View allAll Photos Tagged manipulator
Created for K-play****Jump and Tag****
from source: King Berry Leaves By skagitrenee and flubbles floated into town By Diana Thorold ..
Created for K-play****Jump and Tag****
used the source: Lots of colorful Tulips By Simply Shar♥n like a material on Brice's objects
Chihuahua/Cavalier King Charles Spaniel vs Unkown Mix!
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All rights reserved. Copyright © Hans Surfer Photography. All my images are protected
under international authors copyright laws and may not be downloaded, reproduced,
copied, transmitted or manipulated without my written explicit permission.
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Exif data auto added by theGOOD Uploadr
Camera Model : Canon EOS-1D Mark III
Exposure : 1/3200 seconds
Aperture : f/4
ISO Speed : 200
Focal Length : 191 mm
Created for K-Play Plus Tag Team Art <a www.flickr.com/groups/kaleidoscope_players/discuss/721576...
Source Aremco www.flickr.com/photos/aremco/4261713965/
Tagged from grietje www.flickr.com/photos/grietje_haitsma/4264911239/
President Barack Obama looks out the window of Marine One during the flight to Soldier Field in Chicago, Ill., Jan. 11, 2012. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
... Title of a backlit cartoon wall sign in front of Video Walk section.
Apple Store, Hornsby, Sydney
Part of my major .
This image was very tricky to shoot and difficult to manipulate because I did not have any idea on how to make it work.
There's only very slight motion going on because I wanted to make it look almost like a freeze frame.
The final works are actually not in print format, they're projected onto the center of the frame she enters (in the First Phase) coupled with a soundtrack and sound effects. I have the video but didn't do a recording of it being projected onto the frame. It's probably going to go up for exhibition at my school so maybe I'll a recording then.
So glad it's over! Sleeping, getting back to games and online shopping are currently my top priorities.
I'll still be shooting, but I might be trying a new style. (This whole series was quite new to me, having the make the settings etc, it's also aesthetically quite different from my preferred ghostly themed work or vintage inspired photographs) I'm not sure yet but possibilities are endless. One thing though, I really don't like studio lights, it just doesn't seem to fit what I do so I'll still be using natural lighting :D Might want to try incorporating drawing with photography or maybe take up digital painting and see how things go from there.
Fire from : shaedsofgrey
With the rumored development of space-equipped VCS by hostile organizations, the URE commissioned a variant of the Aardwolf to replace the heavily outdated Grouse I units that made up the majority of their orbital corps.
The new Aardwolf (dubbed "Spacewolf" by some pilots) features heavy modifications to grant it high amounts of speed and mobility in space. The backpack contains the extra power needed for the base Aardwolf, in addition to the fuel for the various vernier thrusters on the backpack, shoulders, and legs. The backpack also has two manipulator arms which can hold any of the unit's equipment if needed. The amount of fuel the system can hold is still rather limited, however, so they cannot operate far from a station. For new armament, the Spacewolf has a 120mm repeating flak cannon, which can be used against enemy units or to destroy smaller chunks of debris.
I had quite a bit of fun building this guy! Of course, it's heavily influenced by the Gundam Thunderbolt GM, but I threw in some of my own ideas as well. Throughout the build, I tried to keep in mind the practicality of everything, and what systems the mech would need for space operation, which was an interesting challenge. My favorite part is fiddling with the arms & thrusters on the backpack, they're really satisfying to mess around with! :P
Hades was the brother of Zeus and the god of the underworld. Persephone was the daughter of Demeter, the Goddess of nature. The myth of Hades and Persephone another tale of myth & love and abduction in the Greek mythology.
AI manipulated with Gimp
Finally, one day there was no wind and I could carry out the idea postponed for a week. I think that's more complicated things that occur, everything is in ourselves and how we live in the autumn, our personal autumn.
I share this picture I took yesterday because today my attempt failed completely.
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Finalmente, un día no hubo viento y pude llevar a cabo la idea que venía postergando desde hace una semana. Creo que por más que las cosas se pongan complicadas, todo está en uno mismo y en cómo vivimos el otoño, nuestro otoño personal.
