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Notes 3 songs ... but more than 3h of show ! Incredible artist, even if I don't like his music. Even if I have taken at 1600 ISO, it would be possible to shoot at 800 ... and maybe, 400. Sometimes (often), I'm dummy.
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» If you use some pics (websites, communauties and blogs uses only), please credit them as www.le-hiboo.com.
» for other supports (press), please email : rod [ at ] le-hiboo.com
Notes 3 songs ... but more than 3h of show ! Incredible artist, even if I don't like his music. Even if I have taken at 1600 ISO, it would be possible to shoot at 800 ... and maybe, 400. Sometimes (often), I'm dummy.
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Manu Chao nos mutiló a todos con tres horas de baile y sudor. Nos duele todo pero nos sentimos tan bien.
Politik need votes
Politik needs your mind
Politik needs human beings
Politik need lies
That's what my friend is an evidence politik is violence
What my friend is a evidence politik is violence
Politik use drugs
Politik use bombs
Politik need torpedoes
Politik needs blood
Politik need force poltik need cries
Politik need ignorance politik need lies
Politik kills politik kills politik kills
Politik kills…
Texte : Manu Chao.
#manuchao #politikkills #streetrevolution #humanrights #saveplanet #colors #blur #artphoto #photoart #frenchartist #valais #switzerland #cransmontana #fabricelecoqfoto
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» for other supports (press), please email : rod [ at ] le-hiboo.com
Notes As always : still the same song (it seems :)) but incredible fiesta !
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» If you use some pics (websites, communauties and blogs uses only), please credit them as www.le-hiboo.com.
» for other supports (press), please email : rod [ at ] le-hiboo.com
Notes 3 songs ... but more than 3h of show ! Incredible artist, even if I don't like his music. Even if I have taken at 1600 ISO, it would be possible to shoot at 800 ... and maybe, 400. Sometimes (often), I'm dummy.
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homens,
gosto de todos,
dos morenos, dos mulatos,
dos branquinhos, dos loirinhos e dos crioulos.
só tem que ser homem.
tem homem corno, homem baixo, homem gordo,
homem ingrato, safado, careca, cabeludo,
viado, ousado, temido,
....tem muito homem....
todo homem que se preza tem que impor respeito,
saber ouvir, falar, escutar, ter dinheiro, celular,
ser bom de cama, e te respeitar....
se o homem não tiver nenhuma dessas virtudes,
saia de perto e tome uma atitude.
porque o verdadeiro homem,
ele te ama, te ama,
te trata, te trata,
com carinho
com respeito
e amor,
e vai te dar por toda vida grandes felicidades,
serão felizes,
este é o homem de verdade....
homens,
gosto de todos, dos morenos, dos mulatos,
dos branquinhos, dos loirinhos e dos crioulos,
....só tem que ser homem.....
Manu Chao & Valéria Negre
Found in a street in Istanbul. August 2004.
Bienvenida a Tijuana
Bienvenida, mi amor
De noche a la mañana
Bienvenida, mi amor
Bienvenida, mamacita
I'm in ruta a Babylón
Bienvenida a la cena
Sopita de camarón
Calavera no llora
Serenata de amor
Calavera no llora
No tiene corazón
© All rights reserved. Use without permission is illegal!
"Malegria" is the title of a song by Manu Chao (whom I loved and love) and a is a word invented by Manu Chao himself. He says "it's the sweet yet bitter emotion that comes when joy (alegria) and melancholy (melancolía) blend together to form a sole sensation which you can't define to be pleasant or painful."
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Aquest punt circular del Carrer de Milans, al Barri Gòtic de Barcelona, és una de les fotos que tenia pendents. Ja no.
Sembla que Manu Chao viu aquí.
www.poblesdecatalunya.cat/element.php?e=2179
===============================================================
This hidden corner in the Barri Gòtic of Barcelona is awesome. It's a circular corner/square in the Carrer de Milans.
