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.:: ♫ twenty one pilots: Stressed Out ♫ ::.
♫♪♫ ...Used to play pretend
Give each other different names
We would build a rocket ship
And then we'd fly it far away
Used to dream of outer space
But now they're laughing at our face singing
"Wake up, you need to make money", ... ♪♫♫
Hands: Wicca's Originals - Hornet Hands for Maitreya / Legacy (f) and Legacy (m); Gianni & Jake
мy мυѕιc "Twenty One Pilots - Stressed Out"
"Wish we could turn back time
To the good old days
When our momma sang us to sleep
But now we're stressed out
Wish we could turn back time
To the good old days
When our momma sang us to sleep
But now we're stressed out
Used to play pretend
Give each other different names
We would build a rocket ship and then we'd fly it far away
Used to dream of outer space
But now they're laughing at our face singing
"Wake up, you need to make money", yeah"
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Kids in Bangladesh are special. Very curious, funny and always love to be photographed! Their eyes are a kaleidoscope, which reflects the complexity of life in a given region. They live an adult life and are compelled to make money. They help raise younger children. Kids are not even registered until they are 10, as it's unlikely they might survive.
Дети в Бангладеш особенные. Очень любопытные, забавные и всегда люблят фотографироваться! Их глаза - калейдоскоп, который отражает сложность жизни в данном регионе. Они живут взрослой жизнью и вынуждены зарабатывать деньги. Они помогают воспитывать младших детей. Дети даже не регистрируются, пока им не исполнится 10 лет, поскольку вряд ли они выживут
Желание летать!
Many of the children born in Bangladesh have a special look. Since childhood, they live an adult life and are compelled to make money. But they always remain children and dream to become cosmonauts and pilots, to fly far, far away ...
Домашнее ТВ
There is always plenty of work at the shipyard in Dhaka, Bangladesh. Despite the hard work, people are very friendly and take pictures with pleasure, love to smile and know how to enjoy life.
Many of the children born in Bangladesh have a special look. Since childhood, they live an adult life and are compelled to make money, but like all children they can dream and believe in miracles.
+SEKAI+ 3 PIGGIES TIP JAR
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makes money the world better ? - NO ! too much of it spoils the character !
10€ cent + 1 € cent / Macro / sepia - vintage Style edited / waterdrops
/////
Macht Geld die Welt besser ? - NEIN ! denn zu viel davon verdirbt den Charakter !
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==== Vielen Dank für euer Interesse ♡ =====
==== Many thanks for interesting ♡ =====
Hearsay x The Grand Cairo Shorts - Fatpack
Fake Society x Stefan Sneakers
HXNOR x Gray Loan Shark Duffle Bag
Versov x Omni Socks
Blog @ Day of The Don
to call you a getleman ;-)
George Bernard Shaw
HSS! Science Matters!
dahlia, j c raulston arboretum, ncsu, raleigh, north carolina
This monk lives in the Pagoda and has become its caretaker. The Thay Pagoda is one of the oldest built in the 11th century. It is really large and found in North Vietnam in a small village call So Village. The village and its historical buildings have just open for tourist. To make money the monk makes baskets.
Thay Pagoda North Vietnam
Today Sandtrooper, finally found the droid R2-D2 on Tatooine, but he didn't know that he made a very big mistake in buying... Of course Obi-Wan used the force.
Obi-Wan and Luke again found how to make money on Tatooine, this time with the help of Star Wars Balloon Cart!
To be continued!
One day on a recent trip to Monterey, we took a trip down 17 Mile Drive and of course, I had to stop and take a picture of this iconic tree. It's had a pretty long life living on top of that rock. Humans have done a lot of things over the years to help extend its life. If you blow up the picture, you can see some of what we've done at the base of the tree. I was kind of surprised by the signs that were posted warning you not to try and make money off of any pictures you take of the tree. The Pebble Beach Golf Course claims rights to the tree, and they don't want you to steal any money from them. So, please don't send me any money for this one. I'll have to give it to them. :)
Libra (Sept. 23-Oct. 22)
Lucky you! The next four weeks are one of the most playful times of the year for you! Basically, you want to be free to express yourself and do what you want. \'Nuff said. And one of the things that you want is a fun time! That\'s why you will feel lighter, more carefree, and interested in the arts, sports events, parties and fun diversions. Fortunately, fair Venus will sweeten your words so that you are diplomatic and charming with everyone. In fact, you can make money from your words! Think about this.
