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There may have been a church on this site as early as Saxon times, and while the tower is genuinely from the 15th Century, the rest of St George's Church in Preshute is an 1854 "restoration" that was in fact closer to a complete reconstruction.
The parish of Preshute, just west of Marlborough, consists almost entirely of farmland and downland and has a population of just 193, most of whom live in the hamlet of Manton.
The Church of All Saints is a Church of England parish church in Cuddesdon, Oxfordshire. The church is a grade I listed building and it dates from the middle of the 12th century. The chancel was restored in 1849 by Benjamin Ferrey, and the rest of the church was restored between 1851 and 1853 by G. E. Street. The church was designated as a grade I listed building on 18 July 1963.
The church stands in the Liberal Catholic tradition of the Church of England. Due to its proximately, the church has close links with Ripon College Cuddesdon, an Anglican theological college. The college attends the church's evensong each day.
photo rights reserved by Ben
The Zhinvali Reservoir, also known as the Jinvali Reservoir, is a beautiful artificial lake in Georgia. It is located in the Mtskheta-Mtianeti region, about 70 kilometers north of the capital Tbilisi. This reservoir is a popular tourist destination due to its beautiful turquoise waters and picturesque surroundings of mountains and forests. The Zhinvali Reservoir was created in 1985 by the construction of the Zhinvali Dam on the Aragvi River. The main purpose of the dam and reservoir is to supply Tbilisi with drinking water, electricity production and irrigation. The dam is 102 meters high and is an essential part of Georgia's energy and water infrastructure. The area around the reservoir is characterized by a breathtaking landscape of green hills and high mountains. The water itself has a striking blue or turquoise hue, depending on the light and the season. In the vicinity of the lake you can spot wildlife and enjoy hiking trails that lead through the beautiful nature. On the shores of the lake lies the famous Ananuri Fortress, a historical site dating back to the 16th-17th centuries. The fortress not only offers an insight into Georgian history, but also a beautiful view of the lake. Within the Ananuri complex is a well-preserved church with impressive stone carvings and frescoes. Ananuri is recognized as an UNESCO World Heritage Site due to its cultural and historical significance. It is an ideal place for photography, picnics and relaxing in nature, making it a must-see destination for travelers in Georgia.
The Ananuri Fortress is a historical complex in Georgia, located on the banks of the Zhinvali Reservoir, about 70 kilometers north of Tbilisi. One of the most visited attractions in the country, the fortress not only offers a fascinating insight into Georgian history, but also a beautiful view of the surrounding landscape. The fortress dates back to the 16th and 17th centuries and served as the residence of the Aragvi Dukes, a powerful dynasty in Georgia. The complex played an important role in defending the region from invasions and wars. The complex consists of several defensive structures, such as towers, churches and walls, which were strategically placed to withstand attacks. The Church of the Savior is the most striking structure within the complex. It is decorated with intricate carvings and reliefs typical of medieval Georgian architecture. The large towers served as both lookouts and shelters during sieges. Visitors can explore the fortress for free.
Het Zhinvali-reservoir, ook wel bekend als het Jinvali-reservoir, is een prachtig kunstmatig meer in Georgië. Het bevindt zich in de regio Mtskheta-Mtianeti, ongeveer 70 kilometer ten noorden van de hoofdstad Tbilisi. Dit stuwmeer is een populaire toeristische bestemming vanwege zijn schitterende turquoise wateren en de schilderachtige omgeving van bergen en bossen. Het Zhinvali-reservoir werd in 1985 aangelegd door de bouw van de Zhinvali-dam op de rivier de Aragvi. Het belangrijkste doel van de dam en het reservoir is het leveren van drinkwater aan Tbilisi, elektriciteitsproductie en irrigatie. De dam is 102 meter hoog en vormt een essentieel onderdeel van de energie- en waterinfrastructuur van Georgië. Het gebied rond het reservoir wordt gekenmerkt door een adembenemend landschap van groene heuvels en hoge bergen. Het water zelf heeft een opvallende blauwe of turquoise tint, afhankelijk van de lichtval en het seizoen. In de buurt van het meer kun je wilde dieren spotten en genieten van wandelpaden die door de prachtige natuur lopen. Aan de oevers van het meer ligt het beroemde Ananuri-fort, een historische plek die dateert uit de 16e-17e eeuw. Het fort, dat een van de meest bezochte bezienswaardigheden van het land is, biedt niet alleen een fascinerende inkijk in de Georgische geschiedenis, maar ook een prachtig uitzicht op het omliggende landschap. Het fort diende als de residentie van de Aragvi-hertogen, een machtige dynastie in Georgië. Het complex speelde een belangrijke rol in de verdediging van de regio tegen invallen en oorlogen. Het complex bestaat uit meerdere verdedigingsstructuren, zoals torens, kerken en muren, die strategisch waren geplaatst om aanvallen te weerstaan. De Verlosserkerk -Church of the Savior is het meest opvallende bouwwerk binnen het complex. Het is versierd met ingewikkeld houtsnijwerk en reliëfs die typisch zijn voor de middeleeuwse Georgische architectuur. De grote torens dienden zowel als uitkijkposten als schuilplaatsen tijdens belegeringen. Ananuri staat op de Werelderfgoedlijst van UNESCO vanwege zijn culturele en historische betekenis. Bezoekers kunnen het fort gratis verkennen.