Comparto esta foto que tomé ayer porque mi intento de hoy fracasó completamente.
Image Art created September 2015 for the Down Under Challenge 915.
With thanks to dela7 for the beautiful landscape source image for DUC 915 , and to Roger for the drone from DUC 910 , originals in the first comment.
Harry Potter png file from harrypotter.wikia.com/wiki/File:Harry_Playing_Quidditch
More drastically altered photos in my set, "Automatic Photography:"
www.flickr.com/photos/motorpsiclist/sets/72157637198879375/
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Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.
Do not rip these photos off; they do not belong to you!
ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.
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Venice Italy
Leica M7/Fuji Velvia
All rights reserved - Copyright 2012© Henri Louis Hirschfeld
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
The hooded vulture or monk vulture (Necrosyrtes monachus) is an Old World vulture. This species lives south of the Sahara from west to east Africa. It is very widespread in east Africa. The hooded vulture is generally found in open plains, savannas, forests, coastal areas and is the only vulture to be commonly found around towns and villages. The bird often follows humans in agricultural fields, picking out grubs and insects exposed by plows.
Like other vultures it is a scavenger, feeding mostly from carcasses of dead animals. Birds may form loose colonies.
The hooded vulture is one of the smaller vultures. They are 62 - 72 cm long, have a wingspan of 155 - 182 cm and a body weight of 1.5 - 2.6 kg. The female is usually larger than the male. Plumage is dark brown with white, downy feathering on the hindneck and head.
This picture was taken in Zoo Parc Overloon, the Netherlands.
De kapgier (Necrosyrtes monachus) is een betrekkelijk kleine gier uit Afrika ten zuiden van de Sahara. Deze roofvogelsoort komt nog veel voor, maar gaat in snel tempo achteruit.
De kapgier leeft meestal in groepen in savannegebieden, maar ook in bossen en langs oevers en kusten. Deze gier is niet schuw en wordt vaak waargenomen in de buurt van menselijke bewoning.
Het is een typische aaseter en afvalopruimer.
De vogel is 62 à 72 cm lang en heeft een spanwijdte 155 à 182 cm en een lichaamsgewicht van 1,53 à 2,6 kg. Het vrouwtje is meestal groter dan het mannetje. De vogel is overwegend donkerbruin. Kenmerkend zijn de roze naakte huid rond het oog en bij de snavel, en de grijze kruin (kap).
Deze foto is gemaakt in Zoo Parc Overloon bij Overloon in Noord-Brabant.
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All rights reserved. Copyright © Martien Uiterweerd (Foto Martien).
All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
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Spanish postcard in the Hollywood (California) series. Photo: Universal International.
American actress and singer Barbara Bates (1925-1969) was best known for her role as Phoebe, the slyly manipulative fan of stage actress Anne Baxter in the closing scene of All About Eve (1950). She also played Clifron Webb and Myrna Loy's daighter Ernestine in the popular Fox-family comedy Cheaper by the Dozen (1950), and its sequel, Belles on Their Toes (1952). Bates committed suicide at the age of 43.
Barbara Jane Bates was born in Denver, Colorado, in 1925. She was the eldest of three daughters of Eva I. and Arthur W. Bates, a postal clerk. While growing up in Denver, she studied ballet and worked as a teen fashion model. The shy teen was persuaded to enter a local beauty contest and won, receiving two round-trip train tickets to Hollywood, California. Two days before returning to Denver, Bates met Cecil Coan, a United Artists publicist. This altered the course of her life forever. In September 1944, 19 year old Bates signed a contract with Universal Pictures after Coan introduced her to producer Walter Wanger. Soon after, she was cast as one of the 'Seven Salome Girls' in the drama, Salome Where She Danced (Charles Lamont, 1945) starring Yvonne De Carlo. When in 1944, a Yank outfit in Luxembourg reportedly declared that soldiers were fed up on pinup pictures of starlets, she and colleague Kathleen O’Malley demanded proof. Costumed for their parts in Salome, Where She Danced, they put the question by holding up a sign that read: “Are G.I.s Tired of Us?” Around this time, she fell in love with the much older Coan, who was married with two sons and two daughters. In March 1945, Coan divorced his wife Helen Coan and secretly married Bates days later. She was 19, he 45. Bates spent the next few years as a stock actress, landing bit parts in films and doing cheesecake layouts for magazines like Yank, the Army Weekly and Life. It was one of those photo sessions that caught the eye of talent executive Solly Baiano at Warner Bros. who signed her in 1947. Warner Bros. highlighted her 'girl-next-door' image and her acting career took off. She appeared with some of the biggest stars of the day including Bette Davis in the comedy June Bride (Bretaigne Windust, 1948) and Danny Kaye in The Inspector General (Henry Koster, 1949)). In 1949, Bates's contract with Warner Bros. was terminated when she refused to go to New York City to promote The Inspector General. Despite being fired by Warner Brothers, she quickly signed a contract with 20th Century-Fox later that year.
