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Reggae Holland presents Luciano & Freddie Mcgregor at TivoliVredenburg NL April 3, 2017
Pictures by Danny Creatah
Reggae Holland presents Luciano & Freddie Mcgregor at TivoliVredenburg NL April 3, 2017
Pictures by Danny Creatah
McGregor, Iowa; on the left is the E.R. Barron Building, built in 1884. The next building, with the great sign, was originally the Ramage and Peterson Drug Store, built in 1872. Although the names and owners have changed several times over the years, the building has always been a drug store.
Just South of McGregor Texas.
Shot on a tripod, standing in a wheat field.
I hope the horizon is straight enough.......
Premiere of "Nora" starring Ewan McGregor at Filmhouse, Edinburgh followed by reception at the Witchery Restaurant, Castlehill, Edinburgh
Ewan & Entertainment Lawyer, Richard Findlay
Production photo of Wayne McGregor's Woolf Works, The Royal Ballet 2022/23 Season.
www.roh.org.uk/tickets-and-events/woolf-works-by-wayne-mc...
The Walled Garden was re built using over 70,000 re-claimed hand cut red bricks to the original Octagonal design of the walled garden that sat in the same spot from the mid 1800’s when it was built for Rosetrees house that sits just north of the Garden.
The original Kitchen gardens were well known by Beatrix Potter in the 1880 and 90’s when she regularly spent her summers at Lingholm around the time she was writing her early The Tale of Pater Rabbit stories in letters to her governesses children, in a letter to her publisher she credited the Lingholm Kitchen Garden as her original inspiration for Mr McGregor’s garden
Unlucky for Some 13/117(Especially if you are a rabbit)
British postcard by Editions Limited, no. PRT-019.
Scottish actor Ewan McGregor (1971) first received worldwide acclaim with his role as heroin addict Mark Renton in Trainspotting (1996). Later, he played the young Obi-Wan in the Star Wars prequel trilogy, and poet Christian in the musical Moulin Rouge! (2001).
Ewan Gordan McGregor was born in 1971 in Crieff, Scotland, just a few miles north of Edinburgh. His parents were the schoolteachers James Charles Stuart McGregor and Carole Diane Lawson. His uncle is actor Denis Lawson. He also has a brother Colin, who became a RAF pilot. As a child, Ewan did little acting, but enjoyed singing, and became a soloist for his school's orchestra and choir. At age 16, he left Morrison Academy in Crieff to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. Ewan worked as a stagehand and had small roles in the productions of the Perth Repertory Theatre. Then, he studied three years at the Guildhall School of Music and Drama in London. Six months prior to his graduation from Guildhall, he landed a major role as Private Mick Hopper in the excellent TV series Lipstick on Your Collar (Renny Rye, 1993), written by Dennis Potter. McGregor then starred in the miniseries The Scarlet & The Black (Ben Bolt, 1993), an adaptation of Henri Beyle Stendhal's 1830 novel. In that same year, McGregor made his film debut with a bit part in the American drama Being Human (Bill Forsyth, 1993), which starred Robin Williams. The film undeservedly flopped and closed almost as soon as it opened, which limited McGregor's exposure. He continued to make television appearances in the United States and Britain, including Family Style (Justin Chadwick, 1993), Doggin' Around (Desmond Davis, 1994) and an episode of the crime series Kavanagh QC (Colin Gregg, 1995). He got his first major film role in the Noir Shallow Grave (Danny Boyle, 1994), which was received well by the critics. Samuli Launonen at IMDb: “A great modern thriller containing all the necessary ingredients of a decent suspense story: constantly growing tension, sly humor, and genuinely surprising plot twists. (…) The three leads are all great, but there's no question about who the movie belongs to: Ewan McGregor is energetic, powerful and photogenic in his portrayal of a young journalist.” In 1995, McGregor married, French production designer Eve Mavrakis. He continued to work in British films as the surfing parable Blue Juice (Carl Prechezer, 1995) with Catherine Zeta-Jones, and Peter Greenaway's The Pillow Book (1996). Then he had his big break with Trainspotting (1996), his second film with director Danny Boyle. McGregor shaved his head and lost 30 lbs to play the main character and heroin addict Mark Renton. The film, an adaptation of Irvine Welsh's