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Purple Martin Portrait
If you’re interested in nature photography, please check out my youtube channel!
www.youtube.com/channel/UC-nMVA45F8kWmJC0dwHkAkw
I appreciate all comments, faves, and follows.
Matthew
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Containerschip Mastery komt hier binnen op de Maasvlakte.
IMO: 9301201
Name: Mastery
Ship type: Cargo/Container Ship
Flag: Liberia
Carrying Capacity: 868 TEU
Gross Tonnage: 8971 t
Deadweight: 10744 t
Size: 154.57 x 21.83 m
Year Built: 2006
Status: Active
Port of Rotterdam
Description of my run below
The Team: 5/50 Duped SL, 5/50 Unawakened GP, 5/50 Unawakened GR, 5/50 Duped Medusa, and 2/35 Guillotine
The Masteries: 5/5 Precision, 5/5 Cruelty, 5/5 Deep Wounds, 5/5 Assassin, and a pretty basic setup for the rest.
The Sections: I ran RoL in 4 separate blocks, shown below
Block 1) WS, CM, Juggs
Block 2) Rhino, Storm, Vision
Block 3) BP, SW, Wolverine
Block 4) BB, Hulk
The Fights:
WS - Used GP, pretty straightforward. Kept him power locked with the L2 and Armor Break on the L3.
CM - Used GP, same technique as WS. Power lock with L2, Armor Break with L3, rinse and repeat. One thing I used for both WS and CM was what I call "Deep Wounds Takedown" which means when you trigger a bleed when they are around 2-3% health Deep Wounds triggers (which I have 5/5) and can deal almost 6,000 damage.
Juggernaut - This is where it got rough. It was my third back-to-back-to-back fight and I was kinda tired at this point. I went in with GP at around 60% health and ran the same "power lock + armor break" tactic to keep the Unstoppables down. Unfortunately, 80% of the way through I screwed up the L1 evade and died. I took in GR to knock down the last 20%.
Rhino - Straightforward fight. Used SL for this one and just spammed the L2.
Storm - Went in with SL, screwed up an L1 evade near the end of the fight. Survived, but health was low. Same tactic of spam L2.
Vision - Medusa made quick work of Vision. Kept up the armor shatter via L3 and specials were never a problem. Just be ready at the start to evade his specials. I was not and ate the L1 right to the face.
BP - Went in with SL but screwed up an L2 evade, got a bleed on me and died. Finished him up with Medusa fairly easily.
SW - Not a really hard fight, just really annoying. Went in with Medusa for poison immunity, but obviously, this meant I had class disadvantage. The power drain is easily the worst part, cause it pretty much guarantees you won't get to an L3.
Wolverine - Guillotine melted through him in under 90 hits. Get to the L2 and watch his health melt.
BB - One of the easiest fights. Went in with GR to keep his Provocation buffs down. Just remember to bait the L2 cause he deals 5% of his health as damage to himself (roughly 27,000 damage)
Hulk - Went against Hulk with everything I had left. Medusa only had 15% health left so she took off 10%, Guilly took off another 30%, and GR knocked off the remaining 60% in a whopping 631 hits (that was a long fight). Managed to time his judgements perfectly to give me a "Deep Wounds Takedown"
Overall, I had a lot of fun with RoL. I'm really glad I didn't have to use any items (saving those for the push to Uncollected) and I'm glad to finally have it done!
No flash or tripod allowed.
Katsushika HOKUSAI (Japanese 1760-1849)
(Shunrō)
Enjoying evening cool and fireworks by Sumida River 1780s
colour woodblock
Katsushika Hokusai is regarded as one of the most influential and creative minds in the history of Japanese art. His unique social observations, innovative approach to design and mastery of the brush made him famous in Edo-period Japan and globally recognised within a decade of his death.
The self-described ‘Old man mad about drawing’ was renowned for his unconventional behaviour.
