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We've recently adopted this English Language programme for school children, and are running demo lessons for local kids. This was the first. After the presentation activities, we took the kids off to a class for further teaching while the parents recieved more info.
We've recently adopted this English Language programme for school children, and are running demo lessons for local kids. This was the first. After the presentation activities, we took the kids off to a class for further teaching while the parents recieved more info.
Title in other languages:
English: View from railway station Brühl-Kierberg, Germany onto green and church St. Servatius
Nederlands: Zicht vanaf trein station Brühl-Kierberg (Duitsland) op groen en kerk St. Servatius
English:
Welcome and thank you for being here! This image forms part of a collection of photographs of moments on Planet Earth.
If you enjoy this work and want to support me financially, I’m glad to receive your donation via Paypal: paypal.me/jankohoener
If you intend to use this picture for your own purposes, please credit me with the following attribution line: Janko Hoener / CC-BY-SA-4.0. This is required by the license terms. A link back to this page and informing me about your usage via FlickrMail is appreciated.
Deutsch:
Willkommen und vielen Dank, dass Sie hier sind! Dieses Bild stellt Teil einer Sammlung von Fotografien von Augenblicken auf dem Planet Erde dar.
Wenn Ihnen diese Arbeit zusagt und Sie mich finanziell dabei unterstützen möchten, so freue ich mich über Ihre Spende via Paypal: paypal.me/jankohoener
Wenn Sie dieses Foto für eigene Zwecke nutzen möchten, geben Sie bitte Janko Hoener / CC-BY-SA-4.0 in der Bildunterschrift an. Dies ist per Lizenz gefordert. Über einen Link auf diese Seite und eine Benachrichtigung über die Nutzung via FlickrMail freue ich mich.
Title in other languages:
English: View onto Bonn-Lengsdorf, Germany from the way up to Kreuzberg hill
Nederlands: Zicht op Bonn-Lengsdorf (Duitsland) vanaf de weg op de Kreuzberg heuvel
English:
Welcome and thank you for being here! This image forms part of a collection of photographs of moments on Planet Earth.
If you enjoy this work and want to support me financially, I’m glad to receive your donation via Paypal: paypal.me/jankohoener
If you intend to use this picture for your own purposes, please credit me with the following attribution line: Janko Hoener / CC-BY-SA-4.0. This is required by the license terms. A link back to this page and informing me about your usage via FlickrMail is appreciated.
Deutsch:
Willkommen und vielen Dank, dass Sie hier sind! Dieses Bild stellt Teil einer Sammlung von Fotografien von Augenblicken auf dem Planet Erde dar.
Wenn Ihnen diese Arbeit zusagt und Sie mich finanziell dabei unterstützen möchten, so freue ich mich über Ihre Spende via Paypal: paypal.me/jankohoener
Wenn Sie dieses Foto für eigene Zwecke nutzen möchten, geben Sie bitte Janko Hoener / CC-BY-SA-4.0 in der Bildunterschrift an. Dies ist per Lizenz gefordert. Über einen Link auf diese Seite und eine Benachrichtigung über die Nutzung via FlickrMail freue ich mich.
'The Minjerribah' is a vehicular ferry that traverses between Cleveland on the mainland and Dunwich on Stradbroke Island.... Minjerribah means Island in the Sun in the local Jandai language. ... For some people it will always be Straddie." The Quandamooka Aboriginal people have an ongoing connection to North Stradbroke Island going back more than 20,000 years.1 Sept 2016 author unknown according to Google.
++++++ from wikipedia +++++++++
Biarritz (French pronunciation: [bjaʁits]; Basque: Biarritz [biarits̻] or Miarritze [miarits̻e]; Gascon Occitan: Biàrritz [ˈbjarits]) is a city on the Bay of Biscay, on the Atlantic coast in the Pyrénées-Atlantiques department in the French Basque Country in southwestern France. It is located 35 kilometres (22 mi) from the border with Spain. It is a luxurious seaside tourist destination known for the Hôtel du Palais (originally built for the Empress Eugénie circa 1855), its casinos and its surfing culture.
Contents
1 Geography
2 Etymology
3 History
3.1 Prehistory
3.2 Middle Ages
3.3 Whaling
3.4 18th century
3.5 19th century
3.6 Belle Époque
3.7 After World War II
3.8 The arrival of surfing in Europe
4 Main sights
5 Climate
6 Politics
6.1 Mayors
7 Demography
8 Economy
9 Culture
9.1 Languages
9.2 Museums
9.3 Music and dance
9.4 Theatre
9.5 Cinema
9.6 Civil buildings
9.7 Religious buildings
9.8 Parks
9.8.1 Rocks
9.8.2 Beaches
9.8.3 Gardens
10 Infrastructures
10.1 Sport
10.2 Education
10.2.1 Schools
10.2.2 High Schools
10.3 Transport
11 Notable people and popular culture
12 International relations
12.1 Twin towns/sister cities
13 Festivities
14 References
15 External links
Geography
Biarritz is located in the Pyrénées-Atlantiques department in the Nouvelle-Aquitaine region. It is adjacent to Bayonne and Anglet and 35 kilometres (22 mi) from the border with Spain. It is in the traditional province of Labourd in the French Basque Country.
Etymology
In Basque, its name is Biarritz or Miarritze. Its current Occitan Gascon name is Biàrrits. The name for an inhabitant is Biarrot; Biarriztar ou Miarriztar in Basque. The suffix -itz (cp. Isturitz) is a Basque locative. The name appears as Bearriz in 1170, Bearids in 1186, and Bearritz in 1249.
Biarritz appears as Bearids and Bearriz in 1150, Beiarridz in 1165, Bearriz and Beariz in 1170, Bearidz (1186), Bearriz and Beariz (12th century), lo port de Beiarriz and Bearridz in 1261, (cartulaire de Bayonne). Other forms include Beiarid (1199), Bearritz (1249), Beiarriz and Beiarrids (1261), Bearridz (1281), Bearrits (1338), (rôles gascons), Bearritz (1498, chapitre de Bayonne38), Sanctus Martinus de Biarriz (1689, collations du diocèse de Bayonne39), mearritcen (1712), Biarrits (1863, dictionnaire topographique Béarn-Pays basque) et Biarritze et Miarritze au XIXe siècleNote 10.
History
Prehistory
Analysis of stones from the Middle Paleolithic show that the Biarritz area was inhabited at that time.
Middle Ages
The oldest mention appears in a cartulary, Baiona’s Golden book, from 1186, where it is named Bearids; some years later the name used was Beiarrids. The first urban town was to the south, at the top and at the interior, where the church of San Martin is located. This church is the oldest in Biarritz.
In 1152, Eleanor of Aquitaine married Henry II of England, who became suzerain of the Duchy of Aquitaine. Prince Edward, oldest son of Henry III of England, was invested with the duchy, and betrothed to Eleanor of Castile, who brought him rights over Gascony.
