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IBEW Local 1637 member shop steward Joshua Atkinson hands IBEW Local 1637 member Dan Reynolds a worksite leaflet about Barack Obama's record of supporting working people. (photo credit: Rosann Barker)
This is a Tabebuia, I think. it looks mostly like a T. rosea. In the pic, the 'small' leaf is a young one and the big foliole is the size of a main mature one. There are many of these trees in Santo Domingo, same individual may have 5-7 leaflets, but mainly 6. There is more info and pics in this link. --- Any brilliant idea will be VERY appreciated. --- As 2 side notes, there are not supposed to be Handroanthus here and I haven't been able to find the reference "allowing" T. rosea to have 6-7 leaflets, I found one once, and I lost it.
Accession number spa.2601
Better Together leaflet. 1 in 5 workers in Scotland are employed by English, Welsh & Northern Irish firms. 2014.
The Scottish Political Archive is housed at the University of Stirling. The archive is home to the oral interviews, personal papers and associated material from prominent Scottish politicians. For further information about the work of the archive please visit our website www.scottishpoliticalarchive.org.uk
Accession Number: spa.2994.9.2
The Scottish Political Archive is housed at the University of Stirling. The archive is home to the oral interviews, personal papers and associated material from prominent Scottish politicians. For further information about the work of the archive please visit our website www.scottishpoliticalarchive.org.uk
Concertina leaflet for a tourist information centre in Mexico. The design had to be modern, elegant and stylish with a luxurious feel to it yet still depicting the good elements of Mexican culture.
Accession Number: spa.2994.9.1
The Scottish Political Archive is housed at the University of Stirling. The archive is home to the oral interviews, personal papers and associated material from prominent Scottish politicians. For further information about the work of the archive please visit our website www.scottishpoliticalarchive.org.uk
Pale Wood-sorrel, Oxalis incarnata. Leaflets are about 16 mm across. Olinda, Victoria, Australia, April 2014.
Citizen Fish (Warminster, England) &
Zygote (Bath, England) - 1990
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau
.
SQUAT - SOUNDS
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1989-1990:
Archbishop Kebab (Edinburgh, Scotland) - 1989
Citizen Fish (Warminster, England) - 1990
Die Trottel (Budapest, Hungary) - 1988
Do Or Die (Amsterdam, Netherlands) - 1990
Israelvis (Trondhrim, Norway) - 1989
Kina (Valle d'Aosta, Italy) - 1990
Life… But How To Live It? (Oslo, Norway) - 1989
Political Asylum (Edinburgh, Scotland) - 1989
Rikk Agnew (Fullerton, USA) - 1990
Robsie Richter (Hanau, Germany) - 1990
Sharon Tates Children (Stuttgart, Germany) - 1989
Sore Throat (Yorkshire, England) - 1990
Spongetunnel (Chicago, USA) - 1989
Ugly Food (Lübeck, Germany, Odense, Denmark) - 1989
Zygote (Bath, England) - 1990
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
- * -
THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
- * -
SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
- * -
There is a leaflet of Merkur Kids rides. One of them feature: Mickey Mouse, Pixar Cars, Winnie the Pooh, Little Einstines, 101 Dalmatians, Cinderella, and Pirates of the Caribbean. Now notice that under the Merkur Kids logo, it says "Produced by GeWeTe" GeWeTe is another company owned by The Gauselmann Group along with Merkur Gaming. As for Merkur Kids, well how Merkur Gaming got their hands on their kiddie ride business starts with another well known company, EMT. (Now in case if I'm being Mr Wrong again, just correct me) EMT was founded in 1970 and produced several rides including their licensed rides such as Asterix, Alvin and the Chipmunks, Charlie Chalk and Power Rangers. Around 2004, They were acquired by another company owned by The Gauselmann Group, MEXIM. (Merkur Export Import.) After the purchase, EMT's factory closed and Merkur's another company, GeWeTe will continue to manufacture EMT's Disney and Classic range of rides. Most of their rides since 2004 are now manufactured by GeWeTe and released by Merkur Gaming with their EMT name. EMT was rebranded to Merkur Kids in 2009 and that's pretty much it. Other than the fact that Merkur Kids had shutdown because their website doesn't work anymore. So I don't know what's going on with Merkur Gaming if they are leaving the ride industry. But their two companies, GeWeTe and Merkur Gaming are still around so I don't know.