Basilica di San Francesco d' Assisi. A synthesis of the Romanesque and Gothic styles. Built in 1227. Truly a beautiful and blessed sight.
photo rights reserved by Ben
The David Gareja Monastery complex lies in a remote and isolated part of the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The surroundings are marked by dry hills, barren plains, and steep rock formations — far removed from any village or town. This very secluded location enhances the spiritual atmosphere of the site, which has served for centuries as a retreat for monks seeking to withdraw from the world. The monastery was founded in the 6th century by the Syrian monk David Garejeli and is partially carved into the soft sandstone cliffs. On the left side of the photo, you can see the dramatic, sloping rock wall with carved cells, chapels, and caves that once served as living and prayer quarters for the monks. Some of them are still adorned with delicate, centuries-old frescoes. On the right, the fortified walls and round watchtowers can be seen — silent witnesses to the monastery’s defensive function throughout history. In the center, a green, open courtyard connects nature and architecture in a harmonious way. Beyond its historical and architectural value, David Gareja is still a living religious site. Today, it is home to Georgian Orthodox monks who lead a modest, secluded life devoted to prayer, study, and the maintenance of the monastery. Their presence reminds us that David Gareja is not merely a ruin, but an active spiritual community. Their daily routines continue almost undisturbed — in silence, in stone, and in harmony with the land. During our visit, we were the only visitors, allowing us to explore the entire site in complete peace. From the monastery, there is a breathtaking view over the silent, endless semi-desert plains — a place of stillness, reflection, and mysticism.
Hidden in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old complex carved into sandstone cliffs. Still home to Orthodox monks, it blends ancient history with quiet spiritual life. Surrounded by stark, rugged landscapes, the site offers solitude, breathtaking views, and a deep sense of timelessness.
Het David Gareja-kloostercomplex ligt afgelegen en geïsoleerd in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile rotspartijen — ver verwijderd van dorpen of steden. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli en is deels uitgehouwen in de zachte zandsteenrotsen. Links op de foto zie je de spectaculaire, schuin oplopende rotswand, vol uitgehouwen cellen, kapellen en grotten die ooit dienden als woon- en gebedsruimten voor monniken. Sommige zijn nog versierd met verfijnde, eeuwenoude fresco’s. Rechts zijn de versterkte muren en ronde wachttorens zichtbaar — stille getuigen van de verdedigingsfunctie die het complex door de eeuwen heen ook heeft vervuld. In het midden ligt een groen, open binnenplein dat op harmonieuze wijze natuur en architectuur met elkaar verbindt. Naast zijn historische en architectonische waarde is David Gareja nog altijd een levendige religieuze plek. Er wonen vandaag de dag nog steeds Georgisch-Orthodoxe monniken, die er een teruggetrokken en sober leven leiden, toegewijd aan gebed, studie en het onderhoud van het klooster. Hun aanwezigheid onderstreept dat David Gareja geen verlaten ruïne is, maar een actieve spirituele gemeenschap. Hun dagelijkse rituelen gaan haast ongestoord verder — in stilte, in steen, en in verbondenheid met de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het hele terrein in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, eindeloze semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek.
photo rights reserved by Ben
Mtskheta, located just 20 kilometers from Tbilisi, is one of the oldest cities in Georgia and is considered the spiritual capital of the country. This charming city is located at the confluence of the Mtkvari Kura and Aragvi rivers and is known for its rich history. In the heart of the city stands the imposing Svetitskhoveli Cathedral, built between 1010 and 1029. This masterpiece of medieval Georgian architecture is a UNESCO World Heritage Site and is considered one of the most important religious buildings in the country. According to tradition, the robe that Jesus wore during his crucifixion is buried here, making the cathedral one of the holiest sites in Georgia. The cathedral is surrounded by an impressive fortified wall, complete with battlements, towers and age-old gates, which almost looks like a castle. Step through one of the gates and you’ll find yourself in a bustling courtyard where faith is still very much alive. During our visit, a traditional wedding was taking place: guests in festive attire gathered, a priest sang in Old Georgian, candles flickered, and the sound of singing filled the room. The atmosphere was intense and powerful — a special mix of holiness and human connection. In addition to its spiritual heritage, Mtskheta has a lively and welcoming atmosphere. Cozy shopping streets wind through the old town, where you’ll find small boutiques, local crafts, and colorful souvenirs. At weekends, the town comes to life with cheerful market stalls selling everything from fresh fruit and fragrant herbs to handmade jewelry and traditional delicacies.