En estos días en que el mar, lo navego desde la imaginación.
En estos días que sale el sol y lo tengo que mirar desde la ventana.
En estos días en que todo el personal sanitario está ahí al pie del cañón dejándose la piel, vaya un abrazo oceánico desde nuestra jaula incontaminada y ánimo.(M.A.S.)
(Manu Chao)
Añadir un fragmento de la poesía "Laberinto" Wislawa Szymborska
Y ahora,
unos pasos de pared a pared,
por esta escalera que sube,
o por aquella que baja,
y luego un poco a la izquierda,
sino a la derecha,
del muro al fondo del muro
hasta el séptimo umbral,
de donde sea, adonde sea,,
hasta el cruce
donde convergen,
para volver a dispersarse,
tus esperanzas, errores,
fracasos,
pruebas, retos y nuevas esperanzas.
www.youtube.com/watch?v=gxf0ht30ZfY&list=PL9XBuqP4LkS...
www.youtube.com/watch?v=IWkBCyQ1jxM&feature=share&...
Si yo fuera Maradona
Viviria como el
Si yo fuera maradona
Frente a cualquier portería
Si yo fuera maradona
Nunca m'equivocaria
Si yo fuera maradona
Perdido en cualquier lugar
La vida es una tombola
De noche y de dia
La vida es una tombola
Y arriba y arriba
Si yo fuera Maradona
Viviría como el
Mil cohetes mil amigos
Y lo que venga a mil por cien
Si yo fuera Maradona
Saldria en mondovision
Para gritarle a la FIFA
Que ellos son el gran ladron !
La vida es una tombola
De noche y de día
la vida es una tombola
Y arriba y arriba
Si yo fuera Maradona
Viviria como el
Porque el mundo es una bola
Que se vive a flor de piel
Si yo fuera Maradona
Frente a cualquier porquería
Nunca me equivocaría
Si yo fuera Maradona
y un partido que llamar
Si yo fuera maradona
Perdido en cualquier lugar
La vida es una tombola
De noche y de día
La vida es una tombola
(La Vida Tombola by Manu Chao.)
Haven't update any pic for a while.
this is the wall i collaged in my room,
during the art school year around 2004.
These are my favorite black and white images,
cutting from magazines, lefted papers, photocopies, books...
Can you imagine
how the color coming
out from your screen?!
Crowd surfing becomes soo 2 hours ago when you've been waiting hours and hours for the main act (manu chao) to get on. This "crowd flying" started happening, and I think I caught the highest flier right here... :)
Manu Chao Live at Donostia - Spain - 2014
60.000 people on the beach !
Don't hesitate to write a comment if you like this photo !
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It reads:
"Perdido en el corazón de la grande Babilon"
From Manu Chao's song "Clandestino"
A 'bal musette' is a rural French get-together, often with accordion: a 'bal populaire' with steps trickling up from a deep past and down from past trends as diverse as waltz and tango. Whilst Manu Chao is a songwriter and musician that might be rightly placed at an opposite end to this tradition, with the track "Les mille paillettes" he dances intimately with the genre's cycles and sing-song. The song's title glistens with a slightly kitsch ambience and the lyrics explain his dream, which is not of a dance with a single partner that keeps to the steps of a 'salle des fêtes', rather a private space full of tantalising beauties overflowing a bed: 'Francine, Ginette, Louise, Roberta...'. In his reported dream, the list of women comes and goes, while the song's protagonist and confiding songwriter is just a loudmouth without a body.
Songs of sexual fantasy can easily become extremely embarrassing, but here there is an honesty to the voice, and a mesmerising sense of mood that turns the track into a deeply human artwork on a footing with some of the lyrical ideas of, for example, Georges Brassens. As with so many dreams, this tale of a mind without a body is absurd, and there is a Gogol-esque warmth and honesty that sings through the endless spirals. and as with so many dreams, there may also be a candid reality of 'rock and roll' friendship hiding between the sheets of the songs hypnotic lines.
