Metaphor and Analogy - **In Title or Description**
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"Alle ist Umgeformt" - German: "All is transformed".
The third and final image in the TotenTanz series that uses images from a cemetery to question the absoluteness of death.
In this case the "pano-sabotage" is used to both de-construct, and show in "RE-construction", funerary monuments in an historical graveyard.
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© Richard S Warner ( Visionheart ) - 2015, 2016. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
signalling a new direction
For some time now I've struggled to keep up with flickr...
I try to think of ways to be generous and reciprocal
and also meet my own needs to be more playful...
to have more time and energy for making images
and also for making lucid comments ;-)
For now I'm going to try being more flexible...
embrace a little more imperfection :-)
I'll still respond to comments
(this connection brings me happiness )
and I'll enjoy visiting those who leave them :-)
But I'll be more free about timing...
and not respond to every fave.
Tho I'll try to recognise loyal and wordless fave givers
I am, after all, often one myself.
Not an easy change to make.
But something has to give.
So here's to generosity and freedom.
Meet you
at the intersection ;-)
"Have You Ever Seen the Rain?" is a song written by John Fogerty and released as a single in (early) 1971 from the album Pendulum (1970) by roots rock group Creedence Clearwater Revival. The song charted highest in Canada, reaching number 1 on the RPM 100 national singles chart in March 1971. In the U.S., in the same year it peaked at number 8 on the Billboard Hot 100 singles chart (where it was listed as "Have You Ever Seen the Rain / Hey Tonight", together with the B-side).
Some have speculated that the song's lyrics are referencing the Vietnam War, with the "rain" being a metaphor for bombs falling from the sky. In his review for Allmusic website, Mark Deming suggests that the song is about the idealism of the 1960s and about how it faded in the wake of events such as the Altamont Free Concert and the Kent State shootings, and that Fogerty is saying that the same issues of the 1960s still existed in the 1970s but that people were no longer fighting for them. However, Fogerty himself has said in interviews and prior to playing the song in concert that it is about rising tension within CCR and the imminent departure of his brother Tom from the band.
[from Wikipedia]
Happy 50th anniversary!
One of my all time favorite songs:
Happy Monochrome Monday, everyone!
No one remembered to put in their original teeth
at the plant nursing home
so they can’t tell the nurses and aides
to turn off Fox news
and they wither like they’ve been
left for an eternity to suffer
for all their long lost sins.
**All poems and photos are copyrighted**
~ The sky is often used as a metaphor
And I suppose that's because it's so big and expansive
When a long strand of cloud sits just above the horizon
Leaving a strip of clear blue beneath it
It becomes the panorama
It'll turn your head three hundred and sixty degrees,
And the same line follows you round if the land is sufficiently flat
Really, nothing can be compared to it
I am not an acrobat…
I cannot perform these tricks for you
Losing all my balance…
Falling from a wire meant for you ~
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© Copyright by Floriana Thor 2013-2015
We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image. An image possessing the same distinguishing features as the world it represents. An image — as opposed to a symbol — is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it's a monomial. It falls apart at any attempt of touching it.
― Andrei Tarkovsky
A child’s toy and an old bench....childhood and old age.... A visual metaphor? Or maybe just a little boy who got called to lunch and left his trike on the sidewalk!
Unless there is the iPhone icon, all photos were taken with a Nikon or more recently, with a Sony Mirrorless. I ioften import the images to a 12.9 inch iPad for editing.
At a time of a historic pandemic and racial discord/violence, major league baseball seems to reflect the times. Even as the virus may be waning, the different sides (the teams and the players) cannot agree yet on what's fair compensation for a shortened season. As a baseball fan who loves the idea of the USA...and it's the first country started as an idea if you think about it....I hope the sides can come together. Maybe the stitching's just gotten too loose and we can tighten them up a bit?
This evening I spotted this rose that was moving past its prime middle years. It captures how I feel today. Still vital, but the edges are fraying, a few petals are starting to pull back, and the colour while full is not quite as deep.
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∎ Created with Midjourney, further edited with Topaz Photo AI
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{...] Buried by their building lay the hideous bodies; it is said that Mother Earth, soaked in the blood of her children, became wet.
She then filled the still warm blood with life and transformed it into the shape of humans so that the memory of her descendants would not be completely lost.
But that brood also despised the heavenly ones, thirsted for brutal murder and was violent; after all, it was born of blood. [...]