In late 1949, Barbara Bates auditioned for the small role of Phoebe in Fox's upcoming All About Eve (Joseph L. Mankiewicz, 1950). In competition for the part was Zsa Zsa Gabor and others, but Bates impressed the producers and was given the part. She made a short but important appearance as the devious schemer, Phoebe, at the end of the film. Bates's image is enshrined in the film's last scene, posing in front of a three-way mirror, while holding the award won by her idol Eve Harrington, played by Anne Baxter. This memorable final scene left critics and audiences intrigued by the young actress, who they thought would star in a sequel to All About Eve. The Hollywood Reporter said of her performance, "Barbara Bates comes on the screen in the last few moments to more or less sum up the whole action and point of the story. It's odd that a bit should count for so much, and in the hands of Miss Bates all the required points are fulfilled." After her appearance in All About Eve, Bates co-starred in Cheaper by the Dozen (Walter Lang, 1950) with Clifton Webb, and its sequel Belles on Their Toes (Henry Levin, 1950), with Jeanne Crain and Myrna Loy. In 1951, she tests for the ballet dancer role in Charles Chaplin’s Limelight. Chaplin conducts the test himself, is very pleased with her performance, and offers her the part. But because of Chaplin's political beliefs, Fox vetoes the offer, and the part goes to Claire Bloom. Bates landed a role opposite MacDonald Carey and Claudette Colbert in the comedy Let's Make It Legal (Richard Sale, 1951). She co-starred with Donna Reed as the love interests of Dean Martin and Jerry Lewis in the hit comedy The Caddy (Norman Taurog, 1953).
Despite a seemingly successful career, Barbara Bates's life, both on and off screen, started unravelling. She became a victim of extreme mood swings, insecurity, ill health, and chronic depression. In 1954, she won the role of Cathy on the NBC sitcom It's a Great Life, co-starring Frances Bavier as her mother, Amy Morgan, and James Dunn as her uncle, Earl Morgan. After 26 episodes, she was written out of the show due to her erratic behavior, depression and instability. Bates and her Svengali-like husband Coen, who made all of Barbara's decisions for her, tried to salvage her career. They travelled to England to find work, where Coen became publicity director at United Artist's London office. Barbara was signed on as a contract player with the Rank Organisation, only to be replaced in two leading roles before filming began. Bates continued to be too emotionally unstable to work and in 1957, her contract with the Rank Organisation was cancelled. Upon returning to the United States in 1957, Bates and her husband got an apartment in Beverly Hills. Later that year, Bates made her last film, Apache Territory (Ray Nazzaro, 1958) starring Rory Calhoun. She then appeared in two television commercials, one for floor wax and another endorsing a now unknown product with Buster Keaton. In 1960, Bates's husband Cecil Coan was diagnosed with cancer. Bates put her career on hold to care for her ailing husband. The strain eventually became too much for her. She attempted suicide by slashing her wrists and was rushed to Cedars-Sinai Hospital where she soon recovered. She made her final onscreen appearance in an episode of The Saint (1962). In 1967, Bates's husband Cecil Coan died of cancer. Devastated by his death, Bates's depression worsened and she again became suicidal. Later that year, she returned to Denver and fell out of public view. For a time, Bates worked as a secretary, as a dental assistant, and as a hospital aide. In 1968 she married for the second time: to a childhood friend, sportscaster William Reed. Despite her new marriage and location, Bates remained increasingly despondent and depressed. On 18 March 1969, just months after her marriage to Reed, Barbara Bates committed suicide by carbon monoxide poisoning on the front seat of her Volkswagen in the sealed garage of her mother's suburban Denver home. Reportedly she was pregnant. Bates was 43 years old. She is buried at Crown Hill Cemetery in Jefferson County, Colorado.
