View allAll Photos Tagged lapidarium
Stavropoleos Monastery, Bucharest, Romania
www.flickr.com/groups/stavropoleos/
www.monumenteromania.ro/index.php/monumente/detalii/en/St...
Schwetzingen - Schlossgarten
Dies sind die Originale der Statuen im Schlosspark. Sie stehen im Lapidarium, um sie vor weiterem Verfall zu schützen. Im Park sind Kopien.
The historically preserved half-timbered cemetery church from the second half of the 16th century and its surrounding area have undergone extensive renovations in the past five years. Thanks to these changes, the complex has transformed into a pleasant oasis in the middle of the city, radiating the charm of history, comfort and interesting discovery. Additionally, there is plenty of entertainment and experiences for the whole family.
Visitors can explore a lapidarium with historical stone and wooden artifacts (crosses, tombstones, parts of portals, and sculptures) as well as partially restored original architecture (floors, roofs, galleries, benches, and more) inside the church. The church can be visited during May and June only on weekends, from 10:00 AM to 6:00 PM. During the summer holidays, it will be open every day except Monday.
The historic structure is surrounded on all sides by a newly revitalized park with rich shrub and herb plantings, providing visitors a pleasant retreat amid a flood of flowers and scents. Nectar-producing plants also offer food for pollinators and, consequently for their predators, such as songbirds. Trees felled during the renovations have been repurposed as beetle habitats, creating a habitat for beneficial insects associated with decaying wood.
A high horse sculpture part of Lapidarium Project by Gustavo Aceves at the Colosseum Rome. A message against xenophobia. 2016-2017. Italy, Europe
Biljarda, the former residence of Petar II Petrovic Njegoš, built according to the design of Jakov Ozereckovski in 1838, is a place for the visitor to truly sense the time, circumstances and conditions in which the great Montenegrin Prince-Bishop, poet and philosopher created his most important works.
Over a whole century, the Montenegrins carefully preserved the legacy of Njegoš, to open a Memorial Museum in the bishop’s renewed residence in 1951.
L'église Saint-Michel (IXe - XIVe siècles) à Kotor. Elle se visite pour ses fresques et son lapidarium (musée de sculptures en pierre). Fermée lors de notre visite.
Le Musée royal de sculpture (ou Lapidarium) est installé dans l'ancienne brasserie (Brighus) du roi Christian IV et date du XVIIIe siècle. Il faisait partie de l'ensemble de l'Arsenal royal.
Sculpture by Mexican artist Gustavo Aceves, next to the Colosseum
Mexican artist Gustavo Aceves sculptural work "Lapidarium. Waiting for the barbarians" makes a stop in Rome,
the imposing sculptures (40 works, from 3 to 8 meters in height and up to 12 meters long) dialogue now with the great history of the Capital, invading the Colosseum, Trajan's Markets, the Forum and the Arch of Constantine.
The artist's aim is to represent, with his 'army' of bronze sculpted horses, marble, wood, iron and granite, the eternal human migration. One way to think about abuse and violence towards people of other nations, often considered "barbarians" and invaders. The exhibition, curated by Francesco Buranelli and on display until January 7 2017
courtyard and lapidarium of
Church of St. Stephen, Nesebar, Bulgaria
Sveti Stefan, Свети Стефан (Несебър), България
en.wikipedia.org/wiki/Church_of_St_Stephen,_Nesebar
www.ancient-nessebar.com/html/main_en.php?menu=sights_svs...
Nessebar - UNESCO World Heritage site
Atalanta made by Heinrich Charrasky (1656-1710) at the end of the 17th- or begin of the 18th-century. This is a copy. The original is in the Lapidarium of the Schlossgarten. It was made of gilded lead.
It was defended by a handful of Hungarian warriors from a huge Turkish army in 1552. Géza Gárdonyi pays homage to it in his novel Stars of Eger (Eclipse of the Crescent Moon).
.
The church of the bishopric of Eger founded by king St. Steven was built on the castle hill. It was rebuilt several times, first in Romanesque, later in Gothic style. The stone castle was built after the Mongolo-Tartarian invasion in the 13th c. and it was rebuilt many times until the 18th c.
Now it is home of István Dobó Castle Museum with several permanent exhibitions:
Gothic Bishop's Palace – the history of the castle of Eger;
Hall of the Heroes – exhibition in honour of the defenders of the castle in 1552.