Two population centers are attested in the Middle Ages. On the one hand, the église Saint-Martin was active in the neighborhoods in the territory's interior, which were:[1]
Gardague (mentioned en 1233)
Legure (lac Mouriscot)
Larrepunte and the domains of Silloete-de-Bas and Silloete-de-Haut,
Arretegui,
Chabiague,
Castera,
Suhy,
Itçar (mentioned in 1342),
Monsegur (1335),
Martin Petit,
Chohy,
Maron,
Catalina
Harausta (which would become La Négresse).
On the other hand, the château of Belay (first mentioned in 1342), also called château de Ferragus, protected the coast and the current Port-Vieux (old port), while religious life and community assemblies took place at Notre-Dame-de-Pitié (a chapel mentioned in 1498), dominating the Port-des-Pêcheurs, or fishing port.
A document dated May 26, 1342 attested to this fishing activity, authorising les Biarrots to "(…) remit to Bayonne all the fresh fish that we and succeeding inhabitantsof Biarritz can fish from the salt sea".
Construction of the château de Ferragus was decided by the English, on the foundations of a Roman work, at the summit of the promontory overlooking the sea, named Atalaye, used as a whale-observation post. This château had a double crenulated wall two meters thick, a drawbridge and four towers. Mentions of this château occur as late as 1603, in the letters patent of Henry IV. One tower remained as of 1739, when a daymark was established there, called de la Haille, then de la Humade. The tower disappeared in 1856.
Whaling
Further information: History of Basque whaling
Most of the documents, records and official agreements gathered in the archives from Biarritz mention whaling. This was the principal local industry. Consequently, the town's coat of arms features the image of a whale below a rowing boat manned by five sailors wearing berets, one of whom is preparing to throw a harpoon. This inscription is written on it: Aura, sidus, mare, adjuvant me (The air, the stars and the seas are helping me).
Biarritz has long made its living from the sea: from the 12th century onwards, it was a whaling town. In the 18th century, doctors claimed that the ocean at Biarritz had therapeutic properties, inspiring patients to make pilgrimages to the beach for alleged cures for their ailments. After the 7th century, Biarritz had many confrontations with Baiona, with the Kingdom of England – Lapurdi was under its control – and with the Bishop of Baiona. Almost all of the disputes were about whale hunting. In 1284, the town's right to hunt whales was reinstated by the authorities of Lapurdi and the Duchy of Aquitaine.
From the Middle Ages and Early modern period a watchtower has looked down over the sea at Biarritz, from “La Humade”, waiting for the sight of a whale. Whenever those keeping watch saw a whale, they would burn wet straw, to create a large amount of smoke and thus communicate the news to their fellow countrymen. Eventually, however, the tower disappeared.
In the 16th century, as a consequence of the attacks suffered in this area, or for other reasons, the whales migrated to other places. Whale hunters from Lapurdi therefore crossed the Atlantic Ocean in pursuit of them, and they spent some time in the Labrador Peninsula and in Newfoundland (island). Later, instead of hunting whales, they started cod fishing in Newfoundland. A century later, due to the ban on fishing off the coasts of America and the steely competence of English and Dutch fishermen, the number of fishing boats from Biarritz diminished and nowadays, the Biarritz fishing industry in these areas has come to an end.
Even though the population from Biarritz was originally Basque, it is hard to assert whether the main language of the village was Basque or French.
The first lighthouse of the village was built in 1650.
18th century
The Cape of Biarritz.
Biarritz was an independent municipality, until 1784, a clergyman, four sworn and the city was governed by twelve deputies. Deputies were democratically chosen: there were four neighbourhoods (Portua, Bustingorri, Hurlaga and Alto), and three deputies has to be chosen from each of them. However, deputies were chosen by the abbot and sworn. Since they had no Town House, they gathered in a ward near the church. As they did not have place for all the attending people, they made their meetings in the cemetery. That time, Biarritz was composed of around 1,700 citizens.
In the mid-18th century, the city began to change into a worldwide known bath-city.
19th century
From 1784 onwards, after the French Revolution, taking a bath at the sea was no longer a behaviour of those who were fools; sea-baths were fashionable. In 1808, Napoleon himself broke prejudices and took a bath on the Basque Country’s coastal water.
In 1840, the Town House or Municipality of Biarritz started to organize an initiative in order to promote and attract those who loved most the sea.
From the 11th century, Biarritz was a village dedicated to whale hunting, until Victor Hugo, found it in 1843. This writer made to Biarritz the following compliments on his book “Alpeak eta Pirinioak” :
« I have not met in the world any place more pleasant and perfect than Biarritz. I have never seen the old Neptune throwing joy and glory with such a force in the old Cybele. All this coast is full of humming. Gascony’s sea grinds, scratches, and stretches on the reefs its never ending whisper. Friendly population and white cheerful houses, large dunes, fine sand, great caves and proud sea, Biarritz is amazing. My only fear is Biarritz becoming fashionable. Whether this happens, the wild village, rural and still honest Biarritz, will be money-hungry. Biarritz will put poplars in the hills, railings in the dunes, kiosks in the rocks, seats in the caves, trousers worn on tourists. »
Either for good or for bad, Victor Hugo’s prophecy was fulfilled. Biarritz planted poplars, tamarinds, hydrangeas, roses and pitosforuses on the slopes and the hills, set railings on the dunes, covered moats with elegant stairs… and polluted with the speculation of the land and the money-hunger.
Humble and proud tourists praise Biarritz’s coast, from the beach at the limit of Bidarte (Plage des Basques), to the cape of San Martin. There it can be found a white lighthouse 44 metres (144 feet) tall, built in 1834 replacing the one Louis XIV ordered to build. Various hotels were made, as well as a municipal casino, the club Belleuve and the casino were opened in 1857, the thalassotherapy house, and wonderful luxury houses. Luxurious store shops from London and Paris were also set up in Biarritz, and 36 small newspapers were published in the village.
Hôtel du Palais, Biarritz, France(2).JPG
Hôtel du Palais, Biarritz, France (2)
Biarritz became more renowned in 1854 when Empress Eugenie (the wife of Napoleon III) built a palace on the beach (now the Hôtel du Palais). European royalty, including British monarchs Queen Victoria and King Edward VII (who caused a minor scandal when he called H. H. Asquith to kiss hands at Biarritz in 1908 rather than return to London for the purpose),[2] and the Spanish king Alfonso XIII, were frequent visitors.
Biarritz's casino (opened 10 August 1901) and beaches make the town a notable tourist centre for Europeans and East Coast North Americans. The city has also become a prime destination for surfers from around the world, developing a nightlife and surf-based culture.
Originally, there were two settlement sites: the neighbourhood that was around the church of San Martin, and the fishing-port defended by Belay or Ferragus Castle. The coat of arms was a whaler, which was a symbol of the town.
Opened in June 1893, Biarritz’s salt-baths were designed and built by the architect Lagarde. From the gatzagas of Beskoitz and after passing through a 20-kilometre (12 mi) pipe, water ten times saltier than the sea was used. The baths were closed in 1953 and demolished in 1968.