Hokusai features 176 works from the Japan Ukiyo-e Museum, Matsumoto, and the NGV Collection that encompass the artist’s remarkable seventy-year career.
art.thewalters.org/detail/37626/the-ideal-city/ The Walters Art Museum, Baltimore
Художник – возможно Фра Карневале /The Ideal City
Fra Carnevale (Italian, 1445-1484) (?) (Artist)
PERIOD
ca. 1480-1484 (Renaissance)
MEDIUM
oil and tempera on panel
(Painting & Drawing)
ACCESSION NUMBER
37.677
MEASUREMENTS
Painted surface H: 30 1/2 x W: 86 5/8 in. (77.4 x 220 cm); Panel H: 31 5/8 x W: 86 5/8 x D: 1 1/4 in. (80.3 x 220 x 3.2 cm); Framed H: 41 x W: 96 x D: 6 1/4 in. (104.14 x 243.21 x 15.88 cm)
This extraordinary panel exemplifies Renaissance ideals of urban planning, respect for Greco-Roman antiquity, and the mastery of central perspective. The imaginary city square features a Roman arch typically erected as a commemoration of military victory at its center. As a whole, the painting offers a model of the architecture and sculpture that would ideally be commissioned by a virtuous ruler who cares for the welfare of the citizenry. The amphitheater is modeled on the Colosseum in Rome. The octagonal structure to the right, covered with colored stone, suggests the medieval Baptistery in Florence, which in the 15th century was thought to be a reused Roman temple. Together they reflect the importance of security, religion, and recreation in a well-regulated city and the value of Roman ideals in urban design. The private residences at either side are also dignified with classical architectural elements. Classicizing elements also appear in the foreground. Statues, set on columns in the Roman style, represent the virtues of a good ruler (based on the traditonal cardinal (chief) moral virtues celebrated since antiquity, both in Greco-Roman culture and in the Old Testatment: Justice with her sword and scales, Liberality (generosity) with a cornucopia, Moderation with a pitcher of water to mix with the basin of wine, and Fortitude with her column. This view and a related paintings now in Urbino were apparently commissioned for the palace of Duke Federico da Montefeltro of Urbino. Another related view is now in Berlin. Set into the woodwork at shoulder height or higher, "The Ideal City" would have seemed like a window onto another, better world. The illusion of a space that extends out from our own is achieved using a mathematical perspective system developed in Florence. The space is defined in terms of the viewer's own angle of vision: the receding lines establishing spatial relationships converge at a central point in the city gate visible beneath and beyond the Roman arch. For more information on this painting, please see the entry on the painting in Masterpieces of Italian Painting, The Walters Art Museum (Baltimore: the Walters Art museum, 2005), no. 15 (by Joaneath Spicer).
Containerschip Mastery komt hier binnen op de Maasvlakte.
IMO: 9301201
Name: Mastery
Ship type: Cargo/Container Ship
Flag: Liberia
Carrying Capacity: 868 TEU
Gross Tonnage: 8971 t
Deadweight: 10744 t
Size: 154.57 x 21.83 m
Year Built: 2006
Status: Active
Port of Rotterdam
Laura Militzer Bryant (b. 1955)
St. Petersburg, Florida Summer Square
Woven wallhanging, 40 ½ × 40 ½ in.
On loan from Florida CraftArt
"Jean-Baptiste-Camille Corot (has a dharma story) that perfectly exemplifies deliberate practice, and the potent mix of giftedness and effort— fire and gasoline— that, over extended periods of time, may burst forth into a bonfire of mastery."
Cope, Stephen (2012-09-25). The Great Work of Your Life: A Guide for the Journey to Your True Calling (p. 112). Random House Publishing Group. Kindle Edition.
"Jean-Baptiste-Camille Corot (has a dharma story) that perfectly exemplifies deliberate practice, and the potent mix of giftedness and effort— fire and gasoline— that, over extended periods of time, may burst forth into a bonfire of mastery."
Cope, Stephen (2012-09-25). The Great Work of Your Life: A Guide for the Journey to Your True Calling (p. 112). Random House Publishing Group. Kindle Edition.