The entrance gate to the Svetitskhoveli Cathedral stands on the western side of the walled complex, in the heart of Mtskheta. Dating back to the 11th century, it was built alongside the cathedral itself. The heavy wooden doors are framed by solid stone and a rounded arch, worn smooth by centuries of pilgrims passing through. Stepping through this gate means walking straight into Georgia’s living history.
Mtskheta, gelegen op slechts 20 kilometer van Tbilisi, is een van de oudste steden van Georgië en wordt beschouwd als de spirituele hoofdstad van het land. Deze charmante stad ligt aan de samenvloeiing van de rivieren Mtkvari Kura en Aragvi, en staat bekend om haar rijke geschiedenis. Midden in de stad prijkt de imposante Svetitskhoveli-kathedraal, gebouwd tussen 1010 en 1029. Dit meesterwerk van middeleeuwse Georgische architectuur is opgenomen op de UNESCO Werelderfgoedlijst en geldt als een van de belangrijkste religieuze bouwwerken van het land. Volgens de overlevering ligt hier het kleed begraven dat Jezus droeg tijdens zijn kruisiging, waardoor de kathedraal een van de heiligste plekken in Georgië is. De kathedraal wordt omringd door een indrukwekkende versterkte muur, compleet met kantelen, torens en eeuwenoude toegangspoorten. Het geheel oogt bijna als een kasteel. Zodra je door een van de poorten stapt, bevind je je in een bruisende binnenplaats waar het geloof nog springlevend is. Tijdens ons bezoek vond er een traditionele bruiloft plaats: gasten in feestelijke kleding verzamelden zich, een priester zong in het Oud-Georgisch, kaarsen flakkerden, en het geluid van gezang vulde de ruimte. De sfeer was intens en krachtig — een bijzondere mix van heiligheid en menselijke verbondenheid. Naast haar spirituele erfgoed heeft Mtskheta een levendige en gastvrije sfeer. Gezellige winkelstraatjes slingeren zich door het oude centrum, waar je kleine boetiekjes, lokale ambachten en kleurrijke souvenirs vindt. In het weekend komt de stad extra tot leven met vrolijke marktkraampjes, waar je alles kunt vinden van vers fruit en geurige kruiden tot handgemaakte sieraden en traditionele lekkernijen.
Bryggen is a historic harbour district in Bergen, one of North Europe’s oldest port cities on the west coast of Norway which was established as a centre for trade by the 12th century.
In 1350 the Hanseatic League established a “Hanseatic Office” in Bergen. They gradually acquired ownership of Bryggen and controlled the trade in stockfish from Northern Norway through privileges granted by the Crown. The Hanseatic League established a total of four overseas Hanseatic Offices, Bryggen being the only one preserved today.
The Historic Centre (Old Town) of Tallinn is an exceptionally complete and well-preserved medieval northern European trading city on the coast of the Baltic Sea.
The city developed as a significant centre of the Hanseatic League during the major period of activity of this great trading organization in the 13th-16th centuries.
Tintern Abbey (Welsh: Abaty Tyndyrn) was founded on 9 May 1131 by Walter de Clare, Lord of Chepstow. It is situated adjacent to the village of Tintern in Monmouthshire, on the Welsh bank of the River Wye, which at this location forms the border between Monmouthshire in Wales and Gloucestershire in England. It was the first Cistercian foundation in Wales, and only the second in Britain (after Waverley Abbey).
The west front of the church, with its seven-light Decorated window, was completed around 1300. The abbey fell into ruin after the Dissolution of the Monasteries in the 16th century. Its remains have been celebrated in poetry and painting from the 18th century onwards. In 1984, Cadw took over responsibility for managing the site. Tintern Abbey is visited by approximately 70,000 people every year.
This description incorporates text from the English Wikipedia.
Great Chalfield Manor is an English country house at Great Chalfield, about 2.5 miles (4 km) northeast of the town of Bradford on Avon in the west of the county of Wiltshire.
Pevsner describes Great Chalfield as "one of the most perfect examples of the late medieval English manor house".
The house and grounds have been used for location filming since the end of the 20th century. They were used for Wives and Daughters in 1999, the BBC Television adaptation of Elizabeth Gaskell's novel, as Hamley Hall, the country house of a squire. They were later used for the 2008 film version of the historical novel The Other Boleyn Girl, and some scenes of the 2008 BBC Television adaptation of Tess of the d'Urbervilles. Scenes for the BBC's Tudor-era historical TV serial Wolf Hall were filmed there in 2014. The house is also used as the filming location for Killewarran House in the BBC series of Poldark.