The presence of French Republic’s authorities and the fact of having launched the Paris-Henday train, led Biarritz to become one of the most outstanding tourist areas all over Europe. The queen of the beaches became the beach of the kings: Oskar II from Sweden, Leopoldo from Belgium, tireless traveller, the empress of Russia, Nikolas II’s mother, Elisabeth from Austria, Natalia from Serbia, and her ill son Alexandro, Jurgi V from England, Eduardo VII and England’s Queen Victoria, Alfonso XIII from Spain, aristocrats, rich people, actors, from Europe and South America… In the summer-time, high-status people gathered in Biarritz. Therefore, the number of population remarkably increased, from 5,000 to 18,000. At the end of the 19th century, 50,000 vacationers were gathering in Biarritz.
Belle Époque
Biarritz market.
The big store named Biarritz Bonheur, created in 1894, enlarged twice (in 1911 and 1926), and still operating, became the temple of luxury and fashion. At the start of the 20th century, most of its workers spoke in English.
After World War II
At the end of World War II in Europe, the U.S. Army's Information and Educational Branch was ordered to establish an overseas university campus for demobilized American service men and women in the French resort town of Biarritz. Under General Samuel L. McCroskey, the hotels and casinos of Biarritz were converted into quarters, labs, and class spaces for U.S. service personnel. The University opened 10 August 1945 and about 10,000 students attended an eight-week term. This campus was set up to provide a transition between army life and subsequent attendance at a university in the USA, so students attended for just one term. After three successful terms, the G.I. University closed in March 1946 (see G. I. American Universities).[3]
The arrival of surfing in Europe
In 1957, the American film director Peter Viertel was in Biarritz with his wife Deborah Kerr working on the film The Sun Also Rises. One of his Californian friends came for a visit, and his use of a surfboard off Biarritz is recognized as the first time surfing was practised in Europe. Biarritz eventually became one of the most popular European surfing spots.
Main sights
Sights in Biarritz include:
The Asiatica Museum houses a significant collection of Asian art primarily from India, Nepal, Tibet, and China.
The Museum of the Sea has 24 aquaria containing sharks and seals.
The annual Biarritz Surf Festival, founded in 1993 at the Côte des Basques, is one of the premier surf events in Europe and longboarding events in the world.[4]
St-Martin's Church, constructed in the 12th century, restored in the mid-16th century.
The Russian Orthodox Church, built in the 19th century for visiting Russian aristocrats, has a famous blue dome.
The Chapelle Imperiale built for Empress Eugenie has an intricately decorated roof interior and elegant wall tiling. She also built a palace on the beach which is now the Hôtel du Palais.
The Museum of Chocolate explains the history and manufacture of chocolate.
Two large casinos, the Barrière and the Bellevue, sit on the waterfront near the Grande Plage.
Cliffs and lookouts lie to the west of the main beach.
Climate
Biarritz has a temperate oceanic climate, Cfb in the Köppen climate classification.
Les baigneuses à Biarritz
Biarritz from the Pointe Saint-Martin.
La Grande Plage, the town's largest beach.
Sainte-Eugénie church.
Outdoor cafés.
Notre Dame du Rocher.
Plage Miramar
Railway poster
Climate data for Biarritz-Anglet (altitude 69 metres (226 feet), 1981–2010)
Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year
Record high °C (°F) 23.4
(74.1) 28.9
(84) 29.7
(85.5) 32.1
(89.8) 34.8
(94.6) 39.2
(102.6) 39.8
(103.6) 40.6
(105.1) 37.0
(98.6) 32.2
(90) 27.8
(82) 25.1
(77.2) 40.6
(105.1)
Average high °C (°F) 12.0
(53.6) 12.8
(55) 15.0
(59) 16.2
(61.2) 19.6
(67.3) 22.1
(71.8) 24.1
(75.4) 24.7
(76.5) 23.2
(73.8) 20.0
(68) 15.1
(59.2) 12.5
(54.5) 18.1
(64.6)
Average low °C (°F) 4.8
(40.6) 5.0
(41) 7.0
(44.6) 8.5
(47.3) 11.6
(52.9) 14.6
(58.3) 16.7
(62.1) 17.0
(62.6) 14.5
(58.1) 11.9
(53.4) 7.7
(45.9) 5.5
(41.9) 10.4
(50.7)
Record low °C (°F) −12.7
(9.1) −11.5
(11.3) −7.2
(19) −1.3
(29.7) 3.3
(37.9) 5.3
(41.5) 9.2
(48.6) 8.6
(47.5) 5.3
(41.5) −0.6
(30.9) −5.7
(21.7) −8.9
(16) −12.7
(9.1)
Average precipitation mm (inches) 128.8
(5.071) 111.5
(4.39) 103.5
(4.075) 129.7
(5.106) 113.9
(4.484) 87.8
(3.457) 69.3
(2.728) 98.4
(3.874) 119.6
(4.709) 152.1
(5.988) 185.9
(7.319) 150.4
(5.921) 1,450.9
(57.122)
Average precipitation days (≥ 1 mm) 13.4 12.0 11.9 13.6 12.9 10.4 8.8 9.6 9.7 12.5 13.0 12.6 140.5
Average snowy days 0.8 1.0 0.3 0.1 0.0 0.0 0.0 0.0 0.0 0.0 0.3 0.5 3.0
Average relative humidity (%) 77 75 73 77 78 81 80 81 80 78 79 78 78.1
Mean monthly sunshine hours 100.2 114.1 164.4 169.4 193.7 203.3 209.0 206.8 192.8 141.7 103.8 88.3 1,887.3
Source #1: Météo France[5][6]
Source #2: Infoclimat.fr (humidity and snowy days, 1961–1990)[7]
Politics
Mayors
Mandate Name
1788-1789 Pierre Moussempès
1813-1814 Pierre Moussempès
1864-1881 Pierre-Paul Jaulerry
1881-1884 Alcide Augey
1884-1888 Alexandre Larralde-Diustegi
1888-1895 Alcide Augey
1895-1904 Félix Moureu
1904-1919 Pierre Forsans
1919-1929 Joseph Petit
1929-1941 Ferdinand Hirigoien
1941-1944 Henri Cazalis
1945-1977 Guy Petit
1977-1991 Bernard Marie
1991-2008 Didier Borotra
2008-2014 Didier Borotra
2014-2020 Mixel Veunac
Demography
Date of Population
1793 1800 1806 1820 1821 1831 1836 1841 1846 1851
929 1.171 1.188 - 1.082 1.495 1.705 1.892 1.993 2.048
1856 1861 1866 1872 1876 1881 1886 1891 1896
2.110 2.771 3.652 4.659 5.507 8.527 8.444 9.177 11.869
1901 1906 1911 1921 1926 1931 1936 1946 1954
12.812 15.093 18.260 18.353 20.776 22.955 20.691 22.022 22.922
1962 1968 1975 1982 1990 1999 2004 - -
25.231 26.750 27.595 26.598 28.742 30.055 - - -
For the census of 1962 to 1999 the official population corresponds with the population without duplicates according to the INSEE.
