View allAll Photos Tagged lean
Yung Lean performing at The Danforth Music Hall on February 2, 2018.
Supported by Thaiboy Digital.
Photos by Anton Mak.
Yung Lean performing at The Danforth Music Hall on February 2, 2018.
Supported by Thaiboy Digital.
Photos by Anton Mak.
"Lean on Me:" I have seen this rock many times before, but when I saw it today, for some reason, it almost appeared to me that it had a mouth and an eye and it was huddled behind the one in front of it, yet looking over its shoulder in fear of what was ahead. Well, I suppose if rocks could talk, maybe it would validate my thoughts and say it was trepidatious of the rains, which have, over the many years, eroded the very granite of which it is composed. Oh, and before one questions my sometimes rampant imagination, no, I don't smoke anything! I'm just naturally nuts. Regardless of what you see or don't see, this was tonight's sunset through my eyes at Watson Lake in Prescott, Arizona.
Yung Lean performing at The Danforth Music Hall on February 2, 2018.
Supported by Thaiboy Digital.
Photos by Anton Mak.
Yung Lean performing at The Danforth Music Hall on February 2, 2018.
Supported by Thaiboy Digital.
Photos by Anton Mak.
An inbound (6) train leans into the superelevation as it begins to round the curve north of Whitlock Ave.
R62A (6) (Bombardier, 1984-1987)
Whitlock Ave Station
Pelham Line - IRT
Please swallow your pride
If I have things you need to borrow
For no one can fill
Those of your needs that you won't let show
You just call on me brother when you need a hand
We all need somebody to lean on
I just might have a problem that you'll understand
We all need somebody to lean on...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My Band of Brothers...aka, West Coast Crabbers...
If there is a load you have to bear
That you can't carry
I'm right up the road, I'll share your load
if you just call me
Editing old photos gets boring after a while. I should probably pick up my picture-taking machine thingy.
Title was obviously inspired by Bill Withers.
And here's the song.
The Viaduct Events Centre. Or as I call it "That wavy building"
Hard drive RMA'd, and we're back to normal almost.
Manifest out of New Orleans leans into the super-elevated curve in downtown Loachapoka on a fine summer morning. The pair of GE's up front and a radio unit in the middle are working hard climbing the grade that started 10 miles back at Chehaw.
the lean of the laburnum and the cut ivy vine at the base of the trunk
over the easter weekend i noticed how the laburnum tree was leaning towards the house and the patio pergola. it wasn't like that last year. decision made to remove as much of the ivy as i could to lessen the weight on the branches and expose the lean of the trunk. i know the revealed aged vines are destructive but i do like the look of them
update 7th april, 2026
tree surgeon to assess the laburnum thursday 9th april, 2026
kingscutstreeservices.co.uk/?utm_source=google&utm_me...
update 9th april, 2026
the canopy will be cut back 2m and shaped in mid-august
for many years my garden was a shrubbery flic.kr/p/Lhv9ag which i loved. a picket fence covered in an ivy hedge coming down in a storm flic.kr/p/2gnCyih meant that over time changes had to happen flic.kr/p/2mn2x8a i'll be glad when the trellis is covered in honeysuckle and jasmine. that's the plan ...
www.flickr.com/groups/gardening_is_my_hobby/ helpful for ideas. thank you for sharing
Overview
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1170373
Date first listed: 30-Jun-1961
Location
Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL
County: Devon
District: Exeter (District Authority)
National Grid Reference: SX 96537 88029
Details
871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)
II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.
MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.
PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.
EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).
INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.
PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.
SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)
REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)
© Historic England 2022
Sophie Martin as Odette and Christopher Harrison as Siegfried, in the world premiere of Scottish Ballet's new production of Swan Lake by David Dawson.
I took this at the dress rehearsal at the Theatre Royal in Glasgow, on Monday.
You can see other shots of this production in my Swan Lake set.
You can see more ballet pics in my Scottish Ballet set.
It will also be touring to Aberdeen, Inverness, Newcastle, Edinburgh and Liverpool.
3/5/2017 A tourist leaning on a railing on the Staten Island Ferry. Sony a7. Konica Hexanon AR 40mm 1:1.8.
Roll 3 - Frame 21 - Olympus OM-10 ISO 400.
From when I lived in Airlie Beach when I was probably at my skinniest; around 65kg (I'm 6'1").
Another group of seven; this one was taken in a studio. It's nice to see the intimacy shown by how they are all touching each other.
EJ&E SD38-2 #669 and LOCX LG1005 #1005 switch WSI in Sauk Village. According to info about that second unit, it was built by the Ohio Locomotive Works in Lorain as a "Lean and Green" unit and stayed with the Cuyahoga Scenic for some time. Paired with this J SD38-2, it almost looks like one of the old EJ&E switchers.