novel, and McGregor's role received worldwide critical acclaim. Following this success, he took a completely different role as Frank Churchill in the Jane Austen adaptation Emma (Douglas McGrath, 1996), starring Gwyneth Palthrow. His next films included Brassed Off (Mark Herman, 1996), The Serpent's Kiss (Philippe Rousselot, 1997), A Life Less Ordinary (Danny Boyle, 1997), and Nightwatch (Ole Bornedal, 1998). He also acted opposite Jonathan Rhys Meyers and Christian Bale in Velvet Goldmine (Todd Haynes, 1999), as a 1970s-era glam rocker in the mode of Iggy Pop. Ewan McGregor landed the largest role of his career when he signed on in 1998 as Obi-Wan Kenobi in the Star Wars prequel trilogy. McGregor already had a connection with the iconic movie series as his uncle, Denis Lawson, appeared as Wedge Antilles in the original three films. He studied Alec Guinness' films in preparation for his role as Obi-Wan Kenobi to ensure accuracy in everything from his accent to the pacing of his words. Star Wars: Episode I–The Phantom Menace (George Lucas, 1999) was a box-office blockbuster, which launched the then 28-year-old actor into megastardom. The next two instalments of the trilogy would follow years later.
In the early 21st century, Ewan McGregor started his own production company called Natural Nylon. He founded it with fellow actors Jude Law, Sadie Frost, Jonny Lee Miller and Sean Pertwee. The group's first film was the biopic Nora (Pat Murphy, 2000), which dramatized the real-life relationship between Irish author James Joyce and Nora Barnacle. McGregor starred as Joyce opposite Susan Lynch as Barnacle. McGregor took on another challenging role in the musical Moulin Rouge! (Baz Luhrmann, 2000), set in Paris in 1899. McGregor starred as the young poet Christian, who falls in love with the terminally-ill courtesan Satine, played by Nicole Kidman. Perry Seibert at AllMovie: “A bold artistic statement, Moulin Rouge is Baz Luhrmann's first masterpiece. Frantically edited, paced, and photographed, the film is not an easy undertaking; it forces the viewer to accept it on its terms. The sets, costumes, and sound are stylish in the extreme. The greatest risk the film takes is having the characters speak predominantly in song lyrics. The young writer Christian (Ewan McGregor) and the doomed performer Satine (Nicole Kidman) argue about whether they will fall in love while telling each other, "Love lifts us up where we belong" and "I will always love you." When they aren't speaking in song lyrics, they sing to each other, with McGregor doing a better than credible job with Elton John's "Your Song".” McGregor was nominated for a Golden Globe Award for Best Actor for his part and a Screen Actors Guild Award for Outstanding Performance by a Cast. Later that same year, the war film Black Hawk Down (Ridley Scott, 2001) was released with McGregor among an ensemble cast. He continued his role as Obi-Wan Kenobi in the second film of the trilogy, Star Wars: Episode II–Attack of the Clone (George Lucas, 2002), which was another commercial success. McGregor was able to parlay his popularity into many more films. When Tim Burton was looking for someone in McGregor's age range to play Albert Finney as a young man in the fantasy film Big Fish (2003), he was given the part. The film was a critical and commercial success as well. McGregor also starred in the drama Young Adam, (David Mackenzie, 2003). He played Joe Taylor, one of two barge workers who pull up the corpse of a young woman from a river. Also that year, McGregor and Renée Zellweger starred in Down With Love (Peyton Reed, 2003), a homage to 1960s romantic comedies. During 2004, McGregor and his best friend Charley Boorman created a documentary about riding their motorcycles from London to New York. The pair travelled east through Europe and Asia, and then flew to Alaska to finish the journey to New York. The entire journey, entitled Long Way Round, covered over 19,000 miles and 12 countries. The project was conceived partly to raise awareness of the worldwide efforts of UNICEF. McGregor reprised his role as Obi-Wan Kenobi for the final time for Star Wars: Episode III–Revenge of the Sith (George Lucas, 2005). He also lent his voice to the animated family film Robots (Chris Wedge, Carlos Saldanha, 2005), starred with Scarlett Johansson in the big-budget Sci-Fi actioner The Island (Michael Bay, 2005), and filmed the psychological thriller Stay (Marc Forster, 2005).