Economy
Although Biarritz’s economy was based on fishing before, nowadays it has a modern economy due to the metropolitan location of Baiona-Anglet-Biarritz. Together with Baiona and Anglet, Biarritz takes part in the management of the BAB Airport. The most important economic activities are:
Spa tourism
Sport (golf, surf and rugby)
Thalassotherapy
Industry. The most important industries are the following:
Séguier, French publishing house
Dassault Aviation, manufacturer of fuselage for Falcon planes.
Culture
Languages
As Anglet and Baiona, since they are located in the limit of Gascony and Basque Country, it is in doubt if in the Middle Age and the Modern era was Basque or Gascon the main language of the city. According to the book Atlas Linguistique de Gascogne, Biarritz is considered a Gascon town. But in 1863, Luis Luciano Bonaparte located the frontier of Basque in Biarritz, which in some neighborhoods was without any doubt the most used language. However, in the 20th-century French was the official and main language. From the 90th decade on, the Townhall of Biarritz has taken the Basque culture and the Basque language, and also it has promoted it. Nevertheless, the Gascon has been promoted by private institution, for instance the group of Gascon culture Ací Gasconha [19]
Museums
Sea Museum. Constructed in 1993 in the rock of Atalaia, it is an Art Déco building. It has a huge collection of sea animals and birds.
Museum of Chocolate
Asiatica, museum of the Eastern art. Art from India, Tibet, Nepal and China can be found
Museum of the History of Biarritz. Located in the Angelican Church of Saint Andrew in the 1980 decade
Cité de l’Ocean et du Surf, opened in 2011.
Music and dance
The city has the Ballet of Biarritz, which is the choreography location of France. Furthermore, it has the cultural centre Atabal and the chorus Oldarra, created in 1946.
Theatre
The emperors Napoleon III and Eugene of Montijo pusieron de moda the sea-theater on the Old Port neighborhood. Nowadays, the light works made by Pierre Bideau can be seen at night in the clift.
Cinema
Two film festivals of cinema are celebrated in Biarritz:
Festival of Latinoamerican Cinema of Biarritz.
International Festival of Audio-Visual Programs (FIPA)
Civil buildings
Hôtel du Palais or Eugénie House
Building of the Hotel of England, built in 1870 by Louis Moussempés
Natasha House
Sacchino or Castel Biarritz, house of Natalia of Serbia
Plaza Hotel
Cassino of Biarritz, from Art déco style
Lighthouse, built in 1834 in San Martin cape
Villa Black or Black House. Built by Alphonse Bertrand between 1880 and 1895
Goëland House, which from 2003 on is a hotel
Françon Castle
Boulard Castle
Pavilion of England
Fishermen House, in the port
The formerly health resort in the Old Port
Miremont sweet shop
Religious buildings
Imperial Chapel
Saint Martin church
Saint Eugene church, built between 1898 and 1903
San Alexandro Nevski (fr) and God’s Mother Protection Church
Synagogue of Biarritz
Parks
Rocks
Rocks of Biarritz. Every year they have an erosion of 70 centimeters
Beaches
Biarritz has six beaches: Miramar, Big, Old Port, Coast of the Basque, Marbella and Milady
Gardens
Biarritz has 120 hectare and two lakes (Marion and Muriskot)
In the centre, in front of the Midi station, apart from the public garden, there are Lahuze and Mazon gardens can be find
Infrastructures
Sport
Surfing in Biarritz is of a world-class standard and first appeared in 1957.[8] The town has a strong surfing culture,[9] and is known worldwide for its surfing scene and the competitions it hosts yearly, including the Quiksilver/Roxy Jam tournament. In July 2011, Biarritz also hosted the Roxy Pro event, a tournament part of the ASP Women's World Tour.
The town is home to a prominent rugby union club, Biarritz Olympique.
Basque pelota is a very popular sport of the Basque country. Several local and international competitions take place in Biarritz.
The golf course near the lighthouse (Le Phare) was created in 1888 by British residents. In addition, the town has a large circular golf range area on the border with illbaritz.
Education
Schools
The city has two public schools (Villa Fal and Jean Rostand) and one private (Immaculée-Conception).
High Schools
Malraux High Schools is the only one in Biarritz. There is also a tourism high school in the border of the Western neighborhood of La Négresse.
Transport
Biarritz is easily accessible from Paris by France's high-speed train, the TGV, and more regionally from Bordeaux, by TGV or TER. Trains are also available to travel east towards Nice. Night trains regularly depart from Irun, south of Biarritz and pass through the city before heading to Paris during an overnight trip. Many tourists and regulars to the city have begun using the night train to take weekend trips to Biarritz and saving travel time by traveling at night. The Biarritz – Anglet – Bayonne Airport is located about four kilometres (2.5 miles) from the city. It is near N10 road towards Anglet and is served by airlines from France, the United Kingdom, Spain, Ireland and Germany.
Notable people and popular culture
Fishing port, beach, and lighthouse
Biarritz was the birthplace of:
Ernest Fourneau (1872–1949), chemist
Arnaud Massy (1877–1950), professional golfer
Maurice Hankey, 1st Baron Hankey (1877–1963), British civil servant
Jean Borotra (1898–1994), tennis player
Maurice Journeau (1898–1999), composer
Jacques Bergerac (1927 - 2014), actor
Léopold Eyharts (born 1957), astronaut
Other:
Eugénie de Montijo (1826–1920), the wife of Napoléon III, built the villa Eugénie, today the Hôtel du Palais.
Aaron Bank (1902–2004), World War II Office of Strategic Services (OSS) agent and co-founder of the U.S. Army's Special Forces Group (later, Green Berets), was a lifeguard and medical (physical) therapist's aide at Biarritz before he enlisted in the army in the late 1930s.
Aimée de Heeren, born Soto-Maior de Sá[10] (1903–2006) mistress of President Getúlio Vargas, owned the villa La Roseraie, 12 rue Martias, where she spent summers for half a century, receiving kings, heads of state, and many famous guests.
Pablo de Sarasate (10 March 1844 – 20 September 1908), who was a well known Romantic Era Spanish composer born in Pamplona, Spain, died in this city.
In 1959, Cadillac Motor Car introduced an upper level trim variant of its Eldorado model, marketed as the Eldorado Biarritz, which remained in production through 1985.
International relations
See also: List of twin towns and sister cities in France
Twin towns/sister cities
Biarritz is twinned with:[11]
United States Augusta, Georgia, United States, since 1992[11]
Portugal Cascais, Portugal, since 1986[11]
Belgium Ixelles, Belgium, since 1958[11]
Spain Jerez de la Frontera, Spain, since 1996[11]
Spain Zaragoza, Spain, since 1986
Argentina Mar del Plata, Argentina since 1996
Festivities
The major festivities are celebrated in November 11, for Saint Martin. That day, the new gentleman of the Confrérie de l’Operne de Biarritz are proclaimed. Barnacle is their logotype and people who work in favor of ecology are chosen Since Biarritz is a city based in tourism, there are acts during the whole summer, such as pelota festivity, equestrian competition, concerts and recitals, folklore festivals, water acrobatic ski, sea trips, performances, rugby competitions, bullfights and night parties.
References
INSEE commune file
Eugène Goyheneche (1979). Le Pays basque : Soule, Labourd, Basse-Navarre (in French). Pau: Société nouvelle d’éditions régionales et de diffusion. p. 590.