Sources: Hal Erickson (AllMovie), Gary Brumburgh (IMDb), Glamour Girls of the Silver Screen, Wikipedia and IMDb.
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All rights reserved. Copyright © Hans Surfer Photography. All my images are protected
under international authors copyright laws and may not be downloaded, reproduced,
copied, transmitted or manipulated without my written explicit permission.
______________________________________________________________________ _____
Camera Model : Canon EOS 5D Mark III
Exposure : 1/800 seconds
Aperture : f/4
ISO Speed : 320
Focal Length : 160 mm
Subtle hints of mankind's influence on nature: fence and superstition
It bugs me that this waterfall is apparently called "Eas na Callich" on both the Forestry Commission boards and even the OS map. #SpellingDisaster #Gaelic
This is photo manipulated picture, created for the Flickr Downunder Challenge. - 030507
www.flickr.com/groups/99274280@N00/discuss/72157594566054...
EXPLORE .........03-03-07
At Art All Night, artist Monsieur Arthur mixes paints for a live feed projection on the front of the Carnegie Library
nightcafe images manipulated and edited via gimp.
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A metaphor for modern man in Frankenstein can be seen through Victor's scientific ambition and abandonment, representing how men may pursue power and control over nature and creation, often at the expense of connection and responsibility. The novel also shows how this pursuit, devoid of empathy and connection to community, can result in monstrous outcomes, with both the creator and the creation suffering as a result
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man as in human not gender
German postcard by Kolibri-Verlag, Minden/Westf., no. 742.
Beautiful Myléne Demongeot (1936) became in 1957 one of the blond sex symbols of the French cinema when she seduced Yves Montand in Les sorcières de Salem. The coquettish French actress would go on to co-star in the three Fantômas adventures and many other European films of the 1950s and 1960s. In the 1980s she also became a producer.
Marie-Helene Demongeot was born in Nice, France in 1935 into a family of actors. Her parents met in Shanghai, China, and moved to Nice, France. Her mother, Klaudia Trubnikova, was a Russian-Ukrainian emigre from Kharkiv who escaped from the horrors of the Russian Civil War. Her father, Alfred Demongeot, was of French-Italian heritage. The family was bilingual and young Demongeot was able to use Russian and French, but eventually switched to French. She grew up in Nice. After the war, at the age of 13, she went to Paris and continued her education there. She studied piano under the tutelage of Marguerite Long and Yves Nat. At the age of 15, she became a model in the atelier of Pierre Cardin and studied dramatic art with Marie Ventura at Le Cours Simon in Paris. Two years later, she made her film debut with a supporting role in Les enfants de l'amour/Children of Love (Léonide Moguy, 1953) starring Etchika Choureau. More small roles followed in Futures Vedettes/Joy of Living (Marc Allégret, 1955) with Brigitte Bardot, and the British musical comedy It's a Wonderful World (Val Guest, 1956). Then she had her breakthrough at the side of Yves Montand and Simone Signoret with a memorable seduction scene in Les sorcières de Salem/The Crucible (Raymond Rouleau, 1957), based on the play by Arthur Miller.
