View allAll Photos Tagged mesh
Read more about my adventures in Mesh here
renoobed.wordpress.com/2012/04/14/mesh-death-of-the-upskirt/
Bow mesh outfit 2 colours by GLITTER - August Round
maps.secondlife.com/secondlife/Corrupted%20Innocence/179/...
Description:
Flour bolting mesh
The synthetic fibers, such as polyamide (nylon), polyester, polyethylene and polypropylene are mostly selected for the meshes. They are suitable for the filtering, screening and straining in the field of foodstuffs industry, chemical industry, automobile industry and medical engineering. We can mainly supply you the meshes made by polyester and polyamide and plain-woven for light, normal and heavy duty by selecting different diameter of the monofilament. The filament can be doubled, non-crimped, half-crimped or double crimped. The meshes can be woven in plain, twill or Dutch, and will be bleached and set after weaving.
I built this apartment with prims in secondlife, converted&and exported it into a .dae file and uploaded it into cloudparty. Since now i have just textured about 40% so do not wonder if you see lots of untextured parts. Just as a test i exported each of the prims as single mesh!!! Hahahe! :) This resulted in one mesh object in cloudparty using 136 material slots. Huahuahuah. For sure UVW mapping would use much less resources but since this is only a test i did it this way.
In both CP and in SL i set the same camera position to compare.
(huge picture chart: 1837 x 6387pixel) ZOOM IN!
Get Rolling Pin MESH from www.greenstuffworld.com/en/textured-rolling-pins/515-roll... by Green Stuff World.
Rolling Pin MESH
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clayroller puttyroller kneadtool rollingpin pvcpipes acrylicrod texturedroller texturedrollingpin embossedrollingpin factory factoryground rack gril grill grille mesh Meshes grid grate grating
This is my best effort so far using a mesh viewer in a mesh dress. Um, help?!
I'm using the Firestorm mesh viewer beta (new installation, not overriding a previous version) and have cleared the cache manually and logged out and in a couple of times. I've cleaned up and de-fragged the computer but don't know how to properly render the world again.
Wearing:
It doesn't matter
mesh là gì - Nguyên Muôn Trong kinh doanh thương mại hay nguyên cứu về lưới inox, vải nylon, vệt dệt có mắt lưới.
.::PiNK CHERRY::. Zipped Leather dress "Alexis" mesh
Jewelry: Baubles! by Phe "Leopard Swag"
Hair: .:EMO-tions:. *Alisha*
More: albinamanamiko.wordpress.com/2014/02/03/albina-and-pink-c...
Matrix III, 2019
Approximately 6 tonnes of 6 mm mild steel reinforcing mesh
This vast cloud is a mesmerising visual labyrinth, hewn from an ordinary industrial material. 98% recycled, the steel mesh – commonly used to reinforce concrete walls – is transformed into a complex phenomenon, by way of hundreds of thousands of spot welds done by hand. Designed especially for this gallery, 21 suspended room-size cages intersect, surrounding a small concentrated chamber. This void at the core is what Gormley calls “the space of dreaming”, and is equivalent to the average size of a European new-build bedroom. Looking up at this structure, our ability to perceive distance is challenged: our eyes struggle to decide what is close or far, in front or behind.
The certainty and solidity of the three-dimensional world is undermined. Gormley has described ‘Matrix III’ as “the ghost of the environment we’ve all chosen to accept as our primary habitat”.
[Royal Academy]
Taken at Antony Gormley
(21 September — 3 December 2019)
The exhibition will explore Gormley’s wide-ranging use of organic, industrial and elemental materials over the years, including iron, steel, hand-beaten lead, seawater and clay. We will also bring to light rarely-seen early works from the 1970s and 1980s, some of which led to Gormley using his own body as a tool to create work, as well as a selection of his pocket sketchbooks and drawings.
Throughout a series of experiential installations, some brand-new, some remade for the RA’s galleries, we will invite visitors to slow down and become aware of their own bodies. Highlights include Clearing VII, an immersive ‘drawing in space’ made from kilometres of coiled, flexible metal, and Lost Horizon I, 24 life-size cast iron figures set at different orientations on the walls, floor and ceiling – challenging our perception of which way is up.
Perhaps best-known for his 200-tonne Angel of the North installation near Gateshead, and his project involving 2,400 members of the public for Trafalgar Square’s the Fourth Plinth, Antony Gormley is one of the UK’s most celebrated sculptors.