Kazamaták (Underground corridors) – the undreground system of the castle, Romanesque and Gothic lapidarium
Ruin garden – renovated ruins of the Romanesque, Gothic and late-Gothic cathedral.
Picture gallery – works of 16th-19th c. painters.
Prison exhibition – tools of execution, torture, humiliation in past Hungary.
Waxworks
Thanks to the history of the castle and the exhibitions of the castle museum the castle is one of the most visited touristic sights in Hungary.
Upper Lapidarium, Ljubljana castle
1986 - 2012, Ambient architects (Miha Kerin, Marija Magdalena Kregar et al.)
"The Ljubljana Castle lapidarium is a part of a new subterranean public connecting space of the castle complex, which gradually came into being in the course of the renovation. It enriches the programmes and historical testimony of the castle.
Building anti-seismic foundations for the cracked courtyard facing sections with Corten steel supporting pillars set on the rocky ground, the simultaneous removing of the rubble inside the ramparts (dating back to when the courtyard sections were constructed), and the archaeological investigations and finds related to the earlier periods of the smaller Spanheim castle, brought about the idea of presenting and putting to use this new, interesting space.
A space was created for presenting well-preserved, undamaged, buried inner structures of the rampart as well as the archaeological remains of the castle’s earlier stages. The area is adapted to the bedrock terrain and its varying levels as well as the shapes of the sections above it. This is how a picturesque, cohesive, multi-purpose subterranean space around the central service area was created. The service area is sunken into the archaeologically sterile terrain and allows for covered access to most castle sections. It is also connected to the funicular, providing access to the castle from Krekov Square."
Taken along the main waterway in Copenhagen near Søren Kierkegaards Plads with Kongernes Lapidarium in the background.
Le Musée de la Guerre est installé dans l'ancienne "Maison aux draps" (Tøjhus) de l'arsenal royal du roi Christian IV.
The historically preserved half-timbered cemetery church from the second half of the 16th century and its surrounding area have undergone extensive renovations in the past five years. Thanks to these changes, the complex has transformed into a pleasant oasis in the middle of the city, radiating the charm of history, comfort and interesting discovery. Additionally, there is plenty of entertainment and experiences for the whole family.
Visitors can explore a lapidarium with historical stone and wooden artifacts (crosses, tombstones, parts of portals, and sculptures) as well as partially restored original architecture (floors, roofs, galleries, benches, and more) inside the church. The church can be visited during May and June only on weekends, from 10:00 AM to 6:00 PM. During the summer holidays, it will be open every day except Monday.
The historic structure is surrounded on all sides by a newly revitalized park with rich shrub and herb plantings, providing visitors a pleasant retreat amid a flood of flowers and scents. Nectar-producing plants also offer food for pollinators and, consequently for their predators, such as songbirds. Trees felled during the renovations have been repurposed as beetle habitats, creating a habitat for beneficial insects associated with decaying wood.
Part of the park, freely accessible every day except Monday from 10:00 AM to 6:00 PM, includes a new nature trail with accurately rendered models of the most common local insect species and interesting information about them. The trail connects the church area with its immediate surroundings, creating a larger complex that, in addition to educational stops, offers entertainment, social, spiritual and cultural-aesthetic experiences.
Neben der Ortskirche bzw. auf dem dortigen ehemaligen Friedhof befindet sich das "Lapidarium Walbeck".
Barrage Vauban (Big Lock) in the la Petite France district of Strasbourg, France.
A bridge, weir and defensive work erected in the 17th century on the River Ill. At that time, it was known as the Grande Ecluse (Great Lock), although it does not function as a navigation lock in the modern sense of the word. Today it serves to display sculptures and has a viewing terrace on its roof, with views of the earlier Ponts Couverts bridges and Petite France quarter.
The barrage was constructed from 1686 to 1690 in pink Vosges sandstone by the French Engineer Jacques Tarade according to plans by Vauban. The principal defensive function of the barrage was to enable, in the event of an attack, the raising the level of the River Ill and thus the flooding of all the lands south of the city, making them impassable to the enemy. This defensive measure was deployed in 1870, when Strasbourg was besieged by Prussian forces during the Franco-Prussian War and resulted in the complete flooding of the northern part of the suburb of Neudorf.
It has 13 arches and is 120 metres in length. Within the structure an enclosed corridor links the two banks and a lapidarium serves to display ancient plaster casts and copies of statues and gargoyles from Strasbourg Cathedral and Palais Rohan. Three of the arches are raised to permit navigation, and the corridor is carried across these by drawbridges. The roof was rebuilt in 1965-66 to construct the panoramic terrace.