Lee, Sidney (1927). King Edward VII: A Biography. London: Macmillan. pp. 581–582.
George P. Schmidt and J. G. Umstattd. "The American Army University at Biarritz, France." Bulletin of the American Association of University Professors. Vol. 32, No. 2 (Summer, 1946): 303-316.
Encyclopaedia of Surfing. Books.google.com.au. 2005. ISBN 0156032511. Retrieved 2013-05-11.
"Données climatiques de la station de Biarritz" (in French). Meteo France. Retrieved December 28, 2015.
"Climat Aquitaine" (in French). Meteo France. Retrieved December 28, 2015.
"Normes et records 1961-1990: Biarritz-Anglet (64) - altitude 69m" (in French). Infoclimat. Retrieved December 28, 2015.
Last Updated: 5:28PM BST 13 Aug 2007 (2007-08-13). "Biarritz: summer nights – Telegraph". Telegraph. Retrieved 2009-05-05.
"News from Biarritz – France". Biarritz.fr. Archived from the original on 2008-11-19. Retrieved 2009-05-05.
Aimee de Heeren Archived 2015-01-10 at the Wayback Machine..
"Twin towns, Biarritz official website". Biarritz.fr. Archived from the original on 2013-07-29. Retrieved 2013-05-11.
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City Hall ~ Paris ~ MjYj
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Thanks everyone, thanks for all the votes,comments,
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I thought a beer had finally been named after me, but closer inpsection proved otherwise. (See the one on the right)
A "cold snap" has descended on Brisbane, but the Sunday morning here is cloudless so sunny, and as soon as the ice melts it will be a lovely day.
Imagine these copper coils as my neck perhaps.
Grolsch Brewery is a Dutch brewery founded in 1615.
Starts With G Challenge
Containers Theme - Contains Beer
Dead - A Celebration Of Mortality
Artist: Alina and Jeff Bliumis
Title: Language Barrier
Materials: resin, foam, fabric, acrylic, ink, steel, human hair
Saatchi Gallery
London, England, UK
We've recently adopted this English Language programme for school children, and are running demo lessons for local kids. This was the first.
en.wikipedia.org/wiki/Bhit_Shah
Bhit Shah is name of two places in the province of Sindh, Pakistan. According to NADEEM WAGAN, Bhitshah is a very legendary city positioned near Hala and 40 kilometers far away Hyderabad city. This city is well-liked because of the great saint Hazrat shah Abdul Latif Bhitai. He is one of the greatest poets in the world. Bhit shah is away on drive 45 kilometers on the highway and then three kilometers east on a side road to reach the town of Bhit Shah. Bhit Shah is famous for the tomb of Shah Abdul Latif Bhitai (1689–1752) who is considered by far the greatest poet of Sindhi language. The shrine is situated on a ‘Bhit’ (mound) and hence the name of the place Bhit Shah, the Mound of the King. Millions of devotees come to his tomb every year. The tomb was raised by the first of the Kalhoras and subsequently beautified by the Talpur Mirs. The tomb and an adjacent mosque are famous for the tile and mirror work done on them. Bhit shah is counted as the largest town of the district Matiari.
•Bhit (also called Bhit Shah) is the town where the shrine of Shah Abdul Latif Bhittai, the patron saint of Sindh, is located.
•Bhit Shah Island is located near Hala New, Sindh. At BhitShah are also buried some Sindhi Literary Personalities as Allama Daud Pota, Mir Abdul Hussain Sangi, Shaik Mubarak Ali Ayaz, Banho Khan Shaikh.
Prominent Personalities of Bhitshah
Pir Nisar Hussein Shah
Pir Mazhar Hussain Shah
Zulfiqar Ali Larik
Ramz Ali Larik
Late Ustad Qurban Ali Azad(Poet)
Mohammad Soomar Wafa
Javed Ali Larik
Rocket is under pressure to come off the sofa because the cover is not on. His response is to avoid eye contact and stare off into the corner of the room. Clever clogs!!
"Its cute in a way, till you cannot speak
And you leave to have a cigarette, your knees get weak
An escape is just a nod and a casual wave
Obsessed about it, heavy for the next two days
It's only just a crush, it'll go away
It's just like all the others it'll go away
Or maybe this is danger and you just don't know
You pray it all away but it continues to grow"
She wants revenge - Tear you apart
Body language is saying "Mine." I forgot to ask your names. Ooops. Thanks and best wishes.
More Street Portraits HERE: www.flickr.com/photos/mikeygottawa/albums/72157629076301044
More street photos here: www.flickr.com/photos/mikeygottawa/albums/72157603894028889
My hobby is photography.
CTV Regional Contact gave me 3 minutes on the local CTV News here: www.youtube.com/watch?v=3C2U_01ajdw
CBC Radio 1 gave me almost eight minutes. I added a photo slideshow to my interview. Listen here: www.youtube.com/watch?v=253iqLH82oA
Rogers Cable TV gave me 10 minutes on Camera Talk HERE:
www.youtube.com/watch?v=Z-s4ZpS_t1Y
Mikey G Ottawa's 100 most interesting images as per Flickriver HERE: www.flickriver.com/photos/mikeygottawa/popular-interesting/
See Mikey G Ottawa's most popular Flickr Photo Albums HERE:
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A student of Khmer descent learns Kinh language (the official Vietnamese language) at the Lac Hoa Primary School in Soc Trang province. The report "Vietnam High Education For All by 2020" finds that gaps in learning still exist, particularly between groups of different income levels and between Kinh, Chinese and ethnic minorities. Soc Trang province, Vietnam. Photo: Chau Doan / World Bank
A tour guide announces that the French language walking tour was about to depart from the Centennial Flame. In the background the work is still in progress to get the Hill ready for Saturday's Canada 150 celebrations.
Trying to achieve a Blade Runner feel... I did a lot of hand editing to get the contrast and tones and used "Broken Language" from Super Grunge Urban in overlay mode at 100% to finish it off.
Ballina. Population 16,500.
'Bullenah' in Bundjalung Aboriginal language means place where oysters are plentiful so it is not surprising that the town is the home of the Big Prawn located in Bunning’s carpark! The prawn was a commission given to Adelaide architects Glenn Industries and sculptor James Martin. He also did the Big Merino in Goulburn and the Big Oyster in Taree. He designed a 27 metre long and 20 metre high prawn in 1989. It eventually fell into disrepair and was due to be demolished but it has now been rescued. Ballina is located on the mouth of the Richmond River and its small lighthouse guards that entrance. A lighthouse was erected in 1866 but the current lighthouse was completed in 1880 on a 35 metre high headland. The government Colonial Architect James Barnet designed it. Although just 7 metres high the lighthouse has protected shipping since 1880. It was automated in 1926. Prior to its erection 90 ships were shipwrecked on the sand shoals in the estuary. The breakwater was completed in 1908 to ensure safety for shipping. The lighthouse is Ballina’s oldest structure. Apart from the Red Cedar cutters the first to want to settle in the region arrived in 1842 on board the ship called the Sally.