Yes! I want to have fun (except for the party thing... I hate parties!) And look I\'m not going to alienate anyone with my words! A bonus!!
(jah32 ) It\'s YOUR horrorscope too.... let\'s write a book!! Put your money where your mouth is.... or something like that!! ) ; )
how to make money with the law of attraction with a legitimate home business so you can spend more time with your family and less time working, making more money
Luke and Obi-Wan set up a stand near the Mos Eisley Cantina. This time they sell all the First Order equipment: powerful blasters such as the F-11D blaster rifle, helmets and sleek armor for pre-order. And It seems It attracts Sandtroopers.
"Ways to make money on Tatooine" - Year 2, bring it on. It is my legendary Lego project since 2014 in which Obi-Wan Kenobi and Luke Skywalker are looking for how to earn money on Tatooine to pay for the flight on the Millennium Falcon.
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The Alpine Loop south of Engineer Pass provides a stunning view of the many colors of Wood Mountain (13,708 ft), and is another example of "Colorful Colorado."
But this photo is also intended to question whether management is paying as much attention as is needed to the idea of multiple uses of our public lands. Some users, such as mining and grazing cows and sheep, degrade the land from the perspective of other users. I love the color on this mountain, but where is the color that should be added by wildflowers?
When thousands of sheep (look closely at this photo) are grazed on mountainsides, the flowers disappear. Similar areas that prohibit grazing have stunning displays of floral color. Note that to the left of the snowfield, the land is carved into numerous paths by grazers. We need a serious discussion about "multi uses" with all of the users participating.
Some users make money from public lands, others simply visit, but all of us pay taxes that support public lands. Many subsidize the few that graze enormous herds on public lands.
Chugach Mountains, northeast of Anchorage on the Glenn Hwy.
My first hike and camping at the Matanuska Glacier in the early 1970s was very different from what one can experience now. There was no 'admission' to glacier access, no 'fee' to hike and explore.
Now, it is highly restricted according to what you are willing to pay.... from the cheapest $30 per person self-guided to several hundreds of dollars for guided day hikes, the 'powers that be' have highly restricted access over the years, and found a way to make money from 'ownership' of one of Nature's free natural wonders. \:-[
Fishing boats do not make money when moored. It's midnight midweek in Ullapool harbour in North West Scotland. There is unexpected and significant activity in the harbour to get the boats ready and back out to sea. Fishing fleets, like the stock they are after, have depleted in numbers. A very hard way to make a living.
Tools: Mamiya 645, Sekor C 80mm, Kodak Ektar 100. Process and scan by Exposure Film Lab. I have a decade worth of photos, check out my albums! Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store!
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On the morning of Friday, July 14th, 2023, LI167 and LI405 sit at Long Island City waiting out the morning rush hour. After the LI405 (DE30AC) experienced an issue earlier in the morning, LI167 (MP15AC) promptly coupled up and waited for the hustle and bustle to die down at the Long Island Railroad’s Long Island City station. When the last eastbound deadhead departed the station just after 11AM, LI167 towed the disabled locomotive east to Morris Park for repairs. Like on many other Long Island Railroad MP15ACs, the Home Depot paint had not faired well, leaving a few units like LI167 running around painted in mostly primer or with layers of old paint fading through.
4/12/11 NOTES FROM GM HIP-HOP SURVEY SESSION 3 of 3
(also included at bottom is session 1) [ To see the rest of this, if it gets cut off, go to hearingtheword2.posterous.com/41211-notes-from-hip-hop-su... ] HIP-hop session #3 of 3 (B. Santelli leading) : [he's reviewing some books as I arrive] ...Tricia rose, hop hop wars..I took her place at rutgers....another..written colloquial....book..new history of.."big payback"...also nelson George..fellow journalist..jersey,,opinionated, but well-written.I was a rollng stone writer..