After multiple commercial and critical successes, Ewan McGregor tried his hand at two arthouse films in 2006. His first was Scenes of a Sexual Nature, Ed Blum's directorial debut about a day in the life of seven British couples. The second was Miss Potter (Chris Noonan, 2007), a biopic on the life of popular author Beatrix Potter (Renée Zellweger). McGregor portrays Norman, her editor and paramour. He also tried his hand at stage acting. From 2005 till 2007 he played Sky Masterson in the revival of Guys & Dolls at London's Piccadilly Theatre, and for this part, he was nominated for a Laurence Olivier Award for Best Actor in a Musical in 2007. He also appeared on stage as Iago in Othello (2007–2008). In between, McGregor and Boorman created a follow-up documentary to their 2004 trip. For Long Way Down (2007), they rode their motorcycles from John o' Groats in northern Scotland to Cape Town, South Africa. Next he appeared in the films Cassandra's Dream (Woody Allen, 2007) with Colin Farrell, Incendiary (Sharon Maguire, 2008) and Deception (Marcel Langenegger, 2008) with Hugh Jackman. McGregor starred with Jim Carrey as a gay couple in I Love You Phillip Morris (Glenn Ficarra, John Requa, 2009), and appeared in the blockbuster Angels & Demons (Ron Howard, 2009), the sequel to the popular Dan Brown novel and film, The DaVinci Code. For the title role in Roman Polanski's The Ghost Writer (2010), he won the Best Actor award at the 23rd European Film Awards. Bruce Eder at AllMovie: “McGregor is amazingly good in a role that gives him relatively little to work with -- his is a character that not only has no name, but no past to speak of and no family entanglements, so his experience shouldn't resonate much with the audience. But what should become a cipher that few can penetrate instead becomes a kind of big-screen everyman for audience members to relate to -- up to a point. This is a very cold movie at its center, very distant, despite McGregor's success at fleshing out a character that is hardly more than a skeleton, in terms of what he brings to us. He's just vulnerable enough, and surprised and skeptical enough -- about what he's been asked to do, and the world of politics to which he's been asked to enter -- to give us something to grab on to.” His later films include Beginners (Mike Mills, 2010), Perfect Sense (David Mackenzie, 2011) opposite Eva Green, the British romantic comedy-drama Salmon Fishing in the Yemen (Lasse Hallström, 2011), Lo imposible (J.A. Bayona, 2012), and August: Osage County (John Wells, 2013). He was awarded the OBE (Officer of the Order of the British Empire) in the 2013 Queen's New Years Honours List for his services to drama and charity. Ewan McGregor and his wife have three daughters: Clara Mathilde (1996), Esther Rose (2001), and 4-year-old Jamiyan adopted from Mongolia in 2006. His recent films include the Miles Davis biopic Miles Ahead (Don Cheadle, 2015) and the British thriller Our Kind of Traitor (Susanna White, 2016). For 2017 is scheduled T2: Trainspotting, in which he will return as Mark Renton, again under the direction of Danny Boyle. On TV he will star in the third season of the hit series Fargo, now set in 2010.
Sources: Samuli Launonen (IMDb), Perry Seibert (AllMovie), Bruce Eder (AllMovie), Biography.com, AllMovie, Wikipedia and IMDb.
In 1877 Samuel G. Wilder organized the Wilder Steamship Company and initiated passenger and freight service between the Hawaiian Islands with a fleet of steamers. At that time, there were few navigational aids maintained by the Hawaiian Government, so the steamship company was forced to erect lighted beacons for the safety of its own vessels. One of these private aids was placed at Ma’alaea Bay in the 1880s and was an ordinary lantern, fitted with red glass and displayed from a post. When the Lighthouse Board assumed responsibility for navigational aids of the Territory of Hawai’i in 1904, it replaced the lantern with a lens lantern suspended from a twelve-foot post.
