View allAll Photos Tagged mapping
The first weekend of Westfield was packed full of people lapping up the gargantuan retail experience. Some used maps to help express their surprise at the sheer size of the place.
In 2012, when the 1500m qualifiers are a bit sluggish, you'll always be able to sneak off to Westfield and do a few laps of top class retail therapy.
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Mapping realizado en espacio filomena y que complementaba la exposición de fotografías realizada ese mismo día. El sólo hecho de existir le da derecho a la obra de estar ahí.
OSHA and Hazard Mapping classes facilitated by Jack Angel, Nathan Maynard and Warren Rasmussen, mid-July 2014 in Carlsband, N.M.
A very first test for a new mapping module we are working on...
See more at: www.iduun.com/blog
© iduun 2010
Brain mapping tests, such as functional magnetic resonance imaging (fMRI), electroencephalography (EEG), and magnetoencephalography (MEG), can offer several benefits in the field of neuroscience and healthcare.
Brain mapping provides valuable insights into the structure and functioning of the brain. It helps researchers and scientists understand how different regions of the brain are interconnected and how they contribute to various cognitive
The installation "Mapping the city" is a structural chain of a number of furniture objects and scale-models, lined up as a long straight street. The furniture objects are placed side by side like a row of houses to form one city grit.By this arrangement the furniture as object is no longer experienced as autonomous identities, but as a part of one sculptural installation.
The installation "Mapping the city" is a structural chain of a number of furniture objects and scale-models, lined up as a long straight street. The furniture objects are placed side by side like a row of houses to form one city grit.By this arrangement the furniture as object is no longer experienced as autonomous identities, but as a part of one sculptural installation.
http://www.hansdepelsmacker.be/projects.asp
http://www.designvlaanderen.be/henryvandeveldeprijzen/
http://www.despil.be/index.php/templates/tentoonstelling/828#
Of course, I should have done this before starting the story, not after I'd finished it. Part of the second draft will be sorting out where various bits of action take place, describing locations in more detail and clearing up continuity issues. I may also clean up the maps and use them as frontispieces.
I've also started doing floor plans of the building where most of the action takes place and sketched a couple of cover ideas.
Next I have to decide the pseudonym I'll be publishing it under.
Mapping the polar regions of our Earth is vital to understanding these beautiful but fragile ecosystems. Photo: Claire Porter
OSHA and Hazard Mapping classes facilitated by Jack Angel, Nathan Maynard and Warren Rasmussen, mid-July 2014 in Carlsband, N.M.
Our given brief was to extract information from a contour map and use it as inspiration in 3D textiles and materials such as metal, plastic or wood
Aaron Juergens* points to a location he mapped by GPS while trekking in East Asia. The IMB journeyman gathers information to guide local church leaders as they go out and share the Gospel. "We can equip them to go out and finish this task," Juergens says. "If they don't know where they are, they can't go."
Photo © 2012 IMB / Kelvin Joseph
Here we are mapping trees in 10X10m grids of a larger 1 hectare plot, in a throny scrub landscape, Western Ghats
Alexander Tindale. PhD student Alexander Tindale has used Census data to take a look at how far multiculturalism really goes – that is, how much are ‘typical Australians’ marrying or otherwise living with people from different backgrounds. The analysis shows that ideas of ethnic residential segregation don’t hold true once we look inside households and that we’re quite an eclectic bunch.
“I wouldn’t see it as a bad contract”, Charles Kaphwiyo, Director of Malawi’s Department of Mines, said of the controversial 2006 agreement between his government and Paladin Africa, “but there are areas for improvement.” Several NGOs, media outlets and even civil servants have criticised the government for failing to broker a better deal for Malawians with Kayelekera mine. “There are some things that we as government didn’t know that we accepted in the contract. But now we are learning.” Here he proudly shows us a 2011 map depicting all of the concessions out on Malawi’s resources – all to foreign-owned companies.
OSHA and Hazard Mapping classes facilitated by Jack Angel, Nathan Maynard and Warren Rasmussen, mid-July 2014 in Carlsband, N.M.
Proteger la vida silvestre, ese fue el mensaje que dejó la proyección del video mapping denominado UKCOL Por La Vida Silvestre, una colaboración creativa exclusiva entre el reconocido fotógrafo de animales Tim Flach y el músico del grupo colombiano Bomba Estéreo, Simón Mejía, que explora la belleza y la majestuosa biodiversidad de Latinoamérica y hace un fuerte llamado a su protección.
Anoche, como parte de los eventos de la agenda de la II Conferencia de Alto Nivel de las Américas sobre el Comercio Ilegal de Vida Silvestre, que se desarrolla en La Heroica, se presentó este producto audiovisual que fue apreciado por cientos de turistas que transitan por la Torre del Reloj.
