View allAll Photos Tagged linoprinting
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Samuel Jessurun de Mesquita was a Jewish-Dutch painter, woodblock artist, and designer active in Amsterdam during the late 19th to early 20th century. He initially produced delicate watercolor drawings. However, he soon switched to decorative arts, as well as woodcuts and etchings. Mesquita’s works drew upon geometrical composition, simplicity concentrating on the main form, making them modern and unique. His recurrent themes included people portraits, exotic animals, plants, and flowers. His life tragically ended in 1944 when he, together with his family, was deported to Auschwitz. Two years later, a retrospective exhibition was set up in his honor at Amsterdam’s Stedelijk Museum. We have curated some of the best Mesquita public domain works for you to download under the Creative Commons 0 license.
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Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Samuel Jessurun de Mesquita was a Jewish-Dutch painter, woodblock artist, and designer active in Amsterdam during the late 19th to early 20th century. He initially produced delicate watercolor drawings. However, he soon switched to decorative arts, as well as woodcuts and etchings. Mesquita’s works drew upon geometrical composition, simplicity concentrating on the main form, making them modern and unique. His recurrent themes included people portraits, exotic animals, plants, and flowers. His life tragically ended in 1944 when he, together with his family, was deported to Auschwitz. Two years later, a retrospective exhibition was set up in his honor at Amsterdam’s Stedelijk Museum. We have curated some of the best Mesquita public domain works for you to download under the Creative Commons 0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1297557/samuel-jessurun-de-mesquita
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Samuel Jessurun de Mesquita was a Jewish-Dutch painter, woodblock artist, and designer active in Amsterdam during the late 19th to early 20th century. He initially produced delicate watercolor drawings. However, he soon switched to decorative arts, as well as woodcuts and etchings. Mesquita’s works drew upon geometrical composition, simplicity concentrating on the main form, making them modern and unique. His recurrent themes included people portraits, exotic animals, plants, and flowers. His life tragically ended in 1944 when he, together with his family, was deported to Auschwitz. Two years later, a retrospective exhibition was set up in his honor at Amsterdam’s Stedelijk Museum. We have curated some of the best Mesquita public domain works for you to download under the Creative Commons 0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1297557/samuel-jessurun-de-mesquita
I got a request from Sarah, who's a member of a craft group, Local Hands, in Ireland.
Sarah provided the logo and I created this stamp based on it. I used a small scalpel for the details and two different sized gouges.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Samuel Jessurun de Mesquita was a Jewish-Dutch painter, woodblock artist, and designer active in Amsterdam during the late 19th to early 20th century. He initially produced delicate watercolor drawings. However, he soon switched to decorative arts, as well as woodcuts and etchings. Mesquita’s works drew upon geometrical composition, simplicity concentrating on the main form, making them modern and unique. His recurrent themes included people portraits, exotic animals, plants, and flowers. His life tragically ended in 1944 when he, together with his family, was deported to Auschwitz. Two years later, a retrospective exhibition was set up in his honor at Amsterdam’s Stedelijk Museum. We have curated some of the best Mesquita public domain works for you to download under the Creative Commons 0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1297557/samuel-jessurun-de-mesquita
©2012 Julia Forsyth, ODIE VIRGIN INK BLOCK, Sharpie pen, graphite, and transferred drawing on carved lino block, 8" x 10"
I met my self-imposed deadline to finish carving Odie by Sunday night. Here it is - Sunday night - and I'm done! Sooooo excited about that. Now I can enjoy a guilt-free Superbowl Party. Pass the chips and queso, please.
I'm printing it up tomorrow. This carving, more than any of the others, will be such a surprising reveal when it's printed. I can't see that well what it's gonna look like, so I'm so excited to find out.
Here's the YouTube video log on how to carve a linoblock, using Odie as the example: youtu.be/I5QuEq8pKnQ.
Here's a stamp that says "handmade by Louise" I made for a Swedish customer :)
You can find more about my work and me on my FB page: www.facebook.com/myrubberstamp
lino print on 200g/m2 Rosaspina cream color paper. I use this paper first and enjoying its smoothness!
©2014 Julia Forsyth, California Quail, Sharpie and pencil on linoleum block, 8" x 10" Carving has begun!
Album by acid-folk collective, Moonwood. Available as limited edition hand-stamped / lino block print craft CD-R (SOLD OUT) and FREE download at: moonwood.bandcamp.com
This fine linocutting and printing kit by Catherine Carmyllie of CreativeCleverHands is included in a round up of a dozen high-quality papercraft kits on the All Things Paper blog. See more here: www.allthingspaper.net/2023/02/papercraft-kits.html
A hand pulled linocut. This guy will be at the head of the parade....three more to come. Based on a vintage photograph from 1910.
A hand pulled linocut. This is part of my series of prints of images associated with coal mining in the Rhondda Valleys, South Wales. Not much detail as I used a really small piece of lino so I'll come back to this at some point on a bigger scale and do it some justice. Many thanks to the lovely folks at the Rhondda Cynon Taff library service for permission to use their photo archive. ("reproduced by permission of Rhondda Cynon Taf Libraries")
Linoprint from 1998.
I have made a seperate page for my lino, stone and other prints.
There is also a book called 'No guts, no glory'.
Marc Spanjers
A closer look at a couple of my new cards.
blogged katefern.blogspot.com.au/2012/06/using-up-stash.html
©2012 Julia Forsyth, Los Feliz, block printing ink and Sharpie pens on upcycled map, 8" x 10"
All drawings, prints and paintings are for sale in my Flickr stream. E-mail me if you find something you like!
