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Something like abstractions... #collageartist #mobileartistry #collagecollectiveco #igsomniacs #gwwp #ma_collab #ma_portrait #art_emotions #rsa_mystery #rsa_portraits #artphoto #artphotos #ma_creative #md_portrait #portrait #portraits #cmaphotohunt

 

159 Likes on Instagram

 

18 Comments on Instagram:

 

csallquist: @talym thanks Talym!

 

csallquist: @medusean_muse thanks Maartje!

 

csallquist: @marijesusb thanks María!

 

monster718: You really do some great things . I'm not often into things like this but I can't help but look at your work .

 

csallquist: @monster718 high praise. Thanks very much!

 

monster718: @csallquist no thank you for opening my narrow view . :)

 

shaynejackmanphotography: Beautiful

 

mickeymurphysdaughter: Great!

  

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

Salem Arts Festival

Jun 2,3,4

salemartsfestival.com

 

A Salem Main Streets Happening

 

Photos by Creative Salem

Design produced as part of work towards my MA Creative Multimedia.

 

The brief was to design an interactive catalogue exhibiting ladies lingerie.

 

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Festivus 5k

Salem MA

Photos by John Andrews Photography for Creative Salem

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

IN-HOUSE SYMPOSIUM

Businessweek School of Design

Tracy Ma, creative director, Matter Studios

 

PHOTOS: Frank Aymami Photography | www.eye-creative.com

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

IN-HOUSE SYMPOSIUM

Businessweek School of Design

Tracy Ma, creative director, Matter Studios

 

PHOTOS: Frank Aymami Photography | www.eye-creative.com

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

IN-HOUSE SYMPOSIUM

Businessweek School of Design

Tracy Ma, creative director, Matter Studios

 

PHOTOS: Frank Aymami Photography | www.eye-creative.com

Author Naomi Foyle was on campus in September to read from her novel 'Seoul Survivors'.

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

On my first day of the MA Creative Practice for Narrative Environments course at the University of the Arts London, our first assignment was that we were sent off in pairs to get to know our partner and create a narrative environment about him / her. Jona Piehl was my partner and very shortly after we set about asking each other questions I knew we'd be friends. Without knowing at all what the other was doing, each of us set about the assigned task intending to create a gift for the other person. One week later we both presented the class with the narrative projects we had created. I (being a 3D designer) made a brooch for her, she (being a graphic designer) made a font for me. We both gave each other these items as gifts and as a token of our new friendship.

 

In our talk, she said she always wore a brooch. The brooch I made her was made of copper and the gemstones were bits of the most lively dried fruit I could find. Inside was a little pocket of comfort, filled with things which during our conversation she mentioned she likes, sometimes craved, sometimes secretly enjoyed. This included - blue skies, fresh fruit, clean sheets, Bruce Springstein, occasional gossip magazines and the author Paul Auster.

 

The font she made me, in a similar approach, was filled with all the things I liked, mostly food related. She had photographed and created vectors of all the food items I said I love, and carefully make each of these a character in the SNOOK font.

 

Six years after we met and exchanged narrative gifts, we are still friends.

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

Author Naomi Foyle was on campus in September to read from her novel 'Seoul Survivors'.

Koi try cousin alt edit... #portrait #portraits #mobileartistry #collagecollectiveco #ma_collab #ma_portrait #rsa_mystery #rsa_portraits #artphoto #artphotos #wallart #ma_creative #md_portait #md_portrait #jj_humanedge #art #gallery #artist #collage

 

224 Likes on Instagram

 

19 Comments on Instagram:

 

csallquist: #jj_cma_portrait #MobilePhotoNowCMA

 

jim_lambert: awesome image

 

csallquist: @jim_lambert thanks Jim

 

salayon2: A little disturbing but fascinating. Like your work a lot. Very creative!

 

csallquist: @salayon2 thanks Sylvia!

 

gabibesel: @mluz52384 looks like u

 

mluz52384: @gabibesel it does!!!! Wtf?!!

 

gabibesel: Too crazy dude @mluz52384

  

Photos by John Andrews Photography for Creative Salem

Author Naomi Foyle was on campus in September to read from her novel 'Seoul Survivors'.

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

This session featured a group of 12 Oxford Academy students from years 7 and 8, who read from the writing they have created collaboratively under the direction and tuition of four Oxford Brookes University students on the MA Creative Writing programme, across the first months of 2013.

Author Naomi Foyle was on campus in September to read from her novel 'Seoul Survivors'.

IN-HOUSE SYMPOSIUM

Businessweek School of Design

Tracy Ma, creative director, Matter Studios

 

PHOTOS: Frank Aymami Photography | www.eye-creative.com

Good Participation Workshop

at Central Saint Martins College of Art & Design, London

Session 2, Tuesday 19 January 2010

 

About Good Participation

 

This project examines the role of participation in design practice - when different stakeholders (audience, clients, collaborators...) are asked to take part in the process or the outcome of a design project.

 

We ask ourselves: how can we design to engage others? We explore how to motivate, share, empower, how to initiate and sustain interaction, how to have a transformative effect on a given public.

 

The aim is to support designers and organisations to have better conversations about engagement and ultimately, help provide a framework to create successful participation again and again.

 

About the workshop

 

3 sessions with 2nd year students of the MA Creative Practice for Narrative Environments at Central Saint Martins College. We shared our Good Participation map, a tool to plan, develop and evaluate engagement in our projects.

   

IN-HOUSE SYMPOSIUM

Businessweek School of Design

Tracy Ma, creative director, Matter Studios

 

PHOTOS: Frank Aymami Photography | www.eye-creative.com

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