Source: ovid-metamorphosen-giganten
∎ Ovid | 20 March 43 BC – AD 17/18
I can’t help it, I love to snap gate or stile. Surrounded with all this beauty and rough manmade wooden construction catches my eye every time. It’s got to be physiology, but what, the mind boggles. An invitation to pastures new, a transition, a way through a life barrier. Who knows, all I know, next time my travels encounters one, more often or not I’ll get the camera out. I wouldn’t care after slogging up to this one I didn’t pass through it, something told me to stay on this side of the wall, may be that’s the metaphor I should ponder.
A clump of wild timothy sways languidly along a rural road in the moments before an ominous thunderstorm storm strikes. I’m always in search of borders and boundaries when out with the camera. I love photographing them, and even more standing astride them. This is one of my many odd behavioral traits that defy rational explanation. As a result, attempts to discuss them often sound irrational (if not downright ridiculous). With that risk in mind, I’ll just say I think at some level, boundary lines represent unseen (yet highly palpable) energy fields. That includes boundaries both real and liminal. It relates to creating photos based upon a reaction to how scenes or situations make me feel.
Back in the moment on the old farm road, I’m already pretty charged up about the storm. It’s what brought me to this spot in the first place. And for my money, it’s one of the best visual and emotional boundaries imaginable, standing right along the leading edge of an intense storm. And on the edge of an expansive farm field which creates a visual effect of multiple boundaries within a single frame. In this case newly mown hay casting a wonderfully warm color contrast against the cool, dark sky. And as I walk along, I stumble upon the timothy grass. The stalks look delicate and tranquil as they gently sway in response to the breeze. Their presence made even more prominent by the raging storm looming in the background. It’s one of those scenes that exists only in this moment, and I could think of no better way to illustrate the fury of the storm than to focus on the calm in its path.
2020 seemed to start off just fine but rapidly became rather hazy.
Wishing everyone a happier, safer and very peaceful new year! Take care.
Olympus Pen-F.
“I'm tired, boss. Tired of bein' on the road, lonely as a sparrow in the rain. Tired of not ever having me a buddy to be with, or tell me where we's coming from or going to, or why. Mostly I'm tired of people being ugly to each other. I'm tired of all the pain I feel and hear in the world every day. There's too much of it. It's like pieces of glass in my head all the time. Can you understand?”
John Coffey, “The Green Mile” by Stephen King
I'm very fortunate to live in a rural area with easy access to woodlands, meadows, streams, ridge lines, valleys, and crop fields. I derive a great deal of energy and mental stimulation by entering into these spaces. I used to think it was the result of the oxygen released by plants. But it's much more than that. The visuals are quite often stunning, and motivate my creative mind. However I feel the same energy even if I take no photos at all. For me it's all about being immersed into scenes such as this, both literally and emotionally.
Walking through this meadow filled with dead and withered leaves filled me with a sense of life and vitality. Don't ask me to explain the dichotomy. It just is. There's simply as much (or even more) energy here now as there was months ago when this was all lush and green.
In her day-to-day, ahead seems gray, but with her reflexive gaze, creativity comes to life.
I'm just trying my hand at some fine arts photography. Mosquitoes bit me 27 times while taking this picture. She was bit 12 times before we realized that we were being eaten alive. So much anti-itch spray!
These two halves / taken together / are at greater distance / from one another / than if left apart.
Assemblage, wood, metal, paper, paint, size (WxHxD) 50x48x11 cm (based upon objets trouvés) (2015)
Poor Eunice died in hope. A noble way to be remembered, even if not fully accurate. Guess it depends on what you were hoping for at the time you passed. The cynical side of me wonders if her hope was not to die. Eunice's legacy boils down to the few words carved into the old gravestone. They endure today only through great luck that the stone has not been toppled or shattered. I feel weirdly connected to Eunice at some level. We lived in the same village, although over a century apart. Perhaps she walked her in her day as I do in mine.
Eunice's grave is part of the rich mosaic of this cemetery. I see her name on nearly every visit here. This stone is a constant, but my reaction varies. Sometimes I notice it more than others. Depends on my mindset, the time of day, or the time of year. Sometimes even the direction I am walking or my angle of view influences my thought process. On this foggy morning I was struck by the starkness of the stone amid a damp and misty landscape. The residual leaves of October slowly decomposing in the gaining light of February. Another year passed, and Eunice's dying hope fades ever so slightly.