'500 greatest albums"..not many hip hop..very white..mtv did a series on greatest hop hop..wanted to go over greatest emcees. 10) ll cool j, 9 eminem, 8) ice cube 7) big daddy kane 6) krx-1 5) nas 4) rakim (william griffin, aka ra) 3) notorious b.I.g, aka biggie, 2) tupac
1) jayzee [conversation]..rock roll hall fame..they put us rolling stone writers..together..sppsd to pick 500..sppsd to be fun, but..by wed we were @ eachothers throats..who's missing? No females. Lauren hill? ..[what about lil wayne?]
...& the albums? 10) pub enemy, nation of millions 9) tupac 8) 7) nwa 6)jayzee 5)run dmc raising hell 4) biggie, ready to die, 3). ..2)? 1)paid in full (eric b. & rakim [spare, stripped down..rhyming, flawless,..his fav, raising hell ..6 of 10 from gangsta rap era ..[has this guy abandoned anglos..has he caved? Or is he speaking to his primary audience ? Only a handful of whites in the room of maybe 50]...hip hop orig was new york centric..like 50's in memphis & orleans..but now things changing..begin. here in L.A. large af am pop in late 80's..lot of kids rapping , deejaying..public enemy (long island), ..why so amazing..first class..am bl roots of hip hop ..we mentioned gil scott herron..changing..g.master flash.. some dies..pub enemy brings it back.chuck d. Knows his ...pub enemy makes a political mess. ..from a white perspective..bob dylan...Fear of a black planet..nation of millions..huge..brought over to white...white intells..get more intrsted..then nwa and tupac..gangsta rap..west coast..using what pub enemy doing back east..more outrageous & angry than pub enemy..
...What we hear..chuck D....at rock of fame..had him come & lecture ..he said it was a refl of blues..language previously couched..in blues..now able to scream it..listen to tupac, ... in harlem..best pedigree..black panther..he was deep into it..early life a mess..what tupac ... shakur.this man had a..he was a 5 tool player....genuine anger..he was intelligent..bitter but intelligent..most important..listen to cadence of words..anyone can rhyme..but cadence.....Eminem..too many words..don't apprec his stuff as much..tupac best ever..right in middle..perfect storm..east west..1990's..mid 90's..bitter rivalry east v west ..ironic ...and tupac ...then ----- killed..neither murder solved..//Why a feud ? East jealous? Tupac..death row l.a..; bad boy east..so 2 diff schools forming..
Then puff daddy..sean combs (aka diddy, p diddy, puff daddy, p daddy) .west... tupac....2 "m words" .1) MEDIA..hip hop mags..source..vibe..'88 mtv raps ..2) MONEY ..early 90's..can make money..on radio...mtv..also white element..beastie boys..middle class white kids in suburbs..
...Bold personalities..incendiary..tupac murdered..later biggie (notorious B.I.G, Real name Christopher Wallace, aka biggie smalls) killed..media gets hold of it ..society says its out of control....when Biggie dies..album..double platinum..
Also the tree..acid jazz, socially conscious hip hop, funk jazz, trip hop, some from england ..england didn't embrace hip hop at first ....Arrested development..? Hip hop? Some music lost relevancy..blues, big band ..glenn miller..ragtime..some become "historical"..mid-90's..hip hop not dying, but branching out..moody blues..I hated it...but difference between hating versus respecting [I actually liked moody blues & saw them @ hollywood bowl]...Who else ? Outcasts, wootang, lords of underground, onyx,.[several others shouted out] .hip hop 90's taking over...Now beyond nyc & LA..master P...new orleans..tree exploding..geographic connections..diff sound..good businessman..he also played b-ball..also atlanta...in south, but northern sensib.,,,also houston..health..multi-billion $ business..mainstreaming of hip hop,,,gangsta rap dies out...invention, re-invention.....also, rise of detroit..eminem..major figure...brings detroit to forefront..making detroit hip..and then kid rock ..real..metal..fringe genres..coming together w/ hop hop..limp biscit, korn,...Today? Hip hop becoming irrelevant? ..making lots of money..stop changing..less experimentation..less bold, ..fashion from hip hop ...u know u become mainstream when grammy recognizes u..heresy for me to say but....Recording academy..being in biz..producer, writer, ....[Plays vid eminem & elton jon..given hip hop's homophobic culture..this was seminal] [ was it a seminal moment as the beginning of the END of hip-hop, as it lost its verve?] ..2006 nas comes out saying hip hop dead..didn't want to stay stuck in rut...had nas here....rock hall of fame brings in hip hop, grammy awards..world knows hip hop
...After we did whitehouse thing..state dept..calls..cultural diplomacy..obama revived it.. they asked me to organize hop hop to go to muslim countries.[hip hop to muslim countries as a form of diplomacy ?! Please explain how that would appease muslims or appeal to muslims who already think of America as godless] .as did armstrong & ellington 50 yrs ago ...I couldn't run it....Where is hop hop now ? Ring tone..commercialize..sound same..its on life support now..homogenized..mentions nicky menaj opening for britney spears in upcoming tour..360 degrees ..piracy..economy ....Country music still buys cd's ..loyalty..not download..not w/ hip hop....need audience with means to support act ..when economy of art form goes away..trouble ..younger gen doesn't feel the concept of spportin.."////BELOW are the NOTES from SESSION 1 of 3