With the timber cutters came the need for saw mills and the first in Ballina opened in 1853. Timber was floated down the Wilson & Richmond Rivers ready for coastal shipping. In 1856 the government surveyed the town and the first town blocks were offered for sale in July 1857 at the Casino Police Station. The land sold slowly and not much developed in Ballina until the 1860s when Ballina became the major sea port and some gold was found in the estuary sands. The first Courthouse and police station opened in 1865. By then the Ballina Hotel was established. In the 1870s and 1880s sugar became the important industry of the district. Yeoman sugar farmers began cultivation of cane in the late 1860s and by 1875 there were 75 small sugar mills along the banks of the Richmond River. But the industry stabilised and only expanded in 1881 when the Colonial Sugary Refineries built their Broadwater sugar mill. By 1891 there were just 9 sugar mills in the district. Some South Sea Islander (Kanaks) labourers were employed on contracts in the Tweed and Richmond valleys but not many as NSW was never a region of large sugar plantations. Small sugar farms were the norm here. The northern rivers area still averages higher sugar yields than Queensland because the region does not have a pronounced dry season like many areas of QLD. The rich volcanic soils of the river flats are especially valuable sugar fields. Today NSW produces only 5% of Australia’s sugar but three sugar mills survive with the Condong mill near Murwillumbah, the Broadwater mill at Woodburn and another mill at Yamba towards Grafton. The NSW Sugar Milling Cooperative which has its office headquarters in Ballina was formed in 1978 when CSR sold their Broadwater mill to the cooperative. There are 600 sugar cane farms in the district growing cane on around 15,000 hectares or 30,000 aces.
Some of the more interesting and historic buildings in River Street are:
•The Courthouse at 16 River St. Designed by Colonial Architect James Barnet and completed in 1882 as the first Courthouse, cells and police station from 1865 burnt down in 1881. Like other Courthouse by Barnet the lofty court room is flanked by lower offices on each side in the Italianate style.
•Post Office 24 River St. This historic Post Office is used for other purposes now. Built in the Italianate style and designed by Colonial Architect Walter Liberty Vernon. This grand stuccoed two storey building has a prominent clock tower. It opened in 1888 but the clock tower was not completed until 1890.
•Behind the Information centre is the Maritime Museum. Its prized exhibits are a 12 metre long reed raft which sailed across the Pacific from Ecuador to Ballina in 1973; the port history; a tribute to women in the Navy; riverboat history and a dugout canoe etc. Admission about $5.
Cherry Street:
•Two blocks down is the Presbyterian Church. A small timber church was erected in 1885. The Federation style red brick church was built in 1915 and the original church became the church hall until 1960.
•Opposite the church is the former Council Offices which now house the Regional Art Gallery. The architect was Frederick Board and this building was erected in 1927 in the Art Deco style.
•Across the street from the Catholic Church is the Methodist Church - now a Uniting Church. The first church services were held in the Courthouse until the first church opened in 1888. In 1920 this timber church was moved to Cherry St. as a church hall. A new Methodist church costing £2,830 was here in 1920. It was due for demolition in 2016 but has since been repaired and reopened.
•Opposite the Methodist Church is the Catholic Presbytery built in 1912.
Norton Street where the Norfolk Island Pines were planted in 1915:
•Methodist North Coast Girls’ College. Architect designed by Frederick Board and erected in 1925. The grand building in brick with timber balconies faced financial difficulties during the great depression & closed 1930. It then became a guest house and was later converted to 16 flats. In 2000 it became Ballina Manor Hotel.
•Next corner on right is Brundah. Built in 1908 at great cost. For a stock and station agent named Roy Lang.
• Next corner left is the Anglican Church. The first wooden church built in 1877. A second church erected in 1906 when the date palms were planted. It was replaced in 1977 by current church.
•Next corner right is the former Marine View Hotel. Built in 1884. Later was the Tattersall Hotel. Closed 1919.
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The Edit of this Photo Demands Your View In BLACK with Large size for better out put, Plz Press L for Black
This is the cover photo of my set National Language Movement 2011
This Photo was taken on 21th Fab at 01:30 pm , From Jatio Shaheed Minar , Dhaka, BANGLADESH, This Photo was Taken while my Special Photowalk with The flickr Group Frame BANGLADESH
Description :The Bengali Language Movement: and in Bangali Trnslation to ভাষা আন্দোলন
The Bengali Language Movement: Can read In Bangoli here]ভাষা আন্দোলন, also known as the Language Movement (Bengali: ভাষা আন্দোলন; Bhasha Andolon), was a political effort in Bangladesh (then known as East Pakistan), advocating the recognition of the Bengali language as an official language ofPakistan. Such recognition would allow Bengali to be used in government affairs.When the state of Pakistan was formed in 1947, its two regions, East Pakistan (also called East Bengal) and West Pakistan, were split along cultural, geographical, and linguistic lines. In 1948, the Government of Pakistan ordained Urdu as the sole national language, sparking extensive protests among the Bengali-speaking majority of East Pakistan. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest led by the Awami Muslim League, later renamed the Awami League. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. In 2000,UNESCO declared 21 February International Mother Language Day for the whole world to celebrate[1], in tribute to the Language Movement and the ethno-linguistic rights of people around the world.The Language Movement catalysed the assertion of Bengali national identity in Pakistan, and became a forerunner to Bengali nationalist movements, including the 6-point movement and subsequently the Bangladesh Liberation War in 1971. In Bangladesh, 21 February is observed as Language Movement Day, a national holiday. The Shaheed Minar monument was constructed near Dhaka Medical College in memory of the movement and its victims
Background
The present nations of Pakistan and Bangladesh were part of undivided India during the British colonial rule. From the mid-19th century, the Urdu language had been promoted as thelingua franca of Indian Muslims by political and religious leaders such as Sir Khwaja Salimullah, Sir Syed Ahmed Khan, Nawab Viqar-ul-Mulk and Maulvi Abdul Haq.[2][3] Urdu is an Indo-Aryan language of the Indo-Iranian branch, belonging to the Indo-European family of languages. It developed under Persian, Arabic and Turkic influence on apabhramshas (last linguistic stage of the medieval Indian Aryan language Pali-Prakrit)[4] in South Asia during the Delhi Sultanate and Mughal Empire.[5] With its Perso-Arabic script, the language was considered a vital element of the Islamic culture for Indian Muslims; Hindi and the Devanagari script were seen as fundamentals of Hindu culture.[2]While the use of Urdu grew common with Muslims in northern India, the Muslims of Bengal (a province in the eastern part of British Indian sub-continent) primarily used the Bengali language. Bengali is an Eastern Indo-Aryan language that arose from the eastern Middle Indic languages around 1000 CE[6] and developed considerably during the Bengal Renaissance. As early as the late 19th century, social activists such as the Muslim feminist Roquia Sakhawat Hussain were choosing to write in Bengali to reach out to the people and develop it as a modern literary language. Supporters of Bengali opposed Urdu even before the partition of India, when delegates from Bengal rejected the idea of making Urdu the lingua franca of Muslim India in the 1937 Lucknow session of the Muslim League. The Muslim League was a British Indian political party that became the driving force behind the creation of Pakistan as a Muslim state separate from British India.[7]
The Other Set related to this set are available here at : International Mother Language Day
All other Photos of this set are available at : National Language Movement Dat 2011
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Living in old houses. Sornas, Ordino, Vall nord, Andorra, Pyrenees
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Tanunda. The German Heart of the Barossa.
