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© LICENZA: Questa foto può essere utilizzata per uso NON COMMERCIALE e utilizzata solo in siti web on-line, NON AUTORIZZO la stampa della foto,
Non puoi alterare o trasformare quest'opera, ne' usarla per crearne un'altra. "NON COMMERCIALE ' come definito nella presente licenza esclude tutte le vendite di questo lavoro o parte di esso a fine di lucro, anche se la vendita non comporta un profitto diretto al venditore. Questa licenza è subordinata al collocamento della seguente dicitura:
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The #MacroMondays" #WearandTear theme
This is my late grandfather’s first driving licence, revealing on its unseen back page that he passed his test in November 1937. It’s a pocket-sized booklet, a little larger than a credit card, with a red cardboard cover.
It consists of a number of pages allowing it to be renewed annually at a cost of five shillings each time, a trivial amount to those who could afford a car. The average weekly wage in 1957 was between seven and eight pounds. Those under 50 may not be aware that there were 20 shillings to a pound and 12 pennies to a shilling.
Pictured is the most recent page, allowing him to drive 1957-1958. Examining the booklet reveals that some pages had become stuck together (some still are), their contents destroyed by separating them, caused by the licence having become wet. That was unsurprising. My grandfather was a Post Office Engineer, a reserved occupation in World War Two. He fought his war in London, repairing phone lines and telephone exchanges damaged by bombing which peaked in The Blitz of October 1940-May 1941 and again in the V1 and V2 attacks of 1944. I imagine him making and perhaps improvising repairs in unstable buildings, always with the possibility of an unexploded bomb nearby, maybe with water ingress and in all weathers with this licence in his pocket. Put that way it is not surprising to find grime and mould damage on his driving licence, apparent at the edges of the pages and across the page to the left of the worn out spine. And remember, he performed his dangerous work as a civilian, one of millions who just KBO (a Churchillism) as a member of our finest generation.
The photo was taken as shown using a 12mm extension tube. It is a multi-image stack, necessary to provide the depth of focus which was an issue due to the composition I chose. Photoshop allowed the grime and mould to be teased out to reflect this week’s theme.
Helen's kind reply below, which refers to her father, her own member of our finest generation, caused me to do a bit of digging. Although I mention above that my grandfather had passed his driving test in 1937, the stamp on the driving licence refers to "passed test group one". It was an eyesight test. Like Helen's father, my grandfather had never passed a driving test. It would take a person only slightly more direct than me to observe that, at times, the family might have guessed . . . :-)
HMM all.
I've always been inspired by the visual beauty of cinematography and film.
As a side project, I've been working on a set of Adobe Lightroom and Photoshop tools to help recreate cinematic beauty in photography with ease.
Available now : crmrkt.com/qO1qP
Image by Richard Cawood | www.RichardCawood.com
This photo is licensed under a Creative Commons license.
If you wish to use this photo, please contact me.
This photo must be credited to "Richard Cawood" and a link to www.RichardCawood.com must accompany the image.
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For your eyes only
When I put on my makeup, stockings and heels and above all, a pretty dress, I become more feminine, more outgoing, more confident, more excitable, less contemplative, less uncertain and more open to being vulnerable.
When I’m in male mode I’m constantly worried about what people will think of me. I try to be perfect, to not offend anyone, I shape who I am to fit into the person I believe others want me to be.
When the transvestite inside of me comes out, I realize that I’ve probably already offended some people. I don’t mould myself to their expectations, but find myself free to be who I am inside.
In truth I like who I am when I’m crossdressed. I think that if cross dressing was more socially acceptable, more people would feel comfortable expressing a different side of themselves.
Makeup and styling by the talented Kelayla of www.transvista.co.uk/
DSC05037
9 Feb 18
Full moon at sun rise on the Beachside Condos!
This photo is licensed as Creative Commons with some restrictions. If you use this photo, please list the photo credit as "Jack Kennard" and link the credit to jackkennard.com. Let me know by email me or fill out a form on my site and I will add your site to my photo links.