(I missed session 2 )
--------------------------------
3/29/11 NOTES FROM HIP-HOP SURVEY COURSE (1 of 3) taught by Bob @ GM: "...learn more abt music forums....like hip hop..whats a middle age white guy teaching hip hop..I'm a musical historian...af am music my specialty..not hip hop.this class not like the elvis class.this is a survey course..3 periods as an overview..will have other courses..hip hop america's pop music now last quarter century..its a survey class..people who live this culture..if u want to add, embellish..can never learn too much..my expertise. Af am music..also reggae..after hip hop comes bob marley exhibit..a hip hop museum ready to launch..in bronx..I'm on board...maybe russel simmons on board..anybody see him here a few weeks ago....others coming chris blackwell, ..pbs special..kate..@ whitehouse..kate did this exhibit..don't need to agree..its interpretive..subjectivity..otherwise just read in book ..used to teach @ rutgers..this is not academia..try to do this in colloquial way..not preach to u..meant to be entertaining..some here b/c I asked u to come..I didn't come quickly to hip hop..even tho I was there in the early 70's...think of 20th century..america's century..come to age as superpower..after fall of comm ..also musically, no country can touch what we have given to the world musically in 20th century..separate bl & wh culture..look @ af am contribs..as to amt..# of new forms..brilliant artists..overall impact.entire world..not all clear cut..jazz black music form..but dig down.others contrib too ..but in general..louis armstrong et al..blues blues jazz, soul, funk, r & b, disco, hip hop, bee bop swing, cool, fusion,,of all these forms..all given due..endorsed exported..except hip hop until now...revol music..challenges..polit..most recent..hasn't gotten its due.celeb gospel blues...maybe too controversial to get credit..still...what made it so..give & take of african cult..also anglo irish..also racism..extra tension..in nutshell..bl & wh celbr..where r we now..first time..af ams bouncing ...haven't had major music..lately..last was grunge..late 80's, 90's..music slowed down ?ess imp..25% decrease in concert att...here to ..soul music..motown..also...and atlantic..golden age..also rock roll..then 1970's..chronolog..musically '63 to '73..that's the 60's music era..hip hop..not 60's ..bronx..how go from soul ..then..to funk...I don't know re hip hop in '73 ..have to wait 6 years..before recorded artifact..rappers delight ..sugar hill gang..why in this ? .69 71 motown losing lustre..stevie wonder..migrated..motown leaves detroit comes here..but not like it used to be..sly & family stone..loses sensib as..couple key bands & artists..2 huge..gil scott herron ..last poets..black..music...."when revol comes.."..gangsta rap..not on radio..last poets..many blacks didn't even know of this music..marvin gaye..more known..cnsdrd greatest of all times..70-73 ..clip.."far too many of u dying.."...[red hat]..also "sounds of philadelphia"..the oj's..signed in cleve but rcrded in phillie.."love train" ....revolution vs love..this is backdrop to bronx ..no q..rock surfaces memphis ..why hip hop fr bronx..music to be created & sustained..not just artist but audience..in bronx..it was like beirut or baghdad..suffered incredibly..ny in bad condition..bronx pushed aside..gangs ..drugs..south bronx..maybe mother cabrini projrcts chicago..maybe south l.a....become so isolated..create in a vacum w/o outside interference or ack..seattle..grunge..a seam..pearl jam, nirvana..already formed b/f world knew..a lot carribeans settled nyc ..jamaicans..brooklyn..1962 jamaica indep..many got out..s. bronx...late 60's..kid campbell..clive ..from jamaica..brings..reggae..sound systems..everything outdoors ..disc jockey....toast over dub plates..jamaicans come to usa with this..clive campbell..longs for jamaica..wonders what he's doing in bronx..sound system..he didn't know he was creating history...invit..come to dj cool hercs party set up jamaica style..earliest hip hop...rap..part of af am cult..verbal battles..here at herks party..af ams and jamaicans together..'73..sudden concept of spinning records..unique way, art form..74 75..another frm..also hispanic & gay..disco..gets no respect...but it was important..w/o disco no m. Jackson, no usher..in manhattan..records..disc spun..if white grate dead, almond bros,..underground movement, black hispanic gay..dance again..mixing..never leave dance floor..77 sat night fever..mst imp of all time..j. travolta..exported disco cult..drugs..all this happ.. bee gees..trammpps...burn baby burn..disco inferno..red & white outfits..early hip hop would borrow from.some day will do disco shoe exhibit....or rush..sex pistols.springsteen..u had to select what u would embrace....people dressed their music..
