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Theodor von Hรถrmann (1840 - 1895)

Oil on canvas

Leopold Museum, Vienna

 

Theodor von Hรถrmann was an Austrian landscape painter. His works are classified as "Stimmungsimpressionismus" ("atmospheric impressionism"), a term established around 1950 for Austrian open-air painting between 1870 and 1900, which distinguished itself from the heroistic landscape depiction of historicism and emphasised the atmospheric charms and light conditions of the landscape. de.wikipedia.org/wiki/Stimmungsimpressionismus

 

www.leopoldmuseum.org/de/presse/presseunterlagen/727/THEO... de.wikipedia.org/wiki/Theodor_von_H%C3%B6rmann www.dorotheum.com/de/k/theodor-von-hoermann/

A marble statue to landscape painter J E Schindler, designed as a monument by his friend Edmund Hellmer. it is located in The Stadtpark (City Park) on the Innere Stadt side of the park, the central district of Vienna, Austria.

 

His death is generally attributed to appendicitis, which he had left untreated for too long while on vacation. However, his death certificate, as published in the Wiener Zeitung, gives the cause as paralytic ileus. His family and Moll were present at his death bed. He is buried in the churchyard of Ober Sankt Veit in Hietzing. An auction of his works, arranged by Moll and the art dealer, H. O. Miethke, produced a net profit of 80,000 Gulden (โ‚ฌ1 million as of 2021).

 

Information Sources:

en.wikipedia.org/wiki/Emil_Jakob_Schindler

en.wikipedia.org/wiki/Stadtpark,_Vienna

 

Studio of German Australian landscape painter, Hans Heysen. The Cedars, Hahndorf, South Australia

Lindรธya Island

Oslo, Norway

Oil

B4 Maruman Sketchpad

Monday Sept 13 2010

Olana State Historic Site is a historic house museum in Greenport, a village near the city of Hudson in Columbia County New York. The estate was home to Frederic Edwin Church, one of the major figures in the Hudson River School of landscape painting. Print Size 13x19 inches.

Glass-stained window dedicated to the world-famous British landscape painter John Constable in St Mary's Church, East Bergholt, Suffolk, East Anglia, England, UK. The Church of St Mary the Virgin was built in the 15th and 16th centuries, but is well known for the absence of a tower or spire to house the bells. Work began on a tower in 1525, but Cardinal Wolsey's fall from grace in 1530 brought construction to a halt and the following year a wooden bell cage was erected in the churchyard. East Bergholt is the birthplace of painter John Constable whose father owned Flatford Mill. Flatford and Dedham, Essex, both made famous by John Constable, are within walking distance of East Bergholt.

At the Olmstead Island, Maryland overlook of the Great Falls on the Potomac River.

This lovely old house was the birthplace of Scottish artist David Roberts, R.A., born here on the 24th of October, 1796, according to a plaque on the wall.

 

Roberts was particularly well-known for his landscapes, especially of the Holy Land, and he was apparently one of "the first independent and professional British artists to experience the Orient at first hand" in 1838, according to the Royal Academy's entry on him: www.royalacademy.org.uk/art-artists/name/david-roberts-ra

 

Passed here before walking down into Stockbridge, admired the old building, but failed to notice the plaque describing it as Roberts' birthplace. Always nice to notice something you hadn't seen before.

 

Auch wenn das Foto ein wenig an Halloween erinnert, so ist es doch nur ein Maler, der im Bodmin Moor sein Motiv gefunden hat.

  

Although this photo somehow looks like a scene from Halloween, this is only a painter who found his subject in Bodmin Moor

Brooklyn Navy Yard Area facing Manhattan Skyline

Monserrate Palace and Park

 

After having seen the highlights of Lisbon I strongly recommend a visit to the beautiful surroundings of Sintra (30 min. by train), it's on the Unesco World Heritage List.

 

The Park and Palace of Monserrate (Parque e Palรกcio de Monserrate) is located near Sintra, Portugal, the traditional summer resort of the Portuguese court.

 

It was built in 1858 for Sir Francis Cook, the 1st Viscount of Monserrate, by the English architect James Knowles Jr. together with the landscape painter William Stockdale, the botanist William Neville, and the master-gardener James Burt. The exotic, Moghul-inspired, palatial villa is a unique testimony to the eclectic spirit of the eighteen hundreds and a fine example of the Sintra Romanticism. The park is one of the finest botanical gardens in Portugal.

 

--- in Dutch ---

 

Monserrate Paleis en Park

 

Na de hoogtepunten van Lissabon gezien te hebben, kan ik een bezoek aan de mooie omgeving van Sintra aanbevelen (30 min. per trein), het staat op de Werelderfgoedlijst van UNESCO.

 

Het park en paleis van Monserrate liggen dicht bij Sintra, Portugal, het traditionele zomer toevluchtsoord van het Portugese hof.

 

Het is in 1858 gebouwd voor Sir Francis Cook, de 1ste Burggraaf van Monserrate, door de Engelse architect James Knowles Jr. samen met de landschapsschilder William Stockdale, de plantkundige William Neville, en de hoofd-tuinman James Burt. De exotische, moghul-geรฏnspireerde, vorstelijke villa is een unieke weerspiegeling van de eclectische geest van de 19de eeuw en een fraai voorbeeld van de Sintra Romantiek. Het park is รฉรฉn van de mooiste botanische tuinen in Portugal.

 

ยฉ All Rights Reserved

Olana State Historic Site is a historic house museum in Greenport, a village near the city of Hudson in Columbia County New York. The estate was home to Frederic Edwin Church, one of the major figures in the Hudson River School of landscape painting. Print Size 13x19 inches.

Jean-Victor Bertin (French; 1767โ€“1842). Oil on canvas, ca. 1810โ€“13. J. Paul Getty Museum, Los Angeles, California.

 

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

 

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

 

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

โ€ข Tells a simple story to absorb from everyday life, usually with humans.

โ€ข The representation of the painter's idealization to reality - the mapping of reality.

โ€ข Failure to maintain perspective - especially details even in distant details.

โ€ข Extensive use of repeating patterns - many details.

โ€ข Warm and bright colors.

โ€ข Sometimes the emphasis is on outlines.

โ€ข Most of the characters are flat, lack volume

โ€ข No interest in texture, expression, correct proportions

โ€ข No interest in anatomy.

โ€ข There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

 

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

 

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

 

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

 

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

 

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

 

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

 

ืจืคื™ ืคืจืฅ ืืžื ื™ื ื™ืฉืจืืœื™ื ืื•ืžื ื™ื ื™ืฉืจืืœื™ื™ื ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

 

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

 

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

โ€ข Tells a simple story to absorb from everyday life, usually with humans.

โ€ข The representation of the painter's idealization to reality - the mapping of reality.

โ€ข Failure to maintain perspective - especially details even in distant details.

โ€ข Extensive use of repeating patterns - many details.

โ€ข Warm and bright colors.

โ€ข Sometimes the emphasis is on outlines.

โ€ข Most of the characters are flat, lack volume

โ€ข No interest in texture, expression, correct proportions

โ€ข No interest in anatomy.

โ€ข There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

 

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

 

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

 

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

 

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

 

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

 

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

List of painters in compilation: Nikolay Dubovskoy, Ivan Endogurov, Igor Grabar, Lev Kamenev, Valerian Kamenev, Vladimir Kazantsev, Alexander Kiselev, Yuliy Klever, Mikhail Clodt, Gavriil Kondratenko, Konstantin Kryzhickiiy, Arhip Kuindzhi, Isaac Levitan, Arseniy Mesherskiy, Grigoriy Myasoyedov, Volodymyr Orlovsky, Ilya Ostroukhov, Oksana Pavlova, Vasily Polenov, Vilgelm Purvit, Arkady Rylov, Alexei Savrasov, Andreiy Shilder, Ivan Shishkin & Rufin Sudkovsky.

ืจืื™ื•ืŸ ืžืœื ืขื ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ืจืคื™ ืคืจืฅ ืขืœ ื”ืจืขื™ื•ื ื•ืช ืžืื—ื•ืจื™ ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ , ืจื–ื•ืžื” ื‘ื™ื•ื’ืจืคื™ื” ืื™ืฉื™ืช ื•ืงื•ืจื•ืช ื—ื™ื™ื

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืกืคืจ ืœื ื• ืขืœ ืชื”ืœื™ืš ื”ืขื‘ื•ื“ื” ืฉืœืš ื›ืฆื™ื™ืจ ื ืื™ื‘ื™ ?

ืชืฉื•ื‘ื”: ืื ื™ ื‘ื•ื—ืจ ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ื‘ื›ืœ ืขื™ืจ ื•ืขื™ืจ ื”ืžืขื ื™ื™ื ื™ื ืžื‘ื—ื™ื ื” ืืจื›ื™ื˜ืงื˜ื•ื ื™ืช ื•ื‘ืขืœื™ ืฆื•ืจื” ืžื™ื•ื—ื“ืช ื•ืžืžืงื ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื‘ืฉื“ืจื•ืช ืžืœืื•ืช ื‘ืขืฆื™ื, ืฉื™ื—ื™ื, ืฆืžื—ื™ื™ื”, ืคืจื—ื™ื.

 

ืฉืืœื”: ื›ื™ืฆื“ ืืชื” ื ื•ืชืŸ ืขื•ืžืง ื‘ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœืš ?

ืชืฉื•ื‘ื”: ื›ื“ื™ ืœืชืช ืขื•ืžืง ืœืฆื™ื•ืจ, ืื ื™ ื‘ื•ื ื” ืืช ื”ืฆื™ื•ืจ ื‘ืฉื›ื‘ื•ืช ืฉืœ ืฆืžื—ื™ื™ื”, ืื—ืจื™ ืื•ืชื ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื ื ืžื•ื›ื™ื, ื•ืื—ืจื™ื”ื ืฉื“ืจืช ืขืฆื™ื ื’ื‘ื•ื”ื”, ื•ืžืื—ื•ืจื™ื”ื ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื, ื‘ืฉืžื™ื ืื ื™ ืฉื ืœืคืขืžื™ื ืกื™ืžื ื™ื ืชืžื™ืžื™ื ืฉืœ ื‘ืœื•ื ื™ื, ืขืคื™ืคื•ื ื™ื.

ืžื•ื˜ื™ื‘ ื—ื•ื–ืจ ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืฉืœื™ ื”ื•ื ื“ืžื•ืชื• ืฉืœ ื”ืฆื™ื™ืจ ืฉื ืžืฆื ื‘ืžืจื›ื– ื”ืฉื“ืจื” ื•ืžืฆื™ื™ืจ ืืช ื›ืœ ื”ืกืฆื ื” ื”ื ืคืจืฉืช ืžื•ืœื•, ื›ืžื• ื›ืŸ ื™ืฉ ืฉืชื™ ื’ื ื ื•ืช ืฉืžื˜ื™ื™ืœื•ืช ืขื ื™ืœื“ื™ ื”ื’ืŸ ืขื ื“ื’ืœื™ ื”ืžื“ื™ื ื” ืฉืื ื™ ืžืฆื™ื™ืจ , ื•ื–ื•ื’ื•ืช ืื•ื”ื‘ื™ื ืžืชื—ื‘ืงื™ื ื•ืžืชื ืฉืงื™ื ื•ืฆื™ื•ืจื™ื ืžืฉืคื—ืชื™ื™ื ืฉืœ ืืžื, ืื‘ื ื•ื™ืœื“ ืฆื•ืขื“ื™ื ื‘ื”ืจืžื•ื ื™ื” ื‘ืฉื“ืจื”.

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ืžืืคื™ื™ืŸ ืืช ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ ืฉืœืš ?

ืชืฉื•ื‘ื”: ืœืจื•ื‘ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ื™ืฉ ืืช ืื•ืชื ืžืืคื™ื™ื ื™ื

(ื”ื’ื“ืจื” ื›ืคื™ ืฉื”ื™ื ืžื•ืคื™ืขื” ื‘ื•ื™ืงื™ืคื“ื™ื”)

โ€ข ืžืกืคืจ ืกื™ืคื•ืจ ืคืฉื•ื˜ ืœืงืœื•ื˜ ืžื—ื™ื™ ื”ื™ื•ืžื™ื•ื, ื‘ื“ืจืš ื›ืœืœ ืขื ื‘ื ื™ ืื“ื.

โ€ข ื™ื™ืฆื•ื’ ื”ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื”ืฆื™ื™ืจ ืœืžืฆื™ืื•ืช โ€“ ืžื™ืคื•ื™ ื”ืžืฆื™ืื•ืช.

โ€ข ืื™ ืฉืžื™ืจื” ืขืœ ืคืจืกืคืงื˜ื™ื‘ื” - ื‘ืžื™ื•ื—ื“ ืคืจื˜ื™ื ื’ื ื‘ืคืจื˜ื™ื ืจื—ื•ืงื™ื.

โ€ข ืฉื™ืžื•ืฉ ื ืจื—ื‘ ื‘ืชื‘ื ื™ื•ืช ื—ื•ื–ืจื•ืช - ืคืจื˜ื™ื ืจื‘ื™ื.

โ€ข ืฆื‘ืขื™ื ื—ืžื™ื ื•ื‘ื”ื™ืจื™ื.

โ€ข ืœืคืขืžื™ื ื”ื“ื’ืฉ ืขืœ ืงื•ื•ื™ ืžืชืืจ.

โ€ข ืจื•ื‘ ื”ื“ืžื•ื™ื•ืช ืฉื˜ื•ื—ื•ืช, ื—ืกืจื•ืช ื ืคื—

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืžืจืงื, ื”ื‘ืขื”, ืคืจื•ืคื•ืจืฆื™ื•ืช ื ื›ื•ื ื•ืช

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืื ื˜ื•ืžื™ื”.

โ€ข ืื™ืŸ ื”ืจื‘ื” ืฉื™ืžื•ืฉ ื‘ืื•ืจ ื•ืฆืœ, ื”ืฆื‘ืขื™ื ื™ื•ืฆืจื™ื ืืคืงื˜ ืชืœืช ืžื™ืžื“ื™.

ืื ื™ ืžื•ืฆื ืฉื”ื”ื’ื“ืจื•ืช ื”ืœืœื• ืชืงืคื•ืช ืœื’ื‘ื™ ื›ืœ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœื™

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืœืžื” ืืชื” ื‘ื•ื—ืจ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ?

ืชืฉื•ื‘ื”: ื ื•ืœื“ืชื™ ื‘ื™ืจื•ืฉืœื™ื ืขื™ืจ ื”ื‘ื™ืจื” ืฉืื•ืชื” ืื ื™ ืžืื•ื“ ืื•ื”ื‘ ื•ื’ื ืžืฆื™ื™ืจ ,

ืื ื™ ืื•ื”ื‘ ืืช ืžื‘ื ื™ ื”ื‘ืื•ื”ืื•ืก ื”ืžื™ื•ื—ื“ื™ื ื‘ืชืœ ืื‘ื™ื‘ , ื”ื‘ื ื™ื™ื ื™ื ื”ืื•ืจื ืžื ื˜ื™ื™ื ืฉื ื‘ื ื• ืœืคื ื™ ืžืื” ืฉื ื” ื‘ืฉื ื•ืช ื” - 20 ื•ื” - 30 ืฉืœ ื”ืžืื” ื”ืขืฉืจื™ื , ื”ืฉื“ืจื•ืช ื”ื™ืคื•ืช , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžื•ื“ืจื ื™ื™ื ื ื•ืชื ื™ื ืœืš ืชื—ื•ืฉื” ืฉืœ ื”ืžื•ืœื” ื•ืžื˜ืจื•ืคื•ืœื™ืŸ ื’ื“ื•ืœ ื•ื™ืฉื ื ืœื ืžืขื˜ ื‘ื ื™ื™ื ื™ื ื ืžื•ื›ื™ื ื•ื’ื‘ื•ื”ื™ื ืฉืžืจืชืงื™ื ืžื‘ื—ื™ื ื” ืื“ืจื™ื›ืœื™ืช ื‘ืฆื•ืจืชื ื”ืžื™ื•ื—ื“ืช

ื›ืžื• ื›ืŸ ื”ืžืขื‘ืจ ืœืชืœ ืื‘ื™ื‘ ืฉื”ื™ื ื‘ื™ืจืช ื”ืชืจื‘ื•ืช , ื”ื—ื•ืคืฉ , ื”ื—ื™ืœื•ื ื™ื•ืช ืื™ืคืฉืจื• ืœื™ ืœื—ื™ื•ืช ืืช ื—ื™ื™ ื›ืคื™ ืฉื‘ื—ืจืชื™ , ืœื—ื™ื•ืช ื‘ื–ื•ื’ื™ื•ืช ืขื ื’ื‘ืจ , ื™ืจื•ืฉืœื™ื ืฉื”ื™ื ืขื™ืจ ืžืกื•ืจืชื™ืช ื–ื” ื™ื•ืชืจ ืžื•ืจื›ื‘ ืœื—ื™ื•ืช ื—ื™ื™ื ื”ื•ืžื•ืกืงืกื•ืืœื™ื™ื , ื›ืžื• ื›ืŸ ืขื•ืœื ื”ืืžื ื•ืช ืžืชืจื—ืฉ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื•ื™ืชื›ืŸ ืฉืžื‘ื—ื™ื ื” ืžืงืฆื•ืขื™ืช ื–ื” ืžืืคืฉืจ ืœื™ ืœืงื™ื™ื ืืช ืขืฆืžื™ ื˜ื•ื‘ ื™ื•ืชืจ ื‘ืชืœ ืื‘ื™ื‘ ืžืืฉืจ ื‘ื›ืœ ืขื™ืจ ืื—ืจืช ื‘ื™ืฉืจืืœ .