The two early settlements of Langmeil and Tanunda were situated on lands leased in the early days from George Fife Angas in the case of Langmeil and land owned by Charles Flaxman for Tanunda. But from 1844 the government was selling other surveyed land just to the north of Flaxman’s private town. The original village of Langmeil which was settled in 1843 eventually became part of Tanunda. It was based along the banks of the North Para River. The settlement soon had a Lutheran school and church. The first Dankes Lutheran Church of timber and thatch opened in 1846.It was demolished in 1888 when the new Langmeil Lutheran church opened. Pastor Augustus Kavel who was responsible for bringing German migrants to SA for George Fife Angas is buried in the Langmeil churchyard. But Langmeil was not the first Lutheran Church as the Tabor Lutheran church was built in brick in 1850. Now located in the Main Street of Tanunda it was demolished and the bricks were used to erect the 1871 Tanunda Tabor Lutheran Church. Tabor Church marks the emergence of Tanunda (an Aboriginal word for moving waters) as a very German settlement. A German language newspaper the Sud Australische Zeitung began operations in 1855; in later years a German bowling alley was built and the male liedertafel choir began performances in 1861; a brass band (1857) and a later band stand and hall were established in the late 19th century along with the Tanunda Club in 1891. In the main street and surrounds the German butches, bakers and retail stores all began operations from the 1850s. One early structure in Tanunda which was set up by an English man was Edmund Davey’s flour mill of 1850. Davey went on to established flourmills across SA before he died in 1885. The flourmill which still stands indicates that the early settlers were wheat growers rather than vineyard operators. That came later in the 19th century and into the 20th century. The very German heart of Tanunda and Langmeil was the Der Zeigenhart or Goat Square which was used as an early market square. As the second generation of German settlers emerged places like Tanunda become more like a typical rural South Australia town with government facilities. Frist came the Post Office and Telegraph station which opened in 1866 and the classically designed Courthouse which began sentencing in 1866, then came old state government school which opened in 1877 and the railway line which opened in 1911 with its fine stone railway station being completed in 1913. The first agricultural show was held in 1857 and show grounds were developed from 1862. On the outskirts of the town, near the later railway station, Chateau Tanunda was established in 1889 by John Basedow as locally produced wine and spirts became accepted by South Australians and even found a small English market. Basedow joined forces with investors Sir Samuel Davenport, Mrs Cleland and others to raise over £37,000 to build the chateau. When completed in 1890 it was the largest winery building in Australia. The bluestone used in its construction was quarried at Bethany. Although the first vines were planted on the Chateau Tanunda grounds in the late 1840s there was no commercial production of wine until around 1890. From 1916 until 1998 Chateau Tanunda was owned and run by the Seppelt family. In its heyday it was known for its Chateau Tanunda brandy.
Some of the fine historical buildings of Tanunda include:
1. Langmeil Lutheran Church. This 1888 church replaced an earlier 1846 church. The congregation here started as the German heart of the Barossa. By 1857 the greater Langmeil area contained 777 people with 113 families and it included 243 children born in SA. At that time “greater Langmeil” covered almost all of the Barossa Valley. Pastor Kavel was the resident pastor of Langmeil and in 1854 a manse was built for him near the church. Pastor Kavel died in 1860 and was buried in Langmeil cemetery. As the founder of the Lutheran Church in Australia in 1838 a large memorial was erected over his grave in 1938.
2. The old Langmeil Lutheran School. Operations began in 1846. The oldest building is the Kavel Room on the corner of Jane Place which was built in 1865. The school is now the Faith Lutheran College.
3. St Johns Lutheran Church. It was erected in 1868 and the tower and spire was added in 1887. This congregation was formed from a breakaway group from the Langmeil Church in 1860.
4. The Post Office and Telegraph station. Work started in 1865 and it opened in 1866. It is now the town museum. But the first postal service to Tanunda began in the late 1840s.
5. Edmund Davey’s flourmill with the advertisements for Laurel Kerosene on it. The oldest part was built in stone in 1850.
6. The classical style Courthouse built in 1866. It closed many years ago and is now a residence. Court session were held by magistrates in Tanunda from around 1850.
7. The original timber framed St Aiden’s Anglican Church erected in 1912. It closed when the new Anglican Church opened in Murray Street in 1962. It then became a Catholic Church but it is now a Christian Charismatic Church.
8. The Tanunda Club. Established in 1891 and still operating. The local men who pushed for its establishment included John Basedow of Chateau Tanunda and Schrapel a local retailer. They hoped to promote the consumption of Barossa wines and spirts. The old railway station is more or less just behind the Tanunda Club. The railway service closed in 1980 and the restored building is used by the local radio station.
9. St Paul’s Lutheran Church. This relatively recent church was built in 1928 but the congregation began worshipping in 1904 and they used a wood and iron church from 1911 to 1928.
10. Schrapel’s and Sons store. Established in 1884 but the current building so marked dates from around 1900. The family purchased land from the SA government in 1845. They began as general importers of products but ended up being electrical suppliers and electricians. They sold everything from tractors, shoes and furniture to radios (in the 1920s), glassware and drapery etc. They provided the first electricity for Tanunda District Council in 1920. By the 1950s they were primarily a hardware store.
North West- Rieschiek Cottage.North east – the Shoe maker’s House.
11. The cottages of Goat Square. The important little square was laid out in the private town of Charles Flaxman who was the agent of George Fife Angas. For the work he did for Angas he was given several sections of land. This was the centre of Flaxman’s private town and the streets have English names after the children of Charles Flaxman- John, Maria, Charles, Elizabeth, Jane, Samuel and Ellen. Goats were probably sold in the market square hence the name. Around the edges are some of Tanunda’s oldest cottages. They include on the North West corner the impressive red roofed German style shoemaker’s house named Rieschiek; opposite was the saddler’s house. Nearly all of the 1840s cottages are now operated as bed and breakfast establishments with unrelated names such as Flaxman, Kavel and Menge. There is now a modern goat sculpture in the middle of Goat Square.
12. In the Main Street is Tabor Lutheran Church. The first church here was built in brick in 1850. Bricks from this church were used in the construction of the current church in 1871. The tower and bells were added in 1910. The bells were imported from Germany.
13. In the Main Street you will also see the Tanunda Hotel which dates from 1846. The upper floor was added much later. It has been modernised since.
Ugolino and His Sons is a marble sculpture that is known for its expressive detail and was created by Jean-Baptiste Carpeaux in Paris from 1865 to 1867.
The subject of this intense marble statue is derived from canto XXXIII of Dante's Inferno, which describes how the Pisan traitor Count Ugolino della Gherardesca, his sons, and his grandsons were imprisoned in 1288 and died of starvation.
