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Date：2008/11/27 高雄 - 橋頭糖廠
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：Agfa Agfacolor Optima 100
Scan：台中金霏林 NORITSU
Date：2008/11/27 高雄 - 橋頭糖廠
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：KODAK PROFESSIONAL PPN 160 (過期)
Scan：台中金霏林 NORITSU
Date：2008/09/30 台中-豐樂雕塑公園
Camera：Mamiya 645 PRO
Lens：MAMIYA A 1:2.8 F=150mm (135等校換算=90mm)
Film：FUJICHROME Provia 100F Professional(RDPIII)
Scan：台中金霏林 NORITSU
More about this photo here on my blog.
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
My personal website www.lucemozioni.com
My new photobook, Some days in Hamburg
My new photobook, Some days in Copenhagen
My photobook, United States Coast to Coast
Fabrizio Zago
© All rights reserved
29th November 2014 (a Saturday afternoon).
Kodak Sterling II camera and expired Ilford HP5+ film (respooled to 620). I was using the Sunny 16 rule with this camera but had forgotten completely to set the shutter speed correctly and only realised once I had started shooting on it (it was set around 1/125 rather than 400 - the Sterling II can only go up to 1/200 I think anyway).
After searching & asking online I discovered I needed to pull the film in processing by two stops. I really struggle with numbers and was convinced I had ruined the film, but after developing it for 6.5 minutes in Ilfosol-3 I got these negatives which I'm really pleased with :)
I just got a label maker and I've been going nuts. You could say I've labeled my life, well, at least the record of it. These are all my moleskines. I like the squared poket versions for my journals.
You all saw my excitement over the Lubitel arriving- so it is no surprise that today I took it out and shot some film! :)
This one is a double exposure, too, because I totally spaced on winding it. I even remember when I did it, I was trying to be certain if I had taken the frame yet or not. I opted to risk a double exposure in favour of no exposure.
I really love this camera! The images have such a neat feel to them. Also the looks the camera gets you are pretty exciting. Most people aren't really sure what it is.
It's pretty easy to develop too, though I've noticed most recipes I find for the 120 film that I have use a really diluted solution and take a long time. (The one I did last night was 26 minutes. Quite a jump from the time for this film, which was less than six minutes!)
For now the Lubitel is going to remain black-and-white only. It's just expensive to justify sending colour out and I'm not ready to develop colour film myself. (I think I will be in a few months, when I can control the temperature of the water better)
I think on the self-portrait bingo board I did pretty good today! Medium Format + Russian Camera + Black and White + Double Exposure + Mirror Shot. Ha!
Date：2008/11/27 高雄 - 橋頭糖廠
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：Agfa Agfacolor Optima 100
Scan：台中金霏林 NORITSU
Camera: Agfa Click 1
Film: Ilford Delta 100 (120mm)
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Agfa Click 1
Film: Kodak Ektar 100 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
This is one of my favourite shots from this project. I always had the idea of ink in water for my I. Dad leant me the pot of ink, mum works in a doctors surgery so she got me a syringe to drop the water in with. My assistant Jon helped with this, it was a system of dropping the ink in and taking shots as it spread out into the water, emptying the water, refilling and shooting again. There were so many good shots to choose from, but I like how the top of the water is black with ink, and how it's spreading out at the bottom like a mushroom cloud. This also reminds me of the effect used in the films Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows Part II for when Harry watches memories in the pensieve.
Bencini Koroll 24, with Walmart 35mm film, "drawn on" with a laser pointer before loading. Re-scanned to get the sprockets in and curves pushed to the max in Photoshop.
Love the Mamiya. It meters well, has almost ZERO distortion at 35mm, and pretty sharp at a 35mm equivalent of 21mm focal length I'd say (granted, I always stopped down to at least f/8 or thereabouts).
Not perfect, but I like it. What do you think?
Rivoli, countryside of Turin, Italy
My personal website www.lucemozioni.com
My new photobook, Some days in Hamburg
My new photobook, Some days in Copenhagen
My photobook, United States Coast to Coast
Fabrizio Zago
© All rights reserved
new toy for old joy :) SLX second version.
I will sell some lenses and cameras from my collection, you can write to me by flickr mail.
I'm having a little trouble getting my scanner to recognize half-frames. For some reason it won't scan these three frames correctly, but I think it's kinda' cool anyway. I took this photo in low light with an Olympus Pen FT/E.Zuiko 25mm 1:4.
Date：2008/09/30 台中-豐樂雕塑公園
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:3.5 F=35mm (135等校換算=21mm)
Film：Kodak Professional EKTACHROME Film E100VS
Scan：台中金霏林 NORITSU
Camera: Agfa Isola 1
Film: Kodak T-MAX 100 (120 mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
I bought this camera at Portobello Road Market during my trip to London.
This is a British made 1955-1957 Kodak Brownie Six-20 Model F. This camera take 620 film with single shutter speed "I" plus "B" setting, two prongs flash contact and tripod mounts.
What make this British made special among other Brownie cameras including many made in the US is that it is a better made and have two special features, the first is the built in close up lens and second is a yellow filter to be use with B&W. Both accessible via two brass slides on the side of the camera. The built in close up lens for taking picture with subject between 5 to 10 feet really set this Brownie apart from other Brownie cameras and it works nicely as you can see from the pictures from my first test roll from this camera.
This particular one is in very good condition with working shutter. And it cleaned up nicely as you can see in the following pictures in this album.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselblad polarizer. Film: Kodak Portra 400. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Bencini Koroll 24, with Walmart 35mm film, "drawn on" with a laser pointer before loading. Re-scanned to get the sprockets in and curves pushed to the max in Photoshop.
Public art on the High Line.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak Ektar 100. Digital conversion: Epson V550 scanner and Lightroom 4
Well, actually Rolleicord's reflection.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak T-Max 400 at 200 with Hoya Yellow K2 filter. Developer: Kodak D76 1:1 12.5 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4
Hand held at 1/15 sec
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Date：2008/10/02 台中-柳原基督長老教會
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:1.9 F=80mm (135等校換算≒50mm)
Film：FUJICHROME Velvia 50 Professional(RVP50)
Scan：台中金霏林 NORITSU
Date：2008/10/02 台中-柳原基督長老教會
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:1.9 F=80mm (135等校換算≒50mm)
Film：FUJICHROME Velvia 50 Professional(RVP50)
Scan：台中金霏林 NORITSU
Camera: Agfa Isola 1
Film: Rollei 800
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.