In 1903 an acre and a third of land was acquired by presidential proclamation on McGregor Point, just over a mile southwest of Ma’alaea Bay, and in 1906 a light was established on the point to replace the one at Ma’alaea Bay. This new light consisted of a lens lantern mounted atop a thirty-two-foot mast, with a small storage shed at its base. A one-story dwelling was constructed just northwest of the light for the keeper.
In the 1870s Daniel McGregor captained vessels involved in the Ko’olau trade. Ko’olau means windward side of an island, and the Ko’olau trade involved the delivery of supplies between windward landings by interisland vessels. On one stormy night, Captain McGregor was bound for the landing at Ma’alaea Bay but knew the turbulent seas would prevent his anchoring there. Determined to find an alternate landing for the night, Captain McGregor sent three men forward with lead lines to sound the water while he probed the rugged shoreline in the pouring rain for an adequate anchorage. Between two and three o-clock in the morning, when the winds suddenly diminished and the water became significantly shallower, the captain ordered the anchor dropped for the night. The next morning McGregor awoke to find that he had discovered an excellent cove, which, along with the protecting point, still bear his name.
The 1906 light at McGregor Point was replaced by a twenty-foot reinforced concrete pyramidal tower by 1915. The focal plane of this tower, which today shows a flashing green light, is seventy-two feet above sea level.
Mr. McGregor (I made up his name) at the 70th anniversary of the fall of Singapore.
He's an acquaintance of Gleness, daughter of war veteran Glen Scriven in the first posting.
Martin Place, Sydney, Australia (Wednesday 15 Feb 2012 @ 12:15pm).
In 1877 Samuel G. Wilder organized the Wilder Steamship Company and initiated passenger and freight service between the Hawaiian Islands with a fleet of steamers. At that time, there were few navigational aids maintained by the Hawaiian Government, so the steamship company was forced to erect lighted beacons for the safety of its own vessels. One of these private aids was placed at Ma’alaea Bay in the 1880s and was an ordinary lantern, fitted with red glass and displayed from a post. When the Lighthouse Board assumed responsibility for navigational aids of the Territory of Hawai’i in 1904, it replaced the lantern with a lens lantern suspended from a twelve-foot post.
In 1903 an acre and a third of land was acquired by presidential proclamation on McGregor Point, just over a mile southwest of Ma’alaea Bay, and in 1906 a light was established on the point to replace the one at Ma’alaea Bay. This new light consisted of a lens lantern mounted atop a thirty-two-foot mast, with a small storage shed at its base. A one-story dwelling was constructed just northwest of the light for the keeper.
In the 1870s Daniel McGregor captained vessels involved in the Ko’olau trade. Ko’olau means windward side of an island, and the Ko’olau trade involved the delivery of supplies between windward landings by interisland vessels. On one stormy night, Captain McGregor was bound for the landing at Ma’alaea Bay but knew the turbulent seas would prevent his anchoring there. Determined to find an alternate landing for the night, Captain McGregor sent three men forward with lead lines to sound the water while he probed the rugged shoreline in the pouring rain for an adequate anchorage. Between two and three o-clock in the morning, when the winds suddenly diminished and the water became significantly shallower, the captain ordered the anchor dropped for the night. The next morning McGregor awoke to find that he had discovered an excellent cove, which, along with the protecting point, still bear his name.
The 1906 light at McGregor Point was replaced by a twenty-foot reinforced concrete pyramidal tower by 1915. The focal plane of this tower, which today shows a flashing green light, is seventy-two feet above sea level.
French postcard by Cinémagazine-Edition, Paris, no. 313.
Stunningly beautiful and highly photogenic Billie Dove (1903-1997) was one of the most popular Hollywood actresses of the 1920s. She was dubbed The American Beauty, after the title of one of her films.
