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Print #2

Negative shot on Ilford HP5

Slavich Grade 3 Fiber Paper [Glossy]

Exposed for 2.5 min @ f/8

Processed in LD20

 

Better exposure however the vertical lines are due to such a long development time/agitation and the development is pretty blotchy.

Messing about trying to give a lithographic effect to a previous shot . Honest comments welcome -- if the weather was better I would prefer to go out to take a few photos!

Got some more 4x5 ortho lith film and decided to do a few tests of pre flash and 1:20 developer. The 'a' set is the unadjusted tones from pre flashing the b set has the tone balance adjusted.

 

ocean city, nj, 2011. lith print on foma paper.

Print using Moersch SE5 on fotospeed lith paper

Moersch Easy-Lith 1:20

ORWO BN 1

Wista +210 apo symmar +Filter orange + TMX + Agfa FBMG+Lith print

on...um... i forget! maybe arista private reserve paper (?), and Arista prem. ab lith developer.

Portrait test on Arista lith film, processed in Kodalith. Scan is from a contact print on Foma. Crown Graphic, Optar 135mm, f/8 @ 1 sec. This was taken under cover in shade. Light was flat and low contrast. The high contrast in the photo is all from the lith film and process.

Canonet QL19 / HP5+

Lith on Foma Fibre paper

A sculpture by Andrew Gormley standing beside the A1 near Gateshead in the north of England. This is a lith print (Process FB Lith, Kodalith RT)

Test of my recent Polaroid hack on ortho lith 4x5.

Taken at the Walter Reed Army Medical Center Seminary in Silver Spring, MD. This site has been used for a variety of purposes over the years, including a seminary, a girls school, and by the Walter Reed Army Hospital. The buildings are a wide range of architecture, from Georgian to a pagoda.

 

This image was developed from standard black and white film using lith process. The combination for Fotospeed LD20 lith developer and FomaTone MG paper gave the image the orange-pink cast.

REC (ВВЦ)

Schilf auf dem Kahlenberg

  

Fomatone Moersch Master

Developed in Fotospeed Lith 1+14.

Lith photo procedure, analog, toned gold

Scanned 35mm Negative - Processed using my little digital lith program.

 

You can find the program here: dlp.zonev.de

First experience with lith-printing.

Film: Neopan 400

Dev: Rodinal 1+50 active agitation to make grain much more visible

Paper: Foma N 312

Dev: D-9

Just finished uploading these all to Flickr. They were of course part of the Godfather Production, that I had posted up on www.keepsix.com.

It's a Lith car park in Manchester

Small organ by Van Vulpen (1956). Placed in Lith around 1980.

Film 4"X5" Kodak t-max 400 EXP 320 ISO dev PMK pyro - lith print 50x60 cm dev LD20 30A+970 water 30B+970 water 10',30" - selenium 1+19 4'

The same tower as in this shot: www.flickr.com/photos/goyaboy/4555869778/

My first attempt using Ortho-lith film (5x7) in one of my homemade pinholes ("Schödinger's Cat"). About a 4-minute exposure in cloudy stormy weather. I made a horrible mess of it in developing it in Dektol 1:9 -- tons of specks, dust, lint, water spots galore. I had read about the problems one could have in developing ortho-lithographic film like this; they are true. I almost tossed the negative when I decided I'd try to salvage it with digital post-processing in PS. The sky was really messed up, so I selected it, filled it dark gray, added film grain, rendered clouds, and then the motion blur (as it might have looked if exposed and developed better). In any case, I like the result as an example of combining analog and digital.

Morlanwelz carnaval - One "Gille" among so many others, parading through the Morlanwelz streets.

Nahe der georgisch-russischen Grenze

 

Kentona Moersch Master Lith

Monokle based on Vega-12

Film: Across 100

Dev: D-76 1:1

Paper: Foma N 311 13x18

Dev: D-9

Foma Sepia toner

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