View allAll Photos Tagged ldc
Embraer ERJ-170ST msn25 de 2004
LOT Polish Airlines (01/04/2004 - 01/2015)
Aéroport Nice Côte d'Azur
07/05/2010
...., XA-ALD
Embraer ERJ-170ST msn25 de 2004
LOT Polish Airlines (01/04/2004 - 01/2015)
Aéroport Nice Côte d'Azur
07/05/2010
...., XA-ALD
Embraer ERJ-170ST msn25 de 2004
LOT Polish Airlines (01/04/2004 - 01/2015)
Aéroport Nice Côte d'Azur
07/05/2010
...., XA-ALD
66795 ‘Bescot LDC’ & 66693 depart from Hoo Junction on a grey day on 31st March 2026 working 6L37 09:45 Hoo Junction Up Yard to Whitemoor L.D.C.
66137 approaches Werrington Jn. (north of Peterborough), working 6B01 12.05 Bottesford West Jn - Whitemoor Yard LDC. This had come out of a possession on the Grantham - Nottingham line, presumably where track was being replaced as the front two-thirds of this train is carrying used track panels.
I almost didn't make it here in time for this, although had a few minutes to spare as it had not long passed Tallington when I got into position on the footbridge. I spent a little too long chatting with another photographer at Beggars' Bridge, thinking about where to get the southbound Northern Belle, and only when I'd got in the car did I realise I could get this train here... but the North Bank road was apparently closed as a result of flooding, meaning I had to drive via King's Dyke level crossing and Stanground, with very slow moving traffic all the way along the A605 west of Whittlesey.
To see my non-transport pictures, visit www.flickr.com/photos/137275498@N03/.
Platinum 6720 on a relatively rare working of the 77. The route 77 will soon operate from Perry Barr Garage so this will not happen again for about a year.
B286 LDC - Econfreight - Volvo N.12 6x4 ballast tractor. Classic Commercial Motor Show, Gaydon on 11th June 2005
Arte refeita com base do logo da Troy Lee Design
Troy Lee Design Equipment Motocross and Downhill Mtb
"Larmes de Coton" (Tears of Cotton) is a performance by artist Amélia Sampaio that explores the haunting legacy of colonial exploitation in the Americas. For many Afro-descendants, cotton—like coffee or sugarcane—is not just a plant, but a painful symbol of forced labor and enslavement.
In this work, the artist stages a silent ritual of remembrance and resistance, where each gesture resonates with ancestral memory. The white softness of cotton contrasts sharply with the violence of its history, evoking both mourning and resilience.
The full series can be viewed here:
👉 ameliasampaio.com/portfolio/larmes-de-coton-lagrimas-de-a...