El ministro de Ambiente y Desarrollo Sostenible, Carlos Eduardo Correa, destacó el trabajo del fotógrafo británico que logró plasmar en imágenes la riqueza natural de los países latinoamericanos. “Lo que vimos en la Torre del Reloj es la muestra de la grandeza de nuestra región. Nuestro país alberga el 10 % de toda la biodiversidad global y esa es una riqueza que debemos entender más allá del discurso”, dijo.
Guacamayas, tucanes, pelícanos, jaguares, caimanes, monos, sapos y especies marinas, entre otros, fueron las especies que llenaron de colores y vida la Torre del Reloj. El video mapping tuvo una duración de 40 minutos y fue musicalizado en vivo, por lo que ofreció una experiencia única, sensorial y envolvente.
“El enfoque de mi trabajo no es el de un fotógrafo de vida silvestre tradicional, sino que busco recrear el carácter, la personalidad de estos animales para que parezcan casi unos retratos humanos, para que podamos pensar en ellos de otra forma y lo que eso puede decirnos de nosotros mismos. Ustedes tienen una biodiversidad extraordinaria, como estos delfines de agua dulce, tienen el tití cabeza blanca, en las costas tienen aglomeraciones de tiburones martillo que se reúnen para aparearse. Todos estos son animales únicos, ¿cómo no inspirarse con toda esta biodiversidad?”, resaltó Tim Flach.
Esta producción se hizo realidad gracias al apoyo del Festival Internacional de Cine Ambiental colombiano Planet On, a través de su iniciativa Music On, liderada por Simón Mejía y diseñada visualmente por Santiago Caicedo, junto con la campaña Great del Gobierno del Reino Unido, lo que refleja la alianza entre los dos países y su compromiso por la protección del medio ambiente. / Abr. 05, 2022. (Fotografía Oficial Ministerio de Ambiente y Desarrollo Sostenible / Emilio Aparicio Rodríguez).
Esta fotografía oficial del Oficial Ministerio de Ambiente y Desarrollo Sostenible está disponible sólo para ser publicada por las organizaciones de noticias, medios nacionales e internacionales y/o para uso personal de impresión por el sujeto de la fotografía. La fotografía no puede ser alterada digitalmente o manipularse de ninguna manera, y tampoco puede usarse en materiales comerciales o políticos, anuncios, correos electrónicos, productos o promociones que de cualquier manera sugieran aprobación por parte del Ministerio de Ambiente y Desarrollo Sostenible.
Ministerio de Ambiente y Desarrollo Sostenible Página Web / Twitter Facebook / Youtube / Instagram
OSHA and Hazard Mapping classes facilitated by Jack Angel, Nathan Maynard and Warren Rasmussen, mid-July 2014 in Carlsband, N.M.
From May 1st to June 30, 2026, by episodes, I brought along with me my brand new Pentax 17 camera (see details below) loaded with a 36 (=72 for the half ormat 17x24mm) exposure negative color film Washi-X.
Washi-X color film (spooled in France) is likely Kodak Aerocolor IV Negative Film 2460, a film still in use for general use in medium- to high-altitude aerial-mapping and aerial-reconnaissance photography. It is suited for geological, pollution, archeological, crop and forestry studies; traffic control; city planning; railway, highway, and hydraulic engineering; oceanography; and remote sensing, as well as other areas where photogrammetry is use.
I own the Pentax 17 camera since April 2025. I appreciate a lot its image quality despite de 17x24mm format. It is the sort of camera remaining simple but capable to photography in almost all current conditions. It very compact, light and a joy to use. The Pentax 17 was equipped with a protective 40.5 screwed polarizing filter. For the camera transportation, I used a small camera bag ThinkTank « Mirrorless Mover 5 » that was well protecting the camera from possibly damaging vibrations when using my bicycle.
The expositions were automatically metered by the camera system using the « P » program modes with, or without, flash. For very bright scenes the exposition was corrected by +0.3 to +1EV to compensate the biais induced (and reversely -0.3 to 0.7 EV for very dark scenes to objects).
Thiên Minh Temple***, May 24, 2023
Rue de Cuzieu
69110 Ste Foy-Lès-Lyon, France
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*** Thiên Minh Temple
The temple, located on the heights of the Gravière district of Sainte Foy-Lès-Lyon, was built in 1982. It is also called the "pagoda", from its Asian architecture and preserves in its heart a double culture that of Vietnam and that of the Mahayana tradition of Buddhism based on artistic, human and spiritual values. The pagoda is also a “refuge” for people who open up to Wisdom and Awakening. Surrounded by a large garden, this place marks the traces of important stages in the history of Buddha and Buddhism.
