View allAll Photos Tagged manipulator
Originally this was a colour picture of a neighbour's cat in our crab apple tree. A bird spent well over an hour pecking at the early buds and the cat climbed after it but found itself on the wrong branch. Manipulated the shot to give a silhouette effect.
Blue layer copied and blended in overlay mode.
Midnight filter.
Figure reblended in for detail.
Nik's Midnight filter yet again.
Contrast adjusted in LightRoom.
...
You're a women without a clue, you're a friend of no-ones too
Keeping track of your lies must be hard for someone new, so-o
Better not try to get inside my head, you'll find a nightmare waiting
You, make it worse
Leave it to the ones who know me, playing that game will only hurt you
You make it worse and never better...
Ladyhawke
Manipulated: Original belove.
I always want see what large size Mini Cooper looks like. Well... maybe it lost little character and start looks like normal car...
Olivia Lupe manipulates "Bad Idea Bear, Girl" (left) and Lindy Forman manipulates "Bad Idea Bear, Boy" (right) with Brandon Burchard manipulates "Princeton" (center) as School of the Arts presents the Tony Award-winning, laugh-out-loud “Avenue Q” as this year’s spring musical in Laxson Auditorium on Thursday, May 3, 2018 in Chico, Calif.
(Jason Halley/University Photographer/CSU Chico)
Siehe Beschreibung beim Set!
3. Wenn ein Werkstück fertig ist, öffnet sich der Ofen mit den glühenden Blöcken und der Manipulator holt den nächsten heraus und fährt ihn zum Hammer hinüber.
Der Manipulator fährt elektrisch und macht nur ein ganz dezentes Geräusch.
Please handle with care! This is digitally modified ice. How else do you think it's got this colour? It's obvious.
This is part of a 3D crosseye Photoshop Tennis game at www.flickr.com/groups/3d-creations/discuss/72157603510780...
I just added the two heads, one of a hippie on the VW Kombi, and one of Homer Simpson about to try and eat one of the orbs. Homer is crossing over from the 2D world and breaking into the 3D one.
For information about viewing and making 3D Photographs: Anaglyphs, Crosseye and Parallel.
This manipulated photo made from 3 other photos for digital challenge #41 www.flickr.com/groups/380546@N22/discuss/72157603704265668/
The original photos showed the town, the wave and the people.
For the addition of the wave to the scene, I positioned it using transparency to get a good location and then used a clone tool to copy the parts that I wanted and used a soft or hard edge where needed so that I could get it flowing around the curbs and down the car ramp but through the railings etc. I used extra copies of the wave to add to the right edge and for the second bigger wave coming at the back. For the people, I copied them as objects using feathering around the feet to make the effect of seeing them through the water. Unfortunately the people could not be expanded enough without loss of sharpness, so I used sharpen on them but they didn't quite come out right.
Manipulating an image this hard is a new thing for me. Deep in my brain is all the time I spent in a darkroom, and that affects my way of seeing. But I am becoming more free to mess with things and treat them as images rather than photographs.
The Book Called Eleven, Posters 1996-2007, Digital Print, 48 pages
Eleven, Plakátok 1996-2007, digitális nyomás, 48 oldal
Pop Art - a rolling daily diary comprising a manipulated digital art collage that visually documents a local, political or international event of popular culture based on fractured photographic images.
The work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.
Adapting Pop Arts notion of mass media imagery into a context of the contemporary digital age, this work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our subconsciousness.
This work diverges from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead focusing on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.
This work considers elements of Pop Art through an artistic and conceptual exploration of specific people and events of the day. The works are diaristic in nature that metaphorically record a spectators experience of the contemporary digital age.
A fellow member of Marches Book Arts Group, Liz, has taken a glossy photograph and crumpled and rubbed it. She then photographed it in the dark with an indirect light source.
The resulting texture is compelling.
With her consent I am working with these images to experiment with an idea I have on bold photography for a possible Summer School activity.
I have printed some of her images on to glossy, mat, label and decal paper and I will be playing with these in the forthcoming week.
My first idea concerned laying down a background using labels.
This turned out to be a very useful backing for collage