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ื”ืื ื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืชืœ ืื‘ื™ื‘ ืฉื•ื ื™ื ืžื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื™ืจื•ืฉืœื™ื

ืชืฉื•ื‘ื”: ื”ืฆื™ื•ืจื™ื ืฉืœ ื™ืจื•ืฉืœื™ื ื—ืœืงื ื”ื’ื“ื•ืœ ื™ืฉ ื“ื’ืฉ ืขืœ ื”ืฆื‘ืข ื”ืฆื”ื•ื‘ , ื–ื”ื‘ , ืฆื‘ืข ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื ื•ืฉืื™ื ืฉืฆื™ื™ืจืชื™ ื‘ื™ืจื•ืฉืœื™ื ื”ื ื‘ืขื™ืงืจ ืกื•ื’ ืฉืœ ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื—ื™ื™ื ืฉืœื•ื•ื™ื ื‘ื™ืŸ ื™ื”ื•ื“ื™ื ืœืขืจื‘ื™ื ื•ืฆื™ื•ืจื™ื ืฉืขื•ืกืงื™ื ื‘ืขื•ืœื ื”ื“ืชื™ ื™ื”ื•ื“ื™ , ืžืกืคืจ ืฆื™ื•ืจื™ื ืžืชืืจื™ื ืืช ื›ืœ ื’ื•ื•ื ื™ ื”ื–ืจืžื™ื ืฉืœ ื”ื™ื”ื“ื•ืช ืฉืœ ื™ืžื™ื ื•

ืœื”ื‘ื“ื™ืœ ืฆื™ื•ืจื™ ืชืœ ืื‘ื™ื‘ ื”ื ื™ื•ืชืจ ืฆื‘ืขื•ื ื™ื™ื , ืขื ื’ื•ืจื“ื™ ืฉื—ืงื™ื , ื™ื , ื›ื“ื•ืจื™ื ืคื•ืจื—ื™ื ื•ืžื•ื˜ื™ื‘ื™ื ื™ื•ืชืจ ื—ื™ืœื•ื ื™ื™ื

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืคืจื˜ ืขืœ ืื™ื–ื” ืžื‘ื ื™ื ื•ื‘ื ื™ื™ื ื ืื“ืจื™ื›ืœื™ื ืืชื” ื‘ื“ืจืš ื›ืœืœ ืืชื” ื‘ื•ื—ืจ ื‘ืฆื™ื•ืจื™ ื”ืขืจื™ื ืฉืœืš

ืชืฉื•ื‘ื”: ื”ืžื‘ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื ื›ืืœื” ืฉื™ืฉ ืœื”ื ืฆื•ืจื” ืžื™ื•ื—ื“ืช ืฉื›ืœ ืื—ื“ ื™ื›ื•ืœ ืœื–ื”ื•ืช ื•ื”ื ืžืกืžืžื ื™ ื”ืขื™ืจ ื•ืืชืŸ ืžืกืคืจ ื“ื•ื’ืžืื•ืช :

ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื”ื‘ื ื™ื™ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื : ื‘ื ื™ื™ืŸ ื”ืื•ืคืจื” ืขื ื”ืฆื•ืจื” ื”ื’ื™ืื•ืžื˜ืจื™ืช ื”ืžื™ื•ื“ืช , ืžื’ื“ืœ ื™ืฉืจื•ื˜ืœ ืขื ืจืืฉ ื”ืžื™ื•ื—ื“ , ืžื’ื“ืœ ื›ืœ ื‘ื• ืฉืœื•ื ืฉืฉื ื™ื ื”ื™ื” ืกืžืœ ืœื‘ื ื™ื™ืŸ ื”ื’ื‘ื•ื” ื‘ืชืœ ืื‘ื™ื‘, ื‘ื™ืช ืœื•ื™ืŸ ืฉื ืจืื” ื›ืžื• ืคื’ื•ื“ื” ื™ืคื ื™ืช, ืžืœื•ืŸ ื ื•ืจื“ืื• ื‘ืฆื‘ืข ื‘ื•ืจื“ื• ืขื ื”ื›ื™ืคื” ื”ืžื™ื•ื—ื“ืช ื‘ืงืฆื” ื”ื‘ื ื™ื™ืŸ , ื–ื•ื’ ืžื’ื“ืœื™ ืืœื•ืŸ ืขื ื”ืžื‘ื ื” ื”ืžื™ื•ื—ื“ ืฉืœื”ื™ื , ื‘ื ื™ื™ื ื™ ื‘ืื•ื”ืื•ืก ืื•ืคื™ื™ื ื™ื™ื ืœืชืœ ืื‘ื™ื‘ ืขื ื”ืžืจืคืกื•ืช ื”ืžื™ื•ื—ื“ื•ืช ื•ื—ื“ืจ ื”ืžื“ืจื’ื•ืช ื”ืžื™ื•ื—ื“, ื”ืžื–ืจืงื” ืฉืœ ื™ืขืงื‘ ืื’ื ื‘ื›ื™ื›ืจ ื“ื™ื–ื ื’ื•ืฃ ืžื•ืคื™ืขื” ื‘ื—ืœืง ื’ื“ื•ืœ ืฉืœ ื”ืฆื™ื•ืจื™ื , ืžื’ื“ืœื™ื ืจื‘ื™ื ืฉื ืžืฆืื™ื ื‘ืžืชื—ื ื”ื‘ื•ืจืกื”, ืžื’ื“ืœื™ ืื‘ื™ื‘ ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ื’ื‘ื•ื”ื™ื ืขืœ ืื™ื™ืœื•ืŸ , ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืœืงื—ืชื™ ืชื•ื›ื ื™ื•ืช ืžืชืืจ ืฉืœ ื‘ื ื™ื™ื ื™ื ืขืชื™ื“ื™ื™ื ืฉืฆืจื™ื›ื™ื ืœื”ื‘ื ื•ืช ื‘ืขื™ืจ ื•ืฆื™ื™ืจืชื™ ืื•ืชื ืขื•ื“ ืœืคื ื™ ืฉื”ื ื ื‘ื ื• ื‘ืžืฆื™ืื•ืช ,

 

ื‘ืฆื™ื•ืจื™ ื™ืจื•ืฉืœื™ื ื‘ื—ืจืชื™ ื‘ืขื™ืงืจ ืืช ืื™ื–ื•ืจ ื”ืขื™ืจ ื”ืขืชื™ืงื” ื•ืžื–ืจื— ื™ืจื•ืฉืœื™ื , ืฆื™ื•ืจ ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื›ื•ืชืœ , ื›ื ืกื™ื™ืช ื”ืงื‘ืจ , ืžืกื’ื“ ืืœ ืืงืฆ'ืื”, ืžื’ื“ืœ ื“ื•ื•ื™ื“, ืžืจื‘ื™ืช ื”ื›ื ืกื™ื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ืขื™ืจ , ื™ืžื™ืŸ ืžืฉื”, ื‘ืžืจื‘ื™ืช ื”ืฆื™ื•ืจื™ื ื”ื™ื”ื•ื“ื™ ืœื‘ื•ืฉ ื‘ื—ื•ืœืฆื” ื›ื—ื•ืœื” ืขื ืฉืจื•ืš ืื“ื•ื ื–ื›ืจ ืœื™ืžื™ื ืฉื”ื™ื™ืชื™ ื‘ืชื ื•ืขืช ื ื•ืขืจ ื•ื”ืขืจื‘ื™ ืขื ื’ืœื‘ื™ื™ื” , ื•ื‘ืฆื™ื•ืจื™ ื”ืฆื™ื‘ื•ืจ ื”ื“ืชื™ ืื– ื™ื”ื•ื“ื™ื ืขื ื—ืœื™ืคื•ืช ืฉื—ื•ืจื•ืช ื•ื—ื•ืœืฆื•ืช ืœื‘ื ื•ืช, ื˜ืœื™ื˜ื•ืช , ื›ื™ืคื•ืช , ื›ื•ื‘ืขื™ื ืžื™ื•ื—ื“ื™ื , ื‘ืชื™ ื›ื ืกืช ื•ืขื•ื“

 

ื™ืฆืจืชื™ ื’ื ืฉืœื•ืฉื” ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื—ื™ืคื” ื•ืฆื™ื•ืจ ืื—ื“ ืฉืœ ืฆืคืช

ื‘ืฆื™ื•ืจื™ ื—ื™ืคื” ืฆื™ื™ืจืชื™ ืืช ื”ืื•ื ื™ื‘ืจืกื™ื˜ื” , ื”ื˜ื›ื ื™ื•ืŸ , ืžื’ื“ืœ ืื’ื“ ื”ืžืคื•ืจืกื , ืžื’ื“ืœ ื”ืžืคืจืฉ , ื‘ืชื™ ืžืœื•ืŸ ื™ื“ื•ืขื™ื , ื›ืžื•ื‘ืŸ ื”ื’ื ื™ื ื”ื‘ืื”ื™ื™ื ื•ื”ืžืงื“ืฉ ื”ื‘ืื”ื™ , ื ืžืœ ื—ื™ืคื” ื•ื”ืกื™ืจื•ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืžื™ื ื‘ืขื™ืจ

 

ืฉืืœื”: ื”ืื ื™ืฆืจืช ืกื“ืจื•ืช ืฉืœ ืขืจื™ื ื ื•ืกืคื•ืช ืžื”ืขื•ืœื

ืชืฉื•ื‘ื”: ื™ืฆืจืชื™ ืกื“ืจื•ืช ืฉืœ ื”ืขื™ืจ ื ื™ื• ื™ื•ืจืง ืขื ื›ืœ ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื›ืžื• : ืžื•ื–ื™ืื•ืŸ ื”ื’ื•ื’ื ื”ื™ื™ื ,ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื - ื‘ื ื™ื™ืŸ ืงืจื™ื™ื–ืœืจ , ืื™ืžืคื™ื™ืจ ืกื˜ื™ื™ื˜ ื‘ื™ืœื“ื™ื ื’, ืžืจื›ื– ืœื™ื ืงื•ืœืŸ , ื‘ื™ืช ื”ื›ื ืกืช ื”ืžืคื•ืจืกื ื‘ืขื™ืจ, ืคืกืœ ื”ื—ืจื•ืช , ื“ื’ืœื™ ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื

ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ืœื•ื ื“ื•ืŸ ื•ื›ืœ ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื” , ื”ื‘ื™ื’ ื‘ืŸ , ืžื•ื ืžื ื˜ื™ื ืžืคื•ืจืกืžื™ื , ื”ื’ืœื’ืœ ื”ืขื ืง, ื”ืžืœื›ื” ืืœื™ื–ื‘ื˜ ื•ืžืฉืคื—ืชื”, ื”ืื•ื˜ื•ื‘ื•ืก ื”ื›ืคื•ืœ, ื”ื˜ืœืคื•ืŸ ื”ืฆื™ื‘ื•ืจื™ ื”ืžืคื•ืจืกื , ืืจืžื•ื ื•ืช , ื›ื ืกื™ื•ืช ืžืคื•ืจืกืžื•ืช , ืžื•ื ื•ืžื ื˜ื™ื ื™ื“ื•ืขื™ื

ื™ืฆืจืชื™ 4 ืฆื™ื•ืจื™ื ื ืื™ื‘ื™ื™ื ืฉืœ ืขืจื™ื ื‘ืกื™ืŸ, ืฆื™ื•ืจ ืฉืœ ืฉื ื’ื—ืื™, ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื–'ื• ื•ืฆื™ื•ืจ ืฉืœ ืคืืจืง ื”ืขื•ืœื ื‘ืขื™ืจ ื‘ื™ื™ื’'ื™ื ื’... ื‘ื—ืจืชื™ ืืช ืงื• ื”ืจืงื™ืข ื”ืžืคื•ืจืกื ืฉืœ ืฉื ื’ื—ืื™ ืขื ื›ืœ ื”ืžื’ื“ืœื™ื ื”ืžืคื•ืจืกืžื™ื , ื”ื˜ื™ื™ืœืช ื”ืžืคื•ืจืกืžืช, ืžืงื“ืฉื™ื ื•ื‘ื ื™ื™ื ื™ื ื™ืฉื ื™ื , ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื’'ืื• ืขื ืชืขืœื•ืช ื”ืžื™ื ื”ืžืคื•ืจืกืžื•ืช , ื”ื’ืฉืจื™ื , ื”ื’ื ื™ื ื”ืžื™ื•ื—ื“ื™ื , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื ืฉืœ ื”ืขื™ืจ

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ื”ืจืขื™ื•ืŸ ื”ื›ืœืœื™ ืฉืžืœื•ื•ื” ืื•ืชืš ื‘ืฆื™ื•ืจื™ื

ืชืฉื•ื‘ื”: ืœื™ืฆื•ืจ ืขื•ืœื ื˜ื•ื‘ , ื™ืคื” , ื ืื™ื‘ื™, ืชืžื™ื ืฉื ืจืื” ืืช ื”ื—ื“ืฉื ื•ืช ืฉืœ ื”ืขื™ืจ ื”ืžื•ื“ืจื ื™ืช ื“ืจืš ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ืžื•ืœ ื‘ื ื™ื™ื ื™ื ืงื˜ื ื™ื ื•ื ืžื•ื›ื™ื ืฉืžื‘ื™ืื™ื ืืช ื”ื”ื™ืกื˜ื•ืจื™ื” ื•ื”ืขื‘ืจ ืฉืœ ื›ืœ ืžื“ื™ื ื” ื”ื›ื•ืœ ืขื ืฉืคืข ืฆืžื—ื™ื”, ืฉื“ืจื•ืช , ืขืฆื™ื

 

ืจื–ื•ืžื” , ื‘ื™ื•ื’ืจืคื™ื” , ืงื•ืจื•ืช ื—ื™ื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื•ืžืฉืคื—ืชื•

ืฉืืœื”: ืžืชื™ ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘-4 ื‘ืžืจืฅ 1965

 

ืฉืืœื”: ืื™ืคื” ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘ื™ืจื•ืฉืœื™ื, ื™ืฉืจืืœ

 

ืฉืืœื”: ืžื”ื• ื”ืฉื ื”ืžืœื ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ืฉื ื”ืžืœื ืฉืœื• ื”ื•ื ืจืคืืœ ืคืจืฅ ื‘ืื ื’ืœื™ืช raphael perez

 

ืฉืืœื”: ืื™ื–ื” ืชื—ื•ื ืžืชืžื—ื” ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ืžืชืžื—ื” ื‘ืชื—ื•ื ื”ืฆื™ื•ืจ

 

ืฉืืœื”: ืžื”ื• ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ ื”ื•ื ื‘ืฆื™ื•ืจื™ ื ื•ืฃ ืื•ืจื‘ื ื™ ืฉืœ ืขืจื™ื ื‘ื™ืฉืจืืœ ื•ื‘ืขื•ืœื

 

ืฉืืœื”: ืื™ื–ื• ืžื•ืกื“ ืœื™ืžื•ื“ื™ื ืœืืžื ื•ืช ื‘ื•ื’ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื‘ื•ื’ืจ ื”ืžืจื›ื– ืœืืžื ื•ื™ื•ืช ื”ื—ื–ื•ืช ื‘ื‘ืืจ ืฉื‘ืข

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœืฆื™ื™ืจ ื‘ืฉื ืช 1989

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช ื‘ืฉื ืช 1999

  

ืฉืืœื”: ืื™ืคื” ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืžืฉื ืช 1995, ืจืคื™ ืคืจืฅ ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืžื”ืกื˜ื•ื“ื™ื• ืฉืœื• ื‘ืชืœ ืื‘ื™ื‘

 

ืฉืืœื”: ื‘ืื™ื–ื• ืžืกื’ืจืช ืฆื‘ืื™ืช ืฉื™ืจืช ื‘ืฆื”"ืœ?