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After completion (78 frames), the film was given to local lab service for C-41 color processing.
Single-frame digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm at approximate reproduction ratio of 1:2. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 15.4 of June 2026) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
Since last Christmas 2024, it was on display in the middle of « reusable » cheap camera’s in the window of my local photography store. But this camera is not cheap and sold at 10-times the price of those « reusable » film camera’s. The Pentax 17 is a novel film camera released by Pentax (a brand belonging to Ricoh Imaging, Japan) in June 2024.
The history of « Pentax » name is still something worth to mention. After the WWII, in Dresden (that was heavily destroyed by the bombing of Feb. 13-15, 1945), Germany, The Zeiss Ikon company could not produce anymore the legendary original Contax (a high-reputation professional range-finder 35mm released in 30’s) camera that was taken by Russia and transferred to Kiev, Ukraine, in the USSR. However the brand name Contax survived and the German engineers designed something completely new within several years : the Contax S (S for « Spiegel mirror reflex ») that integrated a pentaprism for a full redressed reflex viewer observation. Zeiss Ikon Dresden registered to new trademarks derived from the words « Pentaprism » and « Contax » that were « Pentax » and « Pentacon ». If Pentacon became the new name of the company in Dresden, the trademark Pentax was bought by Asahi Optical Company in Japan, and became a formidable industrial and commercial success. Asahi Pentax, then Pentax alone, produced amazing quality camera’s including the legendary « Spotmatic » (a 35mm SLR) and stunning medium-format camera’s heavily used by professional photographers. Many of these camera’s of the past century are still operative and appreciated by film photography enthusiast’s.
Production of film camera’s vanished progressively in the mid 2000’s, as digital camera’s became of better quality and finally of generalized appliances in photography. The Pentax 17 was introduced to the market in June 2024, it was a big surprise for all the film photography lovers. Seeing a newly engineered brand-new film camera was a sort of renaissance of the film photography today of a growing interest worldwide.
The camera is a « half-frame » format on the traditional double-perforated 35mm film giving 17x24mm photograms. This format was not as popular as to classical 24x36mm (full-frame) format of most of the 35mm camera’s. However famous and quality half-frame camera’s were produced in the past including, the long series of Olympus Pen for example. Then, the Pentax 17 immediately attracted the attention of experimented film photographers and camera collectors, probably more than the officially targeted customers of the younger generations. Less than a year after, the future of the Pentax 17 and the film photography project of Pentax is questioned today. The chef-engineer who conducted the project in Ricoh company recently left and the marketing of Pentax 17 is now a question.
This finally decided me to buy an exemplary from my local shop and to discover this strange machine. The camera is of course guaranteed, even with a there-year extension after the camera registration on the Pentax website. The whole ergonomic is clearly derived from classical past 35mm camera’s with a fully mechanical film advance and rewind, a collimated Albada viewer, no digital display at all, only levers, barrels, crank and wheels… However inside is a automatic electronic exposure system with flash, the focusing is manual but the electronic mechanism moves the whole optical group with a micro motor.
The lens is a Cooke triplet 1:3.5 f=25mm equivalent to a 37mm of a 24x36mm format. The Cooke triplet is a photographic lens designed and patented in 1893 by Dennis Taylor who was employed as chief engineer by T. Cooke & Sons of York. It was the first lens system that allowed the elimination of most of the optical distortion or aberration at the outer edge of the image. It likely for this reason that the lens is unscripted curiously « Traditional » on the front lens ring… It is known that a Cooke triplet lens could give surprisingly good results with only three separated optical elements. The Cooke Triplet is still widely used in inexpensive cameras, including variations using aspheric elements, particularly in cell-phone cameras. The Cooke triplet consists of three separated lenses positioned at the finite distance. It is often considered that the triplet is one of the most important discoveries in the field of photographic objectives
The lens receives 40.5mm diameter thread filters that I use for my Zorki / Leningrad lenses Jupiter-8 2/50mm, Jupiter-11 4/135mm and Jupiter-12 2.8/35mm. The metal shade hood Minolta D42KA could mounted on the filter but I have to check is there is vignette induced.
The camera size is close to the original dimensions of a thread-mount Leica (called also the original Barnack Leica) which are, in a way, a sort of « Gold » size in the 35mm camera’s. I compared with my Zorki 1D year 1954 that is a straight reproduction of the Leica Iic. The upper deck of Pentax 17 is designed very clearly as a classical 35mm and we even find the original logo of Asahi Optical Company. The rewind crank is also a revival of past design seen on old Pentax SLR as my year-1971 Spotmatic SP in this seres of pictures.