A colour version of a B&W that I posted a while ago.
Evening twilight on 28 February at All Saints', West Lavington. The following sunrise was in the spring!
All Saints' Church is in the Wiltshire village of West Lavington (population 1,500; 5 miles/8 km south of Devizes). The earliest parts of the building date to the 12th Century, with the nave likely forming the original structure. Evidence suggests a Saxon church may have existed on the site earlier, though little remains to confirm this beyond reused stones in the south porch doorway. In the late 13th and early 14th Centuries, the church was expanded with the addition of a north aisle, south aisle, and north transept. The chancel also dates to this period, built in greensand rubble and squared stone, with limestone ashlar added later.
The west tower was constructed in the 13th Century and raised to its current height in the 14th Century.
In 1847, the famous diocesan architect for the Diocese of Salisbury, TH Wyatt, reworked the church, updating elements like the east end’s triple lancets while preserving its medieval core.
The materials used in construction—greensand, limestone, and slate roofing—reflect local resources and practical construction choices. All Saints is a Grade I listed building.
Holy Cross is the parish church in the Wiltshire village of Seend (pop. 1,132), just outside Devizes. It is part of the Church of England Diocese of Salisbury. The west tower dates to the 14th Century (with a 15th Century bell stage), most of the church dates slightly later, to around 1450, with the North Aisle rebuilt in 1498, and the chancel much more modern, being largely the product of an 1876 ‘restoration’ by A.J. Style.
Copyright © Phil Dodd 2016, All Rights Reserved. This shot shows the wonderful architecture in those big arches & the beautiful stained glass windows - it was taken from the central walkway facing the Nave.
Thanks for looking and / or commenting,
Best Regards,
Phil.
A Plaza Mayor de Ciudad Rodrigo é o coração histórico e social da cidade, mantendo o traçado medieval original e refletindo a arquitetura civil castelhana preservada nos edifícios em pedra arenisca dos séculos XVI e XVII. Envolvida por varandas de ferro forjado e arcadas térreas típicas, a praça serviu tradicionalmente como centro comercial e administrativo da localidade, palco de mercados, eventos públicos e, outrora, touradas. Destaca-se o Ayuntamiento, edifício renascentista com arcadas e torre sineira. A cidade, fortificada desde o século XII e com um papel estratégico nas Guerras Peninsulares, preserva vestígios históricos como as Três Colunas romanas, integradas no brasão da cidade, testemunhando a sua rica herança.
The Plaza Mayor in Ciudad Rodrigo is the historical and social heart of the city, maintaining its original medieval layout and reflecting the Castilian civil architecture preserved in the 16th and 17th century sandstone buildings. Surrounded by wrought iron balconies and typical ground floor arcades, the square has traditionally served as the commercial and administrative center of the town, hosting markets, public events, and, in the past, bullfights. The Ayuntamiento, a Renaissance building with arcades and a bell tower, stands out. The city, fortified since the 12th century and with a strategic role in the Peninsular Wars, preserves historical remains such as the Three Roman Columns, integrated into the city's coat of arms, bearing witness to its rich heritage.
Happily secluded and little affected by the present times, Holcombe Old Church has been left on its own since the village moved a mile away, with a new St Andrew’s in the main street opened in 1885. That is now the parish church, and this is now a disused church under the care of the Churches’ Conservation Trust; the information in this description is taken either from their helpful guide or the Rev’d Clarissa Cridland’s slightly longer history.
A Saxon church once stood here, but the present building is a small, unassuming, partly Norman construction in shell grey, serenely placed against deep woods, hiding a stream, and green hills.
The earliest notice of the church ‘is to be found in the acts of Bishop Reginald (1174–91) creating the prebends of Holcombe, White Lackington and Timberscombe, in the cathedral Church of Wels.’ One block of limestone, however, has inscriptions which are difficult to decipher but are almost certainly Saxon, perhaps indicating the first church on this site was dedicated by Wrotard, Archbishop of York on his way to or from the Exeter Council of Easter 928.
A surviving Saxon stone church really would be a big deal, but most of the present church dates from the Norman church-building boom of the 12th Century, with alterations in the 16th and 17th Centuries.
We do not have a precise date for the construction of the tower, but the many Somerset churches, like this one, with their fine square towers with windows of vertical lines, started being built from end of the 14th century onwards: the Black Death caused a shortage of skilled craftsmen for the earlier, more elaborate Decorated style.