The Market Inn was first licensed as a pub in 1874 although the building is almost certainly much older. In the early days, the pub was the meeting place for traders bringing their livestock to the market, presumably cattle as this pub is on the Cattle market in Sandwich, now under the ownership of Shepherd Neame brewers of Faversham, the building has been extended and improved.
The building on the corner is the No Name Shop which is now a bistro, and is on the corner of No Name Street ( do you think they ran out of names?)
St Peter’s is a redundant Anglican church. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is under the care of the Churches Conservation Trust. In 1560 a group of Flemish Protestants from the Spanish Netherlands came to live in Sandwich, and St Peter's became their church. The tower collapsed in 1661 and the Flemings rebuilt the tower and added a cupola to the top.
MY THANKS TO ALL WHO VISIT AND COMMENT IT IS APPRECIATED
How times have changed, the establishment was required to have a sign above the door showing that they were licensed to sell tobacco. Today they could not even consume tobacco in the premises.
With thanks to all the contributors below, it seems pretty certain that this is the Kane "Temperance Tea Rooms" (later "Kane's Royal Hotel"), at the Giant's Causeway in County Antrim. The date of the image is very likely c.1870 (+/- 6 or 7 years) and possibly c.1866. See the comments below for other images, adverts and items related to the hotel - which remained within the Kane family through at least the first half of the 20th century - but is now demolished.
Photographers: Frederick Holland Mares, James Simonton
Contributor: John Fortune Lawrence
Collection: The Stereo Pairs Photograph Collection
Date: ca. 1860-1883 (though likely 1863-1876)
NLI Ref: STP_2036
You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie
Today we have another Poole Studio photo, this one commissioned by our legal friend, Henry D. Keane, Esq.
Any and all suggestions as to why this photo was commissioned by a solicitor will be very gratefully received. At the very least, we hope to find out about the licensee, Edward Egan.
Photographer: Poole Studio Photographer
Collection: Poole Photographic Collection
Date: Circa Tuesday, 16 December 1930
NLI Ref: POOLEWP 3776
You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie
Now here’s a little story that I’ve got to tell about three bad brothers you know so well...
I know I'm not being very original by saying that I'm a big Beastie Boys fan, but I'm a big Beastie Boys fan!
Ever since Beat Street played on First Choice and that I heard rap for the first time I was hooked onto that culture. RUN DMC's Raising Hell and Beastie Boys Licenced To Ill were the first LPs I bought for myself and kick started what is now a huge music collection. That was in 1986, 31 years ago as I write this, and although I'm a little late to the party, I thought I'd build this to pay homage and add to the celebration of this iconic album, band and cover art.
I won't bore you with how much Beastie Boys collectables and records I have, or how many times I've seen them live, but If your interested this is a fantastic article about the cover art of this Licensed To Ill album and another about the 30th anniversary.
diffuser.fm/cover-stories-beastie-boys-licensed-to-ill/
www.nydailynews.com/entertainment/music/30-years-today-li...
Thanks to Veronique for her graphic skills Geneviève for the hi def photos.
Licensed as a 1956 car, this is a 1933-36 model. It is in ownership since 1974(!) by the way.
@ Elfsteden Oldtimer Rally 2018
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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
But Under the following conditions:
Attribution — Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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Vintage NASA astronaut license plate. Daniel dreamed of becoming an astronaut in www.TheAstronot.com.
Philippe Clabots (#PhilippeCPhoto - photos@philippec.be) - photos.philippec.be/
PCLA-20161203-0029.dng
¹⁄₅₀ sec at f/16 - ISO 100 - 24mm
Canon EOS 6D - EF24-105mm f/4L IS USM
Author : Philippe Clabots (#PhilippeCPhoto)
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Hey, that's my shot, licensed for the cover of the new Andrew Vacchs novel, Haiku, just out from Pantheon / Knopf.
(Here's the original as it first appeared on joe's nyc...)
I've got another Pantheon / Knopf cover coming out in a couple weeks. Stay tuned.