Then bob marley..new sensib..lively up yourself..all this happening..rappers delight..sugarhill gang....soul train on tv..imp for black..this was seminal..just happened to catch it on camera..not the best
Three main entities..curtis blow..then up to run dmc ..hip hop is developing a consc style.that will explode...grand wizard theatre..scratching..then grand master flash. Popularized it..then .barbada (?)..flash a seminal giant..
Dj & mc..back then dj..was the guy..age of mc in future..dancing why they're spinning records..bee boy bee girl..bboy break dancing..some of best break dancers were latino ..
Tagging..grafitti..becomes part..cey dams..tagging did a piece here ..been dodging cops for 3 decades...there's a f you mentality in bronx..didn't want to be part of discos..taggers..socs & psys studied.. I was in zurich..most expensive place in world..cab..graffitti wall..
[He periodically makes some of his prejudices obvious..re "conservative zurich"..wouldn't apprec it in des moines iowa.."no offense to des moines"..let's "rock n roll"..(it was a term for sexual icourse)..he's talking to white christians....jazz also fr black culture ..means sex icourse.."
Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission.
To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. I am so appreciative of all your kindness and I love reading your comments and DMs!
If you want to support me in another way, check out my Amazon wish list or Paypal.me/millieclinton.
Now listen, you who say,"Today or tomorrow we will go to this or that city, spend a year there, carry on business and make money." Why you do not even know what will happen tomorrow. What is your life? You are a mist that appears for a little while and then vanishes. Instead, you ought to say,"If it is the Lord's will, we will live and do this or that." (NIV)
Empty coal train E-TPHCCO comes down the hill from Mountainair and around Click's Curve as the sun sets behind the Manzano Mountains. This one snuck up on us, so I didn't have time to fly the drone and get the exact angle I wanted. It still turned out decent though.
This is the coal train that actually interchanges in Tulsa to the Sand Springs Railway. The train backs into Sand Springs trackage just east of Cherokee Yard where it eventually gets offloaded in Sand Springs by truck. There is not a coal power plant in Sand Springs, but the railroad still makes money having whoever truck it out of there where it is delivered to who knows......So it was really neat to catch it on the transcon several hundred miles from home.
If you look hard enough, you might be able to find 3 Okies watching this train roll by.
Me: Mind if I photograph your refrigerator?
The dude behind the counter: Why?
Me: It's just something I do (showing him others like it)
Dude: Are you going to make money from this?
Me: Millions of dollars. I'll give you half.
Check it out here
Tools: Contax T3. Ninoco 400. I have a decade worth of photos, check out my albums! Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store!
A elderly Filipina woman sells cigarettes and candies on the sidewalk to make money to survive in Bulacan, Philippines. No matter what the age, able-body people in the Philippines will do what they need to do to make money to survive since the country doesn't have an adequate pension system that can provide for basic necessities.
These types of boats locally called "Sampan" are used for fishing in the Bay of Bengal! These days the boats are fitted with diesel powered engines and the shape of the boats suggest they are built to break big waves!
The boatmen also try to make money by taking on board tourists for a ride out into the sea!!