The porch gable incorporates a recut Norman arch, with a zigzag around it. Above the arch, in place of the keystone, is a 16th-century carved angel with wings outstretched and arms folded.
photo rights reserved by Ben
The David Gareja Monastery complex lies in a remote and isolated part of the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The surroundings are marked by dry hills, barren plains, and steep rock formations — far removed from any village or town. This very secluded location enhances the spiritual atmosphere of the site, which has served for centuries as a retreat for monks seeking to withdraw from the world. The monastery was founded in the 6th century by the Syrian monk David Garejeli and is partially carved into the soft sandstone cliffs. On the left side of the photo, you can see the dramatic, sloping rock wall with carved cells, chapels, and caves that once served as living and prayer quarters for the monks. Some of them are still adorned with delicate, centuries-old frescoes. On the right, the fortified walls and round watchtowers can be seen — silent witnesses to the monastery’s defensive function throughout history. In the center, a green, open courtyard connects nature and architecture in a harmonious way. Beyond its historical and architectural value, David Gareja is still a living religious site. Today, it is home to Georgian Orthodox monks who lead a modest, secluded life devoted to prayer, study, and the maintenance of the monastery. Their presence reminds us that David Gareja is not merely a ruin, but an active spiritual community. Their daily routines continue almost undisturbed — in silence, in stone, and in harmony with the land. During our visit, we were the only visitors, allowing us to explore the entire site in complete peace. From the monastery, there is a breathtaking view over the silent, endless semi-desert plains — a place of stillness, reflection, and mysticism.
Hidden in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old complex carved into sandstone cliffs. Still home to Orthodox monks, it blends ancient history with quiet spiritual life. Surrounded by stark, rugged landscapes, the site offers solitude, breathtaking views, and a deep sense of timelessness.
Het David Gareja-kloostercomplex ligt afgelegen en geïsoleerd in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile rotspartijen — ver verwijderd van dorpen of steden. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli en is deels uitgehouwen in de zachte zandsteenrotsen. Links op de foto zie je de spectaculaire, schuin oplopende rotswand, vol uitgehouwen cellen, kapellen en grotten die ooit dienden als woon- en gebedsruimten voor monniken. Sommige zijn nog versierd met verfijnde, eeuwenoude fresco’s. Rechts zijn de versterkte muren en ronde wachttorens zichtbaar — stille getuigen van de verdedigingsfunctie die het complex door de eeuwen heen ook heeft vervuld. In het midden ligt een groen, open binnenplein dat op harmonieuze wijze natuur en architectuur met elkaar verbindt. Naast zijn historische en architectonische waarde is David Gareja nog altijd een levendige religieuze plek. Er wonen vandaag de dag nog steeds Georgisch-Orthodoxe monniken, die er een teruggetrokken en sober leven leiden, toegewijd aan gebed, studie en het onderhoud van het klooster. Hun aanwezigheid onderstreept dat David Gareja geen verlaten ruïne is, maar een actieve spirituele gemeenschap. Hun dagelijkse rituelen gaan haast ongestoord verder — in stilte, in steen, en in verbondenheid met de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het hele terrein in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, eindeloze semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek.
"There are few churches in Dorset with so much to enjoy. The first joy is the exterior of the building, with its slender early C14 south tower", says Pevsner. One of the oldest suriving medieval towers in Dorset; I took a wrong turn out of Sherborne just before sunset last night thanks to a road closure, and how fortuitous it was as I found myself passing this church, which I already knew and had photographed, in magnificent late sunset light.
This was the church were Archbishop Fisher assisted in retirement in the 1960s, in the middle of a beautiful village between Sherborne and Yeovil.
The Church of St Mary the Virgin, widely known as St Mary Redcliffe, is the main Church of England parish church for the Redcliffe district of Bristol. The first reference to a church on the site appears in 1158, with the present building dating from 1185 to 1872. The church is considered one of the country’s finest and largest parish churches as well as an outstanding example of English Gothic architecture. The church is so large it is sometimes mistaken for Bristol Cathedral by tourists. It, unsurprisingly, enjoys Grade I listed status.
The church is notable for its many large stained glass windows, decorative stone vaults, flying buttresses, rare hexagonal porch and massive Gothic spire. With a height of 84 metres to the top of the weathervane, St Mary Redcliffe is the second-tallest structure in Bristol and the sixth-tallest parish church in the country. The church spire is a major Bristol landmark, visible from across the city and until the completion of Castle Park View in 2020, was the tallest structure ever to have been erected in Bristol.
St Mary Redcliffe has received widespread critical acclaim from various architects, historians, poets, writers and monarchs. Queen Elizabeth I, on a visit to the church in 1574, described St Mary Redcliffe as “The fairest, goodliest and most famous parish church in England”; Simon Jenkins gives St Mary Redcliffe the maximum five-star rating in his book ‘England’s Thousand Best Churches’, one of only eighteen to receive such a rating, describing it as a “masterpiece of English Gothic”; and Nikolaus Pevsner says that “St Mary Redcliffe need not fear comparison with any other English parish church”.