Shotokan Kata (Sochin) and Kumite Karate Course with Sensei's Bob Rhodes and Geoff Cole at the Abbey School Faversham. Hosted by Canterbury Shotokan Karate Club (CSKC) on the 13-04-25 .M1009873
This shot surprised me, as it illustrates the muscle tone developed by young swimmers. This swimmer was only 12 when this was taken. The butterfly stroke, for me, is the most intriguing and beautiful of the 4 swimming strokes, as its best exponents mimic the body movements of dolphins and whales. Mastery of the rhythm of Butterfly is the preserve of the few.
Red Kite,
Agility and mastery in the air are synonymous with with the kites. the Red Kite adds the appeal of colour and pattern, It is easily separated from the heavier, less elegant Buzzard, having more of the lightness of a harrier, but even greater flexibility and elasticity in its movements, Where common, it gathers in groups of ten or even up to forty wherever food is concentrated,
Flight;- direct flight slow and steady with supple, deep wingbeats, often twists as rudder, soars well but not usually to any great height, very aerobatic,
The kite flexes its wings and twistsits long tail from side to side to exploit air currents to the fill, it is capable of fast stoops and twisting dives,
Occurrence ;- Local in Great Britain, widespread in Spain, Portugal, France, parts of S Europe, and north to Baltic, In open countryside and wooded valleys, higher up in summer but in low valleys in winter, whwn it forages around towns and tips,
Voice;- High, long-drawn, wailing or squealing weieieee-ow, higher-pitched than Buzzard.
Nesting;- Large nest of sticks, rags, earth, and rubbish in tree, well-hidden, 2-4 eggs, 1 brood, March - June,
Feeding;- Eats dead animals, such as rabbits or sheep, catches birds up to crow or gull size in surprise dash, also feeds on insects, worms,
Order;- Accipitriformes,
Family;- Accipitridae,
Species;- Milvus milvus,
Length;- 60 - 65cm ( 23.5 - 26in ),
Wingspan;- 1.45 - 1.65m ( 4.75 - 5.5ft ),
Weight;- 0.75 - 1.3kg ( 1.75 - 2.75lb ),
Social;- Small flocks,
Lifespan;- Up to 25 years,
Status;- Secure,
I re-discovered all of my old MOTU figures this week and had some time for a build. These were supposed to be articulated and about the same size as the original figures. I wanted to keep the hip twist too ;)
Normally I try to hide the studs but for these guys I figured I'd see if I could leave as many as possible and still get a resemblance.
The yellow of of MAA is not the same but there were too many pieces that I didn't have in that colour.
New York, 2012.
Our heart tells us what to see, and our eyes determine how. A little mastery on the heart and a pair of tiny eyes is all we need to experience this world in our own way. The world is always personal, after all.
A series of photos on New York city, captured during my last visit there in December 2011. No tilt-shift or post processing was used to create this effect. I breathed on my lenses to partially fog them so that parts of the frame I captured looked out of focus as I wanted.
Matt Mullenweg and Sam Harris are two of my favorite people (a good friend and undergrad classmate) — their new podcast on distributed work is brilliant and timely.
(Not everyone can WFH, but most knowledge workers can. As an aside, I especially like this WFH photo from one of our hard tech companies, bringing the lab bench home.)
As the founder of WordPress— a Level 4/5 fully distributed work organization — Matt has been giving this deep thought since he was 19. WordPress powers 35% of all websites today.
My summary notes:
Happiness at work depends on:
1) Mastery: ability to get better at your job
2) Autonomy: freedom and agency to control the work environment
3) Purpose: working for something greater than the paycheck, intrinsic motivation
Traditional work organizations can do well on 1 and 3, but distributed workplaces can nail 2. So many elements of the office work environment are out of our control: temperature, pets, food availability and smells, desk type, window view, shared restroom, exercise areas, etc. Think “The Office”
Levels of Autonomous Organizations:
Level 1: Unprepared (98% of companies). People can get by remotely, but they are not as effective. Not all work applications are remotely enabled.
