebrities, for all to awe at – and hopefully buy!
Most importantly it is a unique opportunity for us all to raise significant money to support vulnerable and neglected children in the UK.
Established in 1869, Action for Children is committed to helping the most vulnerable and neglected children in the UK. Working directly with more than 250,000 children, young people and their carers each year, we run over 600 services which tackle abuse, neglect, help young carers and provide fostering and adoption services.
Lindt believes in the magic of families, which is why the Lindt Gold Bunny is proud to join Action for Children in The Big Egg Hunt and support the great work they do to improve the lives of children & families in the UK.