San Mateo County Group
View allAll Photos Tagged largeformatphotography
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
This Cattleya hybrid is from a cross I made 9 years ago (its second blooming) and the seed sown myself in Starbucks coffee jars, as flasks.
See it in color here: flic.kr/p/2rWbSuc
Photographed with Ilford Delta 100 @ 64ASA, developed with Barry Thornton's 2-Bath developer (5+5 min).
Intrepid 5x7 camera with Wollensak Verito lens at F6.0
Cottage thats going to change in the near future as building and renovation works have begun.
MPP Technical
90mm, f45
Kodak TMax 100
1sec exposure
.6gnd for sky
Ilford HP5+ developed in Barry Thornton's 2 Bath developer, 5 + 5 minutes.
Intrepid 8x10 camera with the Schneider 240mm Symmar-S lens
About 10 seconds exposure at f32.
The weather this past 10 days has been awful. Long grey days of unrelenting rain and cold. I want to venture out, but it's not photography weather, so I work with what I have, ya know?
Photographed on 8x10 inch Bergger Pancro 400 film (well past its expiration date: 2019), developed in Rodinal 1:25
Camera: Deardorff with the 12" f4.5 Ektar lens (@f16)
Description:
Horseman 985
Super Topcor 150mm
Fomapan 100 4×5
D23r
Close view of the surviving church fabric at St James Church ruins, Bawsey, Norfolk.
Link to images, article and website,
In reference to my previous image of the two salt prints, this is the print that was made on Arches Platine. I still think the iPhone is giving it a little more contrast or clarity than the actual print, but it is a fairly close representation.
Photographed with Ilford Delta 100 @ 64ASA, developed in PMK (Pyro).
Intrepid 5x7 camera with Wollensak Verito lens at F6.0
A fortuitous developing "issue" left me with some poor looking negatives, once refixed and rinsed off they didn't look just as bad. However the "damage" was done
Upon scanning the negs this beautiful Milky Way looking scar appeared behind the tree.
Large format negative.
Pinhole camera by Reality So Subtle. 4x5z
Horseman 985. Super Topcor 150mm f/5.6. 4×5 sheet film. Fomapan 100 developed in D23r.
Link to images, article and website,
Next to the History and art museum (Nationalmusée)
Photo taken on 4x5 Fomapan 200 and developed in Adox Rodinal.
part of the winter spring clean.
Large Format 4x5 crown graphic special camera
Paper negative: Ilford MG FB
ISO 3
Shot at f/5.6 for 20ish seconds
Home developed in eco pro for 2 min
From an 8x10 inch Fomapan 100 negative (well, branded as CatLabs X80, but it's Fomapan) developed in PMK Pyro. Not bad, but the shoulder rolls off very early, making for somewhat difficult to visualize high values. But it works in its own way.
Deardoff with Schneider 240mm Symmar-S
40 seconds exposure at f16. (Long reciprocity + bellows extension)
I have been pushing the boundaries of my photography a bit recently with the addition of Wet Plate Collodion as a new "skill"
Its not easy as it forces you to work fast. however you do get to control the process start to finish.
I am looking forward to incorporating it into my workflow a bit
around 90 sec f4 large format 75mm lens
Description:
Horseman 985
Super Topcor 150mm
Fomapan 100 4×5
D23r
Black-and-white large format photograph of St James Church ruins at Bawsey, Norfolk.
Link to images, article and website,
Photographed on Ilford Delta 100, rated at 64 ASA and developed in PMK (Pyro)
Camera: Intrepid 5x7 with the Kodak 203mm Ektar lens (at f32). Such a tiny lens and yet so good.
Medium orange filter used for contrast.
From a couple days ago — probably my last visit to this part of the Marys River for the year. The water was damn cold.
Intrepid 5x7 camera with the 8.5" Kodak Commercial Ektar lens.
Ilford FP4+ @ 64 ASA, developed in PMK, 1:2:100 for 12 minutes.
Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak Ektar 100 | 9 minutes exposure
Garden rose study, photographed close against a black background.
The pale petals are held in a narrow plane of light, with the front of the bloom carrying most of the sharp detail while the inner petals fall gradually into softer tones. I wanted the rose to feel less like a botanical record and more like a small sculptural form emerging from darkness.
Horseman 985 used as a 4×5 camera, 150mm lens, 1 second at f/35. Fomapan 100, developed for 8 minutes in D23r.
Linhof Technorama 617s III | Schneider Tele-Xenar 250mm MC f5.6 | Ilford SFX 200 R72 Infrared Filter
What are we doing with the Earth, the river is dry and there is almost no snow in the mountains!
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Sinar P2
Schneider 90mm
Ilford HP5
4x5
Rodinal 1+50
Apparently I had not developed all of the film from this session last September - I found a few undeveloped sheets in the darkroom, so I processed them. It looks like I published a vertical crop of this scene, but not this one.
Photographed with Ilford Delta 100, rated at 50 ASA and developed in PMK Pyro.
Camera: Intrepid 5x7 with the 8.5" Kodak Commercial Ektar lens. About 10 seconds exposure at f22