View allAll Photos Tagged mediumformatcamera
Camera: Agfa Click 1
Film: Lomography color negative 400 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
A view from the High Line.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak Ektar 100. Digital conversion: Epson V550 scanner and Lightroom 4
Whilst waiting for the bus back home yesterday, I managed to shoot a few shots off, of the shoppers ignoring storm Bert. It's always a "dice with death" photographing children these days. Everyone is always so suspicious of your motives. It's a shame really, that it has come to this, but there is nothing illegal about photographing children out in public, so long as decency laws are adhered to.
In a monochrome world of stormy greys and inky blacks, a boy wanders through the rain-lashed streets of Chichester, untouched by the turmoil of Storm Bert. The cobbled roads shimmer with reflected light from faint streetlamps, their glow blurred by the constant downpour. His raincoat, a pale silhouette against the darker tones of the drenched surroundings, flutters with every gust, the hood slipping back to reveal messy, rain-drenched hair.
The boy’s figure exudes innocence and freedom, his small boots sending sprays of water skyward with each careless step. Drops of rain, rendered as streaks of white, cascade from the eaves of ancient stone buildings, their rough textures prominent in the monochrome starkness. The majestic cathedral looms ahead, its spire disappearing into a sky heavy with brooding clouds.
Shadows stretch and ripple in the watery reflections, broken only by the boy’s rippling wake as he steps through puddles. His face, tilted skyward, is an expression of quiet wonder, raindrops tracing silver streaks down his cheeks. Around him, the trees sway like dark sentinels, their wet branches creaking in the wind. He walks on, a figure of unbothered calm amidst a chaotic yet beautiful storm.
A series of medium format analogue portraits featuring the great Adian Coker. Shot on the beautiful but quite challenging Cinestill 800t film.
This was actually shot in the very cool warehouse that I used to store my equipment!
Camera: Mamiya 645 Pro TL
Film: Cinestill 800t
Lens: Sekor 80mm 1.9
Hand held at 1/15 sec
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
This photo of my eldest sister Julie in her bedroom back at my folks' last year. This photograpoh is a scanned image from 120 Fujifilm Fujicolor Pro 160C Colour Negative Film.Mamiya RB (mechanical 6x7cm, single lens reflex, medium format camera)
Camera: Agfa Isola 1
Film: Kodak T-MAX 100 (120 mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Mamiya 645 Pro TL
Lens - Sekor 80mm 1.9
Film: Cinestill 800t
Model: Adian Coker
Location: Peckham Plex
Camera: Agfa Click 1
Film: Kodak Ektar 100 (120mm)
Read more about this photo in this post on my blog :)
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Copyright 2019 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Find me online:
Camera: Agfa Click 1
Film: Lomography color negative 400 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Another outtake from Project 365.
It was difficult to focus the TLR as it was a manual camera esp. if you'r also the subject (self-portrait) so i had to put something in front of the camera as a reference point---in this case i grabbed what was nearest---the monolight.---turned out, I like this better than the one with me on it.
Accidental Tourist Series — studies of Mark for a creative project turned out more a series of old tourist photos from the 60’s.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome with Kodak Series VIII (#8) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400C 120mm
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Taken at Gray Manor Hotel in Cholderton, England
Date：2008/11/19 東海大學
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：KODAK PROFESSIONAL PORTRA 400VC
Scan：花蓮彩韻
Date：2008/11/13 東海大學
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：KODAK Professional Ektacolor PRO 160
Scan：台中金霏林 NORITSU
Fillmore and California St. San Francisco. Shot in medium format. Yashica MAT 124G and Kodac TMX 100.
Mamiya 645 Super / Mamiya 80 mm 2.8 @ 4.0 / Ilford FP4 plus 125/120 / Adox Adolux APH 09 / scan from the negative
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Tri-X 400 Meter: Minolta Auto Meter VF. Developer: Kodak XTOL 1:1 9 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 4.
Camera: Agfa Click 1
Film: expired Kodak Tri-X 400
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Film: Ilford Delta 3200 Pro
Camera: Mamiya M645
Haircut : Barber Denise
Model: Calisse
Photography: Cris Gonzalez
*Preview scan & edit before the actual print
A great exhibition full of great works from one of the most iconic photographer of all time. One of the best photography exhibition I've seen.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Ilford Delta 3200 @ 3200. Developer: Ilford ILFOTEC DD-X 1+4 9.50 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6.
Copyright 2019 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Find me online:
Camera: Agfa Click 1
Film: expired Kodak Tri-X 400
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.