China. Yunnan.
Lijiang Old Town.
A small group of Yi woman is sitting all day long on a bridge in Lijiang to make money posing with tourists.
The Yi or Lolo people are an ethnic group in China, Vietnam, and Thailand. Numbering 8 million, they are the seventh largest of the 55 ethnic minority groups officially recognized by the People's Republic of China. They live primarily in rural areas of Sichuan, Yunnan, Guizhou, and Guangxi, usually in mountainous regions.
"Show me the original." Are you fucking serious? I already wrote earlier, that it is my right to show the original or not to show. I'm not here, to teach anyone.
It's just my hobby, I don't make money from it, I don't want popularity or anything like that. So shut up and stop writing me your nonsense. Thank you for your attention and understanding ^^
Tools: Contax 167MT, Zeiss 50mm 1.7, Kodak Portra 160. Process and scan by Exposure Film Lab. I have a decade worth of photos, check out my albums! Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store!
40 years "summer of love" / 30 years punk
In 1961 at the age of 12 I sold my electric toy train to buy a real clarinet (before I had learned flutes & plastic clarinets since age 8).My aim for my later profession was being an architect.
When I first time heard a Charlie Parker record in 1962 a new universe opened to me.
I put all energies together to achieve a similar intensity in life minus the drug dependencies & lonelynesses of the then jazz musicians’ biographies (which I could read back then and listen to their music of course) for my own future life.
In 1964/5 another new universe opened to me by reading C.G.Jung’s autobiography "Memories, Dreams, Reflections" (1961). I fully embraced his concept of "individuation" within a course of life.
Both my new fields of departure had not been triggered by ordinary school but a brother-in law of mine had opened the door to the world of jazz by playing songs like „Blue Moon“ etc., him on the piano and me on the clarinet. My dear father had bought C.G.Jung’s book for himself but it ended in my room as well.
Triggered by the new awareness of inner worlds of archetypes – in a beginning analysing way – and the deliberate task of integration for one’s own full evolved individuation I started to extend my interests wherever my intuition lead me to. Also reading books by D.T.Suzuki (Zen), Beckett, de Chardin etc.
In 1965 I began deliberately to learn the Russian language.In 1966 I deliberately changed to Frankfurt’s leading cultural elite school to choose „art“ as my main course because – as I told it then to my friends and parents – a) I had been doing visual creations already longer than music and I thought also that art might be helpful in the sphere of architecture later and b) I disliked the idea to learn classical music and possibly destroy by this my already until then built up non-academic jazz range with the „Alfred Harth Jazztett“.
Within the elite school – the Johann Wolfgang von Goethe Gymnasium in Frankfurt am Main - I started deliberately a course in philosophy and began to study Kant’s „Kritik der reinen Vernunft“ in 1967.This course also lead me to consider about aesthetics in an abstract way from where I was introduced to the concept of „synaesthetics“.
Frankfurt had been a perfect center for my diverse developments: In the South of Frankfurt there had been the regular Darmstädter Ferienkurse for New Music, in the West, Wiesbaden was one of the main Fluxus magnets, in the North is Kassel & it's documenta, in the East, St.Georgen S.J. school, Hanau and The Monks, Wilhelmsbad and Rothenfels (my forefathers home).
Those diverse forces I had stepped into so far became a steady motor to me.
The power of true rebellion in arts as by the then actual „happenings“, dada and modern art in general – I then had studied as well the gradual destruction of principals of „natural painting“ and art history in general – lead me to the constant inner urge to follow this stream by transcending borders (avantgarde concept).I could easily detect this avantgarde force in jazz as well.At those times in the 60ies it generally took a while to purchase new LPs from the USA because of the then existing infrastructures.
And the American LPs contained more or less the only jazz avantgarde since there had not been any avantgarde jazz LPs made in Europe until the mid 60ies.I knew well about New Music in Europe though what lead me to integrate „classical“ instrumental improvisors (on violin,violoncello,bass,clarinet) into my group Just Music from about 1967 on.The same time I was pushed by the forces of avantgarde art and performed happenings in the public space and in off-galeries and a self-created temporary space in a house in Düdelsheim/Büdingen nearby Frankfurt.The „centrum freier cunst“ which I developed out of the „club h“ – a jazz meeting point for the young ones in Frankfurt – had been lead by the concept to „live“ all creative streams under one roof so to say: live synaesthetics! Since the rooms of the „centrum freier cunst“ had been limited I wanted to extend the dimension of extreme energies within that country-building in Büdingen which was not surrounded by neighbours etc.There I set up (in 1968) some orgies in the like of Otto Muehl (whom I knew about slightly from my recent studies of Max Bense and Oswald Wiener) forced by the will to transcend limits.Police showed up etc.
