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There were a lot of colors on display as people happily stood up for the count. A lot of people were enjoying the display. Others came to show their talents.
When you find these symbols embedded within the surface of these pigment stones you instinctively know they hold a specific, and most likely celestial reference; however it takes many rotations of the image to determine what the up, down, left or right is; or conclusively east, west, north, or south. When you think about it; this ancient culture thought multi-dimensionally, where there is not only an up or down, east or west; but for each position in space away from your point of origin, each one of these four directions in a three-dimensional space additionally have an up, down, and straight forward line extending from each directional point of origin in space. This three-dimensional thought process requires taking into account these multi-dimensional triangulation points; one at a time in a specific sequence of triangulation points necessary for specific multi-dimensional celestial navigation; 35x's magnification.
Result:
The black symbol in the lower right quadrant appears to be an identification marker based on a specific geographic celestial entity, similar in for when we draw a continent, country, or state on a modern map; perhaps the two pyramidal peaks paired with the two parallel diagonal lines (larger-left, smaller-right) of the symbol are identification tags explaining the specific region of origin within the galaxy, similar to a physical address we would use mailing an envelope, or a series of numbers dialed to make a phone call in a specific town, state, and country??? Many of the stones on this site hold a pair of two parallel lines in different locations, perhaps similar to how we would place a specific marker on a map indicating a two directional highway, in contrast to thin, winding rural road or a large river in contrast to a thin, winding creek or stream; these stones were just created on a different scale referencing a much larger geographic region than what we have yet to experience, most likely our galaxy???
If you follow the astrolabe pointer lines in sequence there is actually a system of order where one can follow in sequence starting with the first elongated pointer leaving the forehead of the symbol in the lower right quadrant.
Conclusion:
I believe this black quartz inlaid symbol, significantly larger than the background, may actually be an enlarged representation including a mosaic directional pointer showing the exact celestial body it is referencing within a specific symbolic pictograph marker identified by its shape and markings within the body of the black quartz cement-glyph.
Perhaps there is actually a universal pictograph language system embedded within the artifacts on this site that just happens to be of an extremely small scale that our modern world has not yet been educated with???
We are starting to see a pattern in the micro and macro images on this site; it appears that this culture is educating us along the path of enlightenment by showing us places and locations based on repetition, larger and smaller; and taking into account the visual ability of the viewer by highlighting specific symbols and markers through the process of repetition where the larger symbols actually represent smaller entities; this mirror representation is helping us understand the infinite and immense scale of our galaxy. The smaller references are just too small to initially understand or even see; and the larger symbol just helps us along the path of enlightenment; North America, culture unknown?? Without the larger markers and pigment applications on this site; we would never even come to realize the significance of these galaxy stones and artifacts.
Feldebrő-Bakoldal Upper Palaeolithic site, Hungary.
Figure 20. Raw material distribution of surface finds and those artifacts excavated in June 2016. 1=Mátra-Gyöngyös-type limnic silicite, 2=Mátraderecske-type limnic silicite, 3=Chalcedon, 4=Limestone, 5=Tuff, 6=Felsitic porphyry, 7=Obsidian, 8=Flint, 9=Unidentified.
Leaf Points. 1: Čerhov, Pod hečkou, Trebišov district. Limnosilicite. 2: Čerhov, Pod vinicami, Trebišov district. Flint. 3: Čerhov, Pod hečkou, Trebišov district. Radiolarite. 4: Veľká Tŕňa, Hečka, Trebišov district. Flint. 5: Čerhov, Pod hečkou, Trebišov district. Radiolarite. Voľanská, A. (2016) Leaf Point finds from Zemplín Hills Area, Eastern Slovakia. Litikum 4: 9–18.
Pulling micro images from the surface of stones on this site hold an infinite spectrum of images that has virtually taken years to figure out. These stereoscopic images can only be captured at a minimum of 25x's magnification; yet even still the images take time to understand, even years.
