View allAll Photos Tagged migrate_to_australia

Street:

These are some of my favourite photos I took when I was in the Middle East in January of 2006. I travelled with my father, uncle and grandfather to Saudi Arabia to complete the Hajj (pilgrimage to Mecca) with some other family friends. Afterwards we met up with my younger sister and went to Lebanon to visit my grandfather's family who he left when he migrated to Australia.

This trip was a life changing experience and I absolutely loved it. Hope to go back someday, but not before I grasp the Arabic language... Could be a while...

Double-banded plovers migrate to Australia from New Zealand each year.

This one was at Bald Hill Beach, South Australia.

Ahmed wall:

These are some of my favourite photos I took when I was in the Middle East in January of 2006. I travelled with my father, uncle and grandfather to Saudi Arabia to complete the Hajj (pilgrimage to Mecca) with some other family friends. Afterwards we met up with my younger sister and went to Lebanon to visit my grandfather's family who he left when he migrated to Australia.

This trip was a life changing experience and I absolutely loved it. Hope to go back someday, but not before I grasp the Arabic language... Could be a while...

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White-fronted Tern.

Sterna striata.

NZ Endemic.

Ashley River Mouth

Migrates to Australia

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I watched this particular family of gannets (two pairs of parents) fighting and bickering. This nest must have been a two egg nest - two females laying their egg in the same nest! Feeds are delivered by both parents as incomplete regurgitations, which the chick receives by pushing its bill into the parents' throats. Gannets often breed with same partner over consecutive seasons.

 

Fledglings from New Zealand fly directly to Australia, and typically do not return to their home colonies until the third year. Some New Zealand breeders migrate to Australian and Tasmanian waters to winter between breeding seasons.

Shopkeeper:

These are some of my favourite photos I took when I was in the Middle East in January of 2006. I travelled with my father, uncle and grandfather to Saudi Arabia to complete the Hajj (pilgrimage to Mecca) with some other family friends. Afterwards we met up with my younger sister and went to Lebanon to visit my grandfather's family who he left when he migrated to Australia.

This trip was a life changing experience and I absolutely loved it. Hope to go back someday, but not before I grasp the Arabic language... Could be a while...

Jidoo's first mosque:

These are some of my favourite photos I took when I was in the Middle East in January of 2006. I travelled with my father, uncle and grandfather to Saudi Arabia to complete the Hajj (pilgrimage to Mecca) with some other family friends. Afterwards we met up with my younger sister and went to Lebanon to visit my grandfather's family who he left when he migrated to Australia.

This trip was a life changing experience and I absolutely loved it. Hope to go back someday, but not before I grasp the Arabic language... Could be a while...

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The Orroral Valley and Homestead are associated with the McKeahnie family who migrated to Australia from Scotland. Its the oldest surviving structure in the Namadgi National Park.

Tomb of an Anglican minister who migrated to Australia, but had a very short career here, in St Saviour's Anglican cemetery, Goulburn. Taken in 2018.

Breeding in the Arctic and Migrating to Australia in our Summer. These Godwits accompanied by red necked stints are in the Shoalhaven River Estuary in NSW. November December is a good time to see them. They leave in about March.

White-fronted Tern.

Sterna striata.

NZ Endemic.

Ashley River Mouth

Migrates to Australia

Heritage Officer Steve Chaddock spoke about his experiences after migrating to Australia from England. Steve also discussed heritage listed Bankfoot House. Kawana Library.

These are some great guys we met i Marianplatz Munich. Dutch expats who migrated to Australia 30 years ago on tour to support their beloved Socceroos. Got to love it!!

Port Campbell Cemetery Victoria

 

Michael Grace MucCue

 

We have lots of information and a lot of stories about Michael Grace McCue. The following account of his life has been put together from information supplied by his grand daughters, Marjorie Mathieson and Marion Parker, and other family members, as well as details gleaned from documents and rough notes left by John Collins McCue and supplied to me by John’s children, Jeff McCue and Helen Krigsman.