Billie Dove was born Bertha Bohny in 1903 in New York to Charles and Bertha (née Kagl) Bohny. Her parents were immigrants from Switzerland. Her brother, Charles, later became a cameraman in Hollywood. Bertha was educated in private schools in Manhattan. Her parents were Lutheran and their church organised sports events; the girls on the basketball team called her "Billie". As a teen, she worked as a model to help support her family. According to Kevin Brownlow in his obituary in the Independent: "Billie was an exceptionally beautiful girl, and was in great demand as a model by such eminent artists as Charles Dana Gibson, Howard Chandler Christy and James Montgomery Flagg, who called her 'The Dove' because she was so lovely yet so shy. 'Billie Dove' soon became her professional name." At age fourteen, she was hired by Florenz Ziegfeld to appear in his Ziegfeld Follies Revue between 1918 and 1920. A neighbour worked as an extra at Fort Lee, across the Hudson from New York City, and Billie's mother had her registered at the film studios. One of her first appearances was in the Mabel Normand picture Joan of Plattsburg (William Humphrey, George Loane Tucker, 1918). Billie also served as a dancing replacement in Ziegfeld's Broadway show Sally, (1921) which headlined Marilyn Miller. She legally changed her name to Lillian Bohny in the early 1920s. According to Gary Brumburgh at IMDb, "a burgeoning affair between Dove and Ziegfeld prompted Ziegfeld's wife Billie Burke to arrange work for the young starlet in Hollywood films." At age nineteen, Bohny had her first Hollywood contract with Metro, where she began appearing as Billie Dove in such silent films as the comedy Get-Rich-Quick Wallingford (Frank Borzage, 1921), and Polly of the Follies (John Emerson, 1922), starring Constance Talmadge. Golden Silents: "Billie's roles were mainly decorative in the early years, but female director Lois Weber gave Billie some choicer roles to play in some of her better scripted films for Universal, and director Alexander Korda provided the same for films with First National. "
Billie Dove had a leading role in All the Brothers Were Valiant (Irvin Willat, 1923) with Malcolm McGregor and Lon Chaney. She married the director of this film, Irvin Willat, in 1923. Dove was dubbed 'The American Beauty', after her film The American Beauty (Richard Wallace, 1927), and at the end of the 1920s she was voted, with Clara Bow, as America's most popular actress. She appeared opposite Douglas Fairbanks in the smash hit Technicolor film The Black Pirate (Albert Parker, 1926), and played Rodeo West in The Painted Angel (Millard Webb, 1929). She transitioned to sound pictures smoothly and First National extended her contract. Multi-talented Billie was also a talented singer, a poet, a painter, and an airplane pilot. Ravishing Billie had a huge legion of male fans, including then then 22 years old multi-millionaire industrialist, movie producer and aviation enthusiast Howard Hughes. Kevin Brownlow: "In 1930, in one of the most extraordinary transactions in Hollywood history, Hughes paid Willat $325,000 in thousand-dollar bills to give Billie a divorce. 'I begged Howard not to,' said Billie Dove, 'but there was nothing I could do once he gave the money to Irvin. I felt like I'd been bought and sold.'" She had a three-year romance with Hughes and was engaged to marry him, but she ended the relationship without ever giving cause. Billie Dove cited in The Independent: "It had nothing to do with any man and nothing to do with any woman - it was really such a tiny thing that you wouldn't believe it if I told you." Hughes is said to have regarded her as the love of his life and they remained on friendly terms. He cast her in his films The Age for Love (Frank Lloyd, 1931), an embarrassing flop, and Cock of the Air (Tom Buckingham, 1932). The Hays Office found the latter too risque and insisted on savage and damaging cuts, and this film flopped as well. Her last film was Blondie of the Follies (Edmund Goulding, 1932) with Marion Davies. In 1933, she married wealthy rancher and real estate developer Robert Alan Kenaston, a marriage that lasted for 37 years. The couple divorced in 1970 and he died three years later. The couple had a son, actor Robert Alan Kenaston, Jr., who was married to actress Claire Kelly, and an adopted daughter, Gail. In 1934, Dove retired from the screen to raise her family. Aside from an unbilled bit part of a nurse in Diamond Head (Guy Green, 1963) with Charlton Heston, Dove never returned to the cinema. In the 1970s, Billie had a brief third marriage to architect John Miller, which ended in divorce. She spent her retirement years in Rancho Mirage before moving into the Motion Picture & Television Country House and Hospital in Woodland Hills, California where she died of pneumonia on New Year's Eve 1997, aged 94.
Sources: Kevin Brownlow (The Independent), Gary Brumburgh (IMDb), Golden Silents, Wikipedia and IMDb.