[Royal Academy]
Read more about my adventures in Mesh here
renoobed.wordpress.com/2012/04/14/mesh-death-of-the-upskirt/
Mesh Dress and pants from Mashooka maps.secondlife.com/secondlife/Mashooka%20Isle/141/128/26
Skin: Dawn from Pulse maps.secondlife.com/secondlife/AvatarArt%20by%20Pulse/93/...
Hair and base: Boon maps.secondlife.com/secondlife/SAIKIN/129/125/699
Jewellery and shoes: Zaara maps.secondlife.com/secondlife/Zaara/142/132/26
Mesh rigged platform
4 different options
studs change color by Hud
exclusive for Slink High feet
marketplace:
marketplace.secondlife.com/p/Miss-LT-Aultra-platform-Slin...
Matrix III, 2019
Approximately 6 tonnes of 6 mm mild steel reinforcing mesh
This vast cloud is a mesmerising visual labyrinth, hewn from an ordinary industrial material. 98% recycled, the steel mesh – commonly used to reinforce concrete walls – is transformed into a complex phenomenon, by way of hundreds of thousands of spot welds done by hand. Designed especially for this gallery, 21 suspended room-size cages intersect, surrounding a small concentrated chamber. This void at the core is what Gormley calls “the space of dreaming”, and is equivalent to the average size of a European new-build bedroom. Looking up at this structure, our ability to perceive distance is challenged: our eyes struggle to decide what is close or far, in front or behind.
The certainty and solidity of the three-dimensional world is undermined. Gormley has described ‘Matrix III’ as “the ghost of the environment we’ve all chosen to accept as our primary habitat”.
[Royal Academy]
Taken at Antony Gormley
(21 September — 3 December 2019)
The exhibition will explore Gormley’s wide-ranging use of organic, industrial and elemental materials over the years, including iron, steel, hand-beaten lead, seawater and clay. We will also bring to light rarely-seen early works from the 1970s and 1980s, some of which led to Gormley using his own body as a tool to create work, as well as a selection of his pocket sketchbooks and drawings.
Throughout a series of experiential installations, some brand-new, some remade for the RA’s galleries, we will invite visitors to slow down and become aware of their own bodies. Highlights include Clearing VII, an immersive ‘drawing in space’ made from kilometres of coiled, flexible metal, and Lost Horizon I, 24 life-size cast iron figures set at different orientations on the walls, floor and ceiling – challenging our perception of which way is up.
Perhaps best-known for his 200-tonne Angel of the North installation near Gateshead, and his project involving 2,400 members of the public for Trafalgar Square’s the Fourth Plinth, Antony Gormley is one of the UK’s most celebrated sculptors.
[Royal Academy]
This idea was not so cool. Speakers segregated from the rabble at the mesh party. oops so much for web2.0 driving flat open conversations...
Mesh is really wonderful to work with, as I discovered since the swirl challenge. So different from 3D..
Design is a picture downloaded from the internet some time ago. Now I can't find it anymore, so don't know who made it :-(
My first foray into slide film *and* cross-processing, a double whammy. Processed and scanned by those nice people at Photographique.
Nike Air Max Plus TN Arctic Chill, Men’s Size 8.5, Royal Blue, White, CW7024-400, UPC 00194274580457, 2019, deep royal-based edition, medial Tuned Air units, royal rubber outsole, Air support system, two-tone blue and white, plastic gradient overlays, mesh upper, plastic toe cap, leather mudguards, Nike Swoosh logos, Deep Royal Blue and White color scheme, Padded tongue with NIKE Air Max logo, Cushioned inner sole, Traction rubber air bubble outsole, visible Air Unit in the and forefoot heel, PU midsole offers, TPU overlays, white midsole, small Nike Swoosh, no-sew upper, Tuned Air cushioning,
Mesh fences that were put up on both sides from the top of the lift down a little ways to prevent people from skiing off piste. It didn't stop some people though!
This is a series of snapshots taken in the SL Mesh Beta of a pair of doors modeled in Solidworks by my associate Robert Conklin for his house. We imported them in 3ds Max and exported to Collada, then I brought them into Sl and added the wood texture. Note that the etched glass pattern is not a texture, but a Mesh object so it is not pixilated and there are no alpha issues..