 

McCue Mick was born at Ballinakill, Leix (pronounced Leash), Ireland, the illegitimate child of Margaret Grace. The date of his birth is uncertain but was possibly 29 September 1831. 3 On Mick's marriage certificate his mother’s name is recorded as Margaret Grace and his father's as John McCue, farmer. On his death certificate his mother is recorded as Margaret McCue nee McDonald and his father as John McCue, with place of birth as Queenstown, Clare. This is confusing. [Death certificates are notoriously inaccurate because the subject is not available to supply the appropriate information about themself!]

 

When Mick was thirteen he went to sea as a cabin boy. He was in Waterford on 12 April 1849 when he enlisted in the British Army - 41st Welsh Regiment of Foot, whose headquarters at that time were in Cork, Ireland. His number was 2754 and he is described as being 5 feet 6 inches in height and aged 17 years and 9 months. Michael served in the Crimea War (1854-56) at Alma, Sevastopol and lnkerman and claimed to have seen the charge of the Light Brigade. We have the gruesome tale, handed down to his grandchildren, of him lying in wait for the enemy and chopping their heads off with a sword as they came through a narrow pass.

 

Michael was in lndia at the time of the mutiny in 1857. Other recorded postings included Cephalonia in Greece, 1851, Newcastle, 1861, and Sunderhead, June 1862. He carried the scars of two bullet wounds, one in his arm, the other where a bullet went through his nose and lodged in the roof of his mouth. He was granted a small pension - six pence for each wound, but the frequency of this rate is unknown. Both Marjorie and Jeff tell me there was a silver medal acknowledging the various campaigns Mick served in, but what has happened to this, no one seems to know.

 

Mick ended his army career in India and was discharged at Agra on 20 January 1867 - good conduct, 1 penny a day - having reached the rank of Quarter-Master Sergeant with his own batman to attend to him. From lndia, Mick migrated to Australia, arriving at Geelong, Victoria from Calcutta aboard the ‘Eldorado‘, on 30 March 1867. He is listed as British Army, aged 35 years. He was known at that time as Michael GRACE.

 

Source 'The Folk From The Wind Wound Isle' by Margaret Worrall 2004

 

© 2004 Margaret Dawne Worrall

Published by Marie-Claire Nemec, Whitfield, Cairns

Printing by Cairns Plan Printing Services Pty Ltd,Cairns

  

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In this photo Jes is wearing a checked jacket with silver thread highlights. The only other photos where she wears this appears to be during their 1937 caravan trip. Hence this sequence of photos of a visit to Hottie Lahm's are dated as c.1937

 

Hartmut Lahm came to Australia as a 16 yr old in 1929. In 1943 he and Joan Lahm were living at 5 Woolwich Road, Hunters Hill

 

Biography

Hartmut Lahm was born in Tallinn, Estonia, the son of a jeweller. In 1929, the family migrated to Australia where his early talents as an artist were encouraged and he enrolled in the Art School at East Sydney Technical College, Darlinghurst. Fellow students christened him “Hotpoint” which was rapidly shortened to “Hottie”. While a student he sold his first cartoon to The Sydney Mail (January 1930 page 58 “The Coogee Shark Fence”).

  

During the 1930s he took whatever freelance work was offered, contributing to both Smith’s Weekly and the Bulletin. In 1934 he created two comic strips for Fatty Finn’s Weekly, Basso the Bear and Popsy Penguin. When the comic folded in 1935 he went to the country, drawing caricatures in hotel bars at 2/- a time, but as fast as he made a few pounds he would spend it buying drinks for offended customers. In 1937 he returned to Sydney where he began a long association as a general cartoonist with Associated Newspapers, supplying covers, caricatures and cartoons for their various publications.

 

1937 saw the birth of his best known creation, Snifter, the piddling dog, a back page feature in Man magazine for over 30 years and the subject of special editions published to raise funds for the war effort. He drew many other cartoons for Man, and the comic strip Snowy McGann for the Sunday Sun from 1951–1954. He produced work for Qantas among many other clients during his life as a commercial artist, most of which only survive in the newspapers and magazines of the day. A brief interest in Black & White Photography saw a collection of his photographs published in Australasian Photo Review August 1951.

 

He also wrote and illustrated the children’s book Paddy Bow Wow, and was the illustratorof others including The Antics of Algy the Ant (Musette Morell), Lets Wander (Kathleen Simpson) and a series of books by George Edwards, including David & Dawn in Fairyland, Under the Southern Cross, and The Search for The Golden Boomerang published in conjunction with a popular children’s serial on radio 2UW (1941-1946).