The golden symbols at the base are perhaps similar in theory to perhaps the structural base of our galaxy. This image field must have been made by the quartz based culture within this ancient society most likely responsible for building this ancient mound site. If you study the right facing quartz based figure on the far left; this individual has an expanded headdress filled with figures of all colors and a complete light spectrum of colors. The line of symbols start at the base of this figure with the head of a right facing figure with a white sphere on its head. This three-tiered figure holds an interesting narrative because the line of figures at the base show a line of figures handing gifts of crystals to the sacred figure on the left. This ancient culture's vision of their most sacred figure in their universe is a figure of light, crystals of infinite colors, and energy. The line of figures within this figure on the far left has three tiers with each tier being handed gifts of quartz crystal of different kinds to the sacred figure on the far left; North America, culture unknown.
I can't go back and retake this photo because it has been too long, over four years, however whatever perspective you use when studying this micro photo; the multitude of figures facing the sacred figure on the far left are presenting gifts of quartz crystal to the sacred figure on the far left.
Perhaps the micro image field at 35x's magnification is a life event within our deep past when great numbers and all kinds from across our universe came together on Earth bringing life within different quartz crystals from their world???
God gave the 12 tribes of Israel quartz crystals; however in this narrative it appears that individuals of many kinds are bringing gifts of quartz crystal to the sacred figure on the far left???
Was this a field clearing pile or something prehistoric? If it was just a field learning pile, I do not think the builders would have gone out of their way to place the rocks on another glacial deposit boulder.
The MG A, a lithe British sports car, was produced between 1955 and 1962 and it represented a complete styling departure from the brand's earlier sports cars. This example was driven by the owner's father when he was stationed in Hawaii and still has a bumper sticker that exhibits the Naval Base parking sticker of the time.
I have been reviewing the blue light echoes from before the winter solstice and following the winter solstice. There is definitely a difference in the intensity and tone of blue pigments and light echoes on, within, and around the stones on this ancient North American mound site.
This photo was taken at 3:30 in the afternoon with a muffled sun projecting onto the stones within this image field. Sometimes in the winter, when there are no leaves on the trees, there is too much glare and the images and pigments on the stones don't show up well. This photo was taken at a time when all of the blue pigment on these ancient mound stones were illuminated providing evidence of the infinite compositions of blue pigments used on this ancient site. Nearly every stone on this ancient mound site holds evidence of some kind of blue pigment; there would have been no reason for anyone to bother using these blue pigments on these stones unless this ancient culture had the genetic predisposition to see these pigments with their own eyes; and what would the color be of the eyes of these individuals? These blue pigments and light echoes are virtually inert to modern man's perception, and these pigments can only be captured with a modern digital camera; our eyes cannot see these pigments within our limited visual field.
This ancient culture, who we have come to classify as the "People of Light and Color, must have been very sensitive to all forms of light within the Electromagnetic Spectrum; and perhaps their range of sight within the full Electromagnetic Spectrum was exponentially wider than our eyes within the modern world. Perhaps this ancient culture came from a celestial world where the light was much dimmer, or perhaps much more intense based on a closer proximity to the center of our Galaxy???
In our modern world we find a great deal of quartz crystal embedded within lithic material across the globe, however it is still far less than 20 percent; and what if this ancient culture of "Light and Color" actually came from a world where their living conditions were over 50 percent quartz crystal? Our world is perhaps less than 10 percent quartz crystal; and how would such an environment with over 50 percent quartz crystal maintain itself with life in comparison to our modern world?
Would the individuals coming from this quartz-rich environment have a glow to them because their bodies would naturally contain a higher content of quartz? Would the brains of these individuals have a greater ability to receive vibrations and electromagnetic waves from within their world because of the higher quartz content in their bodies??? Perhaps their bodies through natural evolution require a higher quartz content in their diet to sustain their life; and how would they adapt to new living conditions of a lesser quartz content???
People with a higher quartz content in their system; do these individuals naturally live longer because of the higher level of quartz crystals within their system; or do these individuals die prematurely when they are removed from these quartz rich environments??? Just something to think about regarding the lives of "The People of Light and Color".
Viola lithion, rock crevices, upper slopes of Currant Mountain, White Pine Co., NV, 18 Jul 1996. Still on the subject of Viola, this is my one photo of this rare endemic of the isolated mountain ranges of central Nevada, which was only described about 10 years ago. I found it while searching for populations of Castilleja viscidula in the southern part of its range.