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The former Saint George's Presbyterian Church, which stands on busy Chapel Street in St Kilda East, is a well known and loved local landmark, not least of all because of its strikingly tall (33.5 metre or 110 foot) banded bell tower which can be spotted from far away. In the Nineteenth Century when it was built, it would have been even more striking for its great height and domineering presence. Designed by architect Albert Purchas, the former Saint George's Presbyterian Church is often referred to as his ecclesiastical tour-de-force, and it is most certainly one of his most dramatic and memorable churches.

 

The former Saint George's Presbyterian Church was constructed on a plot of land reserved in Chapel Street for the Presbyterian Church of Victoria in 1866. Initially services were held in a small hall whilst fundraising efforts advanced the erection of a church. The architect Albert Purchas was commissioned to design the church and the foundation stone for the western portion of the nave was finally laid in April 1877 by Sir James McCulloch. The first service was held in the church on the 1st of October 1877. The first clergyman of the former Saint George's Presbyterian Church was the Reverend John Laurence Rentoul (father to world renown and much loved Australian children's book illustrator Ida Rentoul Outhwaite). However, the swelling Presbyterian congregation of St Kilda and its surrounding districts quickly outgrew the initial Saint George's Presbyterian Church building, so Albert Purchas was obliged to re-design and enlarge the church to allow a doubling in capacity. Robert S. Ekins was the contractor and his tender was £3000.00. It is this imposing church building, reopened in 1880, that we see today. The "Australasian Sketcher with Pen and Pencil" noted that the total length of the building was 118 feet and 6 inches (36 metres), by 40 foot (12 metres) wide and that the striking octagonal tower to the north-west was 110ft 6 in high. It perhaps reflected better the wealth and aspirations of the congregation.

 

The former Saint George's Presbyterian Church is constructed on bluestone foundations and is built in an ornate polychromatic Gothic Revival style in the tradition of English designers like William Butterfield and John L. Pearson. Built of red brick building, it is decorated in contrasting cream bricks and Waurn Ponds freestone dressings. It features a slate roof with prominent roof vents, iron ridge cresting and fleche at the intersection of the nave and transepts. The front facade of the church is dominated by the slender, banded octagonal tower topped by a narrow spire. The entrance features a double arched portal portico. The facade also features a dominant triangular epitrochoidal (curved triangular form) rose window. The church, like its bluestone neighbour All Saints Church of England, is built to a T-shaped plan, with an aisleless nave, broad transepts and internal walls of cream brick, relieved with coloured brickwork. The former Saint George's Presbyterian Church was one of the first major church design in Melbourne in which polychrome brickwork was lavishly employed both externally and internally.

 

The inside of the former Saint George's Presbyterian Church is equally as grand as the exterior, with ornamental Gothic Revival polychromatic brickwork, a lofty vaulted ceiling, deal and kauri pine joinery and pulpit and reredos of Keene's cement. The building originally contained a complete set of Victorian stained glass windows by well known and successful Melbourne manufacturers Ferguson and Urie, all of which remain intact today except for one of the non-figurative windows which was replaced by a memorial window to Samuel Lyons McKenzie, the congregation’s beloved minister, who served from 1930 to 1948, in 1949. The earliest of the Ferguson and Urie windows are non-figurative windows which feature the distinctive diaper pattern and floral motifs of Fergus and Urie's work, and are often argued to be amongst the finest of their non-figurative designs. The large triple window in the chancel was presented by Lady McCulloch in memory of the ‘loved and dead’. Another, in memory of John Kane Smyth, the Vice-Consul for the United States of America in Melbourne, has the American Stars and Stripes on the top ventilator above it. An organ by Thomas C. Lewis of London, one of the leading 19th century English organ builders, was installed in the south transept in 1882. It was designed to blend with its architectural setting, with pipework styled to avoid the obstruction of windows. The action of this organ was altered in 1935, but the pipework, and the original sound, have been retained.

 

Over the years many spiritual and social activities were instituted at Saint George’s, Presbyterian Church some of short duration such as the Ladies’ Reading Club which operated between 1888 and 1893. There were segregated Bible classes for young men and women, the Presbyterian Women’s Missionary Union, formed in 1892, a cricket club and a floral guild. Guilds teaching physical culture for girls, boys and young men began in 1904. They were entirely financed by John Maclellan and the idea extended to other denominations throughout Victoria. John Maclellan died in 1936 and the guilds ceased at Saint George’s Presbyterian church through lack of funds although in 1977 the members of the girls’ guild were still holding bi-annual reunions and raising money for charity. Sadly, the Presbyterian congregations may have been large in the Nineteenth Century, but by St George's Presbyterian Church's 110th centenary, its doors had already closed during the week due to dwindling numbers and an ageing congregation as a result of the general decline in church attendances after the Second World War exacerbated by the changing nature of St Kilda and the decrease in numbers of residents living in the vicinity of the church. So it stood, forlorn and empty and seemingly nothing more than a relic of a glorious but bygone religious past. However in 1990, Saint Michael's Grammar School across the road leased the Victorian Heritage listed building during weekdays, and it was eventually sold to them in 2015. It now forms part of the school's performing-arts complex, and it has a wonderful new lease of life.

 

St George's Presbyterian Church is sometimes hired out for performances, and I had the pleasure of receiving an invitation to hear Handel's Messiah performed there in 2009. The ecclesiastical acoustics made the performance all the more magnificent. I remember as I sat on one of the original (hard) kauri pine pews, I looked around me and admired the stained glass and ornamental brickwork. I tried without success over several subsequent years to gain access to the church's interior, settling for photographs of the exterior instead, but it wasn't until 2018 that I was fortunate enough to gain entry to photograph the church's interior. The former St George's Presbyterian Church was opened up to the public for one Sunday morning only as part of Open House Melbourne in July 2018. It was a fantastic morning, and I am very grateful to the staff who manned the church for the day and watched bemused as I photographed the stained glass extensively and in such detail.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was Saint. George's Presbyterian Church in St Kilda East between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and Saint, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

Built 1916 for the company, John Darling & Son, on site of Hugh Fraser’s former marble works, architect Eric McMichael, later used for various offices, vacant from 1997 until purchased 2013 by William Burton Leopardi Architects, renovated & re-opened 2016. John Darling had taken over R G Bowen’s Waymouth St grain stores in 1868, moving by 1876 to King William St. His son had joined the business in 1872 and the grain merchant & flour milling company was known as John Darling & Son. In 1888 the company transferred to Fraser’s premises in Franklin St.

 

“Cape Oats.— Prime Samples for Seed. John Darling, at R. G. Bowen's Grain Stores, Waymouth-street.” [Register 11 Apr 1865 advert]

 

“To Farmers and Others.— J. Darling begs to announce to the Farmers of South Australia that he has taken for a term those Large and Commodious Premises lately in the occupation of Mr. R. G. Bowen, and known as the Waymouth-street Wheat and Grain Stores, where he intends carrying on business as a General Produce Merchant. Wheat, Oats, and Barley Bought or Stored on the most reasonable terms. Bags lent for the convenience of farmers. John Darling.” [Register 12 Dec 1865 advert]

 

“Storage-room for 50,000 Bushels at the Waymouth-street Wheat and Grain Stores. John Darling.” [Register 12 Dec 1865 advert]

 

“Horsefeed, Barley and Oats (crushed and uncrushed), Chaff, Bran and Pollard. Waymouth-street Grain Stores. John Darling.” [Register 4 Jul 1866 advert]

 

“Wheat Market.— Millers’ Prices. . . Mr. John Darling has purchased wheat this day at 4s. 1d. per bushel for single drayloads.” [Register 7 Sep 1867]

 

“Wheat Market.— Miller’s Prices. . . Mr. John Darling has purchased wheat this day at 8s. 8d. per bushel for single dray loads.” [Register 21 Apr 1868]

 

“The tender of John Darling for the supply of bread to the establishments of the Colonial Government in Adelaide, including the labor prison Dry Creek, and excepting the Hospital, has been accepted at 2½d. and 3d. per 2-lb. loaf.” [Advertiser 19 Sep 1868]

 

“the advent of Mr. John Darling, of Waymouth-street, so well and favorably known to most farmers of extensive holdings in the South, gives assurance of an active trade, which, we .trust, will result in mutual benefit to himself and his patrons. . . Mr. Darling having abundant storage in Adelaide, will be able daily to relieve the mill of the grist in large quantities, to make space for fresh consignments.” [Chronicle & Weekly Mail 26 Dec 1868]

 

“Mr. John Darling has sent to our office a specimen of pearl barley manufactured at the Imperial Mills, Hurtle-square. The quality appears to be excellent, and we understand that it can be produced at a lower price than that of the imported article.” [Register 7 Sep 1869]

 

“John Darling & Son having again taken possession of the Imperial Mills, Hurtle-Square, beg to announce that they are Purchasers of Wheat at highest market price, or will Store on their usual liberal terms. Bags Lent. Cash advanced. Also to Bakers and others they are prepared to supply the Trade with Flour, Bran, and Pollard of the best quality at moderate rates.” [Register 17 Dec 1874 advert]

 

“Messrs. John Darling & Son have chartered the Girvan to load a full cargo of wheat at Port Pirie for the United Kingdom.” [Adelaide Observer 25 Nov 1876]

 

“City Mission Hall. . . The generous offer of £500 by John Darling, Esq., M.P., encouraged the Committee to undertake the erection of a new Hall.” [Advertiser 2 Oct 1877]

 

“instructed by the Trustee in the Assigned Estate of Hugh Fraser to sell by auction. . . Thirty-Seven Years’ Lease of Part of Town Acre 210. . . on which is erected the Buildings known as ‘Fraser's Chambers’ and Fraser's Marble Works. Also 100 Shares in the Glen Osmond Quarry Company. 500 [shares] Metropolitan Brink Company.” [Advertiser 28 Aug 1886 advert]

 

“The firm of Messrs. John Darling and Son, whose offices have for many years been in King William-street, have purchased the freehold of the premises in Franklin street known as Fraser Chambers, where Mr. Hugh Fraser had his marbleworks. Messrs, Darling & Son have hitherto had two offices, one in the city and another at the Port, but owing to the difficulty which has been experienced in working the steamers and the separation of the affairs of the firm, the whole of the business has been concentrated in the new premises.” [Express & Telegraph 13 Sep 1887]

 

“Seed. Seed. Seed. Oats — Cape, Algerian, Grey, and Tartarians, Wheat. Purple Straw, Steinwedel, Dart's Imperial, Hay Seed, &c., Cape Barley. John Darling and Son, Franklin-street.” [Evening Journal 27 Apr 1898 advert]

 

“Owing to the death of Mr. John Darling a change in the management of the business of Messrs. John Darling & Son has taken place. All departments of trade in Adelaide, Melbourne, Sydney, and Fremantle will, however, be carried on as heretofore, but under the management of the late Mr. John. Darling's trustees, who are Mrs. John Darling, Mr. Harold G. Darling, and Mr. W. J. Hill.” [Advertiser 17 Apr 1914]

 

“Messrs. John Darling & Son have accepted tenders for the rebuilding of their premises at the corner of Franklin and Bentham streets. The old building which was originally erected by Mr. Hugh Fraser, was used by that gentleman for a number of years in connection with his marble business. Mr. John Darling took possession in 1888, and the business of Messrs. John Darling & Son has been conducted there. The new building will consist of four storeys and a basement. It will be of brick and reinforced concrete. . . The interior is to be elaborately fitted, the main office being similar to an ordinary banking chamber. Every convenience will be provided for the staff, including luncheon and retiring rooms. [Advertiser 13 Jul 1916]

 

“Prevost's (now Messrs. Prevost, Selth, & Co.) at their new premises, Darling Buildings, Franklin Street.” [The Mail 6 Apr 1918]

 

“The twenty-ninth Convention of the Pastoralists' Federal Council of Australia commenced its sittings at Darling Buildings, Franklin-street, Adelaide.” [Advertiser 19 Apr 1918]

 

“Red Cross Information Bureau. Darling Buildings, Franklin Street. All who are anxious to seek news of sick, wounded, or missing men enlisted from this State are invited to call at or write to the above Office, and the Red Cross will endeavour to help them.” [Register 9 Jul 1918]

 

“Temporary Typiste Stenographer wanted at once . . . Broken Hill Proprietary Co., Darling Building, 28 Franklin Street.” [News 21 Apr 1928 advert]

 

“Learn at once by mail in spare time and qualify to meet today's requirements. Mechanical drawing, architectural drawing, building construction taught rapidly and practically. . . Learn Woolclassing. . . Practical bookkeeping. . . Special courses to help those who have missed part of their schooling. . . Howard Correspondence College, Note New Address — Darling Bldgs., 28-30 Franklin st.” [Advertiser 31 Jul 1937 advert]

 

“Learn Diesel engineering at home in your spare time. What you study now affords security in future years. Write or call. Howard Correspondence College. . . Proficiency in bookkeeping and arithmetic leads to better jobs. Study now to ensure security in future years, inquire at Howard Correspondence College, Darling Bldgs., Franklin st.” [Advertiser 3 Jun 1952 advert]

 

JOHN DARLING – FATHER & SON

“DARLING.— On the 10th April, at his residence, ‘Thurloo’, Kensington-road, Norwood, John Darling, sen., aged 74 years.” [Advertiser 11 Apr 1905]

 

“Mr. Darling [father] will be remembered as one of the ablest business men South Australia had, and as the founder of the largest firm of wheat merchants in Australasia. He was born in Edinburgh in 1831, and was educated at the George Heriot School, a well known institution in the Scottish capital. For 13 years he was engaged in the type foundry of Marr & Co., in Edinburgh. In 1855 he came to South Australia, and at once interested himself in the producing industry, first in connection with the business of Messrs. Giles & Smith, grain and general merchants, of Adelaide, and afterwards in partnership with the late Mr. R. G. Bowen, whose business Mr. Darling eventually took over. Liberally endowed by nature with Scotch shrewdness and enterprise, Mr. Darling soon made himself one of the leading grain merchants and exporters of the province. Mr. John Darling, jun., became a partner of his father in 1872, and the firm was thereafter known as J. Darling & Son, millers, grain, and general merchants. . . member of the House of Assembly. . . Legislative Council. . . Commissioner of Public Works. . . left a widow and family of seven sons and one daughter, viz.—Messrs. John Darling, jun.; Robert Darling, of Geraldton, Western Australia; Charles A. Darling, manager of the firm's London house; George Darling, of Melbourne; James Darling, of Kilmone, Victoria; Frank Darling, of Melbourne; Joseph Darling, the international cricketer, who is now on his way to England, and Mrs. H. E. Hall, of Melbourne.” [Advertiser 11 Apr 1905]

 

“DARLING.—On the 27th March, at Melbourne, Victoria, John, the dearly beloved husband of Jessie Darling, of ‘Lynton’, Kent-terrace, Norwood, aged 62 years.” [Advertiser 30 Mar 1914]

 