 

For years before he became a name in Australian commercial art he rarely had more than 10/- in his pocket but by the 1940s he was considered “one of Australia’s busiest and most original artists” (People Magazine Aug 2 1950)

 

He married Joan Janetzki in 1941 and they had three sons (David, Jim and Nick). From then until his death he lived in Hunter’s Hill, surrounded by an artistic and what was then considered a bohemian community. Among his many friends were Cyril Pearl, Hal Missingham, Norman Lindsay, Clive Wallis, Bill (Wep) Pidgeon, Paul Beadle, William Dobell, Nora Heysen, Tom Bass and other fellow artists and identities of the day. He was a gourmet, lover of fine wine and a founding member of the Wine and Food Society. He continued to work until the 1970s, when ill health and a change in publishing technology and style saw less demand for his work.

 

Much of his original artwork was destroyed in ”cartoon bonfires” when newspapers and magazines were taken over and/or ceased publication, but some of Lahm’s original work was rescued and has survived in private and public collections. State Library of New South Wales, Art Gallery of Western Australia, The National Library, The Cartoon Bunker, Coffs Harbour NSW.

 

He died in Sydney in 1981.

 

Biography provided by June Lahm.

  

Last Updated

18 Feb 2021

Hartmut Lahm (1912–1981) · Australian Prints + Printmaking. (2025, October 7). Retrieved from www.printsandprintmaking.gov.au/artists/19680/

 

Hartmut (23 December 1912 - 28 May 1981) and Joan Lahm

1939 May - not listed in Sydney Telephone Directory

1939 Nov - not listed in Sydney Telephone Directory

1940 May - not listed in Sydney Telephone Directory

1940 Nov - 1 Leichardt Road, Leichardt

1941 May - 1 Leichardt Road, Leichardt

1941 Nov - 1 Leichardt Road, Leichardt

1943 - 5 Woolwich Rd, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1944 Feb - 5 Woolwich Rd, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1946 Feb - 5 Woolwich Rd, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1947 Feb - 6 Lloyd Avenue, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1949 - 6 Lloyd Avenue, Hunters Hill

1954 - 6 Lloyd Avenue, Hunters Hill

1958 - 6 Lloyd Avenue, Hunters Hill

1963 - 6 Lloyd Avenue, Hunters Hill

1968 - 6 Lloyd Avenue, Hunters Hill

1977 - 7 Mount Street, Hunters Hill

1980 - 7 Mount Street, Hunters Hill

Truc Truong

Born 1987, Tarndanya/Adelaide. Lives and works Tarndanya/Adelaide.

I Pray You Eat Cake, 2023

toys, found objects, packaged food, synthetic polymer paint, fabric, wood, aluminium, stainless steel, electromechanical components, dried pig intestines and trotters, dried chicken feet, tassels, rope

Courtesy the artist

Treading a fine line between rage and humour, Truc Truong's practice considers the power dynamics woven throughout her family's history and the pressure to be a 'model migrant' in Australia.

I Pray You Eat Cake contains references to the artist's Vietnamese heritage - the rotating Lazy Susan table is synonymous with yum cha, while cured pig intestines, rendered gold, recall shrine or temple offerings. Allusions to Vietnam, France, Christianity and Buddhism are made through a riotous assemblage of found objects and fabrics, as well as toys and dolls from the artist's childhood.

Truong's family migrated to Australia from Vietnam in 1982. Her upbringing has been shaped by her parents' experiences of a Saigon that no longer exists, her own explorations of what it means to be Vietnamese-Australian and the complexities these experiences can pose.

Post Card George Ellis sent to my grand mother Annie Mary Evans (nee Hughes) after he migrated to Australia.

Hartmut Lahm came to Australia as a 16 yr old in 1929. In 1943 he and Joan Lahm were living at 5 Woolwich Road, Hunters Hill

 

Biography

Hartmut Lahm was born in Tallinn, Estonia, the son of a jeweller. In 1929, the family migrated to Australia where his early talents as an artist were encouraged and he enrolled in the Art School at East Sydney Technical College, Darlinghurst. Fellow students christened him “Hotpoint” which was rapidly shortened to “Hottie”. While a student he sold his first cartoon to The Sydney Mail (January 1930 page 58 “The Coogee Shark Fence”).