In sharp ironical contrast to the then in Frankfurt existing avantgarde art festival „Experimenta“ I wanted to create an off-festival called „Excrementa“.
Following I tried to maintain open the „centrum freier cunst“ downtown Frankfurt in a larger basement space for a short time.I had moved into a little commune in 1968 in the Grüneburgweg in Frankfurt nearby the Johann Wolfgang von Goethe University where the political students’protest movement had one of its European centers especially through the magnet powers of this university’s professors like Adorno,Horkheimer,Habermas,sometimes Marcuse etc.
I have to say that during this period my main magnet power remained persons who lead an artistical life in jazz or arts.In those times I witnessed so many „hearings“ at the university,“sit-ins“ in the streets and similar meetings where people of my age constantly talked & talked endlessly – especially the SDS.They all seemed to be driven by the power of words which was contradictory to my way.I very well dug the idea of „revolution“ during my then studies of sociology and philosophy at this university – after short interim design studies at the nowadays Hochschule für Gestaltung in Offenbach - in 1969,1970 so that I changed my aim in profession to become an art & sociology teacher to combine my personal interests with the „revolutionary“ practical work in schools and finished with a first degree in 1973.
The change from most persons from my 60ies fellows into the university sphere of the then serious contradictory powers by receiving a qualified profession and on the other hand at the same time to destruct and revolve the then actual establishment (which ever wants people with „true“ professions) made me more suspicious to the world of words. I thought that when students break professor’s classes to install their own view of what is „really“ important then I can break their hearings and bring in the view of „wordless or alogical“ protest.So I made solo performances to break up protesting student hearings by walking in there disguised as a priest and holding a transparent which protested against autumn: „I protest against falling leaves“ (fallende Blätter has a double meaning in German: falling papers) and other times I took my tenorsax went onto the speaker’s desk to blow loadly against those endless mind-fucking fellow students which caused strange irritations and questions:“Why are you doing this...?“ (If I only knew!)
Though I understood very well the necessary political urge to change the situation I felt that they had been out of balance and was happy to find new friends outside Frankfurt whom I could share my way with.In 1969 I had met pianist Nicole van den Plas on a jazz festival in San Sebastian.We played there together and later became a couple.Nicole was from Belgium.So I spend a lot of time over there in the beginning 70ies.The creative music scene had been much more advanced in Antwerp,Brugge and Gent than anywhere I knew.I was very lucky and started to extend my life with yoga,mystical studies from 1971 on and even macrobiotical food which I had learned through the short membership in the „Gunter Hampel Galaxie Dream Band“ in 1973.
In 1968 I first time had played with Swedish drummer Sven-Ake Johansson in the "Zodiac" in Berlin.
In 1972 I contacted him again and Nicole,him and me formed the group EMT.
EMT became the perfect new ground for spreading my multiverse.
The friendship with Perry Robinson (from being with the „Galaxie Dream Band“) triggered my wish to visit him in New York in spring 1975.This visit became valedictory to Nicole for many years and opened new horizons.I had entered a new school: „The Fourth Way“ by P.D.Ouspensky - a student of the great spiritual teacher G.I.Gurdjieff.When I returned to Frankfurt it meant a cut in my life.
I had finished my war resisters service at a psychiatric institution for youths (Universitätsklinik Frankfurt) during the years 1973/4 and now I stood at the beginningpoint as a professional school teacher in 1975.
There I met 23 years old Heiner Goebbels at a session in a bunker in Frankfurt.
He had been new in town since two years and was very fond of what was going on at my old university.The students still where talking and came partly into violent action against „things“.Later in 1977 it was the RAF that became violent against persons.