ืชืฉื•ื‘ื”: ืฉื™ืจืช ื‘ื—ื™ืœ ื”ืชื•ืชื—ื ื™ื

 

ืฉืืœื”: ื‘ืื™ื–ื” ืขื‘ื•ื“ื•ืช ืขื‘ื“ ืœืื—ืจ ืฉื™ืจื•ืชื• ื”ืฆื‘ืื™ ?

ืชืฉื•ื‘ื” : ืจืคื™ ืคืจืฅ ืขื‘ื“ 15 ืฉื ื” ื‘ื—ื™ื ื•ืš ื‘ืžืกื’ืจื•ืช ื˜ื™ืคื•ืœื™ื•ืช ืœื™ืœื“ื™ื ื•ืœื™ืžื“ ืืžื ื•ื™ื•ืช ื•ืชื ื•ืขื”

 

ืฉืืœื”: ื›ืžื” ืื—ื™ื ื•ืื—ื™ื•ืช ื™ืฉ ืœืจืคื™ ืคืจืฅ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™

ืชืฉื•ื‘ื”: ืกื”"ื› ื”ื ืฉื‘ืขื” ื™ืœื“ื™ื , ืขื ื”ืฆื™ื™ืจ 5 ื‘ื ื™ื ื•ืฉืชื™ ื‘ื ื•ืช ,ื–ืืช ืื•ืžืจืช ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื™ืฉ ืขื•ื“ 4 ืื—ื™ื ื•ืฉืชื™ ืื—ื™ื•ืช

 

ืฉืืœื”: ื‘ืžื” ืขื•ืกืงื™ื ื”ืื—ื™ื ื•ื”ืื—ื™ื•ืช ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ืื— ื”ื‘ื›ื•ืจ ื“ื•ื“ ืคืจืฅ ืขืกืง ื‘ืชื—ื•ื ืœื™ืžื•ื“ื™ ื”ื“ืช , ื”ืื—ื•ืช ื—ื ื” ืขื•ืกืงืช ื‘ืชื—ื•ื ื”ื—ื™ื ื•ืš , ื’ื ื ืช ืœื™ืœื“ื™ื ื•ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ื , ื”ืื— ืื‘ื™ ืคืจืฅ ืฉื ืžืฆื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื›ื™ื•ื ื”ื•ื ืจื‘ ืงื•ื ืกืจื‘ื˜ื™ื‘ื™ ืื‘ืœ ื‘ืขื‘ืจ ืขืกืง ื‘ื—ื™ื ื•ืš ื•ื˜ื™ืคื•ืœ , ื”ืื— ืืฉืจ ืคืจืฅ ืขื•ืกืง ื‘ืชื—ื•ืžื™ ื”ื™ืฆื™ืจื” ื•ืชื›ืฉื™ื˜ื™ื , ื”ืื— ื”ืชืื•ื ืžื™ืงื™ ืคืจืฅ ืžืขืฆื‘ ืชืขืฉื™ื™ืชื™ ื™ื“ื•ืข ื•ืžื•ื›ืจ ื”ืื—ื•ืช ื”ืงื˜ื ื” ืฉืœื•ืžื™ืช ืคืจืฅ ืขื•ื‘ื“ืช ื‘ืชืคืงื™ื“ ื ื™ื”ื•ืœื™ ื‘ื‘ื–ืง

 

ืฉืืœื”: ืกืคืจ ืขืœ ื”ื”ื•ืจื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ื•ืจื™ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ืฉืžื ืฉืžืขื•ืŸ ืคืจืฅ ื•ืขืœื™ื–ื” ืืœื™ืก ื‘ืŸ ื™ืื™ืจ , ื”ืชื—ืชื ื• ื‘ืฉื ืช 1950 ื‘ื™ืจื•ืฉืœื™ื , ืฉื ื™ื”ื ื ื•ืœื“ื• ื‘ืžืจื•ืงื• ื•ืขืœื• ืœืืจืฅ ื‘ืฉื ืช 1949 , ืฉืžืขื•ืŸ ืคืจืฅ ืขื‘ื“ ื‘ื‘ื ื™ื™ืŸ ื‘ืฆืขื™ืจื•ืชื• ื•ืื—ืจ ื›ืš ื›ืคืงื™ื“ ืงื‘ืœื” ื‘ื‘ื™ืช ื”ื—ื•ืœื™ื ื”ื“ืกื” ืขื™ืŸ ื›ืจื, ืขืœื™ื–ื” ืืœื™ืก ืคืจืฅ ืขืกืงื” ื‘ืชื—ื•ื ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ ื’ืŸ , ืขื‘ื•ื“ื” ื‘ื’ื ื™ ื™ืœื“ื™ื ื•ื›ืžื•ื‘ืŸ ื˜ื™ืคื•ืœ ื•ื’ื™ื“ื•ืœ ืฉื‘ืขืช ื™ืœื“ื™ื”

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืฉืืœื”: ืกืคืจ ืœื ื• ืขืœ ืชื”ืœื™ืš ื”ืขื‘ื•ื“ื” ืฉืœืš ื›ืฆื™ื™ืจ ื ืื™ื‘ื™ ?

ืชืฉื•ื‘ื”: ืื ื™ ื‘ื•ื—ืจ ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ื‘ื›ืœ ืขื™ืจ ื•ืขื™ืจ ื”ืžืขื ื™ื™ื ื™ื ืžื‘ื—ื™ื ื” ืืจื›ื™ื˜ืงื˜ื•ื ื™ืช ื•ื‘ืขืœื™ ืฆื•ืจื” ืžื™ื•ื—ื“ืช ื•ืžืžืงื ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื‘ืฉื“ืจื•ืช ืžืœืื•ืช ื‘ืขืฆื™ื, ืฉื™ื—ื™ื, ืฆืžื—ื™ื™ื”, ืคืจื—ื™ื.

 

ืฉืืœื”: ื›ื™ืฆื“ ืืชื” ื ื•ืชืŸ ืขื•ืžืง ื‘ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœืš ?

ืชืฉื•ื‘ื”: ื›ื“ื™ ืœืชืช ืขื•ืžืง ืœืฆื™ื•ืจ, ืื ื™ ื‘ื•ื ื” ืืช ื”ืฆื™ื•ืจ ื‘ืฉื›ื‘ื•ืช ืฉืœ ืฆืžื—ื™ื™ื”, ืื—ืจื™ ืื•ืชื ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื ื ืžื•ื›ื™ื, ื•ืื—ืจื™ื”ื ืฉื“ืจืช ืขืฆื™ื ื’ื‘ื•ื”ื”, ื•ืžืื—ื•ืจื™ื”ื ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื, ื‘ืฉืžื™ื ืื ื™ ืฉื ืœืคืขืžื™ื ืกื™ืžื ื™ื ืชืžื™ืžื™ื ืฉืœ ื‘ืœื•ื ื™ื, ืขืคื™ืคื•ื ื™ื.

ืžื•ื˜ื™ื‘ ื—ื•ื–ืจ ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืฉืœื™ ื”ื•ื ื“ืžื•ืชื• ืฉืœ ื”ืฆื™ื™ืจ ืฉื ืžืฆื ื‘ืžืจื›ื– ื”ืฉื“ืจื” ื•ืžืฆื™ื™ืจ ืืช ื›ืœ ื”ืกืฆื ื” ื”ื ืคืจืฉืช ืžื•ืœื•, ื›ืžื• ื›ืŸ ื™ืฉ ืฉืชื™ ื’ื ื ื•ืช ืฉืžื˜ื™ื™ืœื•ืช ืขื ื™ืœื“ื™ ื”ื’ืŸ ืขื ื“ื’ืœื™ ื”ืžื“ื™ื ื” ืฉืื ื™ ืžืฆื™ื™ืจ , ื•ื–ื•ื’ื•ืช ืื•ื”ื‘ื™ื ืžืชื—ื‘ืงื™ื ื•ืžืชื ืฉืงื™ื ื•ืฆื™ื•ืจื™ื ืžืฉืคื—ืชื™ื™ื ืฉืœ ืืžื, ืื‘ื ื•ื™ืœื“ ืฆื•ืขื“ื™ื ื‘ื”ืจืžื•ื ื™ื” ื‘ืฉื“ืจื”.

 

ืฉืืœื”: ืžื” ืžืืคื™ื™ืŸ ืืช ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ ืฉืœืš ?

ืชืฉื•ื‘ื”: ืœืจื•ื‘ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ื™ืฉ ืืช ืื•ืชื ืžืืคื™ื™ื ื™ื

(ื”ื’ื“ืจื” ื›ืคื™ ืฉื”ื™ื ืžื•ืคื™ืขื” ื‘ื•ื™ืงื™ืคื“ื™ื”)

โ€ข ืžืกืคืจ ืกื™ืคื•ืจ ืคืฉื•ื˜ ืœืงืœื•ื˜ ืžื—ื™ื™ ื”ื™ื•ืžื™ื•ื, ื‘ื“ืจืš ื›ืœืœ ืขื ื‘ื ื™ ืื“ื.

โ€ข ื™ื™ืฆื•ื’ ื”ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื”ืฆื™ื™ืจ ืœืžืฆื™ืื•ืช โ€“ ืžื™ืคื•ื™ ื”ืžืฆื™ืื•ืช.

โ€ข ืื™ ืฉืžื™ืจื” ืขืœ ืคืจืกืคืงื˜ื™ื‘ื” - ื‘ืžื™ื•ื—ื“ ืคืจื˜ื™ื ื’ื ื‘ืคืจื˜ื™ื ืจื—ื•ืงื™ื.

โ€ข ืฉื™ืžื•ืฉ ื ืจื—ื‘ ื‘ืชื‘ื ื™ื•ืช ื—ื•ื–ืจื•ืช - ืคืจื˜ื™ื ืจื‘ื™ื.

โ€ข ืฆื‘ืขื™ื ื—ืžื™ื ื•ื‘ื”ื™ืจื™ื.

โ€ข ืœืคืขืžื™ื ื”ื“ื’ืฉ ืขืœ ืงื•ื•ื™ ืžืชืืจ.

โ€ข ืจื•ื‘ ื”ื“ืžื•ื™ื•ืช ืฉื˜ื•ื—ื•ืช, ื—ืกืจื•ืช ื ืคื—

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืžืจืงื, ื”ื‘ืขื”, ืคืจื•ืคื•ืจืฆื™ื•ืช ื ื›ื•ื ื•ืช

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืื ื˜ื•ืžื™ื”.

โ€ข ืื™ืŸ ื”ืจื‘ื” ืฉื™ืžื•ืฉ ื‘ืื•ืจ ื•ืฆืœ, ื”ืฆื‘ืขื™ื ื™ื•ืฆืจื™ื ืืคืงื˜ ืชืœืช ืžื™ืžื“ื™.

ืื ื™ ืžื•ืฆื ืฉื”ื”ื’ื“ืจื•ืช ื”ืœืœื• ืชืงืคื•ืช ืœื’ื‘ื™ ื›ืœ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœื™

 

ืฉืืœื”: ืœืžื” ืืชื” ื‘ื•ื—ืจ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ?

ืชืฉื•ื‘ื”: ื ื•ืœื“ืชื™ ื‘ื™ืจื•ืฉืœื™ื ืขื™ืจ ื”ื‘ื™ืจื” ืฉืื•ืชื” ืื ื™ ืžืื•ื“ ืื•ื”ื‘ ื•ื’ื ืžืฆื™ื™ืจ ,

ืื ื™ ืื•ื”ื‘ ืืช ืžื‘ื ื™ ื”ื‘ืื•ื”ืื•ืก ื”ืžื™ื•ื—ื“ื™ื ื‘ืชืœ ืื‘ื™ื‘ , ื”ื‘ื ื™ื™ื ื™ื ื”ืื•ืจื ืžื ื˜ื™ื™ื ืฉื ื‘ื ื• ืœืคื ื™ ืžืื” ืฉื ื” ื‘ืฉื ื•ืช ื” - 20 ื•ื” - 30 ืฉืœ ื”ืžืื” ื”ืขืฉืจื™ื , ื”ืฉื“ืจื•ืช ื”ื™ืคื•ืช , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžื•ื“ืจื ื™ื™ื ื ื•ืชื ื™ื ืœืš ืชื—ื•ืฉื” ืฉืœ ื”ืžื•ืœื” ื•ืžื˜ืจื•ืคื•ืœื™ืŸ ื’ื“ื•ืœ ื•ื™ืฉื ื ืœื ืžืขื˜ ื‘ื ื™ื™ื ื™ื ื ืžื•ื›ื™ื ื•ื’ื‘ื•ื”ื™ื ืฉืžืจืชืงื™ื ืžื‘ื—ื™ื ื” ืื“ืจื™ื›ืœื™ืช ื‘ืฆื•ืจืชื ื”ืžื™ื•ื—ื“ืช

ื›ืžื• ื›ืŸ ื”ืžืขื‘ืจ ืœืชืœ ืื‘ื™ื‘ ืฉื”ื™ื ื‘ื™ืจืช ื”ืชืจื‘ื•ืช , ื”ื—ื•ืคืฉ , ื”ื—ื™ืœื•ื ื™ื•ืช ืื™ืคืฉืจื• ืœื™ ืœื—ื™ื•ืช ืืช ื—ื™ื™ ื›ืคื™ ืฉื‘ื—ืจืชื™ , ืœื—ื™ื•ืช ื‘ื–ื•ื’ื™ื•ืช ืขื ื’ื‘ืจ , ื™ืจื•ืฉืœื™ื ืฉื”ื™ื ืขื™ืจ ืžืกื•ืจืชื™ืช ื–ื” ื™ื•ืชืจ ืžื•ืจื›ื‘ ืœื—ื™ื•ืช ื—ื™ื™ื ื”ื•ืžื•ืกืงืกื•ืืœื™ื™ื , ื›ืžื• ื›ืŸ ืขื•ืœื ื”ืืžื ื•ืช ืžืชืจื—ืฉ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื•ื™ืชื›ืŸ ืฉืžื‘ื—ื™ื ื” ืžืงืฆื•ืขื™ืช ื–ื” ืžืืคืฉืจ ืœื™ ืœืงื™ื™ื ืืช ืขืฆืžื™ ื˜ื•ื‘ ื™ื•ืชืจ ื‘ืชืœ ืื‘ื™ื‘ ืžืืฉืจ ื‘ื›ืœ ืขื™ืจ ืื—ืจืช ื‘ื™ืฉืจืืœ .