Pluto learnt to speak multiple languages. Which makes him a good mercenary. He is now at our headquarter!
#granado #bjd #doll #granadodoll #pluto
Lehde (Lědy in the local Sorbian language) is a village situated near Lübbenau and meawhile integrated into that town. While Lehde had 298 inhabitants in 1929, only 150 people still live here (as of 2017). The place is a village consisting of many small islands. For centuries, until the early 1950s, Lehde could only be reached by water. Even today, practically all plots of land have their own access to one of the many canals between 0.8 and 1 meter deep, which largely have the function of roads. Postal deliveries and waste collection still take place by water. During the winter months, however, mail is delivered to mailboxes set up by the residents on the landside, by mail bike or car.
Due to the unusual location of Lehde and some preserved historical Spreewald houses, Lehde, which is completely under monumental protection, is a popular destination for tourists. Lehde can also be reached on foot, by bicycle or by car, however, the beauty and special features of the place can be experienced above all from the water side. (Wikpedia.de)
The Spreewald (German for 'Spree Forest'; in Lower Sorbian: Błota, i.e. 'the Swamps') is a section of the German state of Brandenburg located about 100 km sou It is known for its traditional irrigation system, consisting of more than 200 small canals (called Fließe; total length: 1,300 kilometres or 810 miles) within the 484-square-kilometre (187 sq mi) area. The landscape was shaped during the last Ice Age. About 50,000 people live in the biosphere reserve (1998). Many of them are descendants of the first settlers in the Spreewald region, the Slavic tribes of the Sorbs and Wends. They have preserved their traditional language, customs and clothing to this day.
Most inhabitants depend on tourism. Many tourists explore the Spreewald in punts. Agriculture, forestry and fishery are other important sources of income. The principal town of the area is Lübbenau. Alder forests on wetlands and pine forests on sandy dry areas are characteristic of the Spreewald region. Grasslands and fields can be found as well. About 18,000 species of flora and fauna have been identified. In 1991, the Spreewald was protected by the UNESCO under its Man and Biosphere Reserve Programme.
"Light in Nature creates the movement of colors...
Painting is by nature a luminous language."
Robert Delaunay
Robert Delaunay (1885 – 1941) was a French artist who used Orphism, (which is similar to abstract art) abstraction and cubism in his work. Delaunay concentrated on Orphism, while his later works were more abstract, reminiscent of Paul Klee. His key influence related to bold use of colour, and a clear love of experimentation of both depth and tone.
Source: en.wikipedia.org/wiki/Normandy
Normandy (French: Normandie, Norman: Normaundie, from Old French Normanz, plural of Normant, originally from the word for "northman" in several Scandinavian languages) is one of the 18 regions of France, roughly referring to the historical Duchy of Normandy.
Normandy is divided into five administrative departments: Calvados, Eure, Manche, Orne, and Seine-Maritime. It covers 30,627 square kilometres (11,825 sq mi), comprising roughly 5% of the territory of metropolitan France. Its population of 3.37 million accounts for around 5% of the population of France. The inhabitants of Normandy are known as Normans, and the region is the historic homeland of the Norman language.
The historical region of Normandy comprised the present-day region of Normandy, as well as small areas now part of the departments of Mayenne and Sarthe. The Channel Islands (French: Îles Anglo-Normandes) are also historically part of Normandy; they cover 194 km² and comprise two bailiwicks: Guernsey and Jersey, which are British Crown dependencies over which Queen Elizabeth II reigns as Duke of Normandy.
Normandy's name comes from the settlement of the territory by mainly Danish and Norwegian Vikings ("Northmen") from the 9th century, and confirmed by treaty in the 10th century between King Charles III of France and the Viking jarl Rollo. For a century and a half following the Norman conquest of England in 1066, Normandy and England were linked by Norman and Frankish rulers.
Source: en.wikipedia.org/wiki/Normandy_American_Cemetery_and_Memo...
The Normandy American Cemetery and Memorial (French: Cimetière américain de Colleville-sur-Mer) is a World War II cemetery and memorial in Colleville-sur-Mer, Normandy, France, that honors American troops who died in Europe during World War II. It is located on the former battlefield cemetery of Saint Laurent, covers 172.5 acres and contains 9,380 burials.
A memorial in the cemetery includes maps and details of the Normandy landings and military operations that followed. At the memorial's center is Spirit of American Youth Rising from the Waves, a bronze statue.
The cemetery, which was dedicated in 1956, is the most visited cemetery run by the American Battle Monuments Commission (AMBC) with one million visitors a year. In 2007, the AMBC opened a $30 million visitors' center at the cemetery, relating the global significance and meaning of Operation Overlord.
Source: en.wikipedia.org/wiki/Normandy_landings
The Normandy landings were the landing operations on Tuesday, 6 June 1944 of the Allied invasion of Normandy in Operation Overlord during World War II. Codenamed Operation Neptune and often referred to as D-Day, it was the largest seaborne invasion in history. The operation began the liberation of German-occupied France (and later Europe) from Nazi control, and laid the foundations of the Allied victory on the Western Front.
Planning for the operation began in 1943. In the months leading up to the invasion, the Allies conducted a substantial military deception, codenamed Operation Bodyguard, to mislead the Germans as to the date and location of the main Allied landings. The weather on D-Day was far from ideal and the operation had to be delayed 24 hours; a further postponement would have meant a delay of at least two weeks as the invasion planners had requirements for the phase of the moon, the tides, and the time of day that meant only a few days each month were deemed suitable. Adolf Hitler placed German Field Marshal Erwin Rommel in command of German forces and of developing fortifications along the Atlantic Wall in anticipation of an Allied invasion.
The amphibious landings were preceded by extensive aerial and naval bombardment and an airborne assault—the landing of 24,000 US, British, and Canadian airborne troops shortly after midnight. Allied infantry and armoured divisions began landing on the coast of France at 06:30. The target 50-mile (80 km) stretch of the Normandy coast was divided into five sectors: Utah, Omaha, Gold, Juno and Sword. Strong winds blew the landing craft east of their intended positions, particularly at Utah and Omaha. The men landed under heavy fire from gun emplacements overlooking the beaches, and the shore was mined and covered with obstacles such as wooden stakes, metal tripods, and barbed wire, making the work of the beach-clearing teams difficult and dangerous. Casualties were heaviest at Omaha, with its high cliffs. At Gold, Juno, and Sword, several fortified towns were cleared in house-to-house fighting, and two major gun emplacements at Gold were disabled, using specialised tanks.
The Allies failed to achieve any of their goals on the first day. Carentan, St. Lô, and Bayeux remained in German hands, and Caen, a major objective, was not captured until 21 July. Only two of the beaches (Juno and Gold) were linked on the first day, and all five beachheads were not connected until 12 June; however, the operation gained a foothold which the Allies gradually expanded over the coming months. German casualties on D-Day have been estimated at 4,000 to 9,000 men. Allied casualties were at least 10,000, with 4,414 confirmed dead.
Museums, memorials, and war cemeteries in the area now host many visitors each year.
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Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.