View allAll Photos Tagged luminox
A short while later, Hue stops the Luminox and climbs out. Ray gestures for Pinky to follow.
It's just a short distance over this way...
Reluctantly, Pinky follows the Phosphorosians. Beyond the rise, he spots another glowing rover, this one with an unmistakable symbol gleaming on its side. Another Phosphorosian creature approaches to meet them, this one with an orange light inside his helm.
Greetings, you must be Pinky! I have been expecting you. My name is Glint, and I am the medical caretaker of this settlement. Come...let's take a look at you and make sure you're no worse for the wear. That was quite an ordeal you have gone through! You can relax here while Ray and Hue see to your ship...
Maybe it's the Doctor's warm manner, or the soft glow of this place, but Pinky's apprehensions begin to ease. These creatures are very kind, Pinky thinks to himself, as Glint helps him settle into a cot in the medical rover. As he drifts off, thinking of home, his last conscious thought:
Meanwhile...on the other side of the Galaxy...
Where....where am I?
Pinky, the brave Space Alpaca test pilot has awoken on a strange planet. His ship is nearby, smashed into a rock outcropping. He looks groggily around at his strange surroundings.
Suddenly, Pinky realizes he is not alone here. Not far from where he awoke, Pinky spies a silent, glowing rover. One of the passengers disembarks, and approches. He is humanoid, but inside his helmet where Pinky expects to see his face, there is only a strange luminescence.
Greetings! Are you all right? That was quite a crash. We saw you come down over our settlement a few clicks away. You are lucky to be alive!
I...I think I'm all right. Please...is this Federation Moon 44? I think there was something wrong with my Navi-computer.
The inhabitants of this strange world exchange a glance.
I'm afraid you are a long way from any Federation outposts here. This is Phosphoros, fourth planet in the Lux system. I am Ray. That is Hue in the Luminox Rover over there.
Ray gestures to the glowing, eerily silent rover. The other strange creature raises his gloved hand in a gesture of salutation.
Come, Pinky. We will get you checked out then see what we can do about repairing your ship.
Pinky isn't sure if he can trust these phosphorescent strangers, and he is reluctant to leave his ship, but what choice does he have? He follows Ray wondering how in the world he is going to get back home... and what might be in store for him next...
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I've been trying out the cheap camera again, that I bought for a dollar at a flea market about a year ago. It's been giving me surprisingly great shots with a crappy, ragged feel. This time I tried out cross processing a slide film. I like a lot of the shots, but some results also got way to bright and washed out during the scan, which isn't the first time with cross processed slides in my experience. If anyone can help me figure out how to correct this, please write a comment or message.
I've decided to upload some of the more successful scans in the meantime, and then return to the other images once I've found a good method of scanning the negatives.
Taken with a Luminox 356SL analog camera. Cross processed Kodak Elitechrome 100 (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Another batch from the cheap camera I bought at a flee market for only 10 SEK (a little more than a buck, american). This time I put some tungsten slide film through it and cross processed, which heightened the "washed out" feel of the pictures.
Taken with Luminox 356SL analog camera. Expired and cross processed Kodak Ektachrome 160T (unknown age).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (it keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I've been trying out the cheap camera again, that I bought for a dollar at a flea market about a year ago. It's been giving me surprisingly great shots with a crappy, ragged feel. This time I tried out cross processing a slide film. I like a lot of the shots, but some results also got way to bright and washed out during the scan, which isn't the first time with cross processed slides in my experience. If anyone can help me figure out how to correct this, please write a comment or message.
I've decided to upload some of the more successful scans in the meantime, and then return to the other images once I've found a good method of scanning the negatives.
Taken with a Luminox 356SL analog camera. Cross processed Kodak Elitechrome 100 (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I've been trying out the cheap camera again, that I bought for a dollar at a flea market about a year ago. It's been giving me surprisingly great shots with a crappy, ragged feel. This time I tried out cross processing a slide film. I like a lot of the shots, but some results also got way to bright and washed out during the scan, which isn't the first time with cross processed slides in my experience. If anyone can help me figure out how to correct this, please write a comment or message.
