View allAll Photos Tagged layoutdesign
Salon des Magazine
Conceptualized magazine spotlighting painters and draftsman with an emphasis on showcasing up and coming artists in the drawing community.
Publication Design class
Class initiated project focusing on layout and typography at UCLAx Adv. DCA program.
Adobe Illustrator CC, Indesign CC. 2015.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
Coupon, post card, and brochure made for a fake event at the DIA. Images provided or found on Google. Made in InDesign.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
The MLB plays more games than any other sport which creates a high need for turnaround on communication to our fans. To accomplish this more effectively, the Astros send daily email ads inviting the more committed fans to come out and cheer.
The e-blasts present a unique challenge of providing creativity on the fly coupled with fast, quality work.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
Salon des Magazine
Conceptualized magazine spotlighting painters and draftsman with an emphasis on showcasing up and coming artists in the drawing community.
Publication Design class
Class initiated project focusing on layout and typography at UCLAx Adv. DCA program.
Adobe Illustrator CC, Indesign CC. 2015.
Waveland Capital Group LLC 2010-2017
Waveland Capital Group LLC is a merchant bank with core investment focus in the oil and gas exploration and production industry, predominantly via limited partnerships funded through the FINRA broker-dealer community.
As an In-House Designer (2011-2016), I am in charge of the visual identity of the company. Providing various pieces of marketing material created for Waveland Energy Partners LLC.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites. The next slides in the album feature all of the spreads in the 32-page program. The program was laid out in Adobe InDesign and pulls in elements from Photoshop and Illustrator.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their Celebrate Opera, which was a program filled with Maestro Gretz’ personal favorites.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two shades of red. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next. For Celebrate Opera I focused on the blues within the palette and altered the velvet sky texture I created for Susannah so that it seemed misty. I wanted to give the impression of a galaxy full of stars. I had many different ideas but eventually settled on the idea of a spotlight so that the star of the show would be the music. The script font that takes center stage is called Sign Painter and the body copy is Gotham.
Fully custom hand made graphics for highlighting newsbox highlights on the front page. Customized PHP, HTML and CSS with custom graphic.
Waveland Capital Group LLC 2010-2017
Waveland Capital Group LLC is a merchant bank with core investment focus in the oil and gas exploration and production industry, predominantly via limited partnerships funded through the FINRA broker-dealer community.
As an In-House Designer (2011-2016), I am in charge of the visual identity of the company. Providing various pieces of marketing material created for Waveland Energy Partners LLC.
Waveland Capital Group LLC 2010-2017
Waveland Capital Group LLC is a merchant bank with core investment focus in the oil and gas exploration and production industry, predominantly via limited partnerships funded through the FINRA broker-dealer community.
As an In-House Designer (2011-2016), I am in charge of the visual identity of the company. Providing various pieces of marketing material created for Waveland Energy Partners LLC.