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Packaging for Monolith wood iPhone back panels.

 

Layers of corrugated cardboard laser cut. Cardstock sleeve laser cut with logo cutout.

 

madebymonolith.com

The two laser cut works layered together.

Grid Distortion, laser engravings on anodized aluminum, 22"x22".

 

For Artomaton exhibition at MediaRuimte in Brussels.

Ahh. Pink acrylic lasercut handwritten quote from my degree show 2011.

 

CircGrid - New laser drawings in the Grid Distortions series. Fabricated by Martin Bauer at Lasern, Berlin.

Andrew F. Scott: And Still I Rise | Laser Engraved wood burning | 2008 |17x17in | 43.2x43.2cm

Arcs01AAB-0000, 31" x 17", laser drawing on maple plywood. Laser cutting done at Future Cities Lab, a big thank you is owed to Jason K. Johnson!

Leander Herzog: Sound structure. Laser cut plastic structures based on sound analysis.

Serial exploration of sculptural form using laser cut plywood.

I woke up this morning, remembered that I had some cardstock units left and I thougth to myself...

And then the (2,0) Goldberg Polyhedron sculpture came out. :)

I'm sure you already met one of his bigger brothers - the (5,3) polyhedron.

Have a nice day!

I just got lots of samples back from the lasercutters

Laser cut & stencil painted coaster.

Aluminum case and wood veneer business card, both laser-cut with JLD logo and type by Zoyes East in Ferndale.

Packaging for Monolith wood iPhone back panels.

 

Layers of corrugated cardboard laser cut. Cardstock sleeve laser cut with logo cutout.

 

madebymonolith.com

Title: Grid Distortion 02D 0003

Date: 2010

Size: 56 x 56 x 0.3 cm

Format: Laser engraved anodized aluminum

 

Engraving done by Engrave Your Tech.

Two panels of Horizontal Grid 0011, total size will be 5 or 6 panels of 90x50 cm each, the largest configuration I've done so far.

First major change to this system in several years; I swapped out the 'old' lcd display with this 'new' LED backpack module. It uses 4 alpha-capable led characters and I chose to buy the classic red color (works very well behind red plexiglass bezels).

 

Most of the circuits are all on production green-boards but the front panel is new and so its a perf-board work-in-progress. There are 3 buttons on the left and those control the volume in fast large-jump movements. The rotary encoder on the right moves in smaller 1dB increments. The display shows native dB from -99 up thru 0 (0 is no attenuation or maximum 'volume').

 

What is also very new, here, is that I removed IR (direct) control and went with xbee/zigbee modules for rf packet radios. These are two-way (IR is one-way) and lots of things can easily interface with xbee (being simple ascii 9600 baud over TTL signaling). With xbee in place, I can have a computer control this preamp and even display 'text' on the front panel LEDs.

 

More background on the alpha 10 preamp: www.amb.org/audio/alpha10/ (I'm the designer of the LCDuino, the delta1 and delta2 audio control elements).

 

photo from alternate angle: www.flickr.com/photos/linux-works/18456995428/in/photostream

 

view with full chassis dress: www.flickr.com/photos/linux-works/18622950416/in/photostream

Taken with a home built BlenderCam which evolved from my pinhole blender cameras. An image is formed on 35mm film which is held in a curved path, such that the effective focal length of the lens gets longer, and the effective aperture gets smaller the further away it is from the centre. By advancing the film to include an overlap, sequential images become blended together. I made the body of BlenderCam at an introductory laser cutting workshop at Access Space, Sheffield. The lens and shutter assembly is scavenged from an old Bierette camera.

CLIENT: Wu Tang Brand NY

PRODUCT: Lasered Acrylic clock.

Illustration: Yosuke Ando

Art Direction & Type: Luca Ionescu

 

Inspired by the Record Time exhibition curated by LMS in 2009.

 

Typologies and densities of the Grid Distortion series, with variations over 4 years of revisiting the same formal system. Best seen in its original size.

 

See also blog post: workshop.evolutionzone.com/2011/03/02/grid-distortion-typ...

A collection of some of our wedding stationery for the upcoming Marriage Meander Magazine.

5 x 2 grid of laser cut 1/2" plywood panels. Total size 95 x 58 inches (individual panels are 19 x 29 inches).

  

Produced at CMU's digital fabrication lab (dFab).

Taken with a home built BlenderCam which evolved from my pinhole blender cameras. An image is formed on 35mm film which is held in a curved path, such that the effective focal length of the lens gets longer, and the effective aperture gets smaller the further away it is from the centre. By advancing the film to include an overlap, sequential images become blended together. I made the body of BlenderCam at an introductory laser cutting workshop at Access Space, Sheffield. The lens and shutter assembly is scavenged from an old Bierette camera.

pentagram - custom made, CNC laser cut, steel pendant

(this is not the point down version mostly associated with Satanism)

author: Jan Helebrant

www.juhele.blogspot.com

license CC0 Public Domain Dedication

Taken with a home built BlenderCam which evolved from my pinhole blender cameras. An image is formed on 35mm film which is held in a curved path, such that the effective focal length of the lens gets longer, and the effective aperture gets smaller the further away it is from the centre. By advancing the film to include an overlap, sequential images become blended together. I made the body of BlenderCam at an introductory laser cutting workshop at Access Space, Sheffield. The lens and shutter assembly is scavenged from an old Bierette camera.

"Ornament", 18x18", laser cut plywood.

 

Created for the exhibition Darkness Descends: Norwegian Art Now, which focuses on the topic of darkness in contemporary Norwegian art.

Nokia N82.

 

One of a series of window screens I have been lasercutting inspired by tilings: black.mitplw.com/tiles/

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