I've decided to upload some of the more successful scans in the meantime, and then return to the other images once I've found a good method of scanning the negatives.
Taken with a Luminox 356SL analog camera. Cross processed Kodak Elitechrome 100 (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I've been trying out the cheap camera again, that I bought for a dollar at a flea market about a year ago. It's been giving me surprisingly great shots with a crappy, ragged feel. This time I tried out cross processing a slide film. I like a lot of the shots, but some results also got way to bright and washed out during the scan, which isn't the first time with cross processed slides in my experience. If anyone can help me figure out how to correct this, please write a comment or message.
I've decided to upload some of the more successful scans in the meantime, and then return to the other images once I've found a good method of scanning the negatives.
Taken with a Luminox 356SL analog camera. Cross processed Kodak Elitechrome 100 (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Another batch from the cheap camera I bought at a flee market for only 10 SEK (a little more than a buck, american). This time I put some tungsten slide film through it and cross processed, which heightened the "washed out" feel of the pictures.
Taken with Luminox 356SL analog camera. Expired and cross processed Kodak Ektachrome 160T (unknown age).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Bought a really "crappy" analog camera at a flea market this summer. Shot an entire 24 exposure roll during a bbq party at my parents place out in the countryside and, lo and behold, most of the pics actually turned out pretty well! Can't wait to try this out with a 400 iso b/w roll.
Taken with a Luminox 356SL analog camera. Fujicolor 400 Super G Plus film (unknown age, at least 20 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm back at work after some heavy weeks off. They began with the funeral of our dear friend and family member who passed away a month ago. After that we've celebrated christmas and new year's, both with a lingering feeling of emptiness looming over us.
I feel like getting some more time with my photography to cope with my emotions, so I've been doing some brand new polaroid shots during the past weeks. I'll show them soon, but first to continue the uploads of these redscaled lovelies.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Crowd at the Popaganda festival 2017.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
After trying out some slide film to cross process, I loaded up my crappy yardsale-found camera with some Lomo Redscale film. It had a difficult time not reflecting back a lot of the light on the other side of the film, so there are some blue hues in the shots that look almost like light leaks.
Anyway, I was still satisfied by a lot of the results and this extremely cheap, plastic camera keeps on surprising me! The first of these upcoming shots are from my girlfriend's sister's wedding and after that most of them are from this past autumn.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
Taken with Luminox 356SL analog camera. Lomography Redscale XR 50-200 film (not sure what actual film they've redscaled when selling this product, but I'm guessing it usually has a ISO value of 400). 5 years expired.
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (the shutter advancing mechanism keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
トゥモローワールド フェスティバル
Friday, September 27, 2013 to Sunday, September 29, 2013
LINEUP
FRIDAY:
