View allAll Photos Tagged lithprint

Silver print on Bromexpress-1

24×30 cm

AF Lith 3.3

Lithprint on Portriga_117

Moersch Lith + Meritol + Selen + Sulfid

 

Zenza Bronica SQ-A with Zenzanon-PS 80

Ilford FP4+ developed in ID-11 1+3, 20min@20°C

Fomatone MG 131 18x24

Moersch Easy Lith 1+15, 4th print in 800ml with replenishment

 

Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.

lith print on expired Bromportret, dev. D-85, untoned

lith-print on Slavich Unibrom

Negative by Hasselblad Planar with extension tube. Print on Foma MG with exhausted lith developer, hence the snowball effect

Hasselblad 500 C/M

Tmax 100

Lith Print

Canon 33 + 50/1.4 / Polypan / lithprint

Shot this closeup on our dining table, using the lamp above the table as my main light.

This allowed me to let the background go completely black.

Hand made lith print on 7x9.5" Agfa Portriga-speed paper.

Meditations for my Friend

 

‘Listen’ is a larger series of images of the earth.

I make this series in memory of my dearest friend Gerard.

Natur was his home; he lived closely connected to the earth .

 

These are 8x10 negatives. Made with a Kodak 2D

on Foma 100 rated at 50asa.

I use the strange and special Slavich Unibrom,

make contactprints of the negatives and developed them in

Moersch SE5

Improper but intentional use of rolleinar ...

APX25 in Rodinal

Lithprint on Kodak Polyroyal (Se5)

lith print on Kodabrome 11 RC,

Easy lith 1:30

Scan from darkroom print,

 

Leica M6 ttl Noctilux, Ilford Delta 100 in Xtol

Softrock on kamera left

 

Brovira-Speed in SE5

 

40 A + 50 B + 30ml C, second tray: omega and catecol.

lith print on Fomatone 132

2.5 f-stops

Easy lith 7.5+7.5+500 developed 7 min at room temp.

camera Crown Graphic,film HP5+ (4x5"),

printed today

Mamiya RZ67ProII (Sekor Z 110mm f/2.8) 6x6 back. Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. rolfilm Fomapan 200, Scanner Epson 3200

Lith print on Ilfomar paper

Nikon FM2, Kodak TriX in Moersch EFD, Lithprint on Fomatone, Moersch Lith + Omega, partially selenium toned

Holga, Tri-X, lith print.

  

Sterling Lith, the legendary paper, i´m glad I had chance to try it! Rollei Vintage creative dev. I´m going to do more tests with this paper, since I find this print has a little to much salmon tone for my liking.

Stickers on a downpipe

Nikon F6, 55mm Makro, Kodak TriX in Moersch EFD, Lithprint auf Fomatone MG 131; Moersch SE5 (first tray 50 A , 50 B 1000 H2O, 40 D; second tray 5 Lith Omega 500 H2O), partially bleached, parially selenium and gold toned

 

A detail from the sawmill I explored recently.

The lith developer was diluted significantly (1+35) as I wanted to explore the change in color. It lithed well, and the colors are not that dominant than in some other omega prints. So this is an alternative I will use for suitable subjects..

Rolleiflex and HP5+

 

Printed on old Agfa paper with Moersch SE5. (30ml A + 30ml B, 25 C )

#

Partly bleached in ferricyanide (1%) and toned in selenium (1:20)

F801s on Efke IR820 Aura developed in Moersch EFD. Printed on Leonar Leigrano (soft) using Moersch Eco4812 (+1 stop), bleached and redeveloped in Moersch Easy Lith 5+5+1000 at 35°C (8 minutes).

The intensity was again reduced during over night air drying on meshes (you can see the structure of the mesh in the shadows).

Thats why the call it the White Sea

Lithprint on ORWO BN111 Moersch SE5 30/30/1000/5/10/3

Student band playing in a side street in the center of Lviv.

 

TriX pushed to 800 in SLD, Lithprint SE5 20:20:600, 2nd Catechol 40 + Finisher Blue onto Bromesko WSG

lith on Foma 132 in 2023

Easylith 1:30

 

Please do NOT POST awards pictures, group banners, sparkling icons or images in my photostream, thanks!!!

My last sheet of Fomatone MG 532 in Moersch Easy Lith

lith-print

old Slavich Unibrom

I took this one near the river Sieg and the light was still low at that moment. Shot taken with the Hasselblad 503CW on Kodak Tri-X@400 developed in Xtol 1+1.

Printed on AGFA Record-Rapid with SE5 Lith 30A+30B+10D (1+4)+ 600 Water. No additional toning (yet).

Yosemite With Holga, tunnel view

 

#silvergelatin #lithprint 7x7 inches

 

Captured on film and interpreted in the darkroom with Russian Slavich paper and German Moersch chemistry.

#masterprinter

 

#yosemitewithholga #holga #analogvibes #filmfeed #california

pinhole 6x6, lith print on expired Bromortret, D-85, untoned

Lithprint - TX400 in xtol - Fomabrom 123BO in Moersch SE5 + Selen

Abandoned backyard in Alem, Netherlands. Lithprint on Oriental Seagull G2 paper in Moersch Lith developer.

SECOND PASS LITH

An other box of old photographic paper.

 

This is Kodak, Royal bromesko, WFP.1D.

 

First developed I Moersch warmtone 1 + 20.

 

Bleached in Moersch kopper bleach for lith 1 + 1.

 

Then redeveloped:

- tray 1

Moersch SE5 - 8 A + 8 ml B in 1000 ml water, 35 ° C.

-tray 2 hot water, 40° -

lith print on expired Kodabrome 11 RC

Easy lith 1:30

Scan vom Lithprint

München Marienplatz, Dezember 2020, Lego BB-8 (Star Wars)

 

PINHOLE Zero Image

 

Ilford HP5+, in Moersch efd entwickelt

printed on Guilleminot G4 240

Moersch SE5 Lith (80A+80B+20D)

Lith G, 4 ml auf 1l H20, 90 sec

Selen 1+10, 45 sec

 

3386_18_I_WEB_BB_8_Altes_Rathaus_Spielzeugmuseum

Somewhere in the Velka Fatra

Lithprint on Orwo BN 1 (old yellow packing)

 

Hasselblad 500 cm, Ilford HP5, Finol

lithprint auf Agfa MCC 111, Carbontoner

Scan from Lithprint, 12 x 18 cm.

 

Leica M6ttl, 90 mm Summicron.

 

Fomapan 200 @ 100 in Fomadon Excel.

 

Printed on old Agfa, Brovira speed. Moersch SE5.

Debonair (Diana clone)

Moersch Lith

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