 

ืฉืืœื”: ื”ืื ื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืชืœ ืื‘ื™ื‘ ืฉื•ื ื™ื ืžื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื™ืจื•ืฉืœื™ื

ืชืฉื•ื‘ื”: ื”ืฆื™ื•ืจื™ื ืฉืœ ื™ืจื•ืฉืœื™ื ื—ืœืงื ื”ื’ื“ื•ืœ ื™ืฉ ื“ื’ืฉ ืขืœ ื”ืฆื‘ืข ื”ืฆื”ื•ื‘ , ื–ื”ื‘ , ืฆื‘ืข ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื ื•ืฉืื™ื ืฉืฆื™ื™ืจืชื™ ื‘ื™ืจื•ืฉืœื™ื ื”ื ื‘ืขื™ืงืจ ืกื•ื’ ืฉืœ ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื—ื™ื™ื ืฉืœื•ื•ื™ื ื‘ื™ืŸ ื™ื”ื•ื“ื™ื ืœืขืจื‘ื™ื ื•ืฆื™ื•ืจื™ื ืฉืขื•ืกืงื™ื ื‘ืขื•ืœื ื”ื“ืชื™ ื™ื”ื•ื“ื™ , ืžืกืคืจ ืฆื™ื•ืจื™ื ืžืชืืจื™ื ืืช ื›ืœ ื’ื•ื•ื ื™ ื”ื–ืจืžื™ื ืฉืœ ื”ื™ื”ื“ื•ืช ืฉืœ ื™ืžื™ื ื•

ืœื”ื‘ื“ื™ืœ ืฆื™ื•ืจื™ ืชืœ ืื‘ื™ื‘ ื”ื ื™ื•ืชืจ ืฆื‘ืขื•ื ื™ื™ื , ืขื ื’ื•ืจื“ื™ ืฉื—ืงื™ื , ื™ื , ื›ื“ื•ืจื™ื ืคื•ืจื—ื™ื ื•ืžื•ื˜ื™ื‘ื™ื ื™ื•ืชืจ ื—ื™ืœื•ื ื™ื™ื

 

ืฉืืœื”: ืคืจื˜ ืขืœ ืื™ื–ื” ืžื‘ื ื™ื ื•ื‘ื ื™ื™ื ื ืื“ืจื™ื›ืœื™ื ืืชื” ื‘ื“ืจืš ื›ืœืœ ืืชื” ื‘ื•ื—ืจ ื‘ืฆื™ื•ืจื™ ื”ืขืจื™ื ืฉืœืš

ืชืฉื•ื‘ื”: ื”ืžื‘ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื ื›ืืœื” ืฉื™ืฉ ืœื”ื ืฆื•ืจื” ืžื™ื•ื—ื“ืช ืฉื›ืœ ืื—ื“ ื™ื›ื•ืœ ืœื–ื”ื•ืช ื•ื”ื ืžืกืžืžื ื™ ื”ืขื™ืจ ื•ืืชืŸ ืžืกืคืจ ื“ื•ื’ืžืื•ืช :

ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื”ื‘ื ื™ื™ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื : ื‘ื ื™ื™ืŸ ื”ืื•ืคืจื” ืขื ื”ืฆื•ืจื” ื”ื’ื™ืื•ืžื˜ืจื™ืช ื”ืžื™ื•ื“ืช , ืžื’ื“ืœ ื™ืฉืจื•ื˜ืœ ืขื ืจืืฉ ื”ืžื™ื•ื—ื“ , ืžื’ื“ืœ ื›ืœ ื‘ื• ืฉืœื•ื ืฉืฉื ื™ื ื”ื™ื” ืกืžืœ ืœื‘ื ื™ื™ืŸ ื”ื’ื‘ื•ื” ื‘ืชืœ ืื‘ื™ื‘, ื‘ื™ืช ืœื•ื™ืŸ ืฉื ืจืื” ื›ืžื• ืคื’ื•ื“ื” ื™ืคื ื™ืช, ืžืœื•ืŸ ื ื•ืจื“ืื• ื‘ืฆื‘ืข ื‘ื•ืจื“ื• ืขื ื”ื›ื™ืคื” ื”ืžื™ื•ื—ื“ืช ื‘ืงืฆื” ื”ื‘ื ื™ื™ืŸ , ื–ื•ื’ ืžื’ื“ืœื™ ืืœื•ืŸ ืขื ื”ืžื‘ื ื” ื”ืžื™ื•ื—ื“ ืฉืœื”ื™ื , ื‘ื ื™ื™ื ื™ ื‘ืื•ื”ืื•ืก ืื•ืคื™ื™ื ื™ื™ื ืœืชืœ ืื‘ื™ื‘ ืขื ื”ืžืจืคืกื•ืช ื”ืžื™ื•ื—ื“ื•ืช ื•ื—ื“ืจ ื”ืžื“ืจื’ื•ืช ื”ืžื™ื•ื—ื“, ื”ืžื–ืจืงื” ืฉืœ ื™ืขืงื‘ ืื’ื ื‘ื›ื™ื›ืจ ื“ื™ื–ื ื’ื•ืฃ ืžื•ืคื™ืขื” ื‘ื—ืœืง ื’ื“ื•ืœ ืฉืœ ื”ืฆื™ื•ืจื™ื , ืžื’ื“ืœื™ื ืจื‘ื™ื ืฉื ืžืฆืื™ื ื‘ืžืชื—ื ื”ื‘ื•ืจืกื”, ืžื’ื“ืœื™ ืื‘ื™ื‘ ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ื’ื‘ื•ื”ื™ื ืขืœ ืื™ื™ืœื•ืŸ , ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืœืงื—ืชื™ ืชื•ื›ื ื™ื•ืช ืžืชืืจ ืฉืœ ื‘ื ื™ื™ื ื™ื ืขืชื™ื“ื™ื™ื ืฉืฆืจื™ื›ื™ื ืœื”ื‘ื ื•ืช ื‘ืขื™ืจ ื•ืฆื™ื™ืจืชื™ ืื•ืชื ืขื•ื“ ืœืคื ื™ ืฉื”ื ื ื‘ื ื• ื‘ืžืฆื™ืื•ืช ,

 

ื‘ืฆื™ื•ืจื™ ื™ืจื•ืฉืœื™ื ื‘ื—ืจืชื™ ื‘ืขื™ืงืจ ืืช ืื™ื–ื•ืจ ื”ืขื™ืจ ื”ืขืชื™ืงื” ื•ืžื–ืจื— ื™ืจื•ืฉืœื™ื , ืฆื™ื•ืจ ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื›ื•ืชืœ , ื›ื ืกื™ื™ืช ื”ืงื‘ืจ , ืžืกื’ื“ ืืœ ืืงืฆ'ืื”, ืžื’ื“ืœ ื“ื•ื•ื™ื“, ืžืจื‘ื™ืช ื”ื›ื ืกื™ื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ืขื™ืจ , ื™ืžื™ืŸ ืžืฉื”, ื‘ืžืจื‘ื™ืช ื”ืฆื™ื•ืจื™ื ื”ื™ื”ื•ื“ื™ ืœื‘ื•ืฉ ื‘ื—ื•ืœืฆื” ื›ื—ื•ืœื” ืขื ืฉืจื•ืš ืื“ื•ื ื–ื›ืจ ืœื™ืžื™ื ืฉื”ื™ื™ืชื™ ื‘ืชื ื•ืขืช ื ื•ืขืจ ื•ื”ืขืจื‘ื™ ืขื ื’ืœื‘ื™ื™ื” , ื•ื‘ืฆื™ื•ืจื™ ื”ืฆื™ื‘ื•ืจ ื”ื“ืชื™ ืื– ื™ื”ื•ื“ื™ื ืขื ื—ืœื™ืคื•ืช ืฉื—ื•ืจื•ืช ื•ื—ื•ืœืฆื•ืช ืœื‘ื ื•ืช, ื˜ืœื™ื˜ื•ืช , ื›ื™ืคื•ืช , ื›ื•ื‘ืขื™ื ืžื™ื•ื—ื“ื™ื , ื‘ืชื™ ื›ื ืกืช ื•ืขื•ื“

 

ื™ืฆืจืชื™ ื’ื ืฉืœื•ืฉื” ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื—ื™ืคื” ื•ืฆื™ื•ืจ ืื—ื“ ืฉืœ ืฆืคืช

ื‘ืฆื™ื•ืจื™ ื—ื™ืคื” ืฆื™ื™ืจืชื™ ืืช ื”ืื•ื ื™ื‘ืจืกื™ื˜ื” , ื”ื˜ื›ื ื™ื•ืŸ , ืžื’ื“ืœ ืื’ื“ ื”ืžืคื•ืจืกื , ืžื’ื“ืœ ื”ืžืคืจืฉ , ื‘ืชื™ ืžืœื•ืŸ ื™ื“ื•ืขื™ื , ื›ืžื•ื‘ืŸ ื”ื’ื ื™ื ื”ื‘ืื”ื™ื™ื ื•ื”ืžืงื“ืฉ ื”ื‘ืื”ื™ , ื ืžืœ ื—ื™ืคื” ื•ื”ืกื™ืจื•ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืžื™ื ื‘ืขื™ืจ

 

ืฉืืœื”: ื”ืื ื™ืฆืจืช ืกื“ืจื•ืช ืฉืœ ืขืจื™ื ื ื•ืกืคื•ืช ืžื”ืขื•ืœื

ืชืฉื•ื‘ื”: ื™ืฆืจืชื™ ืกื“ืจื•ืช ืฉืœ ื”ืขื™ืจ ื ื™ื• ื™ื•ืจืง ืขื ื›ืœ ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื›ืžื• : ืžื•ื–ื™ืื•ืŸ ื”ื’ื•ื’ื ื”ื™ื™ื ,ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื - ื‘ื ื™ื™ืŸ ืงืจื™ื™ื–ืœืจ , ืื™ืžืคื™ื™ืจ ืกื˜ื™ื™ื˜ ื‘ื™ืœื“ื™ื ื’, ืžืจื›ื– ืœื™ื ืงื•ืœืŸ , ื‘ื™ืช ื”ื›ื ืกืช ื”ืžืคื•ืจืกื ื‘ืขื™ืจ, ืคืกืœ ื”ื—ืจื•ืช , ื“ื’ืœื™ ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื

ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ืœื•ื ื“ื•ืŸ ื•ื›ืœ ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื” , ื”ื‘ื™ื’ ื‘ืŸ , ืžื•ื ืžื ื˜ื™ื ืžืคื•ืจืกืžื™ื , ื”ื’ืœื’ืœ ื”ืขื ืง, ื”ืžืœื›ื” ืืœื™ื–ื‘ื˜ ื•ืžืฉืคื—ืชื”, ื”ืื•ื˜ื•ื‘ื•ืก ื”ื›ืคื•ืœ, ื”ื˜ืœืคื•ืŸ ื”ืฆื™ื‘ื•ืจื™ ื”ืžืคื•ืจืกื , ืืจืžื•ื ื•ืช , ื›ื ืกื™ื•ืช ืžืคื•ืจืกืžื•ืช , ืžื•ื ื•ืžื ื˜ื™ื ื™ื“ื•ืขื™ื

ื™ืฆืจืชื™ 4 ืฆื™ื•ืจื™ื ื ืื™ื‘ื™ื™ื ืฉืœ ืขืจื™ื ื‘ืกื™ืŸ, ืฆื™ื•ืจ ืฉืœ ืฉื ื’ื—ืื™, ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื–'ื• ื•ืฆื™ื•ืจ ืฉืœ ืคืืจืง ื”ืขื•ืœื ื‘ืขื™ืจ ื‘ื™ื™ื’'ื™ื ื’... ื‘ื—ืจืชื™ ืืช ืงื• ื”ืจืงื™ืข ื”ืžืคื•ืจืกื ืฉืœ ืฉื ื’ื—ืื™ ืขื ื›ืœ ื”ืžื’ื“ืœื™ื ื”ืžืคื•ืจืกืžื™ื , ื”ื˜ื™ื™ืœืช ื”ืžืคื•ืจืกืžืช, ืžืงื“ืฉื™ื ื•ื‘ื ื™ื™ื ื™ื ื™ืฉื ื™ื , ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื’'ืื• ืขื ืชืขืœื•ืช ื”ืžื™ื ื”ืžืคื•ืจืกืžื•ืช , ื”ื’ืฉืจื™ื , ื”ื’ื ื™ื ื”ืžื™ื•ื—ื“ื™ื , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื ืฉืœ ื”ืขื™ืจ

 

ืฉืืœื”: ืžื” ื”ืจืขื™ื•ืŸ ื”ื›ืœืœื™ ืฉืžืœื•ื•ื” ืื•ืชืš ื‘ืฆื™ื•ืจื™ื

ืชืฉื•ื‘ื”: ืœื™ืฆื•ืจ ืขื•ืœื ื˜ื•ื‘ , ื™ืคื” , ื ืื™ื‘ื™, ืชืžื™ื ืฉื ืจืื” ืืช ื”ื—ื“ืฉื ื•ืช ืฉืœ ื”ืขื™ืจ ื”ืžื•ื“ืจื ื™ืช ื“ืจืš ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ืžื•ืœ ื‘ื ื™ื™ื ื™ื ืงื˜ื ื™ื ื•ื ืžื•ื›ื™ื ืฉืžื‘ื™ืื™ื ืืช ื”ื”ื™ืกื˜ื•ืจื™ื” ื•ื”ืขื‘ืจ ืฉืœ ื›ืœ ืžื“ื™ื ื” ื”ื›ื•ืœ ืขื ืฉืคืข ืฆืžื—ื™ื”, ืฉื“ืจื•ืช , ืขืฆื™ื

Description: Wyant seated on the porch of his studio at Arkville in the Catskills, New York. Wyant was a painter, Catskills, N.Y.

 

Creator/Photographer: Martha Hasseltine Whitney

 

Medium: Black and white photographic print

 

Dimensions: 26 cm x 21 cm

 

Date: c. 1890

 

Persistent URL: www.aaa.si.edu/collections/images/detail/alexander-wyant-...

 

Repository: Archives of American Art

 

Accession number: AAA_miscphot_8602

ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืžื•ื“ืจื ื™ืช ืขื›ืฉื•ื•ื™ืช ืœืžื›ื™ืจื” ืฆื™ื•ืจ ืจืืœื™ืกื˜ื™ ืขื›ืฉื•ื•ื™ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืชืœ ืื‘ื™ื‘ ืฆื™ื•ืจื™ื ืจื™ืืœื™ืกื˜ื™ื ืจืคื™ ืคืจืฅ ืื•ืžืŸ ืขื›ืฉื•ื™

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืื™ื•ืŸ ืžืœื ืขื ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ืจืคื™ ืคืจืฅ ืขืœ ื”ืจืขื™ื•ื ื•ืช ืžืื—ื•ืจื™ ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ , ืจื–ื•ืžื” ื‘ื™ื•ื’ืจืคื™ื” ืื™ืฉื™ืช ื•ืงื•ืจื•ืช ื—ื™ื™ื

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืกืคืจ ืœื ื• ืขืœ ืชื”ืœื™ืš ื”ืขื‘ื•ื“ื” ืฉืœืš ื›ืฆื™ื™ืจ ื ืื™ื‘ื™ ?

ืชืฉื•ื‘ื”: ืื ื™ ื‘ื•ื—ืจ ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ื‘ื›ืœ ืขื™ืจ ื•ืขื™ืจ ื”ืžืขื ื™ื™ื ื™ื ืžื‘ื—ื™ื ื” ืืจื›ื™ื˜ืงื˜ื•ื ื™ืช ื•ื‘ืขืœื™ ืฆื•ืจื” ืžื™ื•ื—ื“ืช ื•ืžืžืงื ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื‘ืฉื“ืจื•ืช ืžืœืื•ืช ื‘ืขืฆื™ื, ืฉื™ื—ื™ื, ืฆืžื—ื™ื™ื”, ืคืจื—ื™ื.

 

ืฉืืœื”: ื›ื™ืฆื“ ืืชื” ื ื•ืชืŸ ืขื•ืžืง ื‘ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœืš ?

ืชืฉื•ื‘ื”: ื›ื“ื™ ืœืชืช ืขื•ืžืง ืœืฆื™ื•ืจ, ืื ื™ ื‘ื•ื ื” ืืช ื”ืฆื™ื•ืจ ื‘ืฉื›ื‘ื•ืช ืฉืœ ืฆืžื—ื™ื™ื”, ืื—ืจื™ ืื•ืชื ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื ื ืžื•ื›ื™ื, ื•ืื—ืจื™ื”ื ืฉื“ืจืช ืขืฆื™ื ื’ื‘ื•ื”ื”, ื•ืžืื—ื•ืจื™ื”ื ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื, ื‘ืฉืžื™ื ืื ื™ ืฉื ืœืคืขืžื™ื ืกื™ืžื ื™ื ืชืžื™ืžื™ื ืฉืœ ื‘ืœื•ื ื™ื, ืขืคื™ืคื•ื ื™ื.

ืžื•ื˜ื™ื‘ ื—ื•ื–ืจ ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืฉืœื™ ื”ื•ื ื“ืžื•ืชื• ืฉืœ ื”ืฆื™ื™ืจ ืฉื ืžืฆื ื‘ืžืจื›ื– ื”ืฉื“ืจื” ื•ืžืฆื™ื™ืจ ืืช ื›ืœ ื”ืกืฆื ื” ื”ื ืคืจืฉืช ืžื•ืœื•, ื›ืžื• ื›ืŸ ื™ืฉ ืฉืชื™ ื’ื ื ื•ืช ืฉืžื˜ื™ื™ืœื•ืช ืขื ื™ืœื“ื™ ื”ื’ืŸ ืขื ื“ื’ืœื™ ื”ืžื“ื™ื ื” ืฉืื ื™ ืžืฆื™ื™ืจ , ื•ื–ื•ื’ื•ืช ืื•ื”ื‘ื™ื ืžืชื—ื‘ืงื™ื ื•ืžืชื ืฉืงื™ื ื•ืฆื™ื•ืจื™ื ืžืฉืคื—ืชื™ื™ื ืฉืœ ืืžื, ืื‘ื ื•ื™ืœื“ ืฆื•ืขื“ื™ื ื‘ื”ืจืžื•ื ื™ื” ื‘ืฉื“ืจื”.

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ืžืืคื™ื™ืŸ ืืช ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ ืฉืœืš ?