“His father founded the firm in 1883. . . Mr. Darling [son] was for some years president of the Employers' Federation and president of the Chamber of Commerce, and had for seven years held the position of chairman, of directors of the Broken Hill Proprietary Company. . . Mr. Darling was born at Edinburgh on January 24, 1852. When he was 4 years of age his parents migrated to Australia and arrived at Adelaide. . . when the son reached the age of 20 years he was taken into partnership, thus forming the firm of John Darling & Son. . . eventually became a. director of (the Port Adelaide Dock Company. He was also a president of the Shipowners' Association of South Australia. In 1896 the deceased was elected to represent the East Torrens electorate in the State Parliament. . . The deceased has left a widow, three sons (Messrs. Harold, Leonard, and Norman Darling) and three daughters (Mrs. F. W. Young, wife of the Commissioner of Crown Lands, Miss Grace, and Miss Gertrude Darling).” [Daily Herald 30 Mar 1914]

 

HUGH FRASER

“Mr. Hugh Fraser. . . with his four brothers, came to the colony in 1863, and at once went to Mintaro, where he worked in the slate quarries, and subsequently owned one himself. In 1867 be returned to Adelaide, and was appointed manager of the Delabole slate company. . . Subsequently he established himself in the city as a marble mason.” [Register 12 Nov 1900]

 

“It is sixteen years since Hugh Fraser disappeared from politics, in which he was a leading figure for seven years. He was a rugged, blunt, eloquent Scotchman, wily, obstinate, and pertinacious. His chief success in Parliament was to take his revenge on the press by imposing postage on newspapers.” [Port Pirie Recorder 14 Nov 1900]

 

“FRASER. —On the 10th November, at his residence, Chapel street, Kensington, Hugh Fraser, 63 years. Inverness papers please copy.” [Register 12 Nov 1900]

 

“Hugh Fraser, of the Delabole Slate Yard. . . has removed his Working Premises from Waymouth-street to the Corner of Bentham and Franklin Streets (next Duncan and Fraser's). . . A splendid assortment of best Italian Marble now in stock and to arrive. Gravestones carefully packed and forwarded to any part of the Colony. Tombs, Monuments, Iron Railings, always in Stock. Mintaro Flagging, Willunga Flagging, Roofing Slate. Marble and Slate Mantlepieces. . . Baths, Tanks, Sinks, &c. Air Bricks, Drain Piupes.” [Express & Telegraph 10 Feb 1876 advert]

 

“Hugh Fraser Has returned from Europe with an Immense Stock of New Goods. . . Mantlepieces in Italian, Pyreneese, Belgian, French, English and Irish marbles. . . Vases. . . Statuettes. . . in the Finest Parian, Alabaster, and Statuary marble. . . Fraser’s Marble Works, Franklin-street.” [Weekly Chronicle 7 Jun 1884 advert]

  

This image depicts the VILLE D'AMIENS at the F&S buoy at Neutral Bay on Sunday 4 September 1932. Wilkinson captured the image from the 9.55am ferry from Mosman to Circular Quay.

 

Frederick Wilkinson (1901 - 1975) migrated to Australia from England in 1911. While wokring various jobs in and around central Sydney, Wilkinson acquired a camera and began taking photographs of vessels and harbour scenes. Many of his images were used by commercial photographers for souvenir postcards.

 

The ANMM undertakes research and accepts public comments that enhance the information we hold about images in our collection. This record has been updated accordingly.

 

Photographer: Frederick Garner Wilkinson

 

Object no. 00041581

 

“Derrinook”, on the corner of Gellibrand and Manifold Streets in Colac, was originally built as a private hospital for Doctor William Henry Brown (1861 – 1926) in 1900.

 

Built in the Federation Queen Anne architectural style, “Derrinook” is, unusually for the style, built of timber. Federation Queen Anne architectural style, which was mostly a residential style which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it a much more decorative look. Sprawling across a large block with two street frontages, “Derrinook” has a very complex roofline, a common trait of Federation Queen Anne buildings, aided by a large number of half timbered gables. The former private hospital also has some beautiful Art Nouveau stained glass windows. “Derrinook” has a number of “fish scale” pattern panels decorating its façade above the tall windows. “Fish scales” were very popular thanks to the worldwide craze for all things Japanese in the late Nineteenth and early Twentieth Centuries. “Derrinook” also features very sinewy Art Nouveau fretwork around its bay windows, along its verandahs and employed as decoration on the half timbered gables. This was also common amongst Federation Queen Anne buildings. However it is perhaps “Derrinook’s” many elaborate, tall chimneys capped with ceramic chimney pots where the prevailing, and then fashionable, Art Nouveau decorative style is most apparent. One of the first buildings in Colac to employ electric lighting, “Derrinook” was eventually superceded by the Colac Hospital as a place for medical treatment and recouperation. With the change in fortunes for so many during the Great Depression, “Derrinook” was converted into smaller self-contained flats in 1935 and remains private residences to this day.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor William Henry Brown was born in Erinth in Kent in 1861 and was educated in both England and Germany. He studied medicine at University College in London. He migrated to Australia in 1885 and originally established a practice in the Victorian Gippsland town of Maffra. In 1891 he moved to Colac where he practiced as a partner with local Doctor T. Foster, before acquiring the practice entirely. Doctor Brown became very well known in Colac as a physician and surgeon, and recognition of his skills spread across the state and across the country. His work gained attention world-wide when he published pieces in various medical journals. With the growth of his renown and his practice, he established “Derrinook” in 1900. When the Great War commenced in 1914, Doctor Brown travelled to various country towns as a representative of the army and acted as a dynamic speaker at recruitment drives, attempting to raise community responsibility and patriotism. His wife Clara (1862 – 1939) also worked enthusiastically for the war effort including for the Red Cross Society. His son, Doctor Arthur Edward Brown (1889 – 1975) followed in his father’s footsteps as a medical practitioner and they two worked in partnership at “Derrinook” after the war. Doctor Brown retired to his beachside Sorrento residence “Kennagh” in 1921 where he continued to play tennis (as he had in Colac where he presided over the tennis club for a number of years as president), and also took up improvement of the local foreshore. He also became a member of the Flinders Shire Council in 1923. He died of heart disease in 1926.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

 

All the precautions you need to take for the journey ahead!

Going Bush!

 

A description of the journey across..

 

with notes courtesy of research by..

denisbin

 

On the Indian Pacific train you depart Adelaide 6:40 pm reaching Port August at 11pm; then Tarcoola 4:20 am; the siding of Bates at 7:40am. We have a brief stop at the former township of Cook at 9:45 am. We should reach Forrest in Western Australia about 1:54 pm; Rawlinna at 2:26 pm and Kalgoorlie at 7:10 pm.

 

As a condition of entering the federation of Australia WA Premier Sir John Forrest insisted on a transcontinental rail link with the eastern states via Port Augusta. Work began in 1912 and was completed in 1917. Water for the steam engines was obtained from bores across the Nullarbor but the high salt content meant steam engines rusted out very quickly. Coal was shipped from NSW and transported across the Nullarbor to tiny rail sidings and left in stockpiles to fuel the steam furnaces. It was a costly and relatively slow way of crossing from SA to Perth. The journey involved several changes of gauges from Adelaide with the first at Terowie where the 5’3” rail gauge line ended. The 3’6” gauge from Terowie meandered north through Quorn and down through the Pichi Richi Pass to Port August. Here was another change of gauge to the new standard line across to Kalgoorlie.

At Kalgoorlie a further change of gauge occurred back to 3’6” the main gauge used in WA. The first train to cross from Sydney to Perth without a change of gauge was in 1970. The first air-conditioned train to cross to Perth from Port Pirie was in 1951. The original trip from Port Augusta to Kalgoorlie took 42 hours but was later reduced to 29 hours by 1936 when the new direct line from Adelaide to Port Pirie opened. Today we travel the same section in 19 hours from Port Augusta to Kalgoorlie.

 

Nullarbor.

This flat limestone plain is the largest area of karst landscape, with numerous subsurface caves, in the world. It stretches 1,200 kms from near Ceduna to near Norseman in WA. On it southern border high limestone cliffs face the Great Australian Bight; to the north the limestone plain becomes the Great Victoria Desert, a typical sandy desert. Nullarbor comes for the Latin “nullus” meaning not any and “arbor” meaning trees- hence no trees. However, this does not mean the Nullarbor lacks vegetation (or interest). Around 800 species of plants including saltbush and blue bush grow across the Nullarbor or its edges. Wildlife is plentiful but water is not. Somehow Edward John Eyre and his overseer John Baxter, managed to cross the inhospitable landscape with the help of his Aboriginal friend Wylie in 1841. The pair was saved by a French whaling ship on the coast near Esperance. After receiving food and water Eyre and Wylie continued overland to Albany to complete the crossing from Streaky Bay.

Eyre was award the gold medal of the Royal Geographical Society in London for this incredible journey. After the journey Eyre took up land in SA and became Protector of Aborigines near Blanchetown (Moorundie).

 

The Characters of the Crossing.

The stations/sidings which you will probably not even see as they whizz by include a list of many of Australian

 

Prime Ministers and the eccentric Daisy Bates. In order, after Tarcoola which we pass through during the night, the sidings are: Barton; Bates; Ooldea; Watson; Fisher and Cook where we stop for a short time. Beyond Cook where the line is straight for a very long distance the sidings are: Denman; Hughes; Forrest (which has the major airport); Rawlinna, Chifley; Curtin and finally Kalgoorlie.

 

Barton. Sir Edmund Barton, 1829-1920, was an Australian born NSW scholar and politician. A staunch federalist he became the first Australian Prime Minister in 1901. He was the driving fore behind the writing of the Australian Constitution. He pushed for the White Australia Policy and got an act to repatriate Kanaka workers from Queensland. He resigned in 1903 to become a judge of the High Court of Australia.

 

Bates. Daisy Bates, 1863-1951, was an eccentric Irishwoman who migrated to Australia in 1884. She married in 1885 but seldom lived with her husband. After a five year trip to England she returned to Australia and took up living with remote Aboriginal communities, firstly in the Kimberlies and then at Ooldea in SA. She lived at Yalata or Ooldea from 1915 to 1934. She favoured segregation of full blood Aboriginal people, maintained they practised cannibalism and was unpopular with academic anthropologists but she had many articles written in newspapers to popularise her ideas and her work. She died at Prospect and was buried in North Road Anglican cemetery.

 

Ooldea. Ooldea has been an Aboriginal camping place for aeons as it has permanent water. Ernest Giles the explorer was the first white person to discover the water here in 1875. Ooldea became the rail siding for the Maralinga nuclear testing site and it was the home of Daisy Bates for many years.

Watson. John Christian Watson, 1867 -1941, was the third Prime Minister but served for only four months in 1904. He was Australia’s first Labor Prime Minister and he favoured protective tariffs. He retired from federal politics in 1910. He was known for his “Viking style” beard!

 

Fisher. Andrew Fisher, 1862-1928, was Prime Minister three times, 1908-9; 1910-13; and 1914-15. He was a founding Labor politician. Whilst PM he oversaw the establishment of the Australian Navy, the founding of the Commonwealth Bank, the founding of Canberra and the splitting of the Northern Territory from SA. He was also PM when a start was made on the Transcontinental rail line from Port Augusta to Kalgoorlie in 1912. Not surprisingly the first few rail sidings across the Nullarbor are named after Labor Prime Ministers, except for Barton, our first Prime Minister. The conservative/national/free trade Prime Minsters generally have sidings in WA towards Kalgoorlie!

 

Cook. This station and tiny township was not named after Captain James Cook but Prime Minister Sir Joseph Cook, 1860-1947. Cook was the sixth PM in 1913-14. He began as a Labor politician but in the federal sphere switched away from protectionism to free trade. He served as a Liberal free trade Prime Minister. Cook agreed to the British request for troops to support them in World War One in France and Turkey.

 

Denman. Sir Thomas Denman, 1874-1954, was a British military man. He was appointed as Governor General of Australia in 1911. He conducted the founding ceremony for the establishment of Canberra in 1913. Denman interfered in federal politics and supported the PM who wanted complete Australian control and autonomy for the Australian Navy. Denman publically supported this. He was recalled to England in May 1914. Throughout the 1920s he supported Australia’s point of view in debates in the British House of Lords.

 

Hughes. William (Billy) Hughes was the first long surviving Australian Prime Minister as he was in power from 1915-1923. This record was not beaten until 1957 by Sir Robert Menzies. Billy Hughes lived from 1862- 1952. Hughes’ other record, being the longest serving member of parliament has not yet been surpassed. He was a politician for almost 52 years! Hughes served in earlier Labor ministries but split the Labor Party in 1917 by proposing conscription for the World War One war effort. He was expelled from the Labor Party! But he won the next election in alliance with the National Party. In 1923 he had insufficient parliamentarians to form government but he remained in parliament as a member of the United Australia Party which later became the Liberal Party. He died whilst still a parliamentarian aged 90 years.

 

Deakin. This siding is right on the WA/SA border. Alfred Deakin, 1856-1919, served as Prime Minister three times in the first few years of federation from 1903-4; 1905-8; and 1909-10. Alfred Deakin was a protectionists and finally Liberal in parliament. He was a great leader in the federation moment, a former Victorian Premier and is credited with starting the nation building process for Australia when he was Prime Minister. He was a scholar and a lawyer.

 

Reid. Sir George Reid, 1845-1918, was Prime Minister in 1904-5. He was a devout exponent of free trade and a Liberal but the other Liberal Alfred Deakin would not support him and his free trade policies. He went on to be leader of the Opposition against the Labor governments that followed him.

 

Forrest. Sir John Forest, 1847-1918, the first Baron Forrest of Bunbury, was an explorer, surveyor and politician extraordinaire. He was born at Bunbury in WA and became the founding Premier of WA when partial self-government was granted by Britain in 1890. Forrest led the explorers who did the first west to east crossing of the Nullarbor from Perth to Adelaide in 1870.

He was the first Western Australian knighted in 1891. He served as Premier of WA from 1890 to 1901 during the decade when the population exploded with the gold discoveries at Kalgoorlie. He acted for the establishment of a water pipeline to Kalgoorlie; he unilaterally rejected Britain’s control of WA Aboriginal Affairs and summarily ended it; he took government control of the Great Southern Railway to Albany; he repealed a section of the state Constitution which stated 1% of all tax royalties must be spent on Aboriginal people. From 1901 to his death in 1918 he was a member of the federal parliament aligned with non-Labor politicians. Although he supported federation he fought hard for rights for WA including the building of a transcontinental railway from Port Augusta.

Forrest’s reluctance to join federation until concessions were promised for WA led politicians and others in the goldfields to propose a new state called Auralia to enter the federation, even if the rest of WA did not. The capital of that state would have been Kalgoorlie. Once Forrest finally committed WA to join the federation this proposal for a separate state of Auralia was dropped.

The Forrest siding or settlement with only a couple for residents is known for its airport. It has the largest runway outside of a capital city in case it is needed for emergency or military use. Light aircraft use the airport as a refuelling stop across the Nullarbor.

 

Rawlinna. This siding is named after the local sheep station, the largest in the world, with an historical homestead. Up to 80,000 sheep have been shorn in one year on Rawlinna Station.