ƱZ, Adriatique, Aly & Fila, Amtrac, Angger Dimas, Art Department, Audien, Autoerotique, Avan Lava, Benny Benassi, Borgore, Botnek, Brennan Heart, Brillz, Bro Safari, Carnage, Chuckie, Clockwork, Congorock, Damian Lazarus, Dan Sena, Deniz Koyu, Deorro, Dimitri Vegas and Like Mike, Dirtyphonics, Fedde Le Grand, Ferry Corsten, Frontliner, Garmiani, Ghost Beach, Gigamesh, Gina Star, gLAdiator, Green Lantern, GTA, Henrix, Heroes x Villains, Jacques Lu Cont, James Bayliss, Jamie Jones, John Dahlbäck, John O’Callaghan, Kroyclub, Laidback Luke, Lee Foss, LOUDPVCK, Luminox , Luna, Mayhem, MC Villain, Mim0sa, Moska, No Regular Play, Niko Javan, Oliver Twizt, Penguin Prison (DJ Set), Plastic Plates, Porter Robinson, Psyko Punkz, R3hab, Red-d, Sandro Silva, Sebastian Ingrosso, Shogun, Sied van Riel, Solarstone, Soul Clap, Sound of Stereo, Steve Aoki, Subb-an, Tanner Ross, Tesla Boy, The Knocks, The Prophet, The Unsheathed!, Tiësto, Two Fresh, Yolanda Be Cool, Thee Niggsta Willy, Abby to the MAXXX Weaver, Gingastuff
SATURDAY:
A-Trak, Afrojack, Alesso, AN21 & Max Vangeli, Anna Lunoe, AraabMuzik, Audiofreq, Axwell, Bag Raiders, Breach, Calvin Harris, Cassian, Codes, Coone, Danny Avila, Dave Lambert, David Solano, Delta Heavy, Digital LAB, DJ Licious, Dubfire, Dyro, Excision, Fake Blood, Figure, FKi, Gareth Emery, Gramatik, Grandtheft, Humanoise, Jacques Renault, Joris Voorn, Justin Miller, Le Castle Vania, Liv Spencer, Max Enforcer, MC Villain, Mord Fustang, Mystique, Neon, NERVO, Nick Catchdubs, Nicolaz, NiT GriT, Noisecontrollers, Pete Tong, Ran-D, Regi, Revolvr, RL Grime, Robbie Rivera, Roma, Romeo Blanco, Rusko, Savoy, Sem Thomasson, Shreddie Mercury, Sound Remedy, Speakerfoxxx, Steve Aoki, Style of Eye, The Chainsmokers, The Deep DJs, Treasure Fingers, W&W, Wolfpack, YAMO, YVES V, Zomboy, Abby Weaver
SUNDAY:
Alvin Risk, Armin van Buuren, BRK3, BT, Cajmere, Catz 'N Dogz, Chuckie, Claude VonStroke, Code Black, Crookers, David Guetta, David Heartbreak, Dimitri Vegas and Like Mike, Dusky, Enceladus, Etc! Etc!, French Fries, George FitzGerald, GTA, Gunz for Hire, Hardwell, J. Phlip, Jaytech, Justin Jay, Justin Martin, Kill Paris, Kill The Noise, Kito, Late Night Alumni, Maor Levi, Matt Lange, MC Villain, Moon Boots, Mr. Skeleton, Nicky Romero, Norin & Rad, Orjan Nilsen, Paper Diamond, Paul Devro, Quintino, RiFF RaFF, Sander van Doorn, Simon Patterson, Sultan + Ned Shepherd, Sunnery James & Ryan Marciano, The M Machine, tyDi, Wildstylez, Zatox
Another batch from the cheap camera I bought at a flee market for only 10 SEK (a little more than a buck, american). This time I put some tungsten slide film through it and cross processed, which heightened the "washed out" feel of the pictures.
Taken with Luminox 356SL analog camera. Expired and cross processed Kodak Ektachrome 160T (unknown age).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
I'm still in love with this crappy toy camera I bought for a buck at a flea market, the shots have some sort of unpolished beauty to them.
Unfortunately I'm starting to have some trouble with it since a bit of it has fallen apart and the film winding mechanism isn't quite working as it should (it keeps slicing the sprockets at times). Hoping I can make it work så I can continue exploring the possibilities of this little thing.
Taken with a Luminox 356SL analog camera. Ilford FP4 Plus film (unknown age, at least 15 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.
It's the return of that really "crappy" analog camera I bought at a flea market last summer! As I mentioned after the first test roll, I really wanted to try it out with a 400 iso b/w film next. So that's what I did and you'll see most of the results in the upcoming days!
Some of the shots got weird stripes on them, which could either come from a small strip of tape I used to fasten the film inside the camera or from the fact that I accidentally leaked some light into the camera at one point.
Taken with a Luminox 356SL analog camera. Ilford HP5 Plus 400 film (about 10 years expired).
Negative scanned with Epson Perfection V500 Photo, cropped and downsized for the web.