ืชืฉื•ื‘ื”: ืœืจื•ื‘ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ื™ืฉ ืืช ืื•ืชื ืžืืคื™ื™ื ื™ื

(ื”ื’ื“ืจื” ื›ืคื™ ืฉื”ื™ื ืžื•ืคื™ืขื” ื‘ื•ื™ืงื™ืคื“ื™ื”)

โ€ข ืžืกืคืจ ืกื™ืคื•ืจ ืคืฉื•ื˜ ืœืงืœื•ื˜ ืžื—ื™ื™ ื”ื™ื•ืžื™ื•ื, ื‘ื“ืจืš ื›ืœืœ ืขื ื‘ื ื™ ืื“ื.

โ€ข ื™ื™ืฆื•ื’ ื”ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื”ืฆื™ื™ืจ ืœืžืฆื™ืื•ืช โ€“ ืžื™ืคื•ื™ ื”ืžืฆื™ืื•ืช.

โ€ข ืื™ ืฉืžื™ืจื” ืขืœ ืคืจืกืคืงื˜ื™ื‘ื” - ื‘ืžื™ื•ื—ื“ ืคืจื˜ื™ื ื’ื ื‘ืคืจื˜ื™ื ืจื—ื•ืงื™ื.

โ€ข ืฉื™ืžื•ืฉ ื ืจื—ื‘ ื‘ืชื‘ื ื™ื•ืช ื—ื•ื–ืจื•ืช - ืคืจื˜ื™ื ืจื‘ื™ื.

โ€ข ืฆื‘ืขื™ื ื—ืžื™ื ื•ื‘ื”ื™ืจื™ื.

โ€ข ืœืคืขืžื™ื ื”ื“ื’ืฉ ืขืœ ืงื•ื•ื™ ืžืชืืจ.

โ€ข ืจื•ื‘ ื”ื“ืžื•ื™ื•ืช ืฉื˜ื•ื—ื•ืช, ื—ืกืจื•ืช ื ืคื—

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืžืจืงื, ื”ื‘ืขื”, ืคืจื•ืคื•ืจืฆื™ื•ืช ื ื›ื•ื ื•ืช

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืื ื˜ื•ืžื™ื”.

โ€ข ืื™ืŸ ื”ืจื‘ื” ืฉื™ืžื•ืฉ ื‘ืื•ืจ ื•ืฆืœ, ื”ืฆื‘ืขื™ื ื™ื•ืฆืจื™ื ืืคืงื˜ ืชืœืช ืžื™ืžื“ื™.

ืื ื™ ืžื•ืฆื ืฉื”ื”ื’ื“ืจื•ืช ื”ืœืœื• ืชืงืคื•ืช ืœื’ื‘ื™ ื›ืœ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœื™

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืœืžื” ืืชื” ื‘ื•ื—ืจ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ?

ืชืฉื•ื‘ื”: ื ื•ืœื“ืชื™ ื‘ื™ืจื•ืฉืœื™ื ืขื™ืจ ื”ื‘ื™ืจื” ืฉืื•ืชื” ืื ื™ ืžืื•ื“ ืื•ื”ื‘ ื•ื’ื ืžืฆื™ื™ืจ ,

ืื ื™ ืื•ื”ื‘ ืืช ืžื‘ื ื™ ื”ื‘ืื•ื”ืื•ืก ื”ืžื™ื•ื—ื“ื™ื ื‘ืชืœ ืื‘ื™ื‘ , ื”ื‘ื ื™ื™ื ื™ื ื”ืื•ืจื ืžื ื˜ื™ื™ื ืฉื ื‘ื ื• ืœืคื ื™ ืžืื” ืฉื ื” ื‘ืฉื ื•ืช ื” - 20 ื•ื” - 30 ืฉืœ ื”ืžืื” ื”ืขืฉืจื™ื , ื”ืฉื“ืจื•ืช ื”ื™ืคื•ืช , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžื•ื“ืจื ื™ื™ื ื ื•ืชื ื™ื ืœืš ืชื—ื•ืฉื” ืฉืœ ื”ืžื•ืœื” ื•ืžื˜ืจื•ืคื•ืœื™ืŸ ื’ื“ื•ืœ ื•ื™ืฉื ื ืœื ืžืขื˜ ื‘ื ื™ื™ื ื™ื ื ืžื•ื›ื™ื ื•ื’ื‘ื•ื”ื™ื ืฉืžืจืชืงื™ื ืžื‘ื—ื™ื ื” ืื“ืจื™ื›ืœื™ืช ื‘ืฆื•ืจืชื ื”ืžื™ื•ื—ื“ืช

ื›ืžื• ื›ืŸ ื”ืžืขื‘ืจ ืœืชืœ ืื‘ื™ื‘ ืฉื”ื™ื ื‘ื™ืจืช ื”ืชืจื‘ื•ืช , ื”ื—ื•ืคืฉ , ื”ื—ื™ืœื•ื ื™ื•ืช ืื™ืคืฉืจื• ืœื™ ืœื—ื™ื•ืช ืืช ื—ื™ื™ ื›ืคื™ ืฉื‘ื—ืจืชื™ , ืœื—ื™ื•ืช ื‘ื–ื•ื’ื™ื•ืช ืขื ื’ื‘ืจ , ื™ืจื•ืฉืœื™ื ืฉื”ื™ื ืขื™ืจ ืžืกื•ืจืชื™ืช ื–ื” ื™ื•ืชืจ ืžื•ืจื›ื‘ ืœื—ื™ื•ืช ื—ื™ื™ื ื”ื•ืžื•ืกืงืกื•ืืœื™ื™ื , ื›ืžื• ื›ืŸ ืขื•ืœื ื”ืืžื ื•ืช ืžืชืจื—ืฉ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื•ื™ืชื›ืŸ ืฉืžื‘ื—ื™ื ื” ืžืงืฆื•ืขื™ืช ื–ื” ืžืืคืฉืจ ืœื™ ืœืงื™ื™ื ืืช ืขืฆืžื™ ื˜ื•ื‘ ื™ื•ืชืจ ื‘ืชืœ ืื‘ื™ื‘ ืžืืฉืจ ื‘ื›ืœ ืขื™ืจ ืื—ืจืช ื‘ื™ืฉืจืืœ .

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ื”ืื ื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืชืœ ืื‘ื™ื‘ ืฉื•ื ื™ื ืžื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื™ืจื•ืฉืœื™ื

ืชืฉื•ื‘ื”: ื”ืฆื™ื•ืจื™ื ืฉืœ ื™ืจื•ืฉืœื™ื ื—ืœืงื ื”ื’ื“ื•ืœ ื™ืฉ ื“ื’ืฉ ืขืœ ื”ืฆื‘ืข ื”ืฆื”ื•ื‘ , ื–ื”ื‘ , ืฆื‘ืข ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื ื•ืฉืื™ื ืฉืฆื™ื™ืจืชื™ ื‘ื™ืจื•ืฉืœื™ื ื”ื ื‘ืขื™ืงืจ ืกื•ื’ ืฉืœ ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื—ื™ื™ื ืฉืœื•ื•ื™ื ื‘ื™ืŸ ื™ื”ื•ื“ื™ื ืœืขืจื‘ื™ื ื•ืฆื™ื•ืจื™ื ืฉืขื•ืกืงื™ื ื‘ืขื•ืœื ื”ื“ืชื™ ื™ื”ื•ื“ื™ , ืžืกืคืจ ืฆื™ื•ืจื™ื ืžืชืืจื™ื ืืช ื›ืœ ื’ื•ื•ื ื™ ื”ื–ืจืžื™ื ืฉืœ ื”ื™ื”ื“ื•ืช ืฉืœ ื™ืžื™ื ื•

ืœื”ื‘ื“ื™ืœ ืฆื™ื•ืจื™ ืชืœ ืื‘ื™ื‘ ื”ื ื™ื•ืชืจ ืฆื‘ืขื•ื ื™ื™ื , ืขื ื’ื•ืจื“ื™ ืฉื—ืงื™ื , ื™ื , ื›ื“ื•ืจื™ื ืคื•ืจื—ื™ื ื•ืžื•ื˜ื™ื‘ื™ื ื™ื•ืชืจ ื—ื™ืœื•ื ื™ื™ื

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืคืจื˜ ืขืœ ืื™ื–ื” ืžื‘ื ื™ื ื•ื‘ื ื™ื™ื ื ืื“ืจื™ื›ืœื™ื ืืชื” ื‘ื“ืจืš ื›ืœืœ ืืชื” ื‘ื•ื—ืจ ื‘ืฆื™ื•ืจื™ ื”ืขืจื™ื ืฉืœืš

ืชืฉื•ื‘ื”: ื”ืžื‘ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื ื›ืืœื” ืฉื™ืฉ ืœื”ื ืฆื•ืจื” ืžื™ื•ื—ื“ืช ืฉื›ืœ ืื—ื“ ื™ื›ื•ืœ ืœื–ื”ื•ืช ื•ื”ื ืžืกืžืžื ื™ ื”ืขื™ืจ ื•ืืชืŸ ืžืกืคืจ ื“ื•ื’ืžืื•ืช :

ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื”ื‘ื ื™ื™ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื : ื‘ื ื™ื™ืŸ ื”ืื•ืคืจื” ืขื ื”ืฆื•ืจื” ื”ื’ื™ืื•ืžื˜ืจื™ืช ื”ืžื™ื•ื“ืช , ืžื’ื“ืœ ื™ืฉืจื•ื˜ืœ ืขื ืจืืฉ ื”ืžื™ื•ื—ื“ , ืžื’ื“ืœ ื›ืœ ื‘ื• ืฉืœื•ื ืฉืฉื ื™ื ื”ื™ื” ืกืžืœ ืœื‘ื ื™ื™ืŸ ื”ื’ื‘ื•ื” ื‘ืชืœ ืื‘ื™ื‘, ื‘ื™ืช ืœื•ื™ืŸ ืฉื ืจืื” ื›ืžื• ืคื’ื•ื“ื” ื™ืคื ื™ืช, ืžืœื•ืŸ ื ื•ืจื“ืื• ื‘ืฆื‘ืข ื‘ื•ืจื“ื• ืขื ื”ื›ื™ืคื” ื”ืžื™ื•ื—ื“ืช ื‘ืงืฆื” ื”ื‘ื ื™ื™ืŸ , ื–ื•ื’ ืžื’ื“ืœื™ ืืœื•ืŸ ืขื ื”ืžื‘ื ื” ื”ืžื™ื•ื—ื“ ืฉืœื”ื™ื , ื‘ื ื™ื™ื ื™ ื‘ืื•ื”ืื•ืก ืื•ืคื™ื™ื ื™ื™ื ืœืชืœ ืื‘ื™ื‘ ืขื ื”ืžืจืคืกื•ืช ื”ืžื™ื•ื—ื“ื•ืช ื•ื—ื“ืจ ื”ืžื“ืจื’ื•ืช ื”ืžื™ื•ื—ื“, ื”ืžื–ืจืงื” ืฉืœ ื™ืขืงื‘ ืื’ื ื‘ื›ื™ื›ืจ ื“ื™ื–ื ื’ื•ืฃ ืžื•ืคื™ืขื” ื‘ื—ืœืง ื’ื“ื•ืœ ืฉืœ ื”ืฆื™ื•ืจื™ื , ืžื’ื“ืœื™ื ืจื‘ื™ื ืฉื ืžืฆืื™ื ื‘ืžืชื—ื ื”ื‘ื•ืจืกื”, ืžื’ื“ืœื™ ืื‘ื™ื‘ ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ื’ื‘ื•ื”ื™ื ืขืœ ืื™ื™ืœื•ืŸ , ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืœืงื—ืชื™ ืชื•ื›ื ื™ื•ืช ืžืชืืจ ืฉืœ ื‘ื ื™ื™ื ื™ื ืขืชื™ื“ื™ื™ื ืฉืฆืจื™ื›ื™ื ืœื”ื‘ื ื•ืช ื‘ืขื™ืจ ื•ืฆื™ื™ืจืชื™ ืื•ืชื ืขื•ื“ ืœืคื ื™ ืฉื”ื ื ื‘ื ื• ื‘ืžืฆื™ืื•ืช ,

 

ื‘ืฆื™ื•ืจื™ ื™ืจื•ืฉืœื™ื ื‘ื—ืจืชื™ ื‘ืขื™ืงืจ ืืช ืื™ื–ื•ืจ ื”ืขื™ืจ ื”ืขืชื™ืงื” ื•ืžื–ืจื— ื™ืจื•ืฉืœื™ื , ืฆื™ื•ืจ ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื›ื•ืชืœ , ื›ื ืกื™ื™ืช ื”ืงื‘ืจ , ืžืกื’ื“ ืืœ ืืงืฆ'ืื”, ืžื’ื“ืœ ื“ื•ื•ื™ื“, ืžืจื‘ื™ืช ื”ื›ื ืกื™ื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ืขื™ืจ , ื™ืžื™ืŸ ืžืฉื”, ื‘ืžืจื‘ื™ืช ื”ืฆื™ื•ืจื™ื ื”ื™ื”ื•ื“ื™ ืœื‘ื•ืฉ ื‘ื—ื•ืœืฆื” ื›ื—ื•ืœื” ืขื ืฉืจื•ืš ืื“ื•ื ื–ื›ืจ ืœื™ืžื™ื ืฉื”ื™ื™ืชื™ ื‘ืชื ื•ืขืช ื ื•ืขืจ ื•ื”ืขืจื‘ื™ ืขื ื’ืœื‘ื™ื™ื” , ื•ื‘ืฆื™ื•ืจื™ ื”ืฆื™ื‘ื•ืจ ื”ื“ืชื™ ืื– ื™ื”ื•ื“ื™ื ืขื ื—ืœื™ืคื•ืช ืฉื—ื•ืจื•ืช ื•ื—ื•ืœืฆื•ืช ืœื‘ื ื•ืช, ื˜ืœื™ื˜ื•ืช , ื›ื™ืคื•ืช , ื›ื•ื‘ืขื™ื ืžื™ื•ื—ื“ื™ื , ื‘ืชื™ ื›ื ืกืช ื•ืขื•ื“

 

ื™ืฆืจืชื™ ื’ื ืฉืœื•ืฉื” ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื—ื™ืคื” ื•ืฆื™ื•ืจ ืื—ื“ ืฉืœ ืฆืคืช

ื‘ืฆื™ื•ืจื™ ื—ื™ืคื” ืฆื™ื™ืจืชื™ ืืช ื”ืื•ื ื™ื‘ืจืกื™ื˜ื” , ื”ื˜ื›ื ื™ื•ืŸ , ืžื’ื“ืœ ืื’ื“ ื”ืžืคื•ืจืกื , ืžื’ื“ืœ ื”ืžืคืจืฉ , ื‘ืชื™ ืžืœื•ืŸ ื™ื“ื•ืขื™ื , ื›ืžื•ื‘ืŸ ื”ื’ื ื™ื ื”ื‘ืื”ื™ื™ื ื•ื”ืžืงื“ืฉ ื”ื‘ืื”ื™ , ื ืžืœ ื—ื™ืคื” ื•ื”ืกื™ืจื•ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืžื™ื ื‘ืขื™ืจ

 

ืฉืืœื”: ื”ืื ื™ืฆืจืช ืกื“ืจื•ืช ืฉืœ ืขืจื™ื ื ื•ืกืคื•ืช ืžื”ืขื•ืœื

ืชืฉื•ื‘ื”: ื™ืฆืจืชื™ ืกื“ืจื•ืช ืฉืœ ื”ืขื™ืจ ื ื™ื• ื™ื•ืจืง ืขื ื›ืœ ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื›ืžื• : ืžื•ื–ื™ืื•ืŸ ื”ื’ื•ื’ื ื”ื™ื™ื ,ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื - ื‘ื ื™ื™ืŸ ืงืจื™ื™ื–ืœืจ , ืื™ืžืคื™ื™ืจ ืกื˜ื™ื™ื˜ ื‘ื™ืœื“ื™ื ื’, ืžืจื›ื– ืœื™ื ืงื•ืœืŸ , ื‘ื™ืช ื”ื›ื ืกืช ื”ืžืคื•ืจืกื ื‘ืขื™ืจ, ืคืกืœ ื”ื—ืจื•ืช , ื“ื’ืœื™ ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื

ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ืœื•ื ื“ื•ืŸ ื•ื›ืœ ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื” , ื”ื‘ื™ื’ ื‘ืŸ , ืžื•ื ืžื ื˜ื™ื ืžืคื•ืจืกืžื™ื , ื”ื’ืœื’ืœ ื”ืขื ืง, ื”ืžืœื›ื” ืืœื™ื–ื‘ื˜ ื•ืžืฉืคื—ืชื”, ื”ืื•ื˜ื•ื‘ื•ืก ื”ื›ืคื•ืœ, ื”ื˜ืœืคื•ืŸ ื”ืฆื™ื‘ื•ืจื™ ื”ืžืคื•ืจืกื , ืืจืžื•ื ื•ืช , ื›ื ืกื™ื•ืช ืžืคื•ืจืกืžื•ืช , ืžื•ื ื•ืžื ื˜ื™ื ื™ื“ื•ืขื™ื