  

During the 1930s he took whatever freelance work was offered, contributing to both Smith’s Weekly and the Bulletin. In 1934 he created two comic strips for Fatty Finn’s Weekly, Basso the Bear and Popsy Penguin. When the comic folded in 1935 he went to the country, drawing caricatures in hotel bars at 2/- a time, but as fast as he made a few pounds he would spend it buying drinks for offended customers. In 1937 he returned to Sydney where he began a long association as a general cartoonist with Associated Newspapers, supplying covers, caricatures and cartoons for their various publications.

 

1937 saw the birth of his best known creation, Snifter, the piddling dog, a back page feature in Man magazine for over 30 years and the subject of special editions published to raise funds for the war effort. He drew many other cartoons for Man, and the comic strip Snowy McGann for the Sunday Sun from 1951–1954. He produced work for Qantas among many other clients during his life as a commercial artist, most of which only survive in the newspapers and magazines of the day. A brief interest in Black & White Photography saw a collection of his photographs published in Australasian Photo Review August 1951.

 

He also wrote and illustrated the children’s book Paddy Bow Wow, and was the illustratorof others including The Antics of Algy the Ant (Musette Morell), Lets Wander (Kathleen Simpson) and a series of books by George Edwards, including David & Dawn in Fairyland, Under the Southern Cross, and The Search for The Golden Boomerang published in conjunction with a popular children’s serial on radio 2UW (1941-1946).

 

For years before he became a name in Australian commercial art he rarely had more than 10/- in his pocket but by the 1940s he was considered “one of Australia’s busiest and most original artists” (People Magazine Aug 2 1950)

 

He married Joan Janetzki in 1941 and they had three sons (David, Jim and Nick). From then until his death he lived in Hunter’s Hill, surrounded by an artistic and what was then considered a bohemian community. Among his many friends were Cyril Pearl, Hal Missingham, Norman Lindsay, Clive Wallis, Bill (Wep) Pidgeon, Paul Beadle, William Dobell, Nora Heysen, Tom Bass and other fellow artists and identities of the day. He was a gourmet, lover of fine wine and a founding member of the Wine and Food Society. He continued to work until the 1970s, when ill health and a change in publishing technology and style saw less demand for his work.

 

Much of his original artwork was destroyed in ”cartoon bonfires” when newspapers and magazines were taken over and/or ceased publication, but some of Lahm’s original work was rescued and has survived in private and public collections. State Library of New South Wales, Art Gallery of Western Australia, The National Library, The Cartoon Bunker, Coffs Harbour NSW.

 

He died in Sydney in 1981.

 

Biography provided by June Lahm.

  

Last Updated

18 Feb 2021

Hartmut Lahm (1912–1981) · Australian Prints + Printmaking. (2025, October 7). Retrieved from www.printsandprintmaking.gov.au/artists/19680/

 

Hartmut (23 December 1912 - 28 May 1981) and Joan Lahm

1939 May - not listed in Sydney Telephone Directory

1939 Nov - not listed in Sydney Telephone Directory

1940 May - not listed in Sydney Telephone Directory

1940 Nov - 1 Leichardt Road, Leichardt

1941 May - 1 Leichardt Road, Leichardt

1941 Nov - 1 Leichardt Road, Leichardt

1943 - 5 Woolwich Rd, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1944 Feb - 5 Woolwich Rd, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1946 Feb - 5 Woolwich Rd, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1947 Feb - 6 Lloyd Avenue, Hunters Hill He is recorded in the Feb 1943 Sydney Telephone Directory here - also 1 Leichardt Road, Leichardt

1949 - 6 Lloyd Avenue, Hunters Hill

1954 - 6 Lloyd Avenue, Hunters Hill

1958 - 6 Lloyd Avenue, Hunters Hill

1963 - 6 Lloyd Avenue, Hunters Hill

1968 - 6 Lloyd Avenue, Hunters Hill

1977 - 7 Mount Street, Hunters Hill

1980 - 7 Mount Street, Hunters Hill

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