Level 2: Heading There. Most recreate the office environment online (in the Marshall McLuhan sense of each new media initially recapitulating its predecessor media). We inherited the 9-5 workday from factory work in the Industrial Revolution. Your contribution clocked closely to your time on the job. In this phase of autonomy, companies often try to track their employees online work time. This Big Brother phase can actually decrease freedom and agency.
Level 3: Leveraging the New Medium. Various new tactics: shared google doc with live note taking. Better equipment like a desk lamp. Better audio equipment: a headset with a proximal microphone and machine learning noise cancellation (for microphone and headphone) can allow for no Muting on calls. Fumbling with mute hinders spontaneity. We mute because we have terrible microphones (here are Matt’s product recommendations). Written communication becomes more important. Companies should screen for written prowess and can hire based entirely on a written evaluation process.
Level 4: Go Asynchronous. Synchronous online work does not boost agency. With asynchronous, the focus shifts to what not how you produce. Managing handoffs, like batons in a relay race, becomes the main point of leverage. Handoffs across time zones enables 24 hours of productivity. You can tap a global talent pool. Decisions can take longer but they are better. Meetings are really terrible. We are finding out now how many could have been an email instead. Meetings are a forcing function to get people’s attention on same topic at same time. But all you get are people’s reactions. You also get biases from gregariousness, gender, and status. You lose a lot of inputs to decision making. Introverts and ESL suffer.
Level 5 Nirvana. Doing better work than is possible in a traditional centralized office organization. It may seem unobtainable, but we can get a taste of it. We can integrate health and wellness into our work flow. We focus on output not time spent in office. This can remove implicit biases. Companies can be more antifragile, like cities – cities give up elements of control to persist and thrive, and productivity per capita grows as they scale (Ref. Geoffrey West from SFI: public companies have a 10-year half-life wheras cities can survive nuclear attack)
Tools: Zoom, Slack or Matrix, some kind of email replacement. Email is private and locked up. We use an asynchronous blogging system instead. Very few work emails remain (<5/month). Communication should be flat and accessible. See headphones and noise filtering software link above.
What do we lose? Those who practice management by walking around; we lose the ambient intimacy and information gathering from being together. Address with: Synchronizing time zones on team allocations. Paying closer attention to visual cues on zoom. Experiments with auto-allocated company meetups.
Fundraising without an office was hard. Matt raised $450M last year and kept a physical office location just for investor meetings!
Sensitivity: there is good woke and bad woke. API: Assume Positive Intent (reminds me of the Bain principle to Presume Trust). Given the ambiguity of emotional overlays to messaging: as a recipient, assume the best intentions by the sender. As the sender, be conservative in what you say. If things get heated, jump to audio to deescalate. And deescalate yourself with exercise.
Inspiring book recommendations: 1) Daniel Pink’s Drive 2) Geoffrey West’s Scale and 3) Nassim Taleb’s Antifragile (I agree with 2 and 3; they are awesome. Have not read 1 yet.)
“I hope there can be a silver lining to this crisis, which we all hope is over as soon as possible, that enables people to reexamine how they work and how they interact and improve it. I’m happy to spread the gospel wherever possible for distributed work. I think it’s better for companies, employees, the environment and the world. There are very few downsides.”
Some other gems from the Automattic Gospel:
“Every problem can get a lot better if you think really long term” — Auto Matt
“Don’t play with bats” — Sam Harris
A few of my favorite pics from an impromptu photoshoot in Eau Claire, Wisconsin.
Using them to promote the upcoming launch of my first online course!
Check it out and let me know what you think:
Lubov studied with Michel Fokine at the Imperial Ballet School in St. Petersburg, Russia, graduating in 1908. She joined Diaghilev's Ballets Russes in 1911 where she became a principal dancer and stayed until the company folded with Diaghilev's death in 1929. She was very successful dancing Fokine roles, including Cleopatra. Her last stage appearance was in 1957.