ื™ืฆืจืชื™ 4 ืฆื™ื•ืจื™ื ื ืื™ื‘ื™ื™ื ืฉืœ ืขืจื™ื ื‘ืกื™ืŸ, ืฆื™ื•ืจ ืฉืœ ืฉื ื’ื—ืื™, ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื–'ื• ื•ืฆื™ื•ืจ ืฉืœ ืคืืจืง ื”ืขื•ืœื ื‘ืขื™ืจ ื‘ื™ื™ื’'ื™ื ื’... ื‘ื—ืจืชื™ ืืช ืงื• ื”ืจืงื™ืข ื”ืžืคื•ืจืกื ืฉืœ ืฉื ื’ื—ืื™ ืขื ื›ืœ ื”ืžื’ื“ืœื™ื ื”ืžืคื•ืจืกืžื™ื , ื”ื˜ื™ื™ืœืช ื”ืžืคื•ืจืกืžืช, ืžืงื“ืฉื™ื ื•ื‘ื ื™ื™ื ื™ื ื™ืฉื ื™ื , ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื’'ืื• ืขื ืชืขืœื•ืช ื”ืžื™ื ื”ืžืคื•ืจืกืžื•ืช , ื”ื’ืฉืจื™ื , ื”ื’ื ื™ื ื”ืžื™ื•ื—ื“ื™ื , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื ืฉืœ ื”ืขื™ืจ

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ื”ืจืขื™ื•ืŸ ื”ื›ืœืœื™ ืฉืžืœื•ื•ื” ืื•ืชืš ื‘ืฆื™ื•ืจื™ื

ืชืฉื•ื‘ื”: ืœื™ืฆื•ืจ ืขื•ืœื ื˜ื•ื‘ , ื™ืคื” , ื ืื™ื‘ื™, ืชืžื™ื ืฉื ืจืื” ืืช ื”ื—ื“ืฉื ื•ืช ืฉืœ ื”ืขื™ืจ ื”ืžื•ื“ืจื ื™ืช ื“ืจืš ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ืžื•ืœ ื‘ื ื™ื™ื ื™ื ืงื˜ื ื™ื ื•ื ืžื•ื›ื™ื ืฉืžื‘ื™ืื™ื ืืช ื”ื”ื™ืกื˜ื•ืจื™ื” ื•ื”ืขื‘ืจ ืฉืœ ื›ืœ ืžื“ื™ื ื” ื”ื›ื•ืœ ืขื ืฉืคืข ืฆืžื—ื™ื”, ืฉื“ืจื•ืช , ืขืฆื™ื

 

ืจื–ื•ืžื” , ื‘ื™ื•ื’ืจืคื™ื” , ืงื•ืจื•ืช ื—ื™ื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื•ืžืฉืคื—ืชื•

ืฉืืœื”: ืžืชื™ ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘-4 ื‘ืžืจืฅ 1965

 

ืฉืืœื”: ืื™ืคื” ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘ื™ืจื•ืฉืœื™ื, ื™ืฉืจืืœ

 

ืฉืืœื”: ืžื”ื• ื”ืฉื ื”ืžืœื ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ืฉื ื”ืžืœื ืฉืœื• ื”ื•ื ืจืคืืœ ืคืจืฅ ื‘ืื ื’ืœื™ืช raphael perez

 

ืฉืืœื”: ืื™ื–ื” ืชื—ื•ื ืžืชืžื—ื” ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ืžืชืžื—ื” ื‘ืชื—ื•ื ื”ืฆื™ื•ืจ

 

ืฉืืœื”: ืžื”ื• ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ ื”ื•ื ื‘ืฆื™ื•ืจื™ ื ื•ืฃ ืื•ืจื‘ื ื™ ืฉืœ ืขืจื™ื ื‘ื™ืฉืจืืœ ื•ื‘ืขื•ืœื

 

ืฉืืœื”: ืื™ื–ื• ืžื•ืกื“ ืœื™ืžื•ื“ื™ื ืœืืžื ื•ืช ื‘ื•ื’ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื‘ื•ื’ืจ ื”ืžืจื›ื– ืœืืžื ื•ื™ื•ืช ื”ื—ื–ื•ืช ื‘ื‘ืืจ ืฉื‘ืข

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœืฆื™ื™ืจ ื‘ืฉื ืช 1989

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช ื‘ืฉื ืช 1999

  

ืฉืืœื”: ืื™ืคื” ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืžืฉื ืช 1995, ืจืคื™ ืคืจืฅ ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืžื”ืกื˜ื•ื“ื™ื• ืฉืœื• ื‘ืชืœ ืื‘ื™ื‘

 

ืฉืืœื”: ื‘ืื™ื–ื• ืžืกื’ืจืช ืฆื‘ืื™ืช ืฉื™ืจืช ื‘ืฆื”"ืœ?

ืชืฉื•ื‘ื”: ืฉื™ืจืช ื‘ื—ื™ืœ ื”ืชื•ืชื—ื ื™ื

 

ืฉืืœื”: ื‘ืื™ื–ื” ืขื‘ื•ื“ื•ืช ืขื‘ื“ ืœืื—ืจ ืฉื™ืจื•ืชื• ื”ืฆื‘ืื™ ?

ืชืฉื•ื‘ื” : ืจืคื™ ืคืจืฅ ืขื‘ื“ 15 ืฉื ื” ื‘ื—ื™ื ื•ืš ื‘ืžืกื’ืจื•ืช ื˜ื™ืคื•ืœื™ื•ืช ืœื™ืœื“ื™ื ื•ืœื™ืžื“ ืืžื ื•ื™ื•ืช ื•ืชื ื•ืขื”

 

ืฉืืœื”: ื›ืžื” ืื—ื™ื ื•ืื—ื™ื•ืช ื™ืฉ ืœืจืคื™ ืคืจืฅ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™

ืชืฉื•ื‘ื”: ืกื”"ื› ื”ื ืฉื‘ืขื” ื™ืœื“ื™ื , ืขื ื”ืฆื™ื™ืจ 5 ื‘ื ื™ื ื•ืฉืชื™ ื‘ื ื•ืช ,ื–ืืช ืื•ืžืจืช ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื™ืฉ ืขื•ื“ 4 ืื—ื™ื ื•ืฉืชื™ ืื—ื™ื•ืช

 

ืฉืืœื”: ื‘ืžื” ืขื•ืกืงื™ื ื”ืื—ื™ื ื•ื”ืื—ื™ื•ืช ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ืื— ื”ื‘ื›ื•ืจ ื“ื•ื“ ืคืจืฅ ืขืกืง ื‘ืชื—ื•ื ืœื™ืžื•ื“ื™ ื”ื“ืช , ื”ืื—ื•ืช ื—ื ื” ืขื•ืกืงืช ื‘ืชื—ื•ื ื”ื—ื™ื ื•ืš , ื’ื ื ืช ืœื™ืœื“ื™ื ื•ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ื , ื”ืื— ืื‘ื™ ืคืจืฅ ืฉื ืžืฆื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื›ื™ื•ื ื”ื•ื ืจื‘ ืงื•ื ืกืจื‘ื˜ื™ื‘ื™ ืื‘ืœ ื‘ืขื‘ืจ ืขืกืง ื‘ื—ื™ื ื•ืš ื•ื˜ื™ืคื•ืœ , ื”ืื— ืืฉืจ ืคืจืฅ ืขื•ืกืง ื‘ืชื—ื•ืžื™ ื”ื™ืฆื™ืจื” ื•ืชื›ืฉื™ื˜ื™ื , ื”ืื— ื”ืชืื•ื ืžื™ืงื™ ืคืจืฅ ืžืขืฆื‘ ืชืขืฉื™ื™ืชื™ ื™ื“ื•ืข ื•ืžื•ื›ืจ ื”ืื—ื•ืช ื”ืงื˜ื ื” ืฉืœื•ืžื™ืช ืคืจืฅ ืขื•ื‘ื“ืช ื‘ืชืคืงื™ื“ ื ื™ื”ื•ืœื™ ื‘ื‘ื–ืง

 

ืฉืืœื”: ืกืคืจ ืขืœ ื”ื”ื•ืจื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ื•ืจื™ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ืฉืžื ืฉืžืขื•ืŸ ืคืจืฅ ื•ืขืœื™ื–ื” ืืœื™ืก ื‘ืŸ ื™ืื™ืจ , ื”ืชื—ืชื ื• ื‘ืฉื ืช 1950 ื‘ื™ืจื•ืฉืœื™ื , ืฉื ื™ื”ื ื ื•ืœื“ื• ื‘ืžืจื•ืงื• ื•ืขืœื• ืœืืจืฅ ื‘ืฉื ืช 1949 , ืฉืžืขื•ืŸ ืคืจืฅ ืขื‘ื“ ื‘ื‘ื ื™ื™ืŸ ื‘ืฆืขื™ืจื•ืชื• ื•ืื—ืจ ื›ืš ื›ืคืงื™ื“ ืงื‘ืœื” ื‘ื‘ื™ืช ื”ื—ื•ืœื™ื ื”ื“ืกื” ืขื™ืŸ ื›ืจื, ืขืœื™ื–ื” ืืœื™ืก ืคืจืฅ ืขืกืงื” ื‘ืชื—ื•ื ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ ื’ืŸ , ืขื‘ื•ื“ื” ื‘ื’ื ื™ ื™ืœื“ื™ื ื•ื›ืžื•ื‘ืŸ ื˜ื™ืคื•ืœ ื•ื’ื™ื“ื•ืœ ืฉื‘ืขืช ื™ืœื“ื™ื”

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืื™ื•ืŸ ืžืœื ืขื ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ืจืคื™ ืคืจืฅ ืขืœ ื”ืจืขื™ื•ื ื•ืช ืžืื—ื•ืจื™ ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ , ืจื–ื•ืžื” ื‘ื™ื•ื’ืจืคื™ื” ืื™ืฉื™ืช ื•ืงื•ืจื•ืช ื—ื™ื™ื

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืกืคืจ ืœื ื• ืขืœ ืชื”ืœื™ืš ื”ืขื‘ื•ื“ื” ืฉืœืš ื›ืฆื™ื™ืจ ื ืื™ื‘ื™ ?

ืชืฉื•ื‘ื”: ืื ื™ ื‘ื•ื—ืจ ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ื‘ื›ืœ ืขื™ืจ ื•ืขื™ืจ ื”ืžืขื ื™ื™ื ื™ื ืžื‘ื—ื™ื ื” ืืจื›ื™ื˜ืงื˜ื•ื ื™ืช ื•ื‘ืขืœื™ ืฆื•ืจื” ืžื™ื•ื—ื“ืช ื•ืžืžืงื ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื‘ืฉื“ืจื•ืช ืžืœืื•ืช ื‘ืขืฆื™ื, ืฉื™ื—ื™ื, ืฆืžื—ื™ื™ื”, ืคืจื—ื™ื.

 

ืฉืืœื”: ื›ื™ืฆื“ ืืชื” ื ื•ืชืŸ ืขื•ืžืง ื‘ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœืš ?

ืชืฉื•ื‘ื”: ื›ื“ื™ ืœืชืช ืขื•ืžืง ืœืฆื™ื•ืจ, ืื ื™ ื‘ื•ื ื” ืืช ื”ืฆื™ื•ืจ ื‘ืฉื›ื‘ื•ืช ืฉืœ ืฆืžื—ื™ื™ื”, ืื—ืจื™ ืื•ืชื ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื ื ืžื•ื›ื™ื, ื•ืื—ืจื™ื”ื ืฉื“ืจืช ืขืฆื™ื ื’ื‘ื•ื”ื”, ื•ืžืื—ื•ืจื™ื”ื ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื, ื‘ืฉืžื™ื ืื ื™ ืฉื ืœืคืขืžื™ื ืกื™ืžื ื™ื ืชืžื™ืžื™ื ืฉืœ ื‘ืœื•ื ื™ื, ืขืคื™ืคื•ื ื™ื.

ืžื•ื˜ื™ื‘ ื—ื•ื–ืจ ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืฉืœื™ ื”ื•ื ื“ืžื•ืชื• ืฉืœ ื”ืฆื™ื™ืจ ืฉื ืžืฆื ื‘ืžืจื›ื– ื”ืฉื“ืจื” ื•ืžืฆื™ื™ืจ ืืช ื›ืœ ื”ืกืฆื ื” ื”ื ืคืจืฉืช ืžื•ืœื•, ื›ืžื• ื›ืŸ ื™ืฉ ืฉืชื™ ื’ื ื ื•ืช ืฉืžื˜ื™ื™ืœื•ืช ืขื ื™ืœื“ื™ ื”ื’ืŸ ืขื ื“ื’ืœื™ ื”ืžื“ื™ื ื” ืฉืื ื™ ืžืฆื™ื™ืจ , ื•ื–ื•ื’ื•ืช ืื•ื”ื‘ื™ื ืžืชื—ื‘ืงื™ื ื•ืžืชื ืฉืงื™ื ื•ืฆื™ื•ืจื™ื ืžืฉืคื—ืชื™ื™ื ืฉืœ ืืžื, ืื‘ื ื•ื™ืœื“ ืฆื•ืขื“ื™ื ื‘ื”ืจืžื•ื ื™ื” ื‘ืฉื“ืจื”.

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ืžืืคื™ื™ืŸ ืืช ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ ืฉืœืš ?

ืชืฉื•ื‘ื”: ืœืจื•ื‘ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ื™ืฉ ืืช ืื•ืชื ืžืืคื™ื™ื ื™ื

(ื”ื’ื“ืจื” ื›ืคื™ ืฉื”ื™ื ืžื•ืคื™ืขื” ื‘ื•ื™ืงื™ืคื“ื™ื”)

โ€ข ืžืกืคืจ ืกื™ืคื•ืจ ืคืฉื•ื˜ ืœืงืœื•ื˜ ืžื—ื™ื™ ื”ื™ื•ืžื™ื•ื, ื‘ื“ืจืš ื›ืœืœ ืขื ื‘ื ื™ ืื“ื.

โ€ข ื™ื™ืฆื•ื’ ื”ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื”ืฆื™ื™ืจ ืœืžืฆื™ืื•ืช โ€“ ืžื™ืคื•ื™ ื”ืžืฆื™ืื•ืช.

โ€ข ืื™ ืฉืžื™ืจื” ืขืœ ืคืจืกืคืงื˜ื™ื‘ื” - ื‘ืžื™ื•ื—ื“ ืคืจื˜ื™ื ื’ื ื‘ืคืจื˜ื™ื ืจื—ื•ืงื™ื.

โ€ข ืฉื™ืžื•ืฉ ื ืจื—ื‘ ื‘ืชื‘ื ื™ื•ืช ื—ื•ื–ืจื•ืช - ืคืจื˜ื™ื ืจื‘ื™ื.

โ€ข ืฆื‘ืขื™ื ื—ืžื™ื ื•ื‘ื”ื™ืจื™ื.

โ€ข ืœืคืขืžื™ื ื”ื“ื’ืฉ ืขืœ ืงื•ื•ื™ ืžืชืืจ.

โ€ข ืจื•ื‘ ื”ื“ืžื•ื™ื•ืช ืฉื˜ื•ื—ื•ืช, ื—ืกืจื•ืช ื ืคื—

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืžืจืงื, ื”ื‘ืขื”, ืคืจื•ืคื•ืจืฆื™ื•ืช ื ื›ื•ื ื•ืช

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืื ื˜ื•ืžื™ื”.

โ€ข ืื™ืŸ ื”ืจื‘ื” ืฉื™ืžื•ืฉ ื‘ืื•ืจ ื•ืฆืœ, ื”ืฆื‘ืขื™ื ื™ื•ืฆืจื™ื ืืคืงื˜ ืชืœืช ืžื™ืžื“ื™.

ืื ื™ ืžื•ืฆื ืฉื”ื”ื’ื“ืจื•ืช ื”ืœืœื• ืชืงืคื•ืช ืœื’ื‘ื™ ื›ืœ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœื™

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืœืžื” ืืชื” ื‘ื•ื—ืจ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ?