With appearances in three or four feature films every year, Mylène Demongeot would rise to international fame in the late 1950s. Demongeot's first notable leading role was in Sois belle et tais-toi/Be Beautiful But Shut Up (Marc Allégret, 1958) opposite Henri Vidal, where she played a 17-year-old jewel smuggler. She further developed her screen image of a manipulative but humorous blond mistress opposite David Niven in Bonjour tristesse (Otto Preminger, 1958, and opposite Alain Delon in the comedy Faibles femmes/Three Murderesses (Michel Boisrond, 1959). Many of her screen assignments were along the ooh-la-la lines of her Swedish maid in the British Upstairs, Downstairs (Ralph Thomas, 1959). In Italy, she played opposite Steve Reeves in the Peplum (sword and sandal epic) La battaglia di Maratona/Giant of Marathon (Jacques Tourneur, 1959), with Rosanna Schiaffino and Elsa Martinelli in La notte brava/Bad Girls Don't Cry (Mauro Bolognini, 1959) based on a script by Pier Paolo Pasolini, again with Elsa Martinelli in the comedy Un amore a Roma/Love in Rome (Dino Risi, 1960) and with Roger Moore in Il ratto delle sabine/Romulus and the Sabines (Richard Pottier, 1961).
Among Mylène Demongeot's best known film-works are the role of manipulative Milady de Winter in the two-part adventure film Les trois mousquetaires/The Three Musketeers (Bernard Borderie, 1961) and the role of Helen in the Fantômas trilogy (André Hunebelle, 1964-1967), co-starring with Jean Marais and Louis de Funès. Other incidental interesting films were À cause, à cause d'une femme (Michel Deville, 1963) with Jacques Charrier, the comedy 12 + 1 (Nicolas Gessner, 1969) with Sharon Tate, and the Canadian drama Quelques arpents de neige/A Few Acres of Snow (Denis Héroux, 1972). Although she gradually fazed out of her stereotypical image of a beautiful French coquette, she still looked pretty convincing in the image of a mid-aged Madame, which she developed in the 1980s in films like Tenue de soirée/Evening Dress (1986, Bertrand Blier) starring Gérard Depardieu. On TV she appeared in the detective series Il professore/Big Man (Steno, 1988-1989) starring Bud Spencer, and in The Man Who Lived at the Ritz (Desmond Davis, 1988).
Mylène Demongeot was the co-owner of Kangarou Films, a production company she had founded with her late husband, director Marc Simenon, the son of Georges Simenon. During the 1970s and 1980s, they produced a number of unsuccessful films like Par le sang des autres/By the Blood of Others (Marc Simenon, 1974) and Signé Furax/Signed Furax (Marc Simenon, 1981). Marc Simenon died in 1999. Demongeot made a comeback in the crime drama 36 Quai des Orfevres/Department 36 (Olivier Marchal, 2004) starring Daniel Auteuil, and Victoire (Stephanie Murat, 2004) as the mother of Sylvie Testud. Later films were La Californie/French California (Jacques Fieschi, 2006) based on a short story by Georges Simenon, the hit comedy Camping (Fabien Onteniente, 2006), and the sequel Camping 2 (Fabien Onteniente, 2010). With director Hiner Saleem, she made Sous les toits de Paris/Beneath the Rooftops of Paris (Hiner Saleem, 2007) and Si tu meurs, je te tue/If You Die, I'll Kill You (Hiner Saleem, 2011). Demongeot also wrote several books, the best known are Tiroirs Secrets (Secret drawers, 2001) and Animalement vôtre (Animally Yours.2005). In the 2000s Demongeot made a pilgrimage to the birthplace of her mother in Kharkiv, Ukraine. There she planted a commemorative tree and presented her autobiographical book, Les Lilas de Kharkov (The Lilacs of Kharkiv, 1990). In 2006 she was named Commander in the Order of Arts and Letters for her achievements in acting. Mylène Demongeot is currently residing in Nice in the south of France. Her latest films include the comedy-drama Elle s'en va/On My Way (Emmanuelle Bercot, 2013), starring Catherine Deneuve, and Camping 3 (Fabien Onteniente, 2016), which became the second-highest-grossing domestic film in France in 2016, with 3,228,313 tickets sold.
Sources: Steve Shelokhonov (IMDb), Hal Erickson (AllMovie), Personal website (French), Allociné (French), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
A view taken in January 1989 where Class 108 2-car set C973 was approaching its destination while working the BR Table 131 12:50 Chepstow to Cardiff Central. The Canton based DMU comprising DTCL 54267 & DMBS 53629 was passing the former Newtown Goods building.
All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Don Gatehouse