Anyhow I faced to integrate my new situation being an „adult“ school teacher,jazz musician and artist now.After installing the Duo Goebbels/Harth in 1975 there was this immanent urge to bring „colours“ into the student protesters’ lives and extend the protest by means (without words or fewer words at least,which means poetry) of making music in the streets during the many political demonstrations.This is how the „Sogenanntes Linksradikales Blasorchester“ was founded.
After I had stopped being school teacher in 1978 to fully concentrate on my "things", punk started to fascinate me.Punk was near to the situationists' ideas.Maybe it came from there.
To create a synergy between the then still diverse fields of punk,jazz,classical music and (poetic) words (by Schwitters,Jandl,Hölderlin,Burroughs etc.) I contacted my former label ECM to initiate the LP “Es herrscht Uhu im Land“ on the then ECM-associated label JAPO by the help of former "Just Music"cellist Thomas Stoewsand.
This step consequently lead to the idea to form the group Cassiber that aimed to integrate intensively those diverse musical genres by composing themes instantly (out of the sense of free music impro beyond the „FreeJazz/Darmstadt“ idiom as Chris Cutler says it).
Another place for synaesthetical creations became my work for theatre & film from 1979 on .
Words like „mixed media“ and „performance“ became fashionable for the same things I had been doing since the beginning and later people started to label me as a „poly-stilist“.
My interest in psychology and inner development continued – not without crisises – and I integrated a thrilling sentence (by Abraham Maslow) into music: „Life can be a gestalt in time“, while studying Human Enhancement (H+).
Later in the 80ies I founded the groups Gestalt et Jive and Vladimir Estragon.
Around 1986 I also started with another new sphere by integrating my old passion with architecture & design - the ever widening spiral cycles of life continued.
Words are weapons to make money & fame.
The word lovers (former protest students) meanwhile have penetrated the powerful institutions of the societies and began to form a new establishment.
2007, Alfred 23 Harth (so many words in a photo site,hhh)
Today, you can hardly tell what this scene looked like on that day. You certainly would not imagine anything like this.
This photo was taken on the grounds of the Pentagon Memorial, which you should visit if you haven't. It's one of the most visually striking memorials in the DC area.
Original photo taken by Bob Houlihan, courtesy of the U.S. Navy.
This photo licensed Attribution-NonCommercial Creative Commons. Please don't use these photos to make money, but feel free to use them any other way you like.
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BARDÉES DE CAMÉRA PRENANT SOUS TOUS LES ANGLES, CE VÉHICULE ROULE EN PERMANENCE DANS LES RUES DE GENÈVE PHOTOGRAPHIANT LES AUTOMOBILISTES MAL GARÉS OU LES VOITURES AYANT DÉPASSÉ LE TEMPS DE STATIONNEMENT AUTORISÉ.
UN MOYEN DE FAIRE DE L'ARGENT TRÈS VITE ET SANS TROP SE FATIGUER.
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EQUIPPED WITH CAMERAS THAT CAPTURE EVERY ANGLE, THIS VEHICLE IS CONSTANTLY ON THE ROAD IN GENEVA, PHOTOGRAPHING BADLY PARKED MOTORISTS AND CARS THAT HAVE EXCEEDED THE AUTHORISED PARKING TIME.
IT'S A GREAT WAY TO MAKE MONEY QUICKLY AND WITHOUT TOO MUCH EFFORT.
Model: www.instagram.com/3llisstone/ Tools: Contax T3, Kodak Pro Image. I have a decade worth of photos, check out my albums! Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store!
Tools: Contax T3, Kodak Pro Image. I have a decade worth of photos, check out my albums! Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store!
Model: Ellis Stone. Tools: Contax 167 MT, Zeiss 50mm f1.4, Kodak Portra 160. Process and scan by Exposure Film Lab. I have a decade worth of photos, check out my albums! Find me on Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store.
Model: Annie. Tools: Rolleiflex 3.5F, Kodak Gold 200.
I have a decade worth of photos, check out my albums!
Find me on Instagram & please like Millie Clinton Photography on Facebook! I'm always happy to answer direct messages, but you can ask me questions anonymously here .
These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission.
To preserve my passion for my hobby, I stopped taking on clients in 2021 and now only occasionally make money from photography through licensing agreements. For enquiries, contact me on social media. If you want to support me in another way, check out my Amazon wish list or check out my eBay store!