ืชืฉื•ื‘ื”: ื ื•ืœื“ืชื™ ื‘ื™ืจื•ืฉืœื™ื ืขื™ืจ ื”ื‘ื™ืจื” ืฉืื•ืชื” ืื ื™ ืžืื•ื“ ืื•ื”ื‘ ื•ื’ื ืžืฆื™ื™ืจ ,

ืื ื™ ืื•ื”ื‘ ืืช ืžื‘ื ื™ ื”ื‘ืื•ื”ืื•ืก ื”ืžื™ื•ื—ื“ื™ื ื‘ืชืœ ืื‘ื™ื‘ , ื”ื‘ื ื™ื™ื ื™ื ื”ืื•ืจื ืžื ื˜ื™ื™ื ืฉื ื‘ื ื• ืœืคื ื™ ืžืื” ืฉื ื” ื‘ืฉื ื•ืช ื” - 20 ื•ื” - 30 ืฉืœ ื”ืžืื” ื”ืขืฉืจื™ื , ื”ืฉื“ืจื•ืช ื”ื™ืคื•ืช , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžื•ื“ืจื ื™ื™ื ื ื•ืชื ื™ื ืœืš ืชื—ื•ืฉื” ืฉืœ ื”ืžื•ืœื” ื•ืžื˜ืจื•ืคื•ืœื™ืŸ ื’ื“ื•ืœ ื•ื™ืฉื ื ืœื ืžืขื˜ ื‘ื ื™ื™ื ื™ื ื ืžื•ื›ื™ื ื•ื’ื‘ื•ื”ื™ื ืฉืžืจืชืงื™ื ืžื‘ื—ื™ื ื” ืื“ืจื™ื›ืœื™ืช ื‘ืฆื•ืจืชื ื”ืžื™ื•ื—ื“ืช

ื›ืžื• ื›ืŸ ื”ืžืขื‘ืจ ืœืชืœ ืื‘ื™ื‘ ืฉื”ื™ื ื‘ื™ืจืช ื”ืชืจื‘ื•ืช , ื”ื—ื•ืคืฉ , ื”ื—ื™ืœื•ื ื™ื•ืช ืื™ืคืฉืจื• ืœื™ ืœื—ื™ื•ืช ืืช ื—ื™ื™ ื›ืคื™ ืฉื‘ื—ืจืชื™ , ืœื—ื™ื•ืช ื‘ื–ื•ื’ื™ื•ืช ืขื ื’ื‘ืจ , ื™ืจื•ืฉืœื™ื ืฉื”ื™ื ืขื™ืจ ืžืกื•ืจืชื™ืช ื–ื” ื™ื•ืชืจ ืžื•ืจื›ื‘ ืœื—ื™ื•ืช ื—ื™ื™ื ื”ื•ืžื•ืกืงืกื•ืืœื™ื™ื , ื›ืžื• ื›ืŸ ืขื•ืœื ื”ืืžื ื•ืช ืžืชืจื—ืฉ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื•ื™ืชื›ืŸ ืฉืžื‘ื—ื™ื ื” ืžืงืฆื•ืขื™ืช ื–ื” ืžืืคืฉืจ ืœื™ ืœืงื™ื™ื ืืช ืขืฆืžื™ ื˜ื•ื‘ ื™ื•ืชืจ ื‘ืชืœ ืื‘ื™ื‘ ืžืืฉืจ ื‘ื›ืœ ืขื™ืจ ืื—ืจืช ื‘ื™ืฉืจืืœ .

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ื”ืื ื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืชืœ ืื‘ื™ื‘ ืฉื•ื ื™ื ืžื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื™ืจื•ืฉืœื™ื

ืชืฉื•ื‘ื”: ื”ืฆื™ื•ืจื™ื ืฉืœ ื™ืจื•ืฉืœื™ื ื—ืœืงื ื”ื’ื“ื•ืœ ื™ืฉ ื“ื’ืฉ ืขืœ ื”ืฆื‘ืข ื”ืฆื”ื•ื‘ , ื–ื”ื‘ , ืฆื‘ืข ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื ื•ืฉืื™ื ืฉืฆื™ื™ืจืชื™ ื‘ื™ืจื•ืฉืœื™ื ื”ื ื‘ืขื™ืงืจ ืกื•ื’ ืฉืœ ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื—ื™ื™ื ืฉืœื•ื•ื™ื ื‘ื™ืŸ ื™ื”ื•ื“ื™ื ืœืขืจื‘ื™ื ื•ืฆื™ื•ืจื™ื ืฉืขื•ืกืงื™ื ื‘ืขื•ืœื ื”ื“ืชื™ ื™ื”ื•ื“ื™ , ืžืกืคืจ ืฆื™ื•ืจื™ื ืžืชืืจื™ื ืืช ื›ืœ ื’ื•ื•ื ื™ ื”ื–ืจืžื™ื ืฉืœ ื”ื™ื”ื“ื•ืช ืฉืœ ื™ืžื™ื ื•

ืœื”ื‘ื“ื™ืœ ืฆื™ื•ืจื™ ืชืœ ืื‘ื™ื‘ ื”ื ื™ื•ืชืจ ืฆื‘ืขื•ื ื™ื™ื , ืขื ื’ื•ืจื“ื™ ืฉื—ืงื™ื , ื™ื , ื›ื“ื•ืจื™ื ืคื•ืจื—ื™ื ื•ืžื•ื˜ื™ื‘ื™ื ื™ื•ืชืจ ื—ื™ืœื•ื ื™ื™ื

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืคืจื˜ ืขืœ ืื™ื–ื” ืžื‘ื ื™ื ื•ื‘ื ื™ื™ื ื ืื“ืจื™ื›ืœื™ื ืืชื” ื‘ื“ืจืš ื›ืœืœ ืืชื” ื‘ื•ื—ืจ ื‘ืฆื™ื•ืจื™ ื”ืขืจื™ื ืฉืœืš

ืชืฉื•ื‘ื”: ื”ืžื‘ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื ื›ืืœื” ืฉื™ืฉ ืœื”ื ืฆื•ืจื” ืžื™ื•ื—ื“ืช ืฉื›ืœ ืื—ื“ ื™ื›ื•ืœ ืœื–ื”ื•ืช ื•ื”ื ืžืกืžืžื ื™ ื”ืขื™ืจ ื•ืืชืŸ ืžืกืคืจ ื“ื•ื’ืžืื•ืช :

ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื”ื‘ื ื™ื™ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื : ื‘ื ื™ื™ืŸ ื”ืื•ืคืจื” ืขื ื”ืฆื•ืจื” ื”ื’ื™ืื•ืžื˜ืจื™ืช ื”ืžื™ื•ื“ืช , ืžื’ื“ืœ ื™ืฉืจื•ื˜ืœ ืขื ืจืืฉ ื”ืžื™ื•ื—ื“ , ืžื’ื“ืœ ื›ืœ ื‘ื• ืฉืœื•ื ืฉืฉื ื™ื ื”ื™ื” ืกืžืœ ืœื‘ื ื™ื™ืŸ ื”ื’ื‘ื•ื” ื‘ืชืœ ืื‘ื™ื‘, ื‘ื™ืช ืœื•ื™ืŸ ืฉื ืจืื” ื›ืžื• ืคื’ื•ื“ื” ื™ืคื ื™ืช, ืžืœื•ืŸ ื ื•ืจื“ืื• ื‘ืฆื‘ืข ื‘ื•ืจื“ื• ืขื ื”ื›ื™ืคื” ื”ืžื™ื•ื—ื“ืช ื‘ืงืฆื” ื”ื‘ื ื™ื™ืŸ , ื–ื•ื’ ืžื’ื“ืœื™ ืืœื•ืŸ ืขื ื”ืžื‘ื ื” ื”ืžื™ื•ื—ื“ ืฉืœื”ื™ื , ื‘ื ื™ื™ื ื™ ื‘ืื•ื”ืื•ืก ืื•ืคื™ื™ื ื™ื™ื ืœืชืœ ืื‘ื™ื‘ ืขื ื”ืžืจืคืกื•ืช ื”ืžื™ื•ื—ื“ื•ืช ื•ื—ื“ืจ ื”ืžื“ืจื’ื•ืช ื”ืžื™ื•ื—ื“, ื”ืžื–ืจืงื” ืฉืœ ื™ืขืงื‘ ืื’ื ื‘ื›ื™ื›ืจ ื“ื™ื–ื ื’ื•ืฃ ืžื•ืคื™ืขื” ื‘ื—ืœืง ื’ื“ื•ืœ ืฉืœ ื”ืฆื™ื•ืจื™ื , ืžื’ื“ืœื™ื ืจื‘ื™ื ืฉื ืžืฆืื™ื ื‘ืžืชื—ื ื”ื‘ื•ืจืกื”, ืžื’ื“ืœื™ ืื‘ื™ื‘ ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ื’ื‘ื•ื”ื™ื ืขืœ ืื™ื™ืœื•ืŸ , ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืœืงื—ืชื™ ืชื•ื›ื ื™ื•ืช ืžืชืืจ ืฉืœ ื‘ื ื™ื™ื ื™ื ืขืชื™ื“ื™ื™ื ืฉืฆืจื™ื›ื™ื ืœื”ื‘ื ื•ืช ื‘ืขื™ืจ ื•ืฆื™ื™ืจืชื™ ืื•ืชื ืขื•ื“ ืœืคื ื™ ืฉื”ื ื ื‘ื ื• ื‘ืžืฆื™ืื•ืช ,

 

ื‘ืฆื™ื•ืจื™ ื™ืจื•ืฉืœื™ื ื‘ื—ืจืชื™ ื‘ืขื™ืงืจ ืืช ืื™ื–ื•ืจ ื”ืขื™ืจ ื”ืขืชื™ืงื” ื•ืžื–ืจื— ื™ืจื•ืฉืœื™ื , ืฆื™ื•ืจ ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื›ื•ืชืœ , ื›ื ืกื™ื™ืช ื”ืงื‘ืจ , ืžืกื’ื“ ืืœ ืืงืฆ'ืื”, ืžื’ื“ืœ ื“ื•ื•ื™ื“, ืžืจื‘ื™ืช ื”ื›ื ืกื™ื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ืขื™ืจ , ื™ืžื™ืŸ ืžืฉื”, ื‘ืžืจื‘ื™ืช ื”ืฆื™ื•ืจื™ื ื”ื™ื”ื•ื“ื™ ืœื‘ื•ืฉ ื‘ื—ื•ืœืฆื” ื›ื—ื•ืœื” ืขื ืฉืจื•ืš ืื“ื•ื ื–ื›ืจ ืœื™ืžื™ื ืฉื”ื™ื™ืชื™ ื‘ืชื ื•ืขืช ื ื•ืขืจ ื•ื”ืขืจื‘ื™ ืขื ื’ืœื‘ื™ื™ื” , ื•ื‘ืฆื™ื•ืจื™ ื”ืฆื™ื‘ื•ืจ ื”ื“ืชื™ ืื– ื™ื”ื•ื“ื™ื ืขื ื—ืœื™ืคื•ืช ืฉื—ื•ืจื•ืช ื•ื—ื•ืœืฆื•ืช ืœื‘ื ื•ืช, ื˜ืœื™ื˜ื•ืช , ื›ื™ืคื•ืช , ื›ื•ื‘ืขื™ื ืžื™ื•ื—ื“ื™ื , ื‘ืชื™ ื›ื ืกืช ื•ืขื•ื“

 

ื™ืฆืจืชื™ ื’ื ืฉืœื•ืฉื” ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื—ื™ืคื” ื•ืฆื™ื•ืจ ืื—ื“ ืฉืœ ืฆืคืช

ื‘ืฆื™ื•ืจื™ ื—ื™ืคื” ืฆื™ื™ืจืชื™ ืืช ื”ืื•ื ื™ื‘ืจืกื™ื˜ื” , ื”ื˜ื›ื ื™ื•ืŸ , ืžื’ื“ืœ ืื’ื“ ื”ืžืคื•ืจืกื , ืžื’ื“ืœ ื”ืžืคืจืฉ , ื‘ืชื™ ืžืœื•ืŸ ื™ื“ื•ืขื™ื , ื›ืžื•ื‘ืŸ ื”ื’ื ื™ื ื”ื‘ืื”ื™ื™ื ื•ื”ืžืงื“ืฉ ื”ื‘ืื”ื™ , ื ืžืœ ื—ื™ืคื” ื•ื”ืกื™ืจื•ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืžื™ื ื‘ืขื™ืจ

 

ืฉืืœื”: ื”ืื ื™ืฆืจืช ืกื“ืจื•ืช ืฉืœ ืขืจื™ื ื ื•ืกืคื•ืช ืžื”ืขื•ืœื

ืชืฉื•ื‘ื”: ื™ืฆืจืชื™ ืกื“ืจื•ืช ืฉืœ ื”ืขื™ืจ ื ื™ื• ื™ื•ืจืง ืขื ื›ืœ ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื›ืžื• : ืžื•ื–ื™ืื•ืŸ ื”ื’ื•ื’ื ื”ื™ื™ื ,ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื - ื‘ื ื™ื™ืŸ ืงืจื™ื™ื–ืœืจ , ืื™ืžืคื™ื™ืจ ืกื˜ื™ื™ื˜ ื‘ื™ืœื“ื™ื ื’, ืžืจื›ื– ืœื™ื ืงื•ืœืŸ , ื‘ื™ืช ื”ื›ื ืกืช ื”ืžืคื•ืจืกื ื‘ืขื™ืจ, ืคืกืœ ื”ื—ืจื•ืช , ื“ื’ืœื™ ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื

ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ืœื•ื ื“ื•ืŸ ื•ื›ืœ ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื” , ื”ื‘ื™ื’ ื‘ืŸ , ืžื•ื ืžื ื˜ื™ื ืžืคื•ืจืกืžื™ื , ื”ื’ืœื’ืœ ื”ืขื ืง, ื”ืžืœื›ื” ืืœื™ื–ื‘ื˜ ื•ืžืฉืคื—ืชื”, ื”ืื•ื˜ื•ื‘ื•ืก ื”ื›ืคื•ืœ, ื”ื˜ืœืคื•ืŸ ื”ืฆื™ื‘ื•ืจื™ ื”ืžืคื•ืจืกื , ืืจืžื•ื ื•ืช , ื›ื ืกื™ื•ืช ืžืคื•ืจืกืžื•ืช , ืžื•ื ื•ืžื ื˜ื™ื ื™ื“ื•ืขื™ื

ื™ืฆืจืชื™ 4 ืฆื™ื•ืจื™ื ื ืื™ื‘ื™ื™ื ืฉืœ ืขืจื™ื ื‘ืกื™ืŸ, ืฆื™ื•ืจ ืฉืœ ืฉื ื’ื—ืื™, ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื–'ื• ื•ืฆื™ื•ืจ ืฉืœ ืคืืจืง ื”ืขื•ืœื ื‘ืขื™ืจ ื‘ื™ื™ื’'ื™ื ื’... ื‘ื—ืจืชื™ ืืช ืงื• ื”ืจืงื™ืข ื”ืžืคื•ืจืกื ืฉืœ ืฉื ื’ื—ืื™ ืขื ื›ืœ ื”ืžื’ื“ืœื™ื ื”ืžืคื•ืจืกืžื™ื , ื”ื˜ื™ื™ืœืช ื”ืžืคื•ืจืกืžืช, ืžืงื“ืฉื™ื ื•ื‘ื ื™ื™ื ื™ื ื™ืฉื ื™ื , ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื’'ืื• ืขื ืชืขืœื•ืช ื”ืžื™ื ื”ืžืคื•ืจืกืžื•ืช , ื”ื’ืฉืจื™ื , ื”ื’ื ื™ื ื”ืžื™ื•ื—ื“ื™ื , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื ืฉืœ ื”ืขื™ืจ

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ื”ืจืขื™ื•ืŸ ื”ื›ืœืœื™ ืฉืžืœื•ื•ื” ืื•ืชืš ื‘ืฆื™ื•ืจื™ื

ืชืฉื•ื‘ื”: ืœื™ืฆื•ืจ ืขื•ืœื ื˜ื•ื‘ , ื™ืคื” , ื ืื™ื‘ื™, ืชืžื™ื ืฉื ืจืื” ืืช ื”ื—ื“ืฉื ื•ืช ืฉืœ ื”ืขื™ืจ ื”ืžื•ื“ืจื ื™ืช ื“ืจืš ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ืžื•ืœ ื‘ื ื™ื™ื ื™ื ืงื˜ื ื™ื ื•ื ืžื•ื›ื™ื ืฉืžื‘ื™ืื™ื ืืช ื”ื”ื™ืกื˜ื•ืจื™ื” ื•ื”ืขื‘ืจ ืฉืœ ื›ืœ ืžื“ื™ื ื” ื”ื›ื•ืœ ืขื ืฉืคืข ืฆืžื—ื™ื”, ืฉื“ืจื•ืช , ืขืฆื™ื

 

ืจื–ื•ืžื” , ื‘ื™ื•ื’ืจืคื™ื” , ืงื•ืจื•ืช ื—ื™ื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื•ืžืฉืคื—ืชื•

ืฉืืœื”: ืžืชื™ ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘-4 ื‘ืžืจืฅ 1965

 

ืฉืืœื”: ืื™ืคื” ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘ื™ืจื•ืฉืœื™ื, ื™ืฉืจืืœ

 

ืฉืืœื”: ืžื”ื• ื”ืฉื ื”ืžืœื ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ืฉื ื”ืžืœื ืฉืœื• ื”ื•ื ืจืคืืœ ืคืจืฅ ื‘ืื ื’ืœื™ืช raphael perez

 

ืฉืืœื”: ืื™ื–ื” ืชื—ื•ื ืžืชืžื—ื” ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ืžืชืžื—ื” ื‘ืชื—ื•ื ื”ืฆื™ื•ืจ

 

ืฉืืœื”: ืžื”ื• ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ ื”ื•ื ื‘ืฆื™ื•ืจื™ ื ื•ืฃ ืื•ืจื‘ื ื™ ืฉืœ ืขืจื™ื ื‘ื™ืฉืจืืœ ื•ื‘ืขื•ืœื

 

ืฉืืœื”: ืื™ื–ื• ืžื•ืกื“ ืœื™ืžื•ื“ื™ื ืœืืžื ื•ืช ื‘ื•ื’ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื‘ื•ื’ืจ ื”ืžืจื›ื– ืœืืžื ื•ื™ื•ืช ื”ื—ื–ื•ืช ื‘ื‘ืืจ ืฉื‘ืข

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœืฆื™ื™ืจ ื‘ืฉื ืช 1989

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช ื‘ืฉื ืช 1999

  

ืฉืืœื”: ืื™ืคื” ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืžืฉื ืช 1995, ืจืคื™ ืคืจืฅ ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืžื”ืกื˜ื•ื“ื™ื• ืฉืœื• ื‘ืชืœ ืื‘ื™ื‘

 

ืฉืืœื”: ื‘ืื™ื–ื• ืžืกื’ืจืช ืฆื‘ืื™ืช ืฉื™ืจืช ื‘ืฆื”"ืœ?