Information Source:
Lapidarium by Gustavo Aceves. At Lucca.
The disapproving look is from the gent strimming the grass around the exhibit.
18th-century sculpture "summer" made by an unknown sculptor from Lorraine. This is the original in the Lapidarium of the Orangery in Schlossgarten Schwetzingen.
The historically preserved half-timbered cemetery church from the second half of the 16th century and its surrounding area have undergone extensive renovations in the past five years. Thanks to these changes, the complex has transformed into a pleasant oasis in the middle of the city, radiating the charm of history, comfort and interesting discovery. Additionally, there is plenty of entertainment and experiences for the whole family.
Visitors can explore a lapidarium with historical stone and wooden artifacts (crosses, tombstones, parts of portals, and sculptures) as well as partially restored original architecture (floors, roofs, galleries, benches, and more) inside the church. The church can be visited during May and June only on weekends, from 10:00 AM to 6:00 PM. During the summer holidays, it will be open every day except Monday.
The historic structure is surrounded on all sides by a newly revitalized park with rich shrub and herb plantings, providing visitors a pleasant retreat amid a flood of flowers and scents. Nectar-producing plants also offer food for pollinators and, consequently for their predators, such as songbirds. Trees felled during the renovations have been repurposed as beetle habitats, creating a habitat for beneficial insects associated with decaying wood.
Part of the park, freely accessible every day except Monday from 10:00 AM to 6:00 PM, includes a new nature trail with accurately rendered models of the most common local insect species and interesting information about them. The trail connects the church area with its immediate surroundings, creating a larger complex that, in addition to educational stops, offers entertainment, social, spiritual and cultural-aesthetic experiences.
Sculpture by Mexican artist Gustavo Aceves, next to the Colosseum
Mexican artist Gustavo Aceves sculptural work "Lapidarium. Waiting for the barbarians" makes a stop in Rome,
the imposing sculptures (40 works, from 3 to 8 meters in height and up to 12 meters long) dialogue now with the great history of the Capital, invading the Colosseum, Trajan's Markets, the Forum and the Arch of Constantine.
The artist's aim is to represent, with his 'army' of bronze sculpted horses, marble, wood, iron and granite, the eternal human migration. One way to think about abuse and violence towards people of other nations, often considered "barbarians" and invaders. The exhibition, curated by Francesco Buranelli and on display until January 7 2017
Detail of the 18th-century sculpture "winter" made by an unknown sculptor from Lorraine. This is the original in the Lapidarium of the Orangery. I made a joke in German, when I said, that it was a child that was eating something. It's actually a child blowing on a pot of blazing coal. Nobody even noticed (except of the mother of my bf).
Barrage Vauban (Big Lock) in the la Petite France district of Strasbourg, France.
A bridge, weir and defensive work erected in the 17th century on the River Ill. At that time, it was known as the Grande Ecluse (Great Lock), although it does not function as a navigation lock in the modern sense of the word. Today it serves to display sculptures and has a viewing terrace on its roof, with views of the earlier Ponts Couverts bridges and Petite France quarter.
The barrage was constructed from 1686 to 1690 in pink Vosges sandstone by the French Engineer Jacques Tarade according to plans by Vauban. The principal defensive function of the barrage was to enable, in the event of an attack, the raising the level of the River Ill and thus the flooding of all the lands south of the city, making them impassable to the enemy. This defensive measure was deployed in 1870, when Strasbourg was besieged by Prussian forces during the Franco-Prussian War and resulted in the complete flooding of the northern part of the suburb of Neudorf.
It has 13 arches and is 120 metres in length. Within the structure an enclosed corridor links the two banks and a lapidarium serves to display ancient plaster casts and copies of statues and gargoyles from Strasbourg Cathedral and Palais Rohan. Three of the arches are raised to permit navigation, and the corridor is carried across these by drawbridges. The roof was rebuilt in 1965-66 to construct the panoramic terrace.
Information Source:
St. Euphemia's Basilica, characterized by early-Christian buildings, stands in the wonderful Campo dei Patriarchi in Grado's old town centre.
Nearby you will also find the wind vane of the fifteenth-century bell tower characterized by the Anzolo San Michele (the Angel St. Michael) that is the symbol of Grado; the Baptistery; the Lapidarium and the Basilica of Our Lady of Graces, the oldest in town.