This description incorporates text from the English Wikipedia.
One of the most iconic elements of the vista of the Danube Bend is the castle rising out of the steep mountainside above Visegrád. From within its walls we can marvel at the breathtaking view of the city below and the serpentine of the Danube in front of the lush, mountainous landscape. As one of Hungary’s largest fortifications, its size and splendor were considered exceptional even at the time of its building, in 1250.
The Antiporto di Camollia is one of the ancient gates of Siena. It was built in 1270 to reinforce the Porta Camollia, the northern entrance to the city.
Wells Cathedral, Somerset, handheld, Zeiss ExoLens (Wide Angle) Hisy remote, edited in Photos on iMac.
Exploring the rocky shores around Saint-Malo at low tide, I was captivated by this dramatic perspective of the famous corsair city under threatening skies. The retreating waters revealed these weathered granite formations that have witnessed centuries of maritime history, creating a perfect foreground for the imposing ramparts.
My intention was to capture Saint-Malo in its most authentic element - as a fortress built to withstand both human enemies and oceanic fury. The stormy atmosphere seemed fitting for this city that was home to pirates and privateers, while the dramatic lighting emphasized the robust stone architecture that has protected the inhabitants for over 800 years.
This image represents what draws me to Brittany's coast - these moments when weather and history converge to reveal the true character of these maritime strongholds. Saint-Malo wasn't built for fair weather tourism; it was forged by storms, sieges, and the relentless Atlantic. Sometimes the most compelling photographs of historic places emerge not on perfect blue-sky days, but during these moody moments when you can almost feel the weight of centuries.
The Church of England parish church of St Peter in the village of Great Cheverell (population 987). The chancel, could have been built in substantially its current form as early as the beginning of the 13th Century, and the construction of the chancel with flint and greensand boulders might even suggest a possible 11th Century origin. The nave and towerwere added in the late 14th Century and the tower was raised in height in the 15th Century. There was some Victorian ‘restoration’ in 1868. The church was designated as Grade I listed in 1962. Today the parish is part of the benefice of the Lavingtons, Cheverells, and Easterton.
This description incorporates text from the English Wikipedia and the Wiltshire Council website.
St Mary’s or St Mary the Virgin, Emborough is a disused church, formerly of the Church of England Diocese of Bath and Wells and now in the care of the Churches Conservation Trust. Emborough is a tiny hamlet over 200 metres above sea level on the Mendip plateau, 6 miles/10 km north of Wells and 15 miles/24 km south-west of Bath.
St Mary’s Church dates from at least the 12th century, but in its present form the building appears to date from the 13th century, with alterations in the later Middle Ages and at various times in the postmediaeval period, including substantial supporting work to the tower in the 1580s. Pevsner’s view is that the church ‘looks essentially of c.1800’, probably as a result of some ‘Gothick restoration’ around the turn of the 19th Century. Further restoration took place in the 1880s and then the 1920s. The shallow south porch, which incorporates a reused 17th century gravestone, seems to have been built during the 18th/19th Century restoration.
The church had been a chapelry of the parish of Chewton since 1351. After the Second World War the vicar of Chewton was still responsible for Emborough church, although students from Wells Theological College took some of the services. The building suffered from the costly effects of damp, a persistent problem over the centuries in this exposed location. The population has been below 200 since the mid-19th Century (155 in 2021). St Mary’s became redundant in 1978 and was vested in the Redundant Churches Fund (now The Churches Conservation Trust) in 1979 and subsequently repaired under the supervision of Peter Bird of Caroe and Martin
I am indebted to the excellent guide to the church produced by the Churches Conservation Trust for the information in this description.
photo rights reserved by Ben
Mtskheta, located just 20 kilometers from Tbilisi, is one of the oldest cities in Georgia and is considered the spiritual capital of the country. This charming city is located at the confluence of the Mtkvari Kura and Aragvi rivers and is known for its rich history. In the heart of the city stands the imposing Svetitskhoveli Cathedral, built between 1010 and 1029. This masterpiece of medieval Georgian architecture is a UNESCO World Heritage Site and is considered one of the most important religious buildings in the country. According to tradition, the robe that Jesus wore during his crucifixion is buried here, making the cathedral one of the holiest sites in Georgia. The cathedral is surrounded by an impressive fortified wall, complete with battlements, towers and age-old gates, which almost looks like a castle. Step through one of the gates and you’ll find yourself in a bustling courtyard where faith is still very much alive. During our visit, a traditional wedding was taking place: guests in festive attire gathered, a priest sang in Old Georgian, candles flickered, and the sound of singing filled the room. The atmosphere was intense and powerful — a special mix of holiness and human connection. In addition to its spiritual heritage, Mtskheta has a lively and welcoming atmosphere. Cozy shopping streets wind through the old town, where you’ll find small boutiques, local crafts, and colorful souvenirs. At weekends, the town comes to life with cheerful market stalls selling everything from fresh fruit and fragrant herbs to handmade jewelry and traditional delicacies.