Ballets Russes’ production of Cleopatra premiered at the Theatre du Chatelet in Paris on June 2, 1909. The music was by several composers including Mussorgsky, Rimsky-Korsakov, Glinka and Tcherepnin. The libretto and choreography were by Michel Fokine.
“The ballet is set during the reign of Cleopatra (51–30 BCE), Queen of Egypt, when two young lovers, Ta-Hor and Amoun, meet on the grounds of a temple. Their tryst is interrupted by the high priest of the temple announcing the arrival of Cleopatra and her court. On seeing Cleopatra, Amoun immediately falls in love with her. Ta-Hor attempts to re-engage her lover’s affections but to no avail. Amoun sends Cleopatra a message to which she responds that he can spend the night with her but in return he must drink poison in the morning. He agrees to the bargain and Ta-Hor later returns to the temple grounds to find the body of her dead lover.
“Cleopatra was the most extraordinary production in the Ballets Russes’ 1909 season and signalled Léon Bakst’s mastery of sumptuous and exotic design. Against his powerful stage imagery of desert scenery and ancient Egyptian temple architecture and interior design, the dancers’ loose and abbreviated costumes glittered like jewels, animated by the physicality of their wearers. Bakst’s colour orchestration of gold, lapis blue, malachite green, pink, orange and violet was expressed in imagined Egyptian design motifs on the characters’ costumes, jewelry and weaponry. Dancer Ida Rubinstein’s dark, angular and unconventional beauty invested her role of Cleopatra with a mesmerising sensuality and, through Fokine’s choreographic innovations and Bakst’s revealing costumes, she and the other dancers showed that the whole body could be used for expressive effect. While the apparently bare sections of their bodies caused a sensation, the dancers were in fact wearing ‘fleshings’, flesh-toned silk or jersey inserts that simulated skin (and reduce the necessity and time for body make-up), a costumier’s technique used until 1912. These inserts seldom survive, nor are they evident in retouched contemporary stage photography.” [Synopsis by the National Gallery of Australia]
Done in Ai, Finalized in Photoshop
Inspired by a Second Life Image of: warlock42069 - James(Eros) Darkside
a dark and imposing figure strides forward with quiet dominance — a steampunk warrior clad in a long, double-breasted trench coat, reinforced with metallic pauldrons and golden mechanical detailing. His body is fully encased in dark leather armor, trimmed with brass, copper, and complex tubing. A gold-etched, insectoid mask obscures his face, with glowing cyan goggles blazing through the fog — eyes that see through the smog of revolution.
Behind him erupts a massive arachnid exoskeleton of six towering mechanical legs, sprouting from a reinforced harness on his back. These gleaming brass limbs, jointed like clockwork, walk in rhythm to his steps, not merely following — but supporting him, lifting him slightly above the ground with every stride. Each leg is adorned with glowing filaments and coils, radiating a soft amber light like fireflies in the dusk.
The setting is a smoke-filled steampunk alleyway, littered with soot and lined with glowing gas lamps. Faint orange orbs of industrial light dot the background, partially veiled by mist. The atmosphere is thick with oil, steam, and the hum of gears — giving the impression of a post-industrial city on the verge of collapse or uprising.
Every element — from the polished brass to the fiery optics — evokes a fusion of menace and mastery.
“The Leepa Rattner Museum of Art is delighted to partner with Florida CraftArt to showcase their permanent collection and enduring contribution to Florida’s cultural heritage. Located on Central Avenue and 5th Street in St. Petersburg, this vibrant organization has been at the center of the city’s artistic renaissance. This collection recognizes the significance of Florida’s fine craft art in our broad artistic landscape, documents the rich tradition of craft art statewide and beyond, and educates and inspires future generations of artists.”
Forex Mastery 2.0 enhancements include Joe's proprietary Bias and Keylevel indicators being extended to the USDIX US dollar index charts and DOW index charts. After you start using these tools, you'll start to see why the DOW is so important to Forex.
forexrobotrading.com/forex-mastery-2-review/
Of the many enhancements to the original Forex Mastery. Joe's exclusive Bias and Keylevel indicators have been evolved to incorporate the USDIX ( US dollar index ) charts and DOW index charts, within the Forex Mastery 2.0 system.