ืชืฉื•ื‘ื”: ืฉื™ืจืช ื‘ื—ื™ืœ ื”ืชื•ืชื—ื ื™ื

 

ืฉืืœื”: ื‘ืื™ื–ื” ืขื‘ื•ื“ื•ืช ืขื‘ื“ ืœืื—ืจ ืฉื™ืจื•ืชื• ื”ืฆื‘ืื™ ?

ืชืฉื•ื‘ื” : ืจืคื™ ืคืจืฅ ืขื‘ื“ 15 ืฉื ื” ื‘ื—ื™ื ื•ืš ื‘ืžืกื’ืจื•ืช ื˜ื™ืคื•ืœื™ื•ืช ืœื™ืœื“ื™ื ื•ืœื™ืžื“ ืืžื ื•ื™ื•ืช ื•ืชื ื•ืขื”

 

ืฉืืœื”: ื›ืžื” ืื—ื™ื ื•ืื—ื™ื•ืช ื™ืฉ ืœืจืคื™ ืคืจืฅ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™

ืชืฉื•ื‘ื”: ืกื”"ื› ื”ื ืฉื‘ืขื” ื™ืœื“ื™ื , ืขื ื”ืฆื™ื™ืจ 5 ื‘ื ื™ื ื•ืฉืชื™ ื‘ื ื•ืช ,ื–ืืช ืื•ืžืจืช ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื™ืฉ ืขื•ื“ 4 ืื—ื™ื ื•ืฉืชื™ ืื—ื™ื•ืช

 

ืฉืืœื”: ื‘ืžื” ืขื•ืกืงื™ื ื”ืื—ื™ื ื•ื”ืื—ื™ื•ืช ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ืื— ื”ื‘ื›ื•ืจ ื“ื•ื“ ืคืจืฅ ืขืกืง ื‘ืชื—ื•ื ืœื™ืžื•ื“ื™ ื”ื“ืช , ื”ืื—ื•ืช ื—ื ื” ืขื•ืกืงืช ื‘ืชื—ื•ื ื”ื—ื™ื ื•ืš , ื’ื ื ืช ืœื™ืœื“ื™ื ื•ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ื , ื”ืื— ืื‘ื™ ืคืจืฅ ืฉื ืžืฆื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื›ื™ื•ื ื”ื•ื ืจื‘ ืงื•ื ืกืจื‘ื˜ื™ื‘ื™ ืื‘ืœ ื‘ืขื‘ืจ ืขืกืง ื‘ื—ื™ื ื•ืš ื•ื˜ื™ืคื•ืœ , ื”ืื— ืืฉืจ ืคืจืฅ ืขื•ืกืง ื‘ืชื—ื•ืžื™ ื”ื™ืฆื™ืจื” ื•ืชื›ืฉื™ื˜ื™ื , ื”ืื— ื”ืชืื•ื ืžื™ืงื™ ืคืจืฅ ืžืขืฆื‘ ืชืขืฉื™ื™ืชื™ ื™ื“ื•ืข ื•ืžื•ื›ืจ ื”ืื—ื•ืช ื”ืงื˜ื ื” ืฉืœื•ืžื™ืช ืคืจืฅ ืขื•ื‘ื“ืช ื‘ืชืคืงื™ื“ ื ื™ื”ื•ืœื™ ื‘ื‘ื–ืง

 

ืฉืืœื”: ืกืคืจ ืขืœ ื”ื”ื•ืจื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ื•ืจื™ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ืฉืžื ืฉืžืขื•ืŸ ืคืจืฅ ื•ืขืœื™ื–ื” ืืœื™ืก ื‘ืŸ ื™ืื™ืจ , ื”ืชื—ืชื ื• ื‘ืฉื ืช 1950 ื‘ื™ืจื•ืฉืœื™ื , ืฉื ื™ื”ื ื ื•ืœื“ื• ื‘ืžืจื•ืงื• ื•ืขืœื• ืœืืจืฅ ื‘ืฉื ืช 1949 , ืฉืžืขื•ืŸ ืคืจืฅ ืขื‘ื“ ื‘ื‘ื ื™ื™ืŸ ื‘ืฆืขื™ืจื•ืชื• ื•ืื—ืจ ื›ืš ื›ืคืงื™ื“ ืงื‘ืœื” ื‘ื‘ื™ืช ื”ื—ื•ืœื™ื ื”ื“ืกื” ืขื™ืŸ ื›ืจื, ืขืœื™ื–ื” ืืœื™ืก ืคืจืฅ ืขืกืงื” ื‘ืชื—ื•ื ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ ื’ืŸ , ืขื‘ื•ื“ื” ื‘ื’ื ื™ ื™ืœื“ื™ื ื•ื›ืžื•ื‘ืŸ ื˜ื™ืคื•ืœ ื•ื’ื™ื“ื•ืœ ืฉื‘ืขืช ื™ืœื“ื™ื”

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

 

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

 

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

โ€ข Tells a simple story to absorb from everyday life, usually with humans.

โ€ข The representation of the painter's idealization to reality - the mapping of reality.

โ€ข Failure to maintain perspective - especially details even in distant details.

โ€ข Extensive use of repeating patterns - many details.

โ€ข Warm and bright colors.

โ€ข Sometimes the emphasis is on outlines.

โ€ข Most of the characters are flat, lack volume

โ€ข No interest in texture, expression, correct proportions

โ€ข No interest in anatomy.

โ€ข There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

 

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

 

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

 

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

 

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

 

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

 

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

 

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

 

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

โ€ข Tells a simple story to absorb from everyday life, usually with humans.

โ€ข The representation of the painter's idealization to reality - the mapping of reality.

โ€ข Failure to maintain perspective - especially details even in distant details.

โ€ข Extensive use of repeating patterns - many details.

โ€ข Warm and bright colors.

โ€ข Sometimes the emphasis is on outlines.

โ€ข Most of the characters are flat, lack volume

โ€ข No interest in texture, expression, correct proportions

โ€ข No interest in anatomy.

โ€ข There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

 

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

 

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

 

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

 

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

 

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

 

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

 

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

 

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

โ€ข Tells a simple story to absorb from everyday life, usually with humans.

โ€ข The representation of the painter's idealization to reality - the mapping of reality.

โ€ข Failure to maintain perspective - especially details even in distant details.

โ€ข Extensive use of repeating patterns - many details.

โ€ข Warm and bright colors.

โ€ข Sometimes the emphasis is on outlines.

โ€ข Most of the characters are flat, lack volume

โ€ข No interest in texture, expression, correct proportions

โ€ข No interest in anatomy.

โ€ข There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

 

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

 

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

 

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

 

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

 

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

 

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

ืจืื™ื•ืŸ ืžืœื ืขื ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ืจืคื™ ืคืจืฅ ืขืœ ื”ืจืขื™ื•ื ื•ืช ืžืื—ื•ืจื™ ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ , ืจื–ื•ืžื” ื‘ื™ื•ื’ืจืคื™ื” ืื™ืฉื™ืช ื•ืงื•ืจื•ืช ื—ื™ื™ื

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืกืคืจ ืœื ื• ืขืœ ืชื”ืœื™ืš ื”ืขื‘ื•ื“ื” ืฉืœืš ื›ืฆื™ื™ืจ ื ืื™ื‘ื™ ?

ืชืฉื•ื‘ื”: ืื ื™ ื‘ื•ื—ืจ ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ื‘ื›ืœ ืขื™ืจ ื•ืขื™ืจ ื”ืžืขื ื™ื™ื ื™ื ืžื‘ื—ื™ื ื” ืืจื›ื™ื˜ืงื˜ื•ื ื™ืช ื•ื‘ืขืœื™ ืฆื•ืจื” ืžื™ื•ื—ื“ืช ื•ืžืžืงื ืืช ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื‘ืฉื“ืจื•ืช ืžืœืื•ืช ื‘ืขืฆื™ื, ืฉื™ื—ื™ื, ืฆืžื—ื™ื™ื”, ืคืจื—ื™ื.

 

ืฉืืœื”: ื›ื™ืฆื“ ืืชื” ื ื•ืชืŸ ืขื•ืžืง ื‘ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœืš ?

ืชืฉื•ื‘ื”: ื›ื“ื™ ืœืชืช ืขื•ืžืง ืœืฆื™ื•ืจ, ืื ื™ ื‘ื•ื ื” ืืช ื”ืฆื™ื•ืจ ื‘ืฉื›ื‘ื•ืช ืฉืœ ืฆืžื—ื™ื™ื”, ืื—ืจื™ ืื•ืชื ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื ื ืžื•ื›ื™ื, ื•ืื—ืจื™ื”ื ืฉื“ืจืช ืขืฆื™ื ื’ื‘ื•ื”ื”, ื•ืžืื—ื•ืจื™ื”ื ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื, ื‘ืฉืžื™ื ืื ื™ ืฉื ืœืคืขืžื™ื ืกื™ืžื ื™ื ืชืžื™ืžื™ื ืฉืœ ื‘ืœื•ื ื™ื, ืขืคื™ืคื•ื ื™ื.

ืžื•ื˜ื™ื‘ ื—ื•ื–ืจ ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืฉืœื™ ื”ื•ื ื“ืžื•ืชื• ืฉืœ ื”ืฆื™ื™ืจ ืฉื ืžืฆื ื‘ืžืจื›ื– ื”ืฉื“ืจื” ื•ืžืฆื™ื™ืจ ืืช ื›ืœ ื”ืกืฆื ื” ื”ื ืคืจืฉืช ืžื•ืœื•, ื›ืžื• ื›ืŸ ื™ืฉ ืฉืชื™ ื’ื ื ื•ืช ืฉืžื˜ื™ื™ืœื•ืช ืขื ื™ืœื“ื™ ื”ื’ืŸ ืขื ื“ื’ืœื™ ื”ืžื“ื™ื ื” ืฉืื ื™ ืžืฆื™ื™ืจ , ื•ื–ื•ื’ื•ืช ืื•ื”ื‘ื™ื ืžืชื—ื‘ืงื™ื ื•ืžืชื ืฉืงื™ื ื•ืฆื™ื•ืจื™ื ืžืฉืคื—ืชื™ื™ื ืฉืœ ืืžื, ืื‘ื ื•ื™ืœื“ ืฆื•ืขื“ื™ื ื‘ื”ืจืžื•ื ื™ื” ื‘ืฉื“ืจื”.

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ืžืืคื™ื™ืŸ ืืช ื”ืฆื™ื•ืจ ื”ื ืื™ื‘ื™ ืฉืœืš ?

ืชืฉื•ื‘ื”: ืœืจื•ื‘ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ื™ืฉ ืืช ืื•ืชื ืžืืคื™ื™ื ื™ื

(ื”ื’ื“ืจื” ื›ืคื™ ืฉื”ื™ื ืžื•ืคื™ืขื” ื‘ื•ื™ืงื™ืคื“ื™ื”)

โ€ข ืžืกืคืจ ืกื™ืคื•ืจ ืคืฉื•ื˜ ืœืงืœื•ื˜ ืžื—ื™ื™ ื”ื™ื•ืžื™ื•ื, ื‘ื“ืจืš ื›ืœืœ ืขื ื‘ื ื™ ืื“ื.

โ€ข ื™ื™ืฆื•ื’ ื”ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื”ืฆื™ื™ืจ ืœืžืฆื™ืื•ืช โ€“ ืžื™ืคื•ื™ ื”ืžืฆื™ืื•ืช.

โ€ข ืื™ ืฉืžื™ืจื” ืขืœ ืคืจืกืคืงื˜ื™ื‘ื” - ื‘ืžื™ื•ื—ื“ ืคืจื˜ื™ื ื’ื ื‘ืคืจื˜ื™ื ืจื—ื•ืงื™ื.

โ€ข ืฉื™ืžื•ืฉ ื ืจื—ื‘ ื‘ืชื‘ื ื™ื•ืช ื—ื•ื–ืจื•ืช - ืคืจื˜ื™ื ืจื‘ื™ื.

โ€ข ืฆื‘ืขื™ื ื—ืžื™ื ื•ื‘ื”ื™ืจื™ื.

โ€ข ืœืคืขืžื™ื ื”ื“ื’ืฉ ืขืœ ืงื•ื•ื™ ืžืชืืจ.

โ€ข ืจื•ื‘ ื”ื“ืžื•ื™ื•ืช ืฉื˜ื•ื—ื•ืช, ื—ืกืจื•ืช ื ืคื—

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืžืจืงื, ื”ื‘ืขื”, ืคืจื•ืคื•ืจืฆื™ื•ืช ื ื›ื•ื ื•ืช

โ€ข ืื™ืŸ ืขื ื™ื™ืŸ ื‘ืื ื˜ื•ืžื™ื”.

โ€ข ืื™ืŸ ื”ืจื‘ื” ืฉื™ืžื•ืฉ ื‘ืื•ืจ ื•ืฆืœ, ื”ืฆื‘ืขื™ื ื™ื•ืฆืจื™ื ืืคืงื˜ ืชืœืช ืžื™ืžื“ื™.

ืื ื™ ืžื•ืฆื ืฉื”ื”ื’ื“ืจื•ืช ื”ืœืœื• ืชืงืคื•ืช ืœื’ื‘ื™ ื›ืœ ื”ืฆื™ื•ืจื™ื ื”ื ืื™ื‘ื™ื™ื ืฉืœื™

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืœืžื” ืืชื” ื‘ื•ื—ืจ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ?

ืชืฉื•ื‘ื”: ื ื•ืœื“ืชื™ ื‘ื™ืจื•ืฉืœื™ื ืขื™ืจ ื”ื‘ื™ืจื” ืฉืื•ืชื” ืื ื™ ืžืื•ื“ ืื•ื”ื‘ ื•ื’ื ืžืฆื™ื™ืจ ,

ืื ื™ ืื•ื”ื‘ ืืช ืžื‘ื ื™ ื”ื‘ืื•ื”ืื•ืก ื”ืžื™ื•ื—ื“ื™ื ื‘ืชืœ ืื‘ื™ื‘ , ื”ื‘ื ื™ื™ื ื™ื ื”ืื•ืจื ืžื ื˜ื™ื™ื ืฉื ื‘ื ื• ืœืคื ื™ ืžืื” ืฉื ื” ื‘ืฉื ื•ืช ื” - 20 ื•ื” - 30 ืฉืœ ื”ืžืื” ื”ืขืฉืจื™ื , ื”ืฉื“ืจื•ืช ื”ื™ืคื•ืช , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžื•ื“ืจื ื™ื™ื ื ื•ืชื ื