The entrance gate to the Svetitskhoveli Cathedral stands on the western side of the walled complex, in the heart of Mtskheta. Dating back to the 11th century, it was built alongside the cathedral itself. The heavy wooden doors are framed by solid stone and a rounded arch, worn smooth by centuries of pilgrims passing through. Stepping through this gate means walking straight into Georgia’s living history.
Mtskheta, gelegen op slechts 20 kilometer van Tbilisi, is een van de oudste steden van Georgië en wordt beschouwd als de spirituele hoofdstad van het land. Deze charmante stad ligt aan de samenvloeiing van de rivieren Mtkvari Kura en Aragvi, en staat bekend om haar rijke geschiedenis. Midden in de stad prijkt de imposante Svetitskhoveli-kathedraal, gebouwd tussen 1010 en 1029. Dit meesterwerk van middeleeuwse Georgische architectuur is opgenomen op de UNESCO Werelderfgoedlijst en geldt als een van de belangrijkste religieuze bouwwerken van het land. Volgens de overlevering ligt hier het kleed begraven dat Jezus droeg tijdens zijn kruisiging, waardoor de kathedraal een van de heiligste plekken in Georgië is. De kathedraal wordt omringd door een indrukwekkende versterkte muur, compleet met kantelen, torens en eeuwenoude toegangspoorten. Het geheel oogt bijna als een kasteel. Zodra je door een van de poorten stapt, bevind je je in een bruisende binnenplaats waar het geloof nog springlevend is. Tijdens ons bezoek vond er een traditionele bruiloft plaats: gasten in feestelijke kleding verzamelden zich, een priester zong in het Oud-Georgisch, kaarsen flakkerden, en het geluid van gezang vulde de ruimte. De sfeer was intens en krachtig — een bijzondere mix van heiligheid en menselijke verbondenheid. Naast haar spirituele erfgoed heeft Mtskheta een levendige en gastvrije sfeer. Gezellige winkelstraatjes slingeren zich door het oude centrum, waar je kleine boetiekjes, lokale ambachten en kleurrijke souvenirs vindt. In het weekend komt de stad extra tot leven met vrolijke marktkraampjes, waar je alles kunt vinden van vers fruit en geurige kruiden tot handgemaakte sieraden en traditionele lekkernijen.
This is the Grade I-listed parish church of St Peter & St Paul at Fakenham in Norfolk. The beautiful large four-stage flint Perpendicular west tower dates from 1400-50.
There was probably a church here in the Saxon period, and the stones at the north-east corner of the present building are thought to come from that early church. Around AD 1070 the Saxon church was replaced by a new building of which only the north doorway survives. The chancel and nave of the present church were built from 1300-1375 in Decorated Gothic style. The porch was added around the same time. It used to have an upper chamber, or parvise, used as a gunpowder store in the early 17th century.
The tower rises 115 feet, and the top is reached by 146 steps inside the tower.
photo rights reserved by Ben
The David Gareja Monastery complex lies in a remote and isolated part of the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The surroundings are marked by dry hills, barren plains, and steep rock formations — far removed from any village or town. This very secluded location enhances the spiritual atmosphere of the site, which has served for centuries as a retreat for monks seeking to withdraw from the world. The monastery was founded in the 6th century by the Syrian monk David Garejeli and is partially carved into the soft sandstone cliffs. On the left side of the photo, you can see the dramatic, sloping rock wall with carved cells, chapels, and caves that once served as living and prayer quarters for the monks. Some of them are still adorned with delicate, centuries-old frescoes. On the right, the fortified walls and round watchtowers can be seen — silent witnesses to the monastery’s defensive function throughout history. In the center, a green, open courtyard connects nature and architecture in a harmonious way. Beyond its historical and architectural value, David Gareja is still a living religious site. In front of the church we see a monk — dressed in long, sober robes — moving calmly along the stone path. His presence underlines that this is not a museum or an abandoned heritage site, but a living monastery, where a community of monks still lives and works. Their daily routines continue almost undisturbed — in silence, in stone, and in harmony with the land. During our visit, we were the only visitors, allowing us to explore the entire site in complete peace. From the monastery, there is a breathtaking view over the silent, endless semi-desert plains — a place of stillness, reflection, and mysticism.
Hidden in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old complex carved into sandstone cliffs. Still home to Orthodox monks, it blends ancient history with quiet spiritual life. Surrounded by stark, rugged landscapes, the site offers solitude, breathtaking views, and a deep sense of timelessness.