Image appears as a give-away leaflet and available on the Bracknell Forest Borough Council website. www.bracknell-forest.gov.uk/leisure/leis-parks-and-countr... Click on "Gardening for Wildlife" or click this:- New! Gardening for Wildlife Leaflet available.)
A lot of Karneval is about political parody and poking fun at those in power. These leaflets are making fun of the miniscule increase in social welfare benefits.
part of my final outcomes for a self-directed brief from early 2009. I chose to promote an up-coming band through a range of media.
The Vauxhall Velox and Wyvern models were first introduced in 1948; in 1951 both models, based on the same platform, were given a longer, wider body (known as the EIP/EIX type) and it is these variants shown here in this small, folding leaflet. As well as extolling the features of both models - comfort and roominess - the leaflet gives the prices; the Velox, the model with the larger engine, coming in at £515 (plus £287 12s 3 Purchase Tax) and the Wyvern with its smaller engine at £475 (plus £265 7s 9d PT). The leaflet is dated by print code to August 1951, the month the new cars were launched.
The cover artwork, in a very '40s style, is by Noël McVeigh who was commissioned by several motor car and component manufacturers for advertising material. Oddly the leaflet states "entirely new"; whereas the body was on both models they initially retained older engine designs, both being updated within a few months in 1952.
© Sarah Bird Photography 2011
Dust off those bad Christmas jumpers & reindeer antlers - it's time for your festive photograph!
Come along to my artist open studio at New England House & have your Christmas portrait taken. Individuals, families & couples welcome.
I'll provide the crimbo props as long as you can provide the cheesy smiles!
Prices start from £15 (you get a short portrait session & a web sized picture for this price, prints are extra).
What dates? - Thursday 8th & Friday 9th December
What time? - 12pm until 8pm
What should you bring? - yourselves, tacky Christmas dress & extra props, cash!
Where? - Studio 34 Level 6 New England House, New England Street, Brighton, BN1 4GH
Join the Facebook page here - www.facebook.com/sarahbirdphotography
Jeniang, Kedah, Malaysia.
Archidendron bubalinum (Jack) I.C.Nielsen. Fabaceae. CN: [Malay and regional vernacular names - Kerdas, Keredas padi, Genuak, Kabau, Buah pelong, Keredas antan]. Widespread in peninsular Malaysia. Habitat - lowland forest, often in "belukar". Leaves alternate, compound, leaflets opposite; thin papery and brittle; young leaf flushes purplish. Seed edible and consume as Malay salad.
Synonym(s):
Albizia acradena Miq.
Cylindrokelupha bubalina (Jack) "Kosterm., p.p."
Feuilleea bubalina (Jack) Kuntze
Inga bubalina Jack
Ortholobium bubalinum (Jack) Kosterm.
Pithecellobium bigeminum var. bubalinum (Jack) Benth.
Pithecellobium bubalinum (Jack) Benth.
Pithecellobium ellipticum ("ensu auct., non (Blanco") Hass Misapplied
Pithecellobium lobatum sensu Ridl.
Ref. and suggested reading:
FRIM Flora Database
Following on from the eWorld card, this brochure shows Apple's eWorld and it's content. The attached leaflet offers a $9.95 per month fee with... wait for it! 1 hour online per month!!!
www.modernprint.co.uk Election leaflet printers in Pembrokeshire. Please call Trevor today if we can help you on 01646 682676
On 24 December Animal Equality activists held an info-stall with a screen showing our investigation work into animal exploitation centres. Dozens of passers-by stopped to ask us for information about our work or just simple curiosity. We also gave out leaflets about Veganism and anti-speciesism.
Thanks to all the activists who attended this outreach event to promote the respect towards other animals.
Are you interested in taking part of our vegan outreach team and other Animal Equality's activities?
If so, please visit this link: www.AnimalEquality.net/collaborate
Live vegan it's easy and ethical | www.ChooseVeganism.org