It cannot be exaggerated how significant the DJX is to the foreign exchange markets. You may start to understand why as quickly as you begin using these tools.
forexrobotrading.com/forex-mastery-2-review/
Market direction signals have been added to the Bias and Keylevel charts as well to their proprietary forex market Scanner. Not only can the forex market Scanner monitor over 10 currency pairs but the USDIX and DOW index too. So you can see at a peek, what is setting up in the forex markets.
The the Bias and Keylevel charts and proprietary Forex Market Scanner, have all been enhanced with Market direction signals. So that you can now see at a glance, what's setting up in the foreign exchange markets. The Forex Market Scanner can now simultaneously monitor the USDIX and DOW index as well as over 10 currency pairs.
Other new enhancements in the Forex Market Scanner and M3 Navigator software, including their brand new Slingshot indicator, are discussed by Gary Albrecht, in the the second video from OU Forex Trader.
Gary Albrecht will debate other new enhancements in the Forex Market Scanner and M3 Navigator software, including their brand spanking new Slingshot indicator, in the following video from Options University Forex Trader.
Delusion, past mastery, even.
'Oh, That Cave. You Should Have Said'.
But we have been doing this forever, casting shadows to frighten ourselves into submission, whether these shadows be called Purgatory, Limbo, God, or a.i. We have this tendency to tell the same story in a spiraling way, enveloping new sophistries, as we generate them.
sophistry
noun
the use of clever but false arguments, especially with the intention of deceiving.
"trying to argue that I had benefited in any way from the disaster was pure sophistry"
a fallacious argument.
plural noun: sophistries.
The a.i. that is the internet tells us that “before the 18th century” sophistry and sophistication were intertwined, through that sharing of the Greek root meaning ‘wise man’. I would challenge that and suggest that they are permanently intertwined, ouroboros-like, even.
All these sophistries seem to have generated what we then call sophisticated belief systems and societies, regardless of how bald-headedly fallacious they are, those Virgin births, that hellfire and pitchforks, those gods on winged horses, that resurrection and 'eternal life', generating wars, hatred, division and history, in their wakes; that relentless 'divide and multiply', and conquer come to think of it, conjoined. I can’t see why we would expect a.i. to be any different or for it to have any other outcome.
This apparent relinquishing of the storytelling ourselves, that handing it over to the bots, at the same time, might mulch us towards beginning again at a faster rate. That mulching is also a constant, that generating of fertiliser. Perhaps a reset is, again, inevitable. But this appears to have been always true (or not).
Perhaps stories should be told in the vulgate, the common language of the people.
Personally, I like that infinite space between sophistry and vulgarity. I see it as a type of seedbed for 'more life'.
Meanwhile, back in one's man-cave, replete with new, and dangerous, toys...
Chola dynasty sculptors were masters of the human form. This image of saint Sambandar as a child, conceived fully in the round, wonderfully realizes the sensile strength of bronze. The balance his raised leg, Sambandar's left arm extends dramatically, even daringly, away from the body.
P6150149 copy
[IMO:9301201] Feederschiff | Neuaufnahme: 2022-08-12 (2021-12-30|2021-09-01) | Baujahr: 2006 | DWT:10744t | Breite: 21,83m | Tiefgang: 6,97m | Ladekapazität: 917 TEU | Maschinenleistung: 8100 KW | Geschwindigkeit: 18,0 kn
Forex Mastery is a system which contains a course and software tools to help traders of all levels place more high probability low risk trades. This is a Support/Resistance type system but it uses proprietary levels called Bias and Key numbers.
The Bias and Key numbers of regularly updated support/resistance levels for each currency pair. These numbers are calculated by using 4 separate behind-the-scences, software programs and 8-9 technical indicators. This process of continually updated numbers have been in development for a number of years.
forexrobotrading.com/forex-mastery-2-review/
Addition of 2 new platforms for the M3 Navigator Software to operate, Trade Station and Ninja Trader. Students asked for these additional platforms and Forex Mastery delivered.