The origins of the basilica are very ancient. In fact, in the 4th century there was already the "small basilica of Petrus", on which Nicetas lay the foundations for a new church in the early 5th century.
However, the new building was completed in 579 by bishop Elia, who by then resided permanently in Grado. Elia dedicated the basilica to the protomartyrs of Aquileia Ermacora, Fortunato and Euphemia (martyr of Chalcedon), in such a way as to affirm the full loyalty of the Church of Aquileia to the anti-Arian resolutions of the council of Chalcedon.
www.turismofvg.it/Religious-monuments/St-Euphemia-s-Basilica
--------------------------------------------------------------------------------------------------.I could see again, it would be great
..............Be please to look at a large size.
The historically preserved half-timbered cemetery church from the second half of the 16th century and its surrounding area have undergone extensive renovations in the past five years. Thanks to these changes, the complex has transformed into a pleasant oasis in the middle of the city, radiating the charm of history, comfort and interesting discovery. Additionally, there is plenty of entertainment and experiences for the whole family.
Visitors can explore a lapidarium with historical stone and wooden artifacts (crosses, tombstones, parts of portals, and sculptures) as well as partially restored original architecture (floors, roofs, galleries, benches, and more) inside the church. The church can be visited during May and June only on weekends, from 10:00 AM to 6:00 PM. During the summer holidays, it will be open every day except Monday.
The historic structure is surrounded on all sides by a newly revitalized park with rich shrub and herb plantings, providing visitors a pleasant retreat amid a flood of flowers and scents. Nectar-producing plants also offer food for pollinators and, consequently for their predators, such as songbirds. Trees felled during the renovations have been repurposed as beetle habitats, creating a habitat for beneficial insects associated with decaying wood.
Part of the park, freely accessible every day except Monday from 10:00 AM to 6:00 PM, includes a new nature trail with accurately rendered models of the most common local insect species and interesting information about them. The trail connects the church area with its immediate surroundings, creating a larger complex that, in addition to educational stops, offers entertainment, social, spiritual and cultural-aesthetic experiences.
The Temple of Roma and Augustus is a Roman temple in the city of Pula, Croatia. The temple is dedicated to the first Roman emperor, Augustus. It was probably built during the emperor's lifetime at some point between 2 BC and his death in AD 14. It was built on a podium with a tetrastyle prostyle porch of Corinthian columns and measures about 8 meter by 17 meter.
The temple's dedication originally consisted of bronze letters attached to the portico. Only the attachment holes now remain and much of the text has been destroyed over time. However, it consisted of a standard dedication also found on other Augustan temples, which read: "ROMAE · ET · AUGUSTO · CAESARI · DIVI · F · PATRI · PATRIAE" (Roma and Augustus Caesar, son of the deity, father of the fatherland) This indicates that the temple was originally also co-dedicated to the goddess Roma, the personification of the city of Rome.
The temple was struck by a bomb during an allied air raid in 1944, almost totally destroying it, but was reconstructed in 1947. It is today used as a lapidarium to display items of Roman sculpture.
Grado / Gradež is a historically rich town. Its most valuable heritage originates from the times after Atila's Huns raided the nearby Aquileia and inhabitants of the imperial city fled to hide in marshes along the Adriatic coast.
It was defended by a handful of Hungarian warriors from a huge Turkish army in 1552. Géza Gárdonyi pays homage to it in his novel Stars of Eger (Eclipse of the Crescent Moon).
.
The church of the bishopric of Eger founded by king St. Steven was built on the castle hill. It was rebuilt several times, first in Romanesque, later in Gothic style. The stone castle was built after the Mongolo-Tartarian invasion in the 13th c. and it was rebuilt many times until the 18th c.
Now it is home of István Dobó Castle Museum with several permanent exhibitions:
Gothic Bishop's Palace – the history of the castle of Eger;
Hall of the Heroes – exhibition in honour of the defenders of the castle in 1552.
Kazamaták (Underground corridors) – the undreground system of the castle, Romanesque and Gothic lapidarium
Ruin garden – renovated ruins of the Romanesque, Gothic and late-Gothic cathedral.
Picture gallery – works of 16th-19th c. painters.
Prison exhibition – tools of execution, torture, humiliation in past Hungary.
Waxworks
Thanks to the history of the castle and the exhibitions of the castle museum the castle is one of the most visited touristic sights in Hungary.