The Pentax 17 is very light (about 300g) compared to those old ancestors that weight easily the double or the triple. It is then an effortless camera to carry. The Pentax 17 fits in the small ThinkTank bag (called « Mirorless Mover 5 ») that I recently bought to safely carry a film back of my Hasselblad or my Bronica 6X6 camera’s. In this tiny bag, the camera is protected for the element and vibrations due to cycling for instance.
Reference
analoguewonderland.co.uk/blogs/film-photography-blog/pent...
Key features and specifications
* Half-frame image capture (17 x 24mm)
* 37mm (equiv.) FOV F3.5 lens
* Zone focusing system with 6 zones
* Circular leaf shutter (F3.5-16)
* Built-in flash (6m/20ft at ISO100)
* Optical tunnel viewfinder with frame lines
* Exposure from 1/350 sec to 4 sec (+ Bulb)
* Supports films from ISO 50 to ISO 3200
Specifically the lens has:
1. HD coating, which maintains high performance of the lens, by using this PENTAX multi-coating. This also enables high contrast and high definition right to the edges.
2. SP coating (Super Protect) which helps to repel water and oil from the lens.
The fact that the focusing on the Pentax 17 is electronic i.e. the lens only moves when you half-press the shutter gives me faith that autofocus was already considered in the R&D stage.
Proteger la vida silvestre, ese fue el mensaje que dejó la proyección del video mapping denominado UKCOL Por La Vida Silvestre, una colaboración creativa exclusiva entre el reconocido fotógrafo de animales Tim Flach y el músico del grupo colombiano Bomba Estéreo, Simón Mejía, que explora la belleza y la majestuosa biodiversidad de Latinoamérica y hace un fuerte llamado a su protección.
Anoche, como parte de los eventos de la agenda de la II Conferencia de Alto Nivel de las Américas sobre el Comercio Ilegal de Vida Silvestre, que se desarrolla en La Heroica, se presentó este producto audiovisual que fue apreciado por cientos de turistas que transitan por la Torre del Reloj.
El ministro de Ambiente y Desarrollo Sostenible, Carlos Eduardo Correa, destacó el trabajo del fotógrafo británico que logró plasmar en imágenes la riqueza natural de los países latinoamericanos. “Lo que vimos en la Torre del Reloj es la muestra de la grandeza de nuestra región. Nuestro país alberga el 10 % de toda la biodiversidad global y esa es una riqueza que debemos entender más allá del discurso”, dijo.
Guacamayas, tucanes, pelícanos, jaguares, caimanes, monos, sapos y especies marinas, entre otros, fueron las especies que llenaron de colores y vida la Torre del Reloj. El video mapping tuvo una duración de 40 minutos y fue musicalizado en vivo, por lo que ofreció una experiencia única, sensorial y envolvente.
“El enfoque de mi trabajo no es el de un fotógrafo de vida silvestre tradicional, sino que busco recrear el carácter, la personalidad de estos animales para que parezcan casi unos retratos humanos, para que podamos pensar en ellos de otra forma y lo que eso puede decirnos de nosotros mismos. Ustedes tienen una biodiversidad extraordinaria, como estos delfines de agua dulce, tienen el tití cabeza blanca, en las costas tienen aglomeraciones de tiburones martillo que se reúnen para aparearse. Todos estos son animales únicos, ¿cómo no inspirarse con toda esta biodiversidad?”, resaltó Tim Flach.
Esta producción se hizo realidad gracias al apoyo del Festival Internacional de Cine Ambiental colombiano Planet On, a través de su iniciativa Music On, liderada por Simón Mejía y diseñada visualmente por Santiago Caicedo, junto con la campaña Great del Gobierno del Reino Unido, lo que refleja la alianza entre los dos países y su compromiso por la protección del medio ambiente. / Abr. 05, 2022. (Fotografía Oficial Ministerio de Ambiente y Desarrollo Sostenible / Emilio Aparicio Rodríguez).
Esta fotografía oficial del Oficial Ministerio de Ambiente y Desarrollo Sostenible está disponible sólo para ser publicada por las organizaciones de noticias, medios nacionales e internacionales y/o para uso personal de impresión por el sujeto de la fotografía. La fotografía no puede ser alterada digitalmente o manipularse de ninguna manera, y tampoco puede usarse en materiales comerciales o políticos, anuncios, correos electrónicos, productos o promociones que de cualquier manera sugieran aprobación por parte del Ministerio de Ambiente y Desarrollo Sostenible.
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