Enhancements include the Slingshot indicator and the Slingshot enhanced Market Scanner. Students have had access to these for the last several weeks, with some tremendous results. Forex Mastery had 2 students that joined them in November 2009 and have gravy trains of over 6000 and 7000 PIPs respectively, utilizing the Slingshot enhancements. This is one of the reasons why they are calling Forex Mastery a game changer.
Forex Mastery 2.0 Webinar
Gary R. Albrecht--the mastermind behind the powerful M3 Navigator Software--and 'Forex' Joe Atkins tonight at 9 PM EST for a live demonstration and presentation of the POWERFUL Forex Mastery 2.0 program, and the M3 Navigator Software.
If you've been waiting for the chance to see Forex Mastery 2.0 and the M3 Navigator software live, this is your lucky day...
Join them tonight at 9 PM EST as they pull back the curtain on this groundbreaking Forex Trading system.
Here is that link again:
♰☽∘₊✧ sᴘᴏɴsᴏʀᴇᴅ ʙʟᴏɢ ᴘᴏsᴛ ✧₊∘☾♰
✞sᴘᴏɴsᴏʀ: ASCENT | : CULT :
♰☽∘₊✧──────────────────✧₊∘☾♰
꙳ ASCENT Mastery Earrings F (Swallow Gauged Ears XL)
▸ Rigged for Swallow Gauged XL Ears F
▸ HUD includes 9 metal colors, tintable shadows for Swalloa Ears included in folder
▸ Available @ mainstore
꙳ : CULT : Tattoodiva
▸ Rigged for Ebody, Maitreya Lara-X, Maitreya Lara-OG, Legacy and Kupra. Ankle lock included in folder.
▸ HUD includes 21 colors for shoe base, straps, and laces + 2 special textures, and 3 colors for metals.
▸ Available @ SABBATH Event Sept. 21st - Oct. 12th @ Noon SLT
♰☽∘₊✧──────────────────✧₊∘☾♰
♰☽∘₊✧ Other Credits ✧₊∘☾♰
▸ Hair/hairbase: Just Magnetized & Angelic
▸ Face Tat: Imperius Tattoo - [VARC]
▸ Outfit: Mandy Set - {Axia}
▸ Piercings: ASCENT & : mercurial :
▸ Nails: Sacrilegium Nails Crosses - -SU!-
✞☽ Mainstore & Event LMs
ASCENT - maps.secondlife.com/secondlife/Makai/205/79/3334
: CULT : - maps.secondlife.com/secondlife/Cult%20Coven/155/67/33
SABBATH Event - maps.secondlife.com/secondlife/SABBATH/227/128/27
@secondlife
~~~~~~~~~
#sl #secondlife #secondlifebaddie #secondlifephoto #secondlifephotography #secondlifeavatar #secondlifelifestyle #secondlifeedit #secondlifeworld
Forex Mastery 2.0 Package
Forex Mastery is a system which contains a course and software tools to help traders of all levels place more high probability low risk trades. This is a Support/Resistance type system but it uses proprietary levels called Bias and Key numbers.
The Bias and Key numbers of regularly updated support/resistance levels for each currency pair. These numbers are calculated by using 4 separate behind-the-scences, software programs and 8-9 technical indicators. This process of continually updated numbers have been in development for a number of years.
forexrobotrading.com/forex-mastery-2-review/
Addition of 2 new platforms for the M3 Navigator Software to operate, Trade Station and Ninja Trader. Students asked for these additional platforms and Forex Mastery delivered.
Enhancements include the Slingshot indicator and the Slingshot enhanced Market Scanner. Students have had access to these for the last several weeks, with some tremendous results. Forex Mastery had 2 students that joined them in November 2009 and have gravy trains of over 6000 and 7000 PIPs respectively, utilizing the Slingshot enhancements. This is one of the reasons why they are calling Forex Mastery a game changer.