Het David Gareja-kloostercomplex ligt afgelegen en geïsoleerd in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile rotspartijen — ver verwijderd van dorpen of steden. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli en is deels uitgehouwen in de zachte zandsteenrotsen. Links op de foto zie je de spectaculaire, schuin oplopende rotswand, vol uitgehouwen cellen, kapellen en grotten die ooit dienden als woon- en gebedsruimten voor monniken. Sommige zijn nog versierd met verfijnde, eeuwenoude fresco’s. Rechts zijn de versterkte muren en ronde wachttorens zichtbaar — stille getuigen van de verdedigingsfunctie die het complex door de eeuwen heen ook heeft vervuld. In het midden ligt een groen, open binnenplein dat op harmonieuze wijze natuur en architectuur met elkaar verbindt. Naast zijn historische en architectonische waarde is David Gareja nog altijd een levendige religieuze plek. Er wonen vandaag de dag nog steeds Georgisch-Orthodoxe monniken, die er een teruggetrokken en sober leven leiden, toegewijd aan gebed, studie en het onderhoud van het klooster. Links voor de kerk zien we een monnik — gekleed in lange, sobere gewaden — die zich rustig voortbeweegt over het stenen pad. Zijn aanwezigheid onderstreept dat dit geen museum of verlaten erfgoedsite is, maar een levend klooster, waar nog altijd een gemeenschap van monniken woont en werkt. Hun dagelijkse rituelen gaan haast ongestoord verder — in stilte, in steen, en in verbondenheid met de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het hele terrein in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, eindeloze semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek.
What sort of nutter stands in one spot for forty minutes just to wait for the sun to peep out from the clouds for long enough to take one photograph?
View from the Princes Street Bridge in Bristol along the River Avon towards the famous medieval church of St Mary Redcliffe, and the handsome painted houses of Redcliffe Parade.
Sometime in 1574, Queen Elizabeth I made the first of several visits to St Mary Redcliffe, reputedly describing it as "the fairest, goodliest and most famous parish church in England".
The seven-light Decorated window at Tintern Abbey, completed around 1300.
Tintern Abbey (Welsh: Abaty Tyndyrn) was founded on 9 May 1131 by Walter de Clare, Lord of Chepstow. It is situated adjacent to the village of Tintern in Monmouthshire, on the Welsh bank of the River Wye, which at this location forms the border between Monmouthshire in Wales and Gloucestershire in England. It was the first Cistercian foundation in Wales, and only the second in Britain (after Waverley Abbey).
The abbey fell into ruin after the Dissolution of the Monasteries in the 16th century. Its remains have been celebrated in poetry and painting from the 18th century onwards. In 1984, Cadw took over responsibility for managing the site. Tintern Abbey is visited by approximately 70,000 people every year.
This description incorporates text from the English Wikipedia.
Holy Cross is the parish church in the Wiltshire village of Seend (pop. 1,132), just outside Devizes. It is part of the Church of England Diocese of Salisbury. The west tower dates to the 14th Century (with a 15th Century bell stage), most of the church dates slightly later, to around 1450, with the North Aisle rebuilt in 1498, and the chancel much more modern, being largely the product of an 1876 ‘restoration’ by A.J. Style.
The Church of St Mary the Virgin, widely known as St Mary Redcliffe, is the main Church of England parish church for the Redcliffe district of Bristol. The first reference to a church on the site appears in 1158, with the present building dating from 1185 to 1872. The church is considered one of the country’s finest and largest parish churches as well as an outstanding example of English Gothic architecture. The church is so large it is sometimes mistaken for Bristol Cathedral by tourists. It, unsurprisingly, enjoys Grade I listed status.
The church is notable for its many large stained glass windows, decorative stone vaults, flying buttresses, rare hexagonal porch and massive Gothic spire. With a height of 84 metres to the top of the weathervane, St Mary Redcliffe is the second-tallest structure in Bristol and the sixth-tallest parish church in the country. The church spire is a major Bristol landmark, visible from across the city and until the completion of Castle Park View in 2020, was the tallest structure ever to have been erected in Bristol.
St Mary Redcliffe has received widespread critical acclaim from various architects, historians, poets, writers and monarchs. Queen Elizabeth I, on a visit to the church in 1574, described St Mary Redcliffe as “The fairest, goodliest and most famous parish church in England”; Simon Jenkins gives St Mary Redcliffe the maximum five-star rating in his book ‘England’s Thousand Best Churches’, one of only eighteen to receive such a rating, describing it as a “masterpiece of English Gothic”; and Nikolaus Pevsner says that “St Mary Redcliffe need not fear comparison with any other English parish church”.
This description incorporates text from the English Wikipedia.