View allAll Photos Tagged minimalart
© all rights reserved / Irene Eberwein
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
Scattata con Polaroid Now +
Pellicola Color i-Type Film
Lampada a luce continua
Doppia Esposizione
Digitalizzata, non Manipolata.
Ascoli Piceno Ottobre 2025
Taken with Polaroid Now +
Color i-Type Film
Not digitally Manipulated
continuous light
Double Exposure
Ascoli Piceno October 2025
© all rights reserved / Irene Eberwein
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
© all rights reserved / Irene Eberwein
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
taglio da originale a colori.
ravenna. -italy-
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
© all rights reserved / Irene Eberwein
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
elaborazione da originale a colori.
corso marcelli (ex decumano maggiore), centro antico di isernia.
isernia, molise. -italy-
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
elaborazione da originale a colori.
centro antico di rocchetta al volturno.
isernia, molise.
-italy-
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
Submitted to The Blind PIg Speakeasy Challenge 26 - Simply Minimal: www.flickr.com/groups/photopigs/discuss/72157648783499286/
Submitted to the Hypothetical Awards 4th Annual Take A Walk on the Darkside" Challenge: www.flickr.com/groups/1179479@N25/discuss/721576486503307...
elaborazione da originale a colori.
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
© all rights reserved / Irene Eberwein
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
A part of a shop window covered with semi transparent, adhesive, white plastic before painting the facade. I just can't explain the yellow, green and blue shapes. The broad Depth of Field makes it very dreamy.
taglio da originale a colori.
isernia.
molise. -italy-
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
Black and white minimal image of the moon above the ocean taken at dawn on the coastline of El Médano. El Médano is a town in the municipality of Granadilla de Abona, on the island of Tenerife, one of the Canary Islands.
Photography Blogging in Tenerife
If you would like to use any of my photos please contact me and ask permission first.
If you want to look at more of my photography you can check my website and social media links below:
Getty
elaborazione e taglio da originale a colori.
isernia, molise. -italy-
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
vw maggiolino (Kdf wagen, beetle, coccinelle, fusca, käfer, vocho)
elaborazione e taglio square da originale a colori.
c/o maggiolino store, pescara.
abruzzo -italy-
La vw Type 1, meglio conosciuta in Italia come 'maggiolino', anche detta 'coccinelle' in Francia, 'käfer' in Germania, 'beetle' negli Stati Uniti, 'fusca' in Brasile, 'vocho' in Messico, è un'automobile compatta prodotta dal 1938 al 2003.
La Kafer diviene il simbolo della rinascita industriale tedesca nel secondo dopoguerra.
E' considerata, insieme alla fiat 500, la citroen 2cv, la Mini, una tra le auto più diffusa sulla terra.
Ha detenuto a lungo il primato di auto più venduta nel globo, con 21.529.464 esemplari, attualmente detiene il record di auto più longeva del mondo: considerando i vari stabilimenti in cui è stata assemblata, risulta prodotta per 65 anni.
Scattata con Polaroid Now +
Pellicola Color i-Type Film
Lampada a luce continua
Doppia Esposizione
Digitalizzata, non Manipolata.
Ascoli Piceno Novembre 2025
Taken with Polaroid Now +
Color i-Type Film
Not digitally Manipulated
continuous light
Double Exposure
Ascoli Piceno November 2025
Questo scatto dialoga in modo naturale con "Metafisica Domestica".
Lì, gli oggetti trovano la loro posizione esatta nel silenzio, sono pieni, presenti, come se portassero dentro il peso del tempo. Qui invece tutto si alleggerisce: le forme si fanno più trasparenti, attraversate da una luce che sembra respirare.
Mi interessa quel confine, il momento in cui la materia inizia a dissolversi e resta soltanto l’essenza. È un passaggio che non controllo, accade da solo, come se la luce sapesse dove andare.
Forse è questo il mio spazio: tra la presenza e la sparizione, tra la costruzione e l’abbandono.
This Polaroid naturally dialogues with Domestic Metaphysics.
There, the objects find their exact place in silence, they are full, present, carrying the weight of time. Here, everything becomes lighter: the forms turn more transparent, crossed by a light that seems to breathe.
I’m drawn to that threshold,the moment when matter begins to dissolve and only its essence remains. It’s a passage I don’t control; it simply happens, as if the light itself knew where to go.
Perhaps this is my space: between presence and disappearance, between construction and surrender.