These recent prints of different parts of California are part of a project with a California art lover...stay tuned for more developments soon!
www.facebook.com/juliaforsythart
...when you hear a knocking from your soul...and you answer.
-Star Richés
Linoprint on velum, scanned and added texture in photoshop.
First print of 2014, Year of the Horse.
More pictures and process on my blog: tthisisjusttosay.blogspot.se/
Those of you whose tastes in art are more contemporary might like to consider these cardboard jigsaws from Flame Tree publishing. There will certainly be one or two on my Christmas list.
www.flametreepublishing.com/1000-piece-jigsaw-puzzles-lis...
Top Left: Adult Sustainable Jigsaw Flame Tree 1000pc Angela Harding: Southwold Swan, measuring 26.8 x 19 ins.
Angela Harding is a fine art painter and illustrator based in Rutland, UK since 1988. She specialises in lino prints and her work is inspired by British birds and countryside.
SUSTAINABLY SOURCED. This puzzle is created using locally sourced FSC® paper, board and a recyclable bag. Flame Tree actively strives to promote ethical development and environmental conservation.
Top Centre: sturdy, Flame Tree 1000pc Angela Harding: Marsh Owl, measuring 29x20in. Square-box 1000-piece jigsaw puzzles Now includes an A4 poster for reference. Wendy Harris has done this and at least one more Flame Tree jigsaw.
Angela Harding first arrived as Artist in Residence at Uppingham School and been inspired by the British Countryside. She loves familiar garden birds and makes quick scribbles when she sees them out in the wild as studies for formal designs in her studio. She spent some time at Snape on the Suffolk coast, where golden reed beds roll out for miles towards the sea - a beautiful barn owl hunting there inspired this original print.
Top Right: Flame Tree 1000pc Angela Harding The Salt Path, 29x20in. The Salt Path was featured on the cover of the bestselling book by Raynor Winn, shortlisted for the 2018 Wainwright Prize and the 2018 Costa Book Awards in the biography category.
Centre Left: Flame Tree 500pc Late Frost by Annie Soudain, 19.3 x 14.2 ins. Includes an A4 poster for reference. Born in Kent, Annie Soudain spent her early childhood years in Cornwall, where her interest in plants and nature began. This colourful linoprint was created using the reduction method, which involves progressively cutting, inking up, and printing from the same block. The picturesque scene was taken from the view across the field overlooking Rye Bay in Hastings Country Park.
Centre: Flame Tree 1000pc Annie Soudain's Midsummer Morning, 29 x 20 ins. Now includes an A4 poster for reference. A colourful linoprint using the reduction method, inspired by the view across the field overlooking Rye Bay in Hastings Country Park.
Centre Right: Flame Tree 500pc Rathlin Hares by Angela Harding, 19.3 x 14.2 ins with A4 poster for reference.
Lower Left: Adult Sustainable Jigsaw Flame Tree 1000pc Annie Soudain: Foraging by Moonlight, measuring 26.8 x 19 ins.
Lower Centre: Flame Tree 1000pc Annie Soudain: Foxgloves and Finches, 29 x 20 ins with reference poster. Another view of Rye Bay.
Lower Right: Flame Tree 500pc Swans Flying over the Reeds by Robert Gillmor, measuring 19.3 x 14.2 ins with reference poster. Robert Gillmor MBE is one of Britain's favourite wildlife artists and also an ornithologist, illustrator, author, and editor, not to mention founder member of the Society of Wildlife artists. He has illustrated over 150 books, designed a series of stamps for Royal Mail, and helped to create the RSPB’s logo. Gillmor received the RSPB Medal in 2001, and in 2015 was awarded an MBE for his services to art and conservation.
Doing some lino cutting/printing Christmas card with my students , so thought id give it a go too, havent done this in YEARS!!!!!
This took long hours in the evenings.
For the final print and more process photos, check out my portfolio site, www.www.gantian.se
In a bi-partisan show of support for both the Atlanta Falcons and the New England Patriots playing in Superbowl LI, I'm sharing #tbt shots of linocuts I've carved and printed.
Boston Great Gray, Speedball block printing ink and Sharpies on an upcycled map of Boston, 8" x 10", © Julia Forsyth
Typography. A Swedish name in Chinese characters.
For more of my stamps and linocuts, visit www.gantian.se
this large linoprint is based on a drawing of Fort Clonque on Alderney ( the drawing is posted up on flickr in this set). There's a causeway that disappears at high tide under water. A great holiday...
My new print just after final black layer was put down. Eight colour, three block, reduction linocut.
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2015/01/31/a-linocut-print/
Minneapolis-based photographer Aminda Villa commissioned this custom logo stamp. The serif font was fun to carve, and I used maroon- and coffee-colored ink pads to give the ring a realistic worn-in look.
You can find more about my work and me on my FB page.
T Gomm of Number 1 Rescue Squad, Number 6 Pit at the Tylorstown Collieries. Based on a photograph from 1914. This is a hand pulled linocut, part of my series of prints inspired by the coal miners of the Rhonnda Valleys, South Wales, who included my grandfather. Many thanks to the Rhonnda Cynon Taff library service for allowing me to use their brilliant photo archive.
This is a stamp I made for Belinda; she's just had a little boy and named him Remy.
She asked for his name in a fancy script font and a decorative Indian-looking feather underneath. I wrote the name and drew the feather; I used a small gouge to create the texture on the feather.