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© Rogin Dorpon - রঙিন দর্পণ
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This is just a collage where I tried to put many different parts into one picture, so that it looks a bit realistic.
I got the backgorund from www.sxc.hu
Kinda describes how I've been feeling recently:
used and reused,
run down,
shot at
and locked up.
I felt like mixing these components in with the airplane, and the jumping photos of kerry and I, which would symbolize my final freedom. Be it death or summer.
I don't like flashy awards, since they're mostly given because of an obligation to stupid group rules. If you got something to say, say it in your own words and not by copying and pasting. I don't follow such rules, so if you have the sweaper running, don't even bother to invite me please. As of now the flashy awards will be removed, no offence!
The movement series began some forty years ago when I wanted to do some photograph of a friend running and jumping on the sands of Red River. I wanted to use slow shutter speeds and camera panning with the movement. Not being able to chimp, I miss guessed on the shutter speeds required and the photographs were almost sharp rather showing the blur of movement, which I had intended. Also, they were shot on outdated Agfachrome (cheap price) and were very magenta, so they all went back into their boxes and remained in storage until about 2002 or so when I scanned a few of the images to see if I could digitally correct the colors. One day I discovered that I had inadvertently saved one of my extreme manipulation abstracts in the same folder and wondered what would happen if I combined the abstract with some of the movement scans. Thus began a formidable project of finding abstracts that enforced the movement I had wanted to capture back in the 60's. I think the end results are very close, if not better than, to the original intent. This is a very small sample of the manipulations that were created. Only a small number of the Movement series have been given titles.
Loss of the pleasures of anonymity is the price one pays for becoming a public figure. But sometimes this costs even more: one falls from agent to object, from acting to being acted upon. And while one submits to the ministrations of others -- grooming, arranging, altering, correcting -- scores of busy unseen hands await their turn to join in one's fabrication. (All artwork and descriptions created and copyright by Eric Edelman. All rights reserved.)
Original Image of and by Magdalena Bocić used with kind permission.
This picture is not to be used without my written permission.
I don't like flashy awards, since they're mostly given because of an obligation to stupid group rules. If you got something to say, say it in your own words and not by copying and pasting. I don't follow such rules, so if you have the sweaper running, don't even bother to invite me please. As of now the flashy awards will be removed, no offence!
"Obscuring Identity" is the theme i chose in reaction to my AS Photography exam of "Covert & Obscure" In these photos i am exploring manipulation as a way of obscuring identity through black and white digital photography and post production editing.
"Obscuring Identity" is the theme i chose in reaction to my AS Photography exam of "Covert & Obscure" In these photos i am exploring manipulation as a way of obscuring identity through black and white digital photography and post production editing.