Manu Chao is of a Spanish family from the Atlantic north, born into an urban Paris, and his early music clashed guitars with multicultural musical roots. His fame with 'Mano Negra' ended with one of the most extraordinary tours in rock and roll history - 'La tournée Cargo' of 1992 (Mexico, Senegal, Brasil..) that included a customised cargo boat and an absurd theatrical history of France via the inventive Jarry of the street art company 'Royal de Luxe'. Upon return, he produced one of the most listened to records of a generation "Clandestino". For Manu Chao, the act of flicking through the wavebands of foreign radio stations - hunting for a tune - became a sound texture, or collage-effect that ornamented much of his work under his solo name.
As with David Bowie, Manu Chao also had a capacity to work with others to bring a distinct light and shade. "Amadou et Mariam" were provided with a 'Clandestino' for their Malian post 'Les Ambassadeurs' sound, and "Noir Desir" were offered one of the few French standards of the modern epoch with 'Le vent nous portera'.
In the clip for this dream, the bed full of women is represented by dancing bird's eggs. Dreams can be silly, erotic and based on real events, and bird's eggs are as old as man's life of species, with the painting of a face onto an egg to represent a face certainly being an informal 'child's game' with deep roots through all man's histories and prehistories. The simplest possible frame, and we must simply imagine the rest. This is relevant as the first of the three ceramic characters (I modelled them a couple of years ago to look into other issues of prehistory) is the bird man from the "scène du puits" in Lascaux. This is a face from a Magdalenian late ice-age rock-art depicting an accident with a man who has a bird for a head. I put this early example of 'drama' on a pedestal. Collecting eggs and fowling for birds is a unisex activity, but tends to be done alone due to the need to control noise and visual inputs. A fowler (bird catcher) may creep, wade and mimic sound and vision, and having a representation of a bird on a head with feathers and carved wood may look right from above and explain any cracks of twigs to nervous wild fowl bobbing about to the fowler's sides. The central ceramic is based upon a well known female statue-menhir from the late neolithic to early bronze age bridge period. And as our singer dreams of his bodies, we must take the schematic lines of a statue-menhir and dream of the real bodies that inspired and lived in our deep past. The clay figure to the right is based on late statue menhirs and rural iron age statues - one clearly showing a deft moustache. Tattooed or face-painted bands under eyes are often represented and can be seen above.
Ring dances, line-dances, jigs, partner dances, rites and ceremonies all have, and will have had music. For all of the modernity and savvy candid cheek in this song, there is something reassuringly human about the shapes and details of its folly and fantasy. The accordion may be a relatively modern invention, but it stands in the same corner once occupied by someone with a bag-pipe or a flute, lute or single reed instrument. The twinkling kitsch of many a modern 'Bal Musette' is an off-load from the disco 70's with mirror balls and PA systems sitting in corners like props from scenes in Czech new wave cinema. Prior to these recent flickers, the dance was under a market hall or on a dry rise to the side of a village. I recently translated a series of documentaries on deep rural lives as witnessed through the Occitane language, and there was a segment on the pleasure of dancing. A rural cluster of hamlets with an old-timer explaining that there, they simply loved to dance - Friday night and Saturday night. If they could find a musician - all the better - if not, they would dance to the 'tra, la, la'. Clogs kicking the rhythm and voice alone declaring the tune to the night's sky. When we get to these points of human space, we are on a perspective that can perhaps look both backwards through the ages into the great chapters of prehistory and forwards to this very modern song.
The lenses are the two main 50mm Takumars. The f1.4 and the f4 macro (for the eggs).
AJM 14.12.19
Press play and then 'L' and even f11. Escape and f11 a second time to return.
Manu Chao spillede Torsdag den 18.10.2007 en gratis koncert til den 34. Torsdagsdemonstration - til fordel for et nyt ungdomshus.