 

Chifley. Joseph Benedict Chifley, 1885-1951, was a Labor Prime Minister for Australia after the Second World War from 1945- 1949. Ben Chifley introduced the Snowy Mountains irrigation scheme and founded the Australian National University in Canberra. He was no longer PM in 1951 but still a parliamentarian when he died in office in Canberra. He lost the 1949 elections on his proposal to nationalise the banks of Australia.

 

Curtin. John Curtin, 1884-1945 was the Labor Prime Minister for Australia during most of World War Two from 1941-45. He died in office in July 1945 just six weeks before the end of the War. His great contribution was to reject British proposals for the deployment of Australian troops to protect their interests and to put them under the command of General Douglas MacArthur from America who used our troops in South East Asia and New Guinea to protect Australia from invasion by the Japanese.

 

Kalgoorlie.

Gold was discovered here by Patrick Hannan and the city emerged overnight in 1893. The finds were so rich that it is still known as the richest mile on the planet. Thousands swarmed to the gold fields but deep shaft mining meant casual prospectors were soon just mine employees and most left the goldfields. By 1898 the town had a population of around 2,000 but only 500 were women. Once a railway line from Perth reached the town the population grew. The water pipeline reached the city in 1903 offering coastal amenities to outback residents! It was this small population of about 5,000 in 1900 that were in favour of joining the federation of Australia and creating a new state called Auralia. The port for this new colony would have been Esperance. The mine continued giving its riches to the mining companies. When it began in 1893 gold worth £421,000 was produced in WA. By 1900 the value of gold found in WA was worth £6,000,000! And the boom still continues in WA with nickel, oil, gas and iron and Kalgoorlie has the largest open cut mine in the world.

 

But relations on the gold fields have not always been cordial. Kalgoorlie is known for the 1934 Race Riots as mobs against Greek, Italian and Slavic mobs rioted, attacked and burned Greek and Slavic owned properties. Extra police were sent from Perth to quell the riots. The riot broke out on a Saturday night, a traditional night for drinking and violence. Foreign owned hotels were burned and residences lived in by foreigners had their windows smashed in both Kalgoorlie and Coolgardie. This was and still is the Wild West! Unlike the eastern states WA has always had more land than people and even into the 1970s virgin farmland was being granted or sold to new comers for little money. One of the last large cereal farming areas developed, which would have been in the state of Auralia, was at Esperance in the 1970s.

 

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The earliest National Bank of Australia in Colac established its premises in the town's main thoroughfare at 28 Murray Street in a two storey brick building erected in 1865 to a design by the architect, Leonard Terry. In 1886 the Leonard Terry bank was demolished to make way for the present two storey stucco and brick building which was completed in August 1887.

 

Designed by self-trained local Colac architect Alexander Hamilton (1825 - 1901), the current National Bank of Australia building is a good example of transitional boom Classicism architecture. Builders Taylor and Ellis of Ballarat erected the bank at a cost of £3,500.00. The building, which stands detached and complete like the nearby Colac Shire Hall has an iron palisade fence. The design, with rusticated ground floor facade, Corinthian porch, unusual enframed windows and pronounced parapet entablature, is illustrative of trends in bank architecture in the mid 1880s in Victoria and is one of Mr. Hamilton's most significant and scholarly works.

 

The bank has seen many uses over the years, and was at one stage in its life a gentleman's club for wealthy local landowners to socialise in. Today the National Bank of Australia has moved to more modern premises in Colac, but the building houses professional suites as befits a building which such a fine architectural pedigree.

 

Alexander Hamilton was born in Moffat, Scotland, but migrated to Australia in 1852. Originally based in Melbourne, he went to the Western District town of Mortlake before moving in 1871 to Colac where he was amongst other professions a millwright, builder and an architect. Alexander Hamilton really concentrated on his profession as an architect when he arrived in Colac and made his name in the area as a number of older homesteads and buildings in the district were built under his instruction and supervision. These include "Illewarra House" which was built for for John Calvert in 1873, "Tarndwarncoort" for Alexander Dennis in 1877 and "Talindert" for James Manifold in 1890. Mr. Hamilton also designed the Presbyterian manse in Colac in 1883 and the Bank of Australasia in Beeac in 1888.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

 

Built in 1892 on the rise of a hill in the prominent location of the corner of Bromfield and Corangamite Streets in Colac, stands the grand two-storey red brick residence, "Lislea House".

 

"Lislea House" was built for Doctor Wynne, a local practitioner, for his use as a stylish residence and surgery. "Lislea House" has been constructed in the popular Federation Queen Anne style, which was mostly a residential style established in the 1890s which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. "Lislea House" has a very complex roofline, which is typical of the Federation Queen Anne architectural movement, as is the steeply pitched roof, ornate wooden fretwork that graces the return verandah and the exaggerated height of the chimneys.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor Wynne was a prominent and popular figure in the Colac community. Born in Armagh, the county town of County Armagh in Northern Ireland in 1857, Doctor Wynne studied medicine at Dublin University. He migrated to Australia after gaining his degree and took over the Colac practice of Doctor Porter in the late 1880s. He was interested in public affairs and in the forwarding and improvement of Colac; becoming a patron of many establishments in the town including, the Colac Fire Brigade and the Colac Free Library. He even established a local newspaper the "Daily News". He was one of the original shareholders of the Colac Dairying Company, the Colac dairy farmers' co-operative. Doctor Wynne enjoyed horse racing and he and his wife entertained at their fine house often. Doctor Wynne died at "Lislea House" in 1915 as a result of complications. caused by a weak heart.

 

The descendants of Doctor Wynne no longer live in "Lislea House", and after some years of neglect, it has been restored internally and externally to its original splendor, as well as having had some modern day comforts added. It now serves as self contained apartments which take advantage of the house's location so close to the town's centre.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

Built 1916 for the company, John Darling & Son, on site of Hugh Fraser’s former marble works, architect Eric McMichael, later used for various offices, vacant from 1997 until purchased 2013 by William Burton Leopardi Architects, renovated & re-opened 2016. John Darling had taken over R G Bowen’s Waymouth St grain stores in 1868, moving by 1876 to King William St. His son had joined the business in 1872 and the grain merchant & flour milling company was known as John Darling & Son. In 1888 the company transferred to Fraser’s premises in Franklin St.

 

“Cape Oats.— Prime Samples for Seed. John Darling, at R. G. Bowen's Grain Stores, Waymouth-street.” [Register 11 Apr 1865 advert]

 

“To Farmers and Others.— J. Darling begs to announce to the Farmers of South Australia that he has taken for a term those Large and Commodious Premises lately in the occupation of Mr. R. G. Bowen, and known as the Waymouth-street Wheat and Grain Stores, where he intends carrying on business as a General Produce Merchant. Wheat, Oats, and Barley Bought or Stored on the most reasonable terms. Bags lent for the convenience of farmers. John Darling.” [Register 12 Dec 1865 advert]

 

“Storage-room for 50,000 Bushels at the Waymouth-street Wheat and Grain Stores. John Darling.” [Register 12 Dec 1865 advert]

 

“Horsefeed, Barley and Oats (crushed and uncrushed), Chaff, Bran and Pollard. Waymouth-street Grain Stores. John Darling.” [Register 4 Jul 1866 advert]

 

“Wheat Market.— Millers’ Prices. . . Mr. John Darling has purchased wheat this day at 4s. 1d. per bushel for single drayloads.” [Register 7 Sep 1867]

 

“Wheat Market.— Miller’s Prices. . . Mr. John Darling has purchased wheat this day at 8s. 8d. per bushel for single dray loads.” [Register 21 Apr 1868]

 

“The tender of John Darling for the supply of bread to the establishments of the Colonial Government in Adelaide, including the labor prison Dry Creek, and excepting the Hospital, has been accepted at 2½d. and 3d. per 2-lb. loaf.” [Advertiser 19 Sep 1868]

 

“the advent of Mr. John Darling, of Waymouth-street, so well and favorably known to most farmers of extensive holdings in the South, gives assurance of an active trade, which, we .trust, will result in mutual benefit to himself and his patrons. . . Mr. Darling having abundant storage in Adelaide, will be able daily to relieve the mill of the grist in large quantities, to make space for fresh consignments.” [Chronicle & Weekly Mail 26 Dec 1868]

 

“Mr. John Darling has sent to our office a specimen of pearl barley manufactured at the Imperial Mills, Hurtle-square. The quality appears to be excellent, and we understand that it can be produced at a lower price than that of the imported article.” [Register 7 Sep 1869]

 

“John Darling & Son having again taken possession of the Imperial Mills, Hurtle-Square, beg to announce that they are Purchasers of Wheat at highest market price, or will Store on their usual liberal terms. Bags Lent. Cash advanced. Also to Bakers and others they are prepared to supply the Trade with Flour, Bran, and Pollard of the best quality at moderate rates.” [Register 17 Dec 1874 advert]

 

“Messrs. John Darling & Son have chartered the Girvan to load a full cargo of wheat at Port Pirie for the United Kingdom.” [Adelaide Observer 25 Nov 1876]

 

“City Mission Hall. . . The generous offer of £500 by John Darling, Esq., M.P., encouraged the Committee to undertake the erection of a new Hall.” [Advertiser 2 Oct 1877]

 

“instructed by the Trustee in the Assigned Estate of Hugh Fraser to sell by auction. . . Thirty-Seven Years’ Lease of Part of Town Acre 210. . . on which is erected the Buildings known as ‘Fraser's Chambers’ and Fraser's Marble Works. Also 100 Shares in the Glen Osmond Quarry Company. 500 [shares] Metropolitan Brink Company.” [Advertiser 28 Aug 1886 advert]

 

“The firm of Messrs. John Darling and Son, whose offices have for many years been in King William-street, have purchased the freehold of the premises in Franklin street known as Fraser Chambers, where Mr. Hugh Fraser had his marbleworks. Messrs, Darling & Son have hitherto had two offices, one in the city and another at the Port, but owing to the difficulty which has been experienced in working the steamers and the separation of the affairs of the firm, the whole of the business has been concentrated in the new premises.” [Express & Telegraph 13 Sep 1887]

 

“Seed. Seed. Seed. Oats — Cape, Algerian, Grey, and Tartarians, Wheat. Purple Straw, Steinwedel, Dart's Imperial, Hay Seed, &c., Cape Barley. John Darling and Son, Franklin-street.” [Evening Journal 27 Apr 1898 advert]

 

“Owing to the death of Mr. John Darling a change in the management of the business of Messrs. John Darling & Son has taken place. All departments of trade in Adelaide, Melbourne, Sydney, and Fremantle will, however, be carried on as heretofore, but under the management of the late Mr. John. Darling's trustees, who are Mrs. John Darling, Mr. Harold G. Darling, and Mr. W. J. Hill.” [Advertiser 17 Apr 1914]

 

“Messrs. John Darling & Son have accepted tenders for the rebuilding of their premises at the corner of Franklin and Bentham streets. The old building which was originally erected by Mr. Hugh Fraser, was used by that gentleman for a number of years in connection with his marble business. Mr. John Darling took possession in 1888, and the business of Messrs. John Darling & Son has been conducted there. The new building will consist of four storeys and a basement. It will be of brick and reinforced concrete. . . The interior is to be elaborately fitted, the main office being similar to an ordinary banking chamber. Every convenience will be provided for the staff, including luncheon and retiring rooms. [Advertiser 13 Jul 1916]

 

“Prevost's (now Messrs. Prevost, Selth, & Co.) at their new premises, Darling Buildings, Franklin Street.” [The Mail 6 Apr 1918]

 

“The twenty-ninth Convention of the Pastoralists' Federal Council of Australia commenced its sittings at Darling Buildings, Franklin-street, Adelaide.” [Advertiser 19 Apr 1918]

 

“Red Cross Information Bureau. Darling Buildings, Franklin Street. All who are anxious to seek news of sick, wounded, or missing men enlisted from this State are invited to call at or write to the above Office, and the Red Cross will endeavour to help them.” [Register 9 Jul 1918]

 

“Temporary Typiste Stenographer wanted at once . . . Broken Hill Proprietary Co., Darling Building, 28 Franklin Street.” [News 21 Apr 1928 advert]

 

“Learn at once by mail in spare time and qualify to meet today's requirements. Mechanical drawing, architectural drawing, building construction taught rapidly and practically. . . Learn Woolclassing. . . Practical bookkeeping. . . Special courses to help those who have missed part of their schooling. . . Howard Correspondence College, Note New Address — Darling Bldgs., 28-30 Franklin st.” [Advertiser 31 Jul 1937 advert]

 

“Learn Diesel engineering at home in your spare time. What you study now affords security in future years. Write or call. Howard Correspondence College. . . Proficiency in bookkeeping and arithmetic leads to better jobs. Study now to ensure security in future years, inquire at Howard Correspondence College, Darling Bldgs., Franklin st.” [Advertiser 3 Jun 1952 advert]

 

JOHN DARLING – FATHER & SON

“DARLING.— On the 10th April, at his residence, ‘Thurloo’, Kensington-road, Norwood, John Darling, sen., aged 74 years.” [Advertiser 11 Apr 1905]

 

“Mr. Darling [father] will be remembered as one of the ablest business men South Australia had, and as the founder of the largest firm of wheat merchants in Australasia. He was born in Edinburgh in 1831, and was educated at the George Heriot School, a well known institution in the Scottish capital. For 13 years he was engaged in the type foundry of Marr & Co., in Edinburgh. In 1855 he came to South Australia, and at once interested himself in the producing industry, first in connection with the business of Messrs. Giles & Smith, grain and general merchants, of Adelaide, and afterwards in partnership with the late Mr. R. G. Bowen, whose business Mr. Darling eventually took over. Liberally endowed by nature with Scotch shrewdness and enterprise, Mr. Darling soon made himself one of the leading grain merchants and exporters of the province. Mr. John Darling, jun., became a partner of his father in 1872, and the firm was thereafter known as J. Darling & Son, millers, grain, and general merchants. . . member of the House of Assembly. . . Legislative Council. . . Commissioner of Public Works. . . left a widow and family of seven sons and one daughter, viz.—Messrs. John Darling, jun.; Robert Darling, of Geraldton, Western Australia; Charles A. Darling, manager of the firm's London house; George Darling, of Melbourne; James Darling, of Kilmone, Victoria; Frank Darling, of Melbourne; Joseph Darling, the international cricketer, who is now on his way to England, and Mrs. H. E. Hall, of Melbourne.” [Advertiser 11 Apr 1905]

 

“DARLING.—On the 27th March, at Melbourne, Victoria, John, the dearly beloved husband of Jessie Darling, of ‘Lynton’, Kent-terrace, Norwood, aged 62 years.” [Advertiser 30 Mar 1914]

 

“His father founded the firm in 1883. . . Mr. Darling [son] was for some years president of the Employers' Federation and president of the Chamber of Commerce, and had for seven years held the position of chairman, of directors of the Broken Hill Proprietary Company. . . Mr. Darling was born at Edinburgh on January 24, 1852. When he was 4 years of age his parents migrated to Australia and arrived at Adelaide. . . when the son reached the age of 20 years he was taken into partnership, thus forming the firm of John Darling & Son. . . eventually became a. director of (the Port Adelaide Dock Company. He was also a president of the Shipowners' Association of South Australia. In 1896 the deceased was elected to represent the East Torrens electorate in the State Parliament. . . The deceased has left a widow, three sons (Messrs. Harold, Leonard, and Norman Darling) and three daughters (Mrs. F. W. Young, wife of the Commissioner of Crown Lands, Miss Grace, and Miss Gertrude Darling).” [Daily Herald 30 Mar 1914]

