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It's been too long since I've posted anything but hopefully it's worth the wait. This is a cargo ship which I've been working on for about 4 months now. I was trying to go for what a 1940-50s idea of what future space vehicles would look like. Regardless I am pleased with how it turned out, and look forward to some more builds coming down the pipeline soon.
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Here's a small build I finished. I felt some inspiration to make a star trek moc and this is what I ended up with. It could be a version of the enterprise, or just a ship from the universe. Anyways hope ya'll like it.
It's been too long since I've posted anything but hopefully it's worth the wait. This is a cargo ship which I've been working on for about 4 months now. I was trying to go for what a 1940-50s idea of what future space vehicles would look like. Regardless I am pleased with how it turned out, and look forward to some more builds coming down the pipeline soon.
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You can download or view Macroscopic Solutions’ images in more detail by selecting any image and clicking the downward facing arrow in the lower-right corner of the image display screen.
Three individuals of Macroscopic Solutions, LLC captured the images in this database collaboratively.
Contact information:
Mark Smith M.S. Geoscientist
mark@macroscopicsolutions.com
Daniel Saftner B.S. Geoscientist and Returned Peace Corps Volunteer
daniel@macroscopicsolutions.com
Annette Evans Ph.D. Student at the University of Connecticut
annette@macroscopicsolutions.com
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USA DUBLA EXTERIOR CU DIMENSIUNILE LXH=1180X2140, deschidere interior cu prag aluminiu si panel ornamental model CAIRO 11, confectionata din profil PVC, marca Roplasto seria 7001,cu 5 c...
Day two with the engineers and pilots of the USCG/NORAD helicopter intercept squadron. I got straight into it, with the engineers working on one of the HH-65C helicopters in the Hangar 5 at Reagan Washington International, in Virginia. A number of mechanics were climbing all over her, but the one working on something out of sight, with his body buried in the back hatch, and just a set of legs sticking out caught my attention first. It was obvious immediately that he wasn't going to stay that way for long, but having his head out of sight meant he didn't realise I was there drawing. And Like I always say to beginner reportage artists, "you have to start the sketch in order to finish the sketch." So just draw. In the end he stayed still just long enough.
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Sierra Wave, Mounts Dana and Gibbs. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell - all rights reserved.
Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.
This is how the show began, though I had my suspicions much earlier in the afternoon. When conditions are right, a "Sierra wave" cloud formation can form along and just to the east of the Sierra Nevada crest. It can be a long, undulating cloud formation, sometimes with many stacked layers — think of lenticular clouds that are many tens of miles long. The clouds simply sit above the crest, unmoving (though subtly transitioning in form) for hours. They are very impressive in broad daylight, but in the evening when conditions are right they are lit by the last sun coming from far west of the range, and the colors can be quite nearly unbelievable.
I first saw some interesting potential clouds shortly after noon, and I began to keep an eye on them. As evening approached I thought that perhaps they might dissipate or dissolve enough that the shape would not be compelling, though some sunset color was certainly a possibility. I set out to photograph something else entirely, slowly wandering up to the far end of a subalpine meadow by myself and photographing for perhaps an hour and a half. At this point the clouds looked like they were starting to hold greater potential for something quite special, so with about 45 minutes remaining before sunset I began to head back to the western edge of the meadow, from which this view included the clouds, the Dana Fork of the Tuolumne Meadow, and the summits of Mounts Dana and Gibbs. If you are wondering if the color finally developed... stay tuned!
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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Neil Haboush from Montreal, Canada is Chief Executive Officer of Good Mind Hunting. With 14 years of professional success and expertise in-group management, Neil Haboush creates the organization’s infrastructure, and manages all funding and technical details.
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Two Sandhill Cranes in Flight. Central Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell - all rights reserved.
A pair of lesser sandhill cranes in flight
Near the end of the winter migratory bird season in the California, where we photograph these birds all winter, the birds seem to collect in ever larger number and become more and more active, especially by this late-February period. On this morning visit we found tens of thousands of geese plus huge groups of cranes. They became active shortly before dawn and didn't stop until we departed hours later.
I have photographed the sandhill cranes here on many previous occasions, but this turned out to be one of the best opportunities yet to photograph them in the air. Large flocks were on the ground on both sides of the gravel road on which we were driving, and if we stopped in the right spots they would fly almost directly overhead and they moved from spot to spot. These are beautiful birds, graceful in their gliding flight with striking red patches on their heads, and an instantly recognizable cry.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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Maple and Sorrel, Redwood Grove. Muir Woods National Monument, California. August 1, 2013. © Copyright 2013 G Dan Mitchell - all rights reserved.
An old maple tree leans above a bed of redwood sorrel in a redwood grove at Muir Woods National Monument
Of the group of photographs I made on this early August morning at Muir Woods National Monument, this may be the darkest scene of all. Almost no direct sunlight had yet penetrated down into this section of the forest, with the exception of a few odd beams striking here and there among the higher branches, and one coming across the forest floor from the right side of the frame.
Redwood trees here are generally quite straight and bulky. With the exception of those that have fallen or are leaning over, they forma a continues a pattern of vertical lines. Breaking up this verticality are the curving shapes of trees like the laurel, and in this scene a thick, old maple tilts wildly to the right at a 45-degree angle, and is the form that initially attracted me to this spot. The forest floor here is almost covered with redwood sorrel, a clover-like plant that puts out small blossoms earlier in the year.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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