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69013 and 69010 North Norfolk Railway 1975 - 2025 The Poppy Line and a single wagon cross the River Nene at Peterborough, working 6L32 06.57 Doncaster Up Decoy - Whitemoor Yard LDC.
In the background on the extreme left is part of the prototype "Hovertrain", preserved (although currently with some panels missing) at Railworld.
Manipulation notes: a buddleia bush growing on the bridge has been digitally removed (using small portions of other frames in the burst) because it was obscuring the text on the side of 69013.
Visit Brian Carter's Non-Transport Pics to see my photos of landscapes, buildings, bridges, sunsets, rainbows and more.
Embraer ERJ-170ST msn25 de 2004
LOT Polish Airlines (01/04/2004 - 01/2015)
Aéroport Nice Côte d'Azur
07/05/2010
...., XA-ALD
Embraer ERJ-170ST msn25 de 2004
LOT Polish Airlines (01/04/2004 - 01/2015)
Aéroport Nice Côte d'Azur
07/05/2010
...., XA-ALD
Embraer ERJ-170ST msn25 de 2004
LOT Polish Airlines (01/04/2004 - 01/2015)
Aéroport Nice Côte d'Azur
07/05/2010
...., XA-ALD
Photo taken by Andreas Rink, slide kindly provided for scanning by Florian Weiß.
München-Riem
1978-10-15 (15 October 1978)
C-FTOB / 302
Boeing 747-133
20014 / 121
Air Canada
C-FTOB has left Riem from runway 25 on a day of many diversions. Other aircraft diverted from Frankfurt that day included El Al B747 4X-AXD, Lufthansa B747 D-ABYG, Lufthansa Cargo B707 D-ABUO and Olympic Airways B727 SX-CBF. In addition, there were diversions from AMS (KLM DC-10 PH-DTL) and VIE (El Al B720 4X-ABB, Austrian Airlines DC-9s OE-LDC, OE-LDD and OE-LDH). There was even a diversion from MIL (THY DC-9 TC-JAG).
Delivered new to Air Canada in March 1971 as CF-TOB. Flew for Iberia as EC-DXE, Middle East Airlines, Olympic Airways, EgyptAir and Nigeria Airways as EI-BRR, Wardair Canada as C-FTOB, FedEx as N621FE, Nationair as C-FTOB, Air Atlanta Icelandic, Kabo Air, Iberia and Saudia as TF-ABR. (Sources: planelogger.com, rzjets.net) Wfu and stored at MZJ in Saudia colours; scrapped some time after 2003.
Registration details for this airframe:
www.planelogger.com/Aircraft/Registration/CF-TOB/525252
This airframe as CF-TOB with Air Canada at LHR in July 1973 (earlier colours):
www.flickr.com/photos/158949556@N05/38367083396
This airframe as EC-DXE with Iberia at GLA in 1984 (Air Canada cheatline):
www.flickr.com/photos/gerrymcl/32385948550
This airframe as EI-BRR leased to Nigeria Airways at SNN in 1986:
www.flickr.com/photos/shanair/15717414934
C-FTOB with Wardair Canada at ORY in June 1987:
cdn.planespotters.net/17678/c-ftob-wardair-canada-boeing-...
This airframe as N621FE at FRA ca. 1990:
www.flickr.com/photos/edge-to-edge-photography/15792836965
This airframe as TF-ABR with Saudia at FRA in 1997 (full colours):
www.flickr.com/photos/steelhead2010/24574728399
TF-ABR with Iberia at MAD in November 1998 (full colours):
cdn.jetphotos.com/full/5/80495_1458216372.jpg
TF-ABR with Air Atlanta at PMI in June 1999 (all white, no titles):
www.jetphotos.com/photo/6206113
TF-ABR with Saudia at LUX in July 1999 (white fuselage):
cdn.jetphotos.com/full/5/75877_1462605049.jpg
TF-ABR at MZJ in October 2003:
www.flickr.com/photos/133813370@N04/49666084402
Scan from Kodachrome slide.
OE-LDC
Airbus A.319-112
Austrian Airlines
"named Kiev"
Heathrow
Runway 27L
05/09/2020
OS452 to Vienna (VIE)
"Larmes de Coton" (Tears of Cotton) is a performance by artist Amélia Sampaio that explores the haunting legacy of colonial exploitation in the Americas. For many Afro-descendants, cotton—like coffee or sugarcane—is not just a plant, but a painful symbol of forced labor and enslavement.
In this work, the artist stages a silent ritual of remembrance and resistance, where each gesture resonates with ancestral memory. The white softness of cotton contrasts sharply with the violence of its history, evoking both mourning and resilience.
The full series can be viewed here:
👉 ameliasampaio.com/portfolio/larmes-de-coton-lagrimas-de-a...
B286 LDC - Econfreight - Volvo N.12 6x4 ballast tractor. Classic Commercial Motor Show, Gaydon on 11th June 2005
"Larmes de Coton" (Tears of Cotton) is a performance by artist Amélia Sampaio that explores the haunting legacy of colonial exploitation in the Americas. For many Afro-descendants, cotton—like coffee or sugarcane—is not just a plant, but a painful symbol of forced labor and enslavement.
In this work, the artist stages a silent ritual of remembrance and resistance, where each gesture resonates with ancestral memory. The white softness of cotton contrasts sharply with the violence of its history, evoking both mourning and resilience.
The full series can be viewed here:
👉 ameliasampaio.com/portfolio/larmes-de-coton-lagrimas-de-a...