 

HUGH FRASER

“Mr. Hugh Fraser. . . with his four brothers, came to the colony in 1863, and at once went to Mintaro, where he worked in the slate quarries, and subsequently owned one himself. In 1867 be returned to Adelaide, and was appointed manager of the Delabole slate company. . . Subsequently he established himself in the city as a marble mason.” [Register 12 Nov 1900]

 

“It is sixteen years since Hugh Fraser disappeared from politics, in which he was a leading figure for seven years. He was a rugged, blunt, eloquent Scotchman, wily, obstinate, and pertinacious. His chief success in Parliament was to take his revenge on the press by imposing postage on newspapers.” [Port Pirie Recorder 14 Nov 1900]

 

“FRASER. —On the 10th November, at his residence, Chapel street, Kensington, Hugh Fraser, 63 years. Inverness papers please copy.” [Register 12 Nov 1900]

 

“Hugh Fraser, of the Delabole Slate Yard. . . has removed his Working Premises from Waymouth-street to the Corner of Bentham and Franklin Streets (next Duncan and Fraser's). . . A splendid assortment of best Italian Marble now in stock and to arrive. Gravestones carefully packed and forwarded to any part of the Colony. Tombs, Monuments, Iron Railings, always in Stock. Mintaro Flagging, Willunga Flagging, Roofing Slate. Marble and Slate Mantlepieces. . . Baths, Tanks, Sinks, &c. Air Bricks, Drain Piupes.” [Express & Telegraph 10 Feb 1876 advert]

 

“Hugh Fraser Has returned from Europe with an Immense Stock of New Goods. . . Mantlepieces in Italian, Pyreneese, Belgian, French, English and Irish marbles. . . Vases. . . Statuettes. . . in the Finest Parian, Alabaster, and Statuary marble. . . Fraser’s Marble Works, Franklin-street.” [Weekly Chronicle 7 Jun 1884 advert]

  

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, this beautiful floral stained glass window is full of colour. Installed into the western wall of the nave of Christ Church Brunswick, when I visited the sunlight streamed through this window and created pools of beautiful colour across the old wooden floorboards of the church.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

In the nave of St. Peter's Church of England in Ballarat, there are two windows dedicated to the memory of members of the Nunn family. These windows were created by Melbourne stained glass manufacturing firm Ferguson and Urie, and have the appearance, colour palate and stylised late Victorian design synonymous with the firm.

 

The window on the left-hand side is dedicated to John Laverick Nunn, who died in 1875 at the age of 46. It was placed by his wife, Eliza Nunn upon his death in his memory. In the centre of the window, written upon a flowing scroll appear these words:

 

"The Lord gave and the Lord hath taken away. Blessed be the Name of the Lord."

 

The matching window on the right-hand side is dedicated to siblings Hannah Mary Nunn, who died in 1883 at the age of 23 and John Laverick Nunn who died in 1884 at the age of 22. It was placed by their mother, Eliza Nunn upon their untimely deaths a year apart in their memory. In the centre of the window, written upon a flowing scroll appear these words:

 

"They also which sleep in Jesus will God bring with Him."

 

Born in Yorkshire, John Laverick Nunn migrated to Australia where he met his future bride Eliza Newson. He married her in 1857. They settled just outside Ballarat, where Mr. Nunn established himself in business duing the boom years of the Gold Rush. Whilst Mr. Nunn and two of his children died in Ballarat, his wife Eliza died in the fashionable Melbourne suburb of Hawkesburn in 1889.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

 

St. Peter's Church of England in Ballarat's main boulevard, Sturt Street, is an early and simple bluestone church which is given architectural interest by its elaborately detailed, later tower.

 

The imposing tower was commenced in 1864 to designs of architect C. D. Cuthbert in early English Gothic Revival style. Later additions include the west transept, which was completed in 1870, the tower which was completed in 1891, and east chapel which was completed in 1917.

 

The tower is very elaborately detailed with a castellated parapet, paired belfry windows and trefoil windows, a motif used in the nave gable above the lancel windows.

 

To this day, it still stands behind its original iron palisade fence.

Built 1916 for the company, John Darling & Son, on site of Hugh Fraser’s former marble works, architect Eric McMichael, later used for various offices, vacant from 1997 until purchased 2013 by William Burton Leopardi Architects, renovated & re-opened 2016. John Darling had taken over R G Bowen’s Waymouth St grain stores in 1868, moving by 1876 to King William St. His son had joined the business in 1872 and the grain merchant & flour milling company was known as John Darling & Son. In 1888 the company transferred to Fraser’s premises in Franklin St.

 

“Cape Oats.— Prime Samples for Seed. John Darling, at R. G. Bowen's Grain Stores, Waymouth-street.” [Register 11 Apr 1865 advert]

 

“To Farmers and Others.— J. Darling begs to announce to the Farmers of South Australia that he has taken for a term those Large and Commodious Premises lately in the occupation of Mr. R. G. Bowen, and known as the Waymouth-street Wheat and Grain Stores, where he intends carrying on business as a General Produce Merchant. Wheat, Oats, and Barley Bought or Stored on the most reasonable terms. Bags lent for the convenience of farmers. John Darling.” [Register 12 Dec 1865 advert]

 

“Storage-room for 50,000 Bushels at the Waymouth-street Wheat and Grain Stores. John Darling.” [Register 12 Dec 1865 advert]

 

“Horsefeed, Barley and Oats (crushed and uncrushed), Chaff, Bran and Pollard. Waymouth-street Grain Stores. John Darling.” [Register 4 Jul 1866 advert]

 

“Wheat Market.— Millers’ Prices. . . Mr. John Darling has purchased wheat this day at 4s. 1d. per bushel for single drayloads.” [Register 7 Sep 1867]

 

“Wheat Market.— Miller’s Prices. . . Mr. John Darling has purchased wheat this day at 8s. 8d. per bushel for single dray loads.” [Register 21 Apr 1868]

 

“The tender of John Darling for the supply of bread to the establishments of the Colonial Government in Adelaide, including the labor prison Dry Creek, and excepting the Hospital, has been accepted at 2½d. and 3d. per 2-lb. loaf.” [Advertiser 19 Sep 1868]

 

“the advent of Mr. John Darling, of Waymouth-street, so well and favorably known to most farmers of extensive holdings in the South, gives assurance of an active trade, which, we .trust, will result in mutual benefit to himself and his patrons. . . Mr. Darling having abundant storage in Adelaide, will be able daily to relieve the mill of the grist in large quantities, to make space for fresh consignments.” [Chronicle & Weekly Mail 26 Dec 1868]

 

“Mr. John Darling has sent to our office a specimen of pearl barley manufactured at the Imperial Mills, Hurtle-square. The quality appears to be excellent, and we understand that it can be produced at a lower price than that of the imported article.” [Register 7 Sep 1869]

 

“John Darling & Son having again taken possession of the Imperial Mills, Hurtle-Square, beg to announce that they are Purchasers of Wheat at highest market price, or will Store on their usual liberal terms. Bags Lent. Cash advanced. Also to Bakers and others they are prepared to supply the Trade with Flour, Bran, and Pollard of the best quality at moderate rates.” [Register 17 Dec 1874 advert]

 

“Messrs. John Darling & Son have chartered the Girvan to load a full cargo of wheat at Port Pirie for the United Kingdom.” [Adelaide Observer 25 Nov 1876]

 

“City Mission Hall. . . The generous offer of £500 by John Darling, Esq., M.P., encouraged the Committee to undertake the erection of a new Hall.” [Advertiser 2 Oct 1877]

 

“instructed by the Trustee in the Assigned Estate of Hugh Fraser to sell by auction. . . Thirty-Seven Years’ Lease of Part of Town Acre 210. . . on which is erected the Buildings known as ‘Fraser's Chambers’ and Fraser's Marble Works. Also 100 Shares in the Glen Osmond Quarry Company. 500 [shares] Metropolitan Brink Company.” [Advertiser 28 Aug 1886 advert]

 

“The firm of Messrs. John Darling and Son, whose offices have for many years been in King William-street, have purchased the freehold of the premises in Franklin street known as Fraser Chambers, where Mr. Hugh Fraser had his marbleworks. Messrs, Darling & Son have hitherto had two offices, one in the city and another at the Port, but owing to the difficulty which has been experienced in working the steamers and the separation of the affairs of the firm, the whole of the business has been concentrated in the new premises.” [Express & Telegraph 13 Sep 1887]

 

“Seed. Seed. Seed. Oats — Cape, Algerian, Grey, and Tartarians, Wheat. Purple Straw, Steinwedel, Dart's Imperial, Hay Seed, &c., Cape Barley. John Darling and Son, Franklin-street.” [Evening Journal 27 Apr 1898 advert]

 

“Owing to the death of Mr. John Darling a change in the management of the business of Messrs. John Darling & Son has taken place. All departments of trade in Adelaide, Melbourne, Sydney, and Fremantle will, however, be carried on as heretofore, but under the management of the late Mr. John. Darling's trustees, who are Mrs. John Darling, Mr. Harold G. Darling, and Mr. W. J. Hill.” [Advertiser 17 Apr 1914]

 

“Messrs. John Darling & Son have accepted tenders for the rebuilding of their premises at the corner of Franklin and Bentham streets. The old building which was originally erected by Mr. Hugh Fraser, was used by that gentleman for a number of years in connection with his marble business. Mr. John Darling took possession in 1888, and the business of Messrs. John Darling & Son has been conducted there. The new building will consist of four storeys and a basement. It will be of brick and reinforced concrete. . . The interior is to be elaborately fitted, the main office being similar to an ordinary banking chamber. Every convenience will be provided for the staff, including luncheon and retiring rooms. [Advertiser 13 Jul 1916]

 

“Prevost's (now Messrs. Prevost, Selth, & Co.) at their new premises, Darling Buildings, Franklin Street.” [The Mail 6 Apr 1918]

 

“The twenty-ninth Convention of the Pastoralists' Federal Council of Australia commenced its sittings at Darling Buildings, Franklin-street, Adelaide.” [Advertiser 19 Apr 1918]

 

“Red Cross Information Bureau. Darling Buildings, Franklin Street. All who are anxious to seek news of sick, wounded, or missing men enlisted from this State are invited to call at or write to the above Office, and the Red Cross will endeavour to help them.” [Register 9 Jul 1918]

 

“Temporary Typiste Stenographer wanted at once . . . Broken Hill Proprietary Co., Darling Building, 28 Franklin Street.” [News 21 Apr 1928 advert]

 

“Learn at once by mail in spare time and qualify to meet today's requirements. Mechanical drawing, architectural drawing, building construction taught rapidly and practically. . . Learn Woolclassing. . . Practical bookkeeping. . . Special courses to help those who have missed part of their schooling. . . Howard Correspondence College, Note New Address — Darling Bldgs., 28-30 Franklin st.” [Advertiser 31 Jul 1937 advert]

 

“Learn Diesel engineering at home in your spare time. What you study now affords security in future years. Write or call. Howard Correspondence College. . . Proficiency in bookkeeping and arithmetic leads to better jobs. Study now to ensure security in future years, inquire at Howard Correspondence College, Darling Bldgs., Franklin st.” [Advertiser 3 Jun 1952 advert]

 

JOHN DARLING – FATHER & SON

“DARLING.— On the 10th April, at his residence, ‘Thurloo’, Kensington-road, Norwood, John Darling, sen., aged 74 years.” [Advertiser 11 Apr 1905]

 

“Mr. Darling [father] will be remembered as one of the ablest business men South Australia had, and as the founder of the largest firm of wheat merchants in Australasia. He was born in Edinburgh in 1831, and was educated at the George Heriot School, a well known institution in the Scottish capital. For 13 years he was engaged in the type foundry of Marr & Co., in Edinburgh. In 1855 he came to South Australia, and at once interested himself in the producing industry, first in connection with the business of Messrs. Giles & Smith, grain and general merchants, of Adelaide, and afterwards in partnership with the late Mr. R. G. Bowen, whose business Mr. Darling eventually took over. Liberally endowed by nature with Scotch shrewdness and enterprise, Mr. Darling soon made himself one of the leading grain merchants and exporters of the province. Mr. John Darling, jun., became a partner of his father in 1872, and the firm was thereafter known as J. Darling & Son, millers, grain, and general merchants. . . member of the House of Assembly. . . Legislative Council. . . Commissioner of Public Works. . . left a widow and family of seven sons and one daughter, viz.—Messrs. John Darling, jun.; Robert Darling, of Geraldton, Western Australia; Charles A. Darling, manager of the firm's London house; George Darling, of Melbourne; James Darling, of Kilmone, Victoria; Frank Darling, of Melbourne; Joseph Darling, the international cricketer, who is now on his way to England, and Mrs. H. E. Hall, of Melbourne.” [Advertiser 11 Apr 1905]

 

“DARLING.—On the 27th March, at Melbourne, Victoria, John, the dearly beloved husband of Jessie Darling, of ‘Lynton’, Kent-terrace, Norwood, aged 62 years.” [Advertiser 30 Mar 1914]

 

“His father founded the firm in 1883. . . Mr. Darling [son] was for some years president of the Employers' Federation and president of the Chamber of Commerce, and had for seven years held the position of chairman, of directors of the Broken Hill Proprietary Company. . . Mr. Darling was born at Edinburgh on January 24, 1852. When he was 4 years of age his parents migrated to Australia and arrived at Adelaide. . . when the son reached the age of 20 years he was taken into partnership, thus forming the firm of John Darling & Son. . . eventually became a. director of (the Port Adelaide Dock Company. He was also a president of the Shipowners' Association of South Australia. In 1896 the deceased was elected to represent the East Torrens electorate in the State Parliament. . . The deceased has left a widow, three sons (Messrs. Harold, Leonard, and Norman Darling) and three daughters (Mrs. F. W. Young, wife of the Commissioner of Crown Lands, Miss Grace, and Miss Gertrude Darling).” [Daily Herald 30 Mar 1914]

 

HUGH FRASER

“Mr. Hugh Fraser. . . with his four brothers, came to the colony in 1863, and at once went to Mintaro, where he worked in the slate quarries, and subsequently owned one himself. In 1867 be returned to Adelaide, and was appointed manager of the Delabole slate company. . . Subsequently he established himself in the city as a marble mason.” [Register 12 Nov 1900]

 

“It is sixteen years since Hugh Fraser disappeared from politics, in which he was a leading figure for seven years. He was a rugged, blunt, eloquent Scotchman, wily, obstinate, and pertinacious. His chief success in Parliament was to take his revenge on the press by imposing postage on newspapers.” [Port Pirie Recorder 14 Nov 1900]

 

“FRASER. —On the 10th November, at his residence, Chapel street, Kensington, Hugh Fraser, 63 years. Inverness papers please copy.” [Register 12 Nov 1900]

 

“Hugh Fraser, of the Delabole Slate Yard. . . has removed his Working Premises from Waymouth-street to the Corner of Bentham and Franklin Streets (next Duncan and Fraser's). . . A splendid assortment of best Italian Marble now in stock and to arrive. Gravestones carefully packed and forwarded to any part of the Colony. Tombs, Monuments, Iron Railings, always in Stock. Mintaro Flagging, Willunga Flagging, Roofing Slate. Marble and Slate Mantlepieces. . . Baths, Tanks, Sinks, &c. Air Bricks, Drain Piupes.” [Express & Telegraph 10 Feb 1876 advert]

 

“Hugh Fraser Has returned from Europe with an Immense Stock of New Goods. . . Mantlepieces in Italian, Pyreneese, Belgian, French, English and Irish marbles. . . Vases. . . Statuettes. . . in the Finest Parian, Alabaster, and Statuary marble. . . Fraser’s Marble Works, Franklin-street.” [Weekly Chronicle 7 Jun 1884 advert]

  

In the nave of St. Peter's Church of England in Ballarat, there are two windows dedicated to the memory of members of the Nunn family. These windows were created by Melbourne stained glass manufacturing firm Ferguson and Urie, and have the appearance, colour palate and stylised late Victorian design synonymous with the firm.

 

The window on the left-hand side is dedicated to John Laverick Nunn, who died in 1875 at the age of 46. It was placed by his wife, Eliza Nunn upon his death in his memory. In the centre of the window, written upon a flowing scroll appear these words:

 

"The Lord gave and the Lord hath taken away. Blessed be the Name of the Lord."

 

The matching window on the right-hand side is dedicated to siblings Hannah Mary Nunn, who died in 1883 at the age of 23 and John Laverick Nunn who died in 1884 at the age of 22. It was placed by their mother, Eliza Nunn upon their untimely deaths a year apart in their memory. In the centre of the window, written upon a flowing scroll appear these words:

 

"They also which sleep in Jesus will God bring with Him."

 

Born in Yorkshire, John Laverick Nunn migrated to Australia where he met his future bride Eliza Newson. He married her in 1857. They settled just outside Ballarat, where Mr. Nunn established himself in business duing the boom years of the Gold Rush. Whilst Mr. Nunn and two of his children died in Ballarat, his wife Eliza died in the fashionable Melbourne suburb of Hawkesburn in 1889.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

 

St. Peter's Church of England in Ballarat's main boulevard, Sturt Street, is an early and simple bluestone church which is given architectural interest by its elaborately detailed, later tower.

 

The imposing tower was commenced in 1864 to designs of architect C. D. Cuthbert in early English Gothic Revival style. Later additions include the west transept, which was completed in 1870, the tower which was completed in 1891, and east chapel which was completed in 1917.

 

The tower is very elaborately detailed with a castellated parapet, paired belfry windows and trefoil windows, a motif used in the nave gable above the lancel windows.

 

To this day, it still stands behind its original iron palisade fence.

“Derrinook”, on the corner of Gellibrand and Manifold Streets in Colac, was originally built as a private hospital for Doctor William Henry Brown (1861 – 1926) in 1900.

 

Built in the Federation Queen Anne architectural style, “Derrinook” is, unusually for the style, built of timber. Federation Queen Anne architectural style, which was mostly a residential style which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it a much more decorative look. Sprawling across a large block with two street frontages, “Derrinook” has a very complex roofline, a common trait of Federation Queen Anne buildings, aided by a large number of half timbered gables. The former private hospital also has some beautiful Art Nouveau stained glass windows. “Derrinook” has a number of “fish scale” pattern panels decorating its façade above the tall windows. “Fish scales” were very popular thanks to the worldwide craze for all things Japanese in the late Nineteenth and early Twentieth Centuries. “Derrinook” also features very sinewy Art Nouveau fretwork around its bay windows, along its verandahs and employed as decoration on the half timbered gables. This was also common amongst Federation Queen Anne buildings. However it is perhaps “Derrinook’s” many elaborate, tall chimneys capped with ceramic chimney pots where the prevailing, and then fashionable, Art Nouveau decorative style is most apparent. One of the first buildings in Colac to employ electric lighting, “Derrinook” was eventually superceded by the Colac Hospital as a place for medical treatment and recouperation. With the change in fortunes for so many during the Great Depression, “Derrinook” was converted into smaller self-contained flats in 1935 and remains private residences to this day.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor William Henry Brown was born in Erinth in Kent in 1861 and was educated in both England and Germany. He studied medicine at University College in London. He migrated to Australia in 1885 and originally established a practice in the Victorian Gippsland town of Maffra. In 1891 he moved to Colac where he practiced as a partner with local Doctor T. Foster, before acquiring the practice entirely. Doctor Brown became very well known in Colac as a physician and surgeon, and recognition of his skills spread across the state and across the country. His work gained attention world-wide when he published pieces in various medical journals. With the growth of his renown and his practice, he established “Derrinook” in 1900. When the Great War commenced in 1914, Doctor Brown travelled to various country towns as a representative of the army and acted as a dynamic speaker at recruitment drives, attempting to raise community responsibility and patriotism. His wife Clara (1862 – 1939) also worked enthusiastically for the war effort including for the Red Cross Society. His son, Doctor Arthur Edward Brown (1889 – 1975) followed in his father’s footsteps as a medical practitioner and they two worked in partnership at “Derrinook” after the war. Doctor Brown retired to his beachside Sorrento residence “Kennagh” in 1921 where he continued to play tennis (as he had in Colac where he presided over the tennis club for a number of years as president), and also took up improvement of the local foreshore. He also became a member of the Flinders Shire Council in 1923. He died of heart disease in 1926.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

 

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Thomas stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Thomas was an apostle of Jesus. It is from this saint that we get the common term "Doubting Thomas", as Saint Thomas doubted Jesus' resurrection when he was first told of it. He travelled as far afield as Kerala in India preaching the teachings of Jesus. According to Syrian Christian tradition, Saint Thomas was allegedly killed at St. Thomas Mount in Chennai. Saint Thomas was a builder and carpenter, and so it is that he holds a builders' square in his depiction in the stained glass, a commonly used example of his iconography.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

The former Saint George's Presbyterian Church, which stands on busy Chapel Street in St Kilda East, is a well known and loved local landmark, not least of all because of its strikingly tall (33.5 metre or 110 foot) banded bell tower which can be spotted from far away. In the Nineteenth Century when it was built, it would have been even more striking for its great height and domineering presence. Designed by architect Albert Purchas, the former Saint George's Presbyterian Church is often referred to as his ecclesiastical tour-de-force, and it is most certainly one of his most dramatic and memorable churches.

 

The former Saint George's Presbyterian Church was constructed on a plot of land reserved in Chapel Street for the Presbyterian Church of Victoria in 1866. Initially services were held in a small hall whilst fundraising efforts advanced the erection of a church. The architect Albert Purchas was commissioned to design the church and the foundation stone for the western portion of the nave was finally laid in April 1877 by Sir James McCulloch. The first service was held in the church on the 1st of October 1877. The first clergyman of the former Saint George's Presbyterian Church was the Reverend John Laurence Rentoul (father to world renown and much loved Australian children's book illustrator Ida Rentoul Outhwaite). However, the swelling Presbyterian congregation of St Kilda and its surrounding districts quickly outgrew the initial Saint George's Presbyterian Church building, so Albert Purchas was obliged to re-design and enlarge the church to allow a doubling in capacity. Robert S. Ekins was the contractor and his tender was £3000.00. It is this imposing church building, reopened in 1880, that we see today. The "Australasian Sketcher with Pen and Pencil" noted that the total length of the building was 118 feet and 6 inches (36 metres), by 40 foot (12 metres) wide and that the striking octagonal tower to the north-west was 110ft 6 in high. It perhaps reflected better the wealth and aspirations of the congregation.

 

The former Saint George's Presbyterian Church is constructed on bluestone foundations and is built in an ornate polychromatic Gothic Revival style in the tradition of English designers like William Butterfield and John L. Pearson. Built of red brick building, it is decorated in contrasting cream bricks and Waurn Ponds freestone dressings. It features a slate roof with prominent roof vents, iron ridge cresting and fleche at the intersection of the nave and transepts. The front facade of the church is dominated by the slender, banded octagonal tower topped by a narrow spire. The entrance features a double arched portal portico. The facade also features a dominant triangular epitrochoidal (curved triangular form) rose window. The church, like its bluestone neighbour All Saints Church of England, is built to a T-shaped plan, with an aisleless nave, broad transepts and internal walls of cream brick, relieved with coloured brickwork. The former Saint George's Presbyterian Church was one of the first major church design in Melbourne in which polychrome brickwork was lavishly employed both externally and internally.

 

The inside of the former Saint George's Presbyterian Church is equally as grand as the exterior, with ornamental Gothic Revival polychromatic brickwork, a lofty vaulted ceiling, deal and kauri pine joinery and pulpit and reredos of Keene's cement. The building originally contained a complete set of Victorian stained glass windows by well known and successful Melbourne manufacturers Ferguson and Urie, all of which remain intact today except for one of the non-figurative windows which was replaced by a memorial window to Samuel Lyons McKenzie, the congregation’s beloved minister, who served from 1930 to 1948, in 1949. The earliest of the Ferguson and Urie windows are non-figurative windows which feature the distinctive diaper pattern and floral motifs of Fergus and Urie's work, and are often argued to be amongst the finest of their non-figurative designs. The large triple window in the chancel was presented by Lady McCulloch in memory of the ‘loved and dead’. Another, in memory of John Kane Smyth, the Vice-Consul for the United States of America in Melbourne, has the American Stars and Stripes on the top ventilator above it. An organ by Thomas C. Lewis of London, one of the leading 19th century English organ builders, was installed in the south transept in 1882. It was designed to blend with its architectural setting, with pipework styled to avoid the obstruction of windows. The action of this organ was altered in 1935, but the pipework, and the original sound, have been retained.

 

Over the years many spiritual and social activities were instituted at Saint George’s, Presbyterian Church some of short duration such as the Ladies’ Reading Club which operated between 1888 and 1893. There were segregated Bible classes for young men and women, the Presbyterian Women’s Missionary Union, formed in 1892, a cricket club and a floral guild. Guilds teaching physical culture for girls, boys and young men began in 1904. They were entirely financed by John Maclellan and the idea extended to other denominations throughout Victoria. John Maclellan died in 1936 and the guilds ceased at Saint George’s Presbyterian church through lack of funds although in 1977 the members of the girls’ guild were still holding bi-annual reunions and raising money for charity. Sadly, the Presbyterian congregations may have been large in the Nineteenth Century, but by St George's Presbyterian Church's 110th centenary, its doors had already closed during the week due to dwindling numbers and an ageing congregation as a result of the general decline in church attendances after the Second World War exacerbated by the changing nature of St Kilda and the decrease in numbers of residents living in the vicinity of the church. So it stood, forlorn and empty and seemingly nothing more than a relic of a glorious but bygone religious past. However in 1990, Saint Michael's Grammar School across the road leased the Victorian Heritage listed building during weekdays, and it was eventually sold to them in 2015. It now forms part of the school's performing-arts complex, and it has a wonderful new lease of life.

 

St George's Presbyterian Church is sometimes hired out for performances, and I had the pleasure of receiving an invitation to hear Handel's Messiah performed there in 2009. The ecclesiastical acoustics made the performance all the more magnificent. I remember as I sat on one of the original (hard) kauri pine pews, I looked around me and admired the stained glass and ornamental brickwork. I tried without success over several subsequent years to gain access to the church's interior, settling for photographs of the exterior instead, but it wasn't until 2018 that I was fortunate enough to gain entry to photograph the church's interior. The former St George's Presbyterian Church was opened up to the public for one Sunday morning only as part of Open House Melbourne in July 2018. It was a fantastic morning, and I am very grateful to the staff who manned the church for the day and watched bemused as I photographed the stained glass extensively and in such detail.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was Saint. George's Presbyterian Church in St Kilda East between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and Saint, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, this beautiful floral stained glass window is full of colour. Installed into the western wall of the nave of Christ Church Brunswick, when I visited the sunlight streamed through this window and created pools of beautiful colour across the old wooden floorboards of the church.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

A description of the journey across..

 

with notes courtesy of research by..

denisbin

 

On the Indian Pacific train you depart Adelaide 6:40 pm reaching Port August at 11pm; then Tarcoola 4:20 am; the siding of Bates at 7:40am. We have a brief stop at the former township of Cook at 9:45 am. We should reach Forrest in Western Australia about 1:54 pm; Rawlinna at 2:26 pm and Kalgoorlie at 7:10 pm.

 

As a condition of entering the federation of Australia WA Premier Sir John Forrest insisted on a transcontinental rail link with the eastern states via Port Augusta. Work began in 1912 and was completed in 1917. Water for the steam engines was obtained from bores across the Nullarbor but the high salt content meant steam engines rusted out very quickly. Coal was shipped from NSW and transported across the Nullarbor to tiny rail sidings and left in stockpiles to fuel the steam furnaces. It was a costly and relatively slow way of crossing from SA to Perth. The journey involved several changes of gauges from Adelaide with the first at Terowie where the 5’3” rail gauge line ended. The 3’6” gauge from Terowie meandered north through Quorn and down through the Pichi Richi Pass to Port August. Here was another change of gauge to the new standard line across to Kalgoorlie.

At Kalgoorlie a further change of gauge occurred back to 3’6” the main gauge used in WA. The first train to cross from Sydney to Perth without a change of gauge was in 1970. The first air-conditioned train to cross to Perth from Port Pirie was in 1951. The original trip from Port Augusta to Kalgoorlie took 42 hours but was later reduced to 29 hours by 1936 when the new direct line from Adelaide to Port Pirie opened. Today we travel the same section in 19 hours from Port Augusta to Kalgoorlie.

 

Nullarbor.

This flat limestone plain is the largest area of karst landscape, with numerous subsurface caves, in the world. It stretches 1,200 kms from near Ceduna to near Norseman in WA. On it southern border high limestone cliffs face the Great Australian Bight; to the north the limestone plain becomes the Great Victoria Desert, a typical sandy desert. Nullarbor comes for the Latin “nullus” meaning not any and “arbor” meaning trees- hence no trees. However, this does not mean the Nullarbor lacks vegetation (or interest). Around 800 species of plants including saltbush and blue bush grow across the Nullarbor or its edges. Wildlife is plentiful but water is not. Somehow Edward John Eyre and his overseer John Baxter, managed to cross the inhospitable landscape with the help of his Aboriginal friend Wylie in 1841. The pair was saved by a French whaling ship on the coast near Esperance. After receiving food and water Eyre and Wylie continued overland to Albany to complete the crossing from Streaky Bay.

Eyre was award the gold medal of the Royal Geographical Society in London for this incredible journey. After the journey Eyre took up land in SA and became Protector of Aborigines near Blanchetown (Moorundie).

 

The Characters of the Crossing.

The stations/sidings which you will probably not even see as they whizz by include a list of many of Australian

 

Prime Ministers and the eccentric Daisy Bates. In order, after Tarcoola which we pass through during the night, the sidings are: Barton; Bates; Ooldea; Watson; Fisher and Cook where we stop for a short time. Beyond Cook where the line is straight for a very long distance the sidings are: Denman; Hughes; Forrest (which has the major airport); Rawlinna, Chifley; Curtin and finally Kalgoorlie.

 

Barton. Sir Edmund Barton, 1829-1920, was an Australian born NSW scholar and politician. A staunch federalist he became the first Australian Prime Minister in 1901. He was the driving fore behind the writing of the Australian Constitution. He pushed for the White Australia Policy and got an act to repatriate Kanaka workers from Queensland. He resigned in 1903 to become a judge of the High Court of Australia.

 

Bates. Daisy Bates, 1863-1951, was an eccentric Irishwoman who migrated to Australia in 1884. She married in 1885 but seldom lived with her husband. After a five year trip to England she returned to Australia and took up living with remote Aboriginal communities, firstly in the Kimberlies and then at Ooldea in SA. She lived at Yalata or Ooldea from 1915 to 1934. She favoured segregation of full blood Aboriginal people, maintained they practised cannibalism and was unpopular with academic anthropologists but she had many articles written in newspapers to popularise her ideas and her work. She died at Prospect and was buried in North Road Anglican cemetery.

 

Ooldea. Ooldea has been an Aboriginal camping place for aeons as it has permanent water. Ernest Giles the explorer was the first white person to discover the water here in 1875. Ooldea became the rail siding for the Maralinga nuclear testing site and it was the home of Daisy Bates for many years.

Watson. John Christian Watson, 1867 -1941, was the third Prime Minister but served for only four months in 1904. He was Australia’s first Labor Prime Minister and he favoured protective tariffs. He retired from federal politics in 1910. He was known for his “Viking style” beard!

 

Fisher. Andrew Fisher, 1862-1928, was Prime Minister three times, 1908-9; 1910-13; and 1914-15. He was a founding Labor politician. Whilst PM he oversaw the establishment of the Australian Navy, the founding of the Commonwealth Bank, the founding of Canberra and the splitting of the Northern Territory from SA. He was also PM when a start was made on the Transcontinental rail line from Port Augusta to Kalgoorlie in 1912. Not surprisingly the first few rail sidings across the Nullarbor are named after Labor Prime Ministers, except for Barton, our first Prime Minister. The conservative/national/free trade Prime Minsters generally have sidings in WA towards Kalgoorlie!

 

Cook. This station and tiny township was not named after Captain James Cook but Prime Minister Sir Joseph Cook, 1860-1947. Cook was the sixth PM in 1913-14. He began as a Labor politician but in the federal sphere switched away from protectionism to free trade. He served as a Liberal free trade Prime Minister. Cook agreed to the British request for troops to support them in World War One in France and Turkey.

 

Denman. Sir Thomas Denman, 1874-1954, was a British military man. He was appointed as Governor General of Australia in 1911. He conducted the founding ceremony for the establishment of Canberra in 1913. Denman interfered in federal politics and supported the PM who wanted complete Australian control and autonomy for the Australian Navy. Denman publically supported this. He was recalled to England in May 1914. Throughout the 1920s he supported Australia’s point of view in debates in the British House of Lords.

 

Hughes. William (Billy) Hughes was the first long surviving Australian Prime Minister as he was in power from 1915-1923. This record was not beaten until 1957 by Sir Robert Menzies. Billy Hughes lived from 1862- 1952. Hughes’ other record, being the longest serving member of parliament has not yet been surpassed. He was a politician for almost 52 years! Hughes served in earlier Labor ministries but split the Labor Party in 1917 by proposing conscription for the World War One war effort. He was expelled from the Labor Party! But he won the next election in alliance with the National Party. In 1923 he had insufficient parliamentarians to form government but he remained in parliament as a member of the United Australia Party which later became the Liberal Party. He died whilst still a parliamentarian aged 90 years.

 

Deakin. This siding is right on the WA/SA border. Alfred Deakin, 1856-1919, served as Prime Minister three times in the first few years of federation from 1903-4; 1905-8; and 1909-10. Alfred Deakin was a protectionists and finally Liberal in parliament. He was a great leader in the federation moment, a former Victorian Premier and is credited with starting the nation building process for Australia when he was Prime Minister. He was a scholar and a lawyer.

 

Reid. Sir George Reid, 1845-1918, was Prime Minister in 1904-5. He was a devout exponent of free trade and a Liberal but the other Liberal Alfred Deakin would not support him and his free trade policies. He went on to be leader of the Opposition against the Labor governments that followed him.

 

Forrest. Sir John Forest, 1847-1918, the first Baron Forrest of Bunbury, was an explorer, surveyor and politician extraordinaire. He was born at Bunbury in WA and became the founding Premier of WA when partial self-government was granted by Britain in 1890. Forrest led the explorers who did the first west to east crossing of the Nullarbor from Perth to Adelaide in 1870.

He was the first Western Australian knighted in 1891. He served as Premier of WA from 1890 to 1901 during the decade when the population exploded with the gold discoveries at Kalgoorlie. He acted for the establishment of a water pipeline to Kalgoorlie; he unilaterally rejected Britain’s control of WA Aboriginal Affairs and summarily ended it; he took government control of the Great Southern Railway to Albany; he repealed a section of the state Constitution which stated 1% of all tax royalties must be spent on Aboriginal people. From 1901 to his death in 1918 he was a member of the federal parliament aligned with non-Labor politicians. Although he supported federation he fought hard for rights for WA including the building of a transcontinental railway from Port Augusta.

Forrest’s reluctance to join federation until concessions were promised for WA led politicians and others in the goldfields to propose a new state called Auralia to enter the federation, even if the rest of WA did not. The capital of that state would have been Kalgoorlie. Once Forrest finally committed WA to join the federation this proposal for a separate state of Auralia was dropped.

The Forrest siding or settlement with only a couple for residents is known for its airport. It has the largest runway outside of a capital city in case it is needed for emergency or military use. Light aircraft use the airport as a refuelling stop across the Nullarbor.

 

Rawlinna. This siding is named after the local sheep station, the largest in the world, with an historical homestead. Up to 80,000 sheep have been shorn in one year on Rawlinna Station.

 

Chifley. Joseph Benedict Chifley, 1885-1951, was a Labor Prime Minister for Australia after the Second World War from 1945- 1949. Ben Chifley introduced the Snowy Mountains irrigation scheme and founded the Australian National University in Canberra. He was no longer PM in 1951 but still a parliamentarian when he died in office in Canberra. He lost the 1949 elections on his proposal to nationalise the banks of Australia.

 

Curtin. John Curtin, 1884-1945 was the Labor Prime Minister for Australia during most of World War Two from 1941-45. He died in office in July 1945 just six weeks before the end of the War. His great contribution was to reject British proposals for the deployment of Australian troops to protect their interests and to put them under the command of General Douglas MacArthur from America who used our troops in South East Asia and New Guinea to protect Australia from invasion by the Japanese.

 

Kalgoorlie.

Gold was discovered here by Patrick Hannan and the city emerged overnight in 1893. The finds were so rich that it is still known as the richest mile on the planet. Thousands swarmed to the gold fields but deep shaft mining meant casual prospectors were soon just mine employees and most left the goldfields. By 1898 the town had a population of around 2,000 but only 500 were women. Once a railway line from Perth reached the town the population grew. The water pipeline reached the city in 1903 offering coastal amenities to outback residents! It was this small population of about 5,000 in 1900 that were in favour of joining the federation of Australia and creating a new state called Auralia. The port for this new colony would have been Esperance. The mine continued giving its riches to the mining companies. When it began in 1893 gold worth £421,000 was produced in WA. By 1900 the value of gold found in WA was worth £6,000,000! And the boom still continues in WA with nickel, oil, gas and iron and Kalgoorlie has the largest open cut mine in the world.

 

But relations on the gold fields have not always been cordial. Kalgoorlie is known for the 1934 Race Riots as mobs against Greek, Italian and Slavic mobs rioted, attacked and burned Greek and Slavic owned properties. Extra police were sent from Perth to quell the riots. The riot broke out on a Saturday night, a traditional night for drinking and violence. Foreign owned hotels were burned and residences lived in by foreigners had their windows smashed in both Kalgoorlie and Coolgardie. This was and still is the Wild West! Unlike the eastern states WA has always had more land than people and even into the 1970s virgin farmland was being granted or sold to new comers for little money. One of the last large cereal farming areas developed, which would have been in the state of Auralia, was at Esperance in the 1970s.

 

PA110232

Created in 1889 by Melbourne stained glass manufacturer Ferguson and Urie, the Richard Burnell memorial stained glass window may be found in the eastern wall of the chancel of Christ Church Brunswick.

 

Richard Burnell was the town clerk of Brunswick for ten years between 1879 and 1889. He worked only a short walk away in the Brunswick Town Hall on Sydney Road, and lived quite close to both work and Christ Church in Blythe Street, Brunswick. Dying at the age of 43, the window was commissioned by his wife Augusta.

 

The window was described in The Argus newspaper of Tuesday 1st of October 1889 as being "of a diaper pattern enriched with appropriate floral designs, and form a welcome addition to the many excellent stained glass windows which now adorn the church." The window has the quite "Blessed are the dead which die in the Lord. They rest from their labours." The window features beautiful fleur de lys and Tudor roses amid the latticing, and a panel of beautiful pink, red and yellow roses make up the panel between the biblical quote and the dedication.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

 

Created in 1876 by Melbourne stained glass manufacturer Ferguson and Urie, the Edward Whitby memorial stained glass window may be found in the eastern wall of the nave of Christ Church Brunswick. It depicts the parable of the Good Samaritan. The parable of the Good Samaritan is a parable told by Jesus in the Gospel of Luke. It is about a traveller who is stripped of his clothing, beaten, and left half dead alongside the road by robbers. First a priest and then a Levite comes by, but both avoid the man. Finally, a Samaritan happens upon the traveler and helps the injured man. The window depicts the Samaritan giving the injured traveller a sip of water or wine from his flask. The Samaritan has already been at work binding up the traveller's wounds. A flask of oil sits next to his stick. The donkey on which the Samaritan will eventually carry the wounded traveller to an inn stands in the mid-ground, whist the priest in his robes and with his face buried in his holy book can be seen walking away in the background. The words "Go and do thou likewise" are written in gothic script beneath the main panel.

 

Mr. Edward Whitby was not only a member of Christ Church Brunswick, but a local Justice of the Peace and a wealthy merchant who believed in philanthropy and charity. The choice of the parable of the Good Samaritan was not chosen without thought. The dedication reads: "In memory of Edward Whitby J.P. who died 23rd of June 1876. Placed by the Victorian Society of Blues." The Society of Blues crest is depicted above. The North Melbourne Advertiser of Friday 7th of July 1876 gives us an insight into Edward Whitby's life: "Death of Mr. Whitby, Brunswick. Another of our old residents has been removed by death - the late Edward Whitby, Esq., J.P., of Whitby field. He was held in high respect by most of his neighbours. His modest and kindly nature, united with considerable culture, and his unasssumed Christian deportment, invested his character with rare interest. As a Melbourne merchant, his business was conducted with the utmost integrity. He was true disciple of the English Church. He was a native of London, and educated at the Blue Coat School, and many years he took pride managing the Victorian chapter of the Society of Blues, with the object of assisting the poor and unfortunate who had been members in that institution. His end was peace."

 

The Society of Blues still exists today as the Benevolent Society of Blues. The Benevolent Society of Blues (BSB) provides benefits for those educated or employed at Christ's Hospital and those closest to them who are in need, hardship and distress.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

 

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Thomas stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Thomas was an apostle of Jesus. It is from this saint that we get the common term "Doubting Thomas", as Saint Thomas doubted Jesus' resurrection when he was first told of it. He travelled as far afield as Kerala in India preaching the teachings of Jesus. According to Syrian Christian tradition, Saint Thomas was allegedly killed at St. Thomas Mount in Chennai. Saint Thomas was a builder and carpenter, and so it is that he holds a builders' square in his depiction in the stained glass, a commonly used example of his iconography.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

“Derrinook”, on the corner of Gellibrand and Manifold Streets in Colac, was originally built as a private hospital for Doctor William Henry Brown (1861 – 1926) in 1900.

 

Built in the Federation Queen Anne architectural style, “Derrinook” is, unusually for the style, built of timber. Federation Queen Anne architectural style, which was mostly a residential style which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it a much more decorative look. Sprawling across a large block with two street frontages, “Derrinook” has a very complex roofline, a common trait of Federation Queen Anne buildings, aided by a large number of half timbered gables. The former private hospital also has some beautiful Art Nouveau stained glass windows. “Derrinook” has a number of “fish scale” pattern panels decorating its façade above the tall windows. “Fish scales” were very popular thanks to the worldwide craze for all things Japanese in the late Nineteenth and early Twentieth Centuries. “Derrinook” also features very sinewy Art Nouveau fretwork around its bay windows, along its verandahs and employed as decoration on the half timbered gables. This was also common amongst Federation Queen Anne buildings. However it is perhaps “Derrinook’s” many elaborate, tall chimneys capped with ceramic chimney pots where the prevailing, and then fashionable, Art Nouveau decorative style is most apparent. One of the first buildings in Colac to employ electric lighting, “Derrinook” was eventually superceded by the Colac Hospital as a place for medical treatment and recouperation. With the change in fortunes for so many during the Great Depression, “Derrinook” was converted into smaller self-contained flats in 1935 and remains private residences to this day.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor William Henry Brown was born in Erinth in Kent in 1861 and was educated in both England and Germany. He studied medicine at University College in London. He migrated to Australia in 1885 and originally established a practice in the Victorian Gippsland town of Maffra. In 1891 he moved to Colac where he practiced as a partner with local Doctor T. Foster, before acquiring the practice entirely. Doctor Brown became very well known in Colac as a physician and surgeon, and recognition of his skills spread across the state and across the country. His work gained attention world-wide when he published pieces in various medical journals. With the growth of his renown and his practice, he established “Derrinook” in 1900. When the Great War commenced in 1914, Doctor Brown travelled to various country towns as a representative of the army and acted as a dynamic speaker at recruitment drives, attempting to raise community responsibility and patriotism. His wife Clara (1862 – 1939) also worked enthusiastically for the war effort including for the Red Cross Society. His son, Doctor Arthur Edward Brown (1889 – 1975) followed in his father’s footsteps as a medical practitioner and they two worked in partnership at “Derrinook” after the war. Doctor Brown retired to his beachside Sorrento residence “Kennagh” in 1921 where he continued to play tennis (as he had in Colac where he presided over the tennis club for a number of years as president), and also took up improvement of the local foreshore. He also became a member of the Flinders Shire Council in 1923. He died of heart disease in 1926.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

 

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Crucifixion of Jesus stained glass window is one of three windows above the altar. It is the central window of the three.

 

The crucifixion of Jesus is mentioned in all four Gospels of the New Testament. According to them, Jesus was arrested and tried by the Sanhedrin, and then sentenced by Pontius Pilate to be scourged, and finally crucified by the Romans. Jesus was stripped of his clothing and offered wine mixed with myrrh or gall to drink before being crucified. An object of ridicule, a crown of thorns was forced upon his head. The common belief is that Jesus died on the cross to absolve the sins of the peoples of the world, so that they, like he, could rise from death and go to heaven. Considering Jesus' status as King of the Jews and his bloody death, the vivid red stained glass background in this window may have been chosen on purpose. With her long golden tresses spilling about her, Mary Magdeline is depicted embracing the feet of the cross of Christ, the unhappiness clear on her face. An alabaster jar with a finial top (possibly a myrrh bearer) and a skull at the foot of the cross also identify this woman as Mary Magdalene. There are floral motifs both above and below the main panel. These floral designs are reflected in the other two windows around the altar.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Crucifixion of Jesus stained glass window is one of three windows above the altar. It is the central window of the three.

 

The crucifixion of Jesus is mentioned in all four Gospels of the New Testament. According to them, Jesus was arrested and tried by the Sanhedrin, and then sentenced by Pontius Pilate to be scourged, and finally crucified by the Romans. Jesus was stripped of his clothing and offered wine mixed with myrrh or gall to drink before being crucified. An object of ridicule, a crown of thorns was forced upon his head. The common belief is that Jesus died on the cross to absolve the sins of the peoples of the world, so that they, like he, could rise from death and go to heaven. Considering Jesus' status as King of the Jews and his bloody death, the vivid red stained glass background in this window may have been chosen on purpose. With her long golden tresses spilling about her, Mary Magdeline is depicted embracing the feet of the cross of Christ, the unhappiness clear on her face. An alabaster jar with a finial top (possibly a myrrh bearer) and a skull at the foot of the cross also identify this woman as Mary Magdalene. There are floral motifs both above and below the main panel. These floral designs are reflected in the other two windows around the altar.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Watercolour painting by Neville Cayley ( Senior ) signed and dated 1893

Neville Henry Pennington Cayley 1853 - 1903 was an Australian painter who contributed greatly to the public awareness of Australian birds through his meticulous and attractive watercolours of iconic species . Born in Norwich Norfolk England he migrated to Australia with his brother in 1877 . Married in 1885 Lois Emmeline Gregory in Sydney . He was the father of Neville William Cayley 1886 -1950 born in Yamba , the celebrated Australian author , artist and ornithologist who produced Australia's first comprehensive bird field guide ' What Bird is That ? '

In 1960 it was rated the all-time best seller in Australian natural history and remains a classic in its field .

 

Private Collection

Brisbane

Built in 1892 on the rise of a hill in the prominent location of the corner of Bromfield and Corangamite Streets in Colac, stands the grand two-storey red brick residence, "Lislea House".

 

"Lislea House" was built for Doctor Wynne, a local practitioner, for his use as a stylish residence and surgery. "Lislea House" has been constructed in the popular Federation Queen Anne style, which was mostly a residential style established in the 1890s which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. "Lislea House" has a very complex roofline, which is typical of the Federation Queen Anne architectural movement, as is the steeply pitched roof, ornate wooden fretwork that graces the return verandah and the exaggerated height of the chimneys.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor Wynne was a prominent and popular figure in the Colac community. Born in Armagh, the county town of County Armagh in Northern Ireland in 1857, Doctor Wynne studied medicine at Dublin University. He migrated to Australia after gaining his degree and took over the Colac practice of Doctor Porter in the late 1880s. He was interested in public affairs and in the forwarding and improvement of Colac; becoming a patron of many establishments in the town including, the Colac Fire Brigade and the Colac Free Library. He even established a local newspaper the "Daily News". He was one of the original shareholders of the Colac Dairying Company, the Colac dairy farmers' co-operative. Doctor Wynne enjoyed horse racing and he and his wife entertained at their fine house often. Doctor Wynne died at "Lislea House" in 1915 as a result of complications. caused by a weak heart.

 

The descendants of Doctor Wynne no longer live in "Lislea House", and after some years of neglect, it has been restored internally and externally to its original splendor, as well as having had some modern day comforts added. It now serves as self contained apartments which take advantage of the house's location so close to the town's centre.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

Created in 1889 by Melbourne stained glass manufacturer Ferguson and Urie, the Richard Burnell memorial stained glass window may be found in the eastern wall of the chancel of Christ Church Brunswick.

 

Richard Burnell was the town clerk of Brunswick for ten years between 1879 and 1889. He worked only a short walk away in the Brunswick Town Hall on Sydney Road, and lived quite close to both work and Christ Church in Blythe Street, Brunswick. Dying at the age of 43, the window was commissioned by his wife Augusta.

 

The window was described in The Argus newspaper of Tuesday 1st of October 1889 as being "of a diaper pattern enriched with appropriate floral designs, and form a welcome addition to the many excellent stained glass windows which now adorn the church." The window has the quite "Blessed are the dead which die in the Lord. They rest from their labours." The window features beautiful fleur de lys and Tudor roses amid the latticing, and a panel of beautiful pink, red and yellow roses make up the panel between the biblical quote and the dedication.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

 

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Thomas stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Thomas was an apostle of Jesus. It is from this saint that we get the common term "Doubting Thomas", as Saint Thomas doubted Jesus' resurrection when he was first told of it. He travelled as far afield as Kerala in India preaching the teachings of Jesus. According to Syrian Christian tradition, Saint Thomas was allegedly killed at St. Thomas Mount in Chennai. Saint Thomas was a builder and carpenter, and so it is that he holds a builders' square in his depiction in the stained glass, a commonly used example of his iconography.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Irene Jericho's 90th Birthday - 14 March 2002

 

When Johann Friedrich Jericho left Germany to migrate to Australia, the family farm was inherited by his only brother Johann Christian Jericho. The farm remained in the Jericho family until the 1950's. Irene Jericho is the widow of Otto Jericho, grand-son of Johann Christian Jericho. Her 90th birthday was celebrated with all her family in March 2002.

 

13 of this family attended the reunion in 2004.

  

In the baby-buggy: Maureen Jericho, daughter of Michael Jericho and Gladies Jericho

 

The lower file: Helga Geilen nee Knour (lifetime companion of Ulrich Jericho), Margret Jericho nee Stump (wife of Rolf Jericho), Achim Reiz (son of Klaus and Karla Reiz), Ingrid Jericho nee Baroke (wife of Peter Jericho), Elisabeth Krüger nee Jericho (widow of Karl Krüger), Felix Ingenerf (son of Josef and Susanne Ingenerf nee Krüger, IRENE JERICHO, nee Haug, Irene Schotten nee Jericho (wife of Hans Schotten), Johanna Ingenerf (daughter of Josef and Susanne Ingenerf), Hildegard Vitz (lifetime companion of Klaus Jericho), Emmi Scharf (widow of Gustav Bichtler, widower of Ursula Bichtler nee Neumann, stepsister of Irene Jericho)

 

The middle file: Gladies Jericho (wife of Michael Jericho, son of Klaus Jericho and Hildegard Jericho nee Schippers [his first wife]), Lena Ingenerf (daughter of Josef and Susanne Ingenerf nee Krüger), Susanne Ingenerf nee Krüger (wife of Josef Ingenerf), Karla Reiz nee Krüger (wife of Klaus Reiz), Peter Jericho (nephew of Irene Jericho), Rolf Jericho, Otto Jericho, Klaus Jericho, Ulrich Jericho (sons of Irene), Hans Schotten (husband of Irene), Annette Lotz nee Krüger (wife of Stephan Lotz), Jutta Bleckmann nee Schotten (wife of Harold Bleckmann), Carolin Bleckmann (daughter of Harold and Jutta), Stefan Lotz (husband of Annette Lotz)

 

The upper file: Bärbel Jericho (daughter of Rolf and Margret Jericho), Cathrin Bleckmann (daughterof Harald and Jutta), Dirk Reiz (son of Klaus Reiz and Karla Reiz), Harald Blackmann (husband of Jutta), Markus Jericho (son of Rolf and Margret Jericho), Klaus Reiz (husband of Karla Reiz nee Krüger), Michael Jericho (husband of Gladies Jericho and son of Klaus Jericho), Hans-Peter Schotten (husband of Brigitt Schotten nee Billen and son of Hand and Irene), Josef Ingenerf (husband of Susanne Ingenerf nee Krüger)

  

“Derrinook”, on the corner of Gellibrand and Manifold Streets in Colac, was originally built as a private hospital for Doctor William Henry Brown (1861 – 1926) in 1900.

 

Built in the Federation Queen Anne architectural style, “Derrinook” is, unusually for the style, built of timber. Federation Queen Anne architectural style, which was mostly a residential style which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it a much more decorative look. Sprawling across a large block with two street frontages, “Derrinook” has a very complex roofline, a common trait of Federation Queen Anne buildings, aided by a large number of half timbered gables. The former private hospital also has some beautiful Art Nouveau stained glass windows. “Derrinook” has a number of “fish scale” pattern panels decorating its façade above the tall windows. “Fish scales” were very popular thanks to the worldwide craze for all things Japanese in the late Nineteenth and early Twentieth Centuries. “Derrinook” also features very sinewy Art Nouveau fretwork around its bay windows, along its verandahs and employed as decoration on the half timbered gables. This was also common amongst Federation Queen Anne buildings. However it is perhaps “Derrinook’s” many elaborate, tall chimneys capped with ceramic chimney pots where the prevailing, and then fashionable, Art Nouveau decorative style is most apparent. One of the first buildings in Colac to employ electric lighting, “Derrinook” was eventually superceded by the Colac Hospital as a place for medical treatment and recouperation. With the change in fortunes for so many during the Great Depression, “Derrinook” was converted into smaller self-contained flats in 1935 and remains private residences to this day.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor William Henry Brown was born in Erinth in Kent in 1861 and was educated in both England and Germany. He studied medicine at University College in London. He migrated to Australia in 1885 and originally established a practice in the Victorian Gippsland town of Maffra. In 1891 he moved to Colac where he practiced as a partner with local Doctor T. Foster, before acquiring the practice entirely. Doctor Brown became very well known in Colac as a physician and surgeon, and recognition of his skills spread across the state and across the country. His work gained attention world-wide when he published pieces in various medical journals. With the growth of his renown and his practice, he established “Derrinook” in 1900. When the Great War commenced in 1914, Doctor Brown travelled to various country towns as a representative of the army and acted as a dynamic speaker at recruitment drives, attempting to raise community responsibility and patriotism. His wife Clara (1862 – 1939) also worked enthusiastically for the war effort including for the Red Cross Society. His son, Doctor Arthur Edward Brown (1889 – 1975) followed in his father’s footsteps as a medical practitioner and they two worked in partnership at “Derrinook” after the war. Doctor Brown retired to his beachside Sorrento residence “Kennagh” in 1921 where he continued to play tennis (as he had in Colac where he presided over the tennis club for a number of years as president), and also took up improvement of the local foreshore. He also became a member of the Flinders Shire Council in 1923. He died of heart disease in 1926.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

 

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Bartholomew stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Bartholomew was one of the twelve apostles of Jesus. He is purported too have taken two missions; one to India and the other to Armenia. It was in the latter that Saint Bartholomew was executed. According to popular hagiography, the apostle was flayed alive and beheaded. According to other accounts he was crucified upside down with his head downward like Saint Peter. He is often depicted holding a knife, however it seems that Victorian middle-class morals stepped in when the window as made, and rather than holding something so gruesome, he is shown simply holding a partially opened book.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

227,085 items / 1,892,699 views

 

This is my new set at Flickr.com and you are seeing these pictures because they were given to me by his son Manu Kashmiri.. I had them scanned and am now sharing this great actors legacy with the rest of the world..

 

Nawab Kashmiri stayed at Khatau Bhuvan Wodehouse road ..and owned a palatial entire floor of the A wing the the the B wing of the same floor belonged to Mr Dossabhai Kanga father of late Keith Kanga founder of Atomic Forest band ..

 

My father Mohomed Shakir came to live here as tenant when Nawab Sab had left for his heavenly abode.. and the house was under the control of Manu Kashmiris grandmother Ammi .

 

Munnawar Kashmir's maternal grandmother Ammi was the daughter in law of the second son of Nawab Wajid Ali Shah, and Munnawar Kashmiris father was late Nawab Kashmiri doyen of the Indian film industry contemporary of Dilip Kumar Sohrab Modi and others ..

 

Nawab Kashmiri had removed his entire 32 teeth in order to play a role of a old father in a film called Yahudi..and my father Mohomed Shakir my mother Shamim Shakir daughter of Daroga Nabban Saab of Lucknow descendant of poet Mir Anis stayed as tenants at their palatial house at Khatau Bhuvan now Jony Castle..Wodehoue Road Colaba.

 

Nawab Kashmiri Saab had bought this house and called his children from Kolkata in 1947..

 

He passed away in 1954

 

When they came to stay at Nawab Kashmiri Saabs house Wodehouse road , the entire house was under Ammi Nawab Saabs mother in law , the matriarch of the Nawab Kashmiri family , Nawab Saab had three children Akthar Baji a daughter , Anwar and Munnawar two sons..who had initially been bought up in Kolkatta at Wesley Street .

 

The Nawab Kashmiri family sold ther palatial Wodehouse Road flat 6 to 7 bedrooms servants quarters , Akthar Baji got married in Karachi and Munnawar moved to Juhu with his wife Vijay.

 

Anwar Kashmiri rugby buff and his Christian wife and children migrated to Australia.

 

Munnawar has been the link to my childhood my past and my education my upbrnging was the result of his sister Akthar we called Akthar Baji ..with due respect.. she educated me at Private European School affiliated to a Methodist John The Baptist Church opp Usha Sadan Colaba.

 

Later in 1963 she enrolled me at Holy Name High School..I am a product of her love and perseverance , though she hailed from a blue blooded royal family she was humble kind and loving, she loved my family the most , and Munni my sister and me were her blue eyed kids..

 

The Nawab Kashmiri house played host to Maulana Kabban Saab grandfather of Kalbe Jawad Saab and Maulana Kalbe Abid Saab his father was a welcome guest at their homes .. Kalbe Sadiq Saab to came here once in a while..

 

The Film Industry too dropped in and late Begum Akhtar treated Nawab Kashmiri's children as her family ..there used to be ghazal recitals at their house ...

  

A lot of memories of my childhood are etched in this house , memories that rewaken each time I meet Mannu Bhaiyya , Munnawar Kashmiri and his wife Vijay

  

. Mannu Bhaiyya and Vijay have a very pretty charming daughter Sabha in America.

 

Akthar Baji has three loving children Ali Zehra and Abbas and I am told has never forgotten any of us ..she studied law at St Xavier's College and got her initial schooling at Convent of jesus and Mary ,colleged in Loretto college Calcutta .

  

Ammi Manus Bhaiyyas grand mothers name Sheryayar Bahu Suriya Mahal Nawab Imtiaz Begum

 

Manu Kashmiris mothers name - Nawab Hashmi Begum

  

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Bartholomew stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Bartholomew was one of the twelve apostles of Jesus. He is purported too have taken two missions; one to India and the other to Armenia. It was in the latter that Saint Bartholomew was executed. According to popular hagiography, the apostle was flayed alive and beheaded. According to other accounts he was crucified upside down with his head downward like Saint Peter. He is often depicted holding a knife, however it seems that Victorian middle-class morals stepped in when the window as made, and rather than holding something so gruesome, he is shown simply holding a partially opened book.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Built in 1892 on the rise of a hill in the prominent location of the corner of Bromfield and Corangamite Streets in Colac, stands the grand two-storey red brick residence, "Lislea House".

  

"Lislea House" was built for Doctor Wynne, a local practitioner, for his use as a stylish residence and surgery. "Lislea House" has been constructed in the popular Federation Queen Anne style, which was mostly a residential style established in the 1890s which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. "Lislea House" has a very complex roofline, which is typical of the Federation Queen Anne architectural movement, as is the steeply pitched roof, ornate wooden fretwork that graces the return verandah and the exaggerated height of the chimneys.

  

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

  

Doctor Wynne was a prominent and popular figure in the Colac community. Born in Armagh, the county town of County Armagh in Northern Ireland in 1857, Doctor Wynne studied medicine at Dublin University. He migrated to Australia after gaining his degree and took over the Colac practice of Doctor Porter in the late 1880s. He was interested in public affairs and in the forwarding and improvement of Colac; becoming a patron of many establishments in the town including, the Colac Fire Brigade and the Colac Free Library. He even established a local newspaper the "Daily News". He was one of the original shareholders of the Colac Dairying Company, the Colac dairy farmers' co-operative. Doctor Wynne enjoyed horse racing and he and his wife entertained at their fine house often. Doctor Wynne died at "Lislea House" in 1915 as a result of complications. caused by a weak heart.

  

The descendants of Doctor Wynne no longer live in "Lislea House", and after some years of neglect, it has been restored internally and externally to its original splendor, as well as having had some modern day comforts added. It now serves as self contained apartments which take advantage of the house's location so close to the town's centre.

  

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

My parents migrated to Australia in 1955 in the post war era when Australia was desperate for additional people for the workforce.

 

The Orontes was a member of the Orient Line, and was doing migration shuttles in the 1950s. The ship was made into razor blades in 1962.

 

On the day the ship crossed the Equator heading towards the continent referred to as "Down Under" each cabin was issued with a certificate of crossing.

 

I have also posted the dinner menu for you to drool over.

I am not to sure about the main course "Calfs Head"

 

These images are scans of the original documents that I have.

 

Calfs HEAD is on the menu.

 

Boats Theme

Mr. Rudolph Manitzky.

 

There passed away at his home at Witta on February 10 one of the earliest settlers of that district in the person of Mr. Rudolph Manitzky, at the age of 84 years. He was born on March 31, 1849, at Murchau, Danzig (Germany), and in the year 1887 he migrated to Australia and settled in the Logan district. Two years later, however, he took up a selection at Teutoberg (now known as the Witta district), where he went with his young wife and family. His wife predeceased him 19 months ago. He leaves three sons and one daughter, and there are also 17 grandchildren and 10 great grandchildren. The late Mr. Manitzky was a highly respected resident of the district. The funeral to the Witta cemetery was largely attended, the ser vice at the graveside beins: conducted by the Revs. Schmidt and Fischer.

 

Description source:

Nambour Chronicle and North Coast Advertiser, 16 February 1934

 

View the original record at the Queensland State Archives:

Digital Image ID 25581

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Thomas stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Thomas was an apostle of Jesus. It is from this saint that we get the common term "Doubting Thomas", as Saint Thomas doubted Jesus' resurrection when he was first told of it. He travelled as far afield as Kerala in India preaching the teachings of Jesus. According to Syrian Christian tradition, Saint Thomas was allegedly killed at St. Thomas Mount in Chennai. Saint Thomas was a builder and carpenter, and so it is that he holds a builders' square in his depiction in the stained glass, a commonly used example of his iconography.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in the late Nineteenth or early Twentieth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Hebrew Prophet Ezekiel stained glass window and its partner the Prophet Malachi stained glass window may be found in the western wall of the south transept of the former Saint George's Presbyterian Church. The window was presented by M. I. Clark in memorandum of her mother. Ezekiel is acknowledged as a Hebrew prophet. he is also viewed as the 6th-Century BC author of the Book of Ezekiel, which reveals prophecies regarding the destruction of Jerusalem, the restoration to the land of Israel, and what some call the Millennial Temple. He carries a Hebrew scroll containing a portion of one of his prophecies. The pane below the Hebrew Prophet Ezekiel features a biblical quote from the Book of Ezekiel XXXVII - 5: "Behold I will cause breath to enter into you and ye shall live."

 

The former Saint George's Presbyterian Church, which stands on busy Chapel Street in St Kilda East, is a well known and loved local landmark, not least of all because of its strikingly tall (33.5 metre or 110 foot) banded bell tower which can be spotted from far away. In the Nineteenth Century when it was built, it would have been even more striking for its great height and domineering presence. Designed by architect Albert Purchas, the former Saint George's Presbyterian Church is often referred to as his ecclesiastical tour-de-force, and it is most certainly one of his most dramatic and memorable churches.

 

The former Saint George's Presbyterian Church was constructed on a plot of land reserved in Chapel Street for the Presbyterian Church of Victoria in 1866. Initially services were held in a small hall whilst fundraising efforts advanced the erection of a church. The architect Albert Purchas was commissioned to design the church and the foundation stone for the western portion of the nave was finally laid in April 1877 by Sir James McCulloch. The first service was held in the church on the 1st of October 1877. The first clergyman of the former Saint George's Presbyterian Church was the Reverend John Laurence Rentoul (father to world renown and much loved Australian children's book illustrator Ida Rentoul Outhwaite). However, the swelling Presbyterian congregation of St Kilda and its surrounding districts quickly outgrew the initial Saint George's Presbyterian Church building, so Albert Purchas was obliged to re-design and enlarge the church to allow a doubling in capacity. Robert S. Ekins was the contractor and his tender was £3000.00. It is this imposing church building, reopened in 1880, that we see today. The "Australasian Sketcher with Pen and Pencil" noted that the total length of the building was 118 feet and 6 inches (36 metres), by 40 foot (12 metres) wide and that the striking octagonal tower to the north-west was 110ft 6 in high. It perhaps reflected better the wealth and aspirations of the congregation.

 

The former Saint George's Presbyterian Church is constructed on bluestone foundations and is built in an ornate polychromatic Gothic Revival style in the tradition of English designers like William Butterfield and John L. Pearson. Built of red brick building, it is decorated in contrasting cream bricks and Waurn Ponds freestone dressings. It features a slate roof with prominent roof vents, iron ridge cresting and fleche at the intersection of the nave and transepts. The front facade of the church is dominated by the slender, banded octagonal tower topped by a narrow spire. The entrance features a double arched portal portico. The facade also features a dominant triangular epitrochoidal (curved triangular form) rose window. The church, like its bluestone neighbour All Saints Church of England, is built to a T-shaped plan, with an aisleless nave, broad transepts and internal walls of cream brick, relieved with coloured brickwork. The former Saint George's Presbyterian Church was one of the first major church design in Melbourne in which polychrome brickwork was lavishly employed both externally and internally.

 

The inside of the former Saint George's Presbyterian Church is equally as grand as the exterior, with ornamental Gothic Revival polychromatic brickwork, a lofty vaulted ceiling, deal and kauri pine joinery and pulpit and reredos of Keene's cement. The building originally contained a complete set of Victorian stained glass windows by well known and successful Melbourne manufacturers Ferguson and Urie, all of which remain intact today except for one of the non-figurative windows which was replaced by a memorial window to Samuel Lyons McKenzie, the congregation’s beloved minister, who served from 1930 to 1948, in 1949. The earliest of the Ferguson and Urie windows are non-figurative windows which feature the distinctive diaper pattern and floral motifs of Fergus and Urie's work, and are often argued to be amongst the finest of their non-figurative designs. The large triple window in the chancel was presented by Lady McCulloch in memory of the ‘loved and dead’. Another, in memory of John Kane Smyth, the Vice-Consul for the United States of America in Melbourne, has the American Stars and Stripes on the top ventilator above it. An organ by Thomas C. Lewis of London, one of the leading 19th century English organ builders, was installed in the south transept in 1882. It was designed to blend with its architectural setting, with pipework styled to avoid the obstruction of windows. The action of this organ was altered in 1935, but the pipework, and the original sound, have been retained.

 

Over the years many spiritual and social activities were instituted at Saint George’s, Presbyterian Church some of short duration such as the Ladies’ Reading Club which operated between 1888 and 1893. There were segregated Bible classes for young men and women, the Presbyterian Women’s Missionary Union, formed in 1892, a cricket club and a floral guild. Guilds teaching physical culture for girls, boys and young men began in 1904. They were entirely financed by John Maclellan and the idea extended to other denominations throughout Victoria. John Maclellan died in 1936 and the guilds ceased at Saint George’s Presbyterian church through lack of funds although in 1977 the members of the girls’ guild were still holding bi-annual reunions and raising money for charity. Sadly, the Presbyterian congregations may have been large in the Nineteenth Century, but by St George's Presbyterian Church's 110th centenary, its doors had already closed during the week due to dwindling numbers and an ageing congregation as a result of the general decline in church attendances after the Second World War exacerbated by the changing nature of St Kilda and the decrease in numbers of residents living in the vicinity of the church. So it stood, forlorn and empty and seemingly nothing more than a relic of a glorious but bygone religious past. However in 1990, Saint Michael's Grammar School across the road leased the Victorian Heritage listed building during weekdays, and it was eventually sold to them in 2015. It now forms part of the school's performing-arts complex, and it has a wonderful new lease of life.

 

St George's Presbyterian Church is sometimes hired out for performances, and I had the pleasure of receiving an invitation to hear Handel's Messiah performed there in 2009. The ecclesiastical acoustics made the performance all the more magnificent. I remember as I sat on one of the original (hard) kauri pine pews, I looked around me and admired the stained glass and ornamental brickwork. I tried without success over several subsequent years to gain access to the church's interior, settling for photographs of the exterior instead, but it wasn't until 2018 that I was fortunate enough to gain entry to photograph the church's interior. The former St George's Presbyterian Church was opened up to the public for one Sunday morning only as part of Open House Melbourne in July 2018. It was a fantastic morning, and I am very grateful to the staff who manned the church for the day and watched bemused as I photographed the stained glass extensively and in such detail.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was Saint. George's Presbyterian Church in St Kilda East between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and Saint, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Built in the 1870s in Italianate style with overture characteristics of classical Italian country house designs, the vicarage of Christ Church in Brunswick may be found on busy Glenlyon Road. Standing proudly behind a metal picket fence, its walls of stuccoed brick, painted a warm yellow colour glow on sunny days. It makes an excellent companion building to Christ Church, Brunswick, which stands just to the vicarage's right, separated by a piazza with a central fountain. Like the church itself, the vicarage is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Bartholomew stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.

 

Saint Bartholomew was one of the twelve apostles of Jesus. He is purported too have taken two missions; one to India and the other to Armenia. It was in the latter that Saint Bartholomew was executed. According to popular hagiography, the apostle was flayed alive and beheaded. According to other accounts he was crucified upside down with his head downward like Saint Peter. He is often depicted holding a knife, however it seems that Victorian middle-class morals stepped in when the window as made, and rather than holding something so gruesome, he is shown simply holding a partially opened book.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Philip stained glass window may be found in the western transept of Christ Church Brunswick adjunct to the 1972 Roger H. Pogson organ built of cedar with tin piping.

 

Saint Philip was one of the twelve apostles of Jesus, and is believed to have preached in Greece, Phrygia and Syria. He is the patron saint of hatters and pastry chefs, and is often depicted holding a basket of loaves. In this window however, Saint Philip is depicted traditionally, but holding his other symbol of iconography, a latin cross, together with a red bound bible. Both symbolise his openness to God's teachings.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Peter stained glass window may be found on the left hand side of the nave, in the eastern wall, when approaching the altar of Christ Church Brunswick.

 

Saint Peter was one of the twelve apostles of Jesus. He is often called the Prince of the Apostles. Jesus promised Peter a special place in his church. He is commonly identified as the first Bishop of Rome and the founder of the Church of Antioch and the Roman Church. Dressed in papal vestments, he holds in his left hand an open book, whilst in his right hand, his most commonly recognised symbols; the Keys to Heaven, in this case executed in silver and gold. Traditionally he is portrayed with a white beard, however in this window he has a brown beard.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Creator: Unidentified.

 

Location: Eidsvold, Queensland.

 

Description: Norwegian named town in the Burnett River country of central Queensland. The area was first settled in 1848 by the Scottish Archer brothers, Charles and Thomas, who migrated to Australia from Norway, to where their parents had moved in 1825. Eidsvold's halcyon days followed the discovery of gold in 1887 and the region kept producing ore for more than 60 years before it ran out. Today, the town the Archer brothers named for their parent's adopted homeland is the commercial centre for prime beef producers. The nearby Waruma Dam is a playground for swimmers, sailors and water-skiers. (Information taken from: Internet travel database 2005, retrieved 13 May 2005, from Eidsvold_%5C_QLD>)

Members of the CWA are standing along the verandah, down the steps and in front of the attractive new timber building. All the women are wearing hats and are smartly dressed.

 

View the original image at the State Library of Queensland: hdl.handle.net/10462/deriv/139350.

 

Information about State Library of Queensland’s collection: www.slq.qld.gov.au/research-collections.

 

You are free to use this image without permission. Please attribute State Library of Queensland.

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Built in 1892 on the rise of a hill in the prominent location of the corner of Bromfield and Corangamite Streets in Colac, stands the grand two-storey red brick residence, "Lislea House".

 

"Lislea House" was built for Doctor Wynne, a local practitioner, for his use as a stylish residence and surgery. "Lislea House" has been constructed in the popular Federation Queen Anne style, which was mostly a residential style established in the 1890s which was inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. "Lislea House" has a very complex roofline, which is typical of the Federation Queen Anne architectural movement, as is the steeply pitched roof, ornate wooden fretwork that graces the return verandah and the exaggerated height of the chimneys.

 

Queen Anne style was most popular around the time of Federation. With complex roofline structures, ornamental towers of unusual proportions and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

 

Doctor Wynne was a prominent and popular figure in the Colac community. Born in Armagh, the county town of County Armagh in Northern Ireland in 1857, Doctor Wynne studied medicine at Dublin University. He migrated to Australia after gaining his degree and took over the Colac practice of Doctor Porter in the late 1880s. He was interested in public affairs and in the forwarding and improvement of Colac; becoming a patron of many establishments in the town including, the Colac Fire Brigade and the Colac Free Library. He even established a local newspaper the "Daily News". He was one of the original shareholders of the Colac Dairying Company, the Colac dairy farmers' co-operative. Doctor Wynne enjoyed horse racing and he and his wife entertained at their fine house often. Doctor Wynne died at "Lislea House" in 1915 as a result of complications. caused by a weak heart.

 

The descendants of Doctor Wynne no longer live in "Lislea House", and after some years of neglect, it has been restored internally and externally to its original splendor, as well as having had some modern day comforts added. It now serves as self contained apartments which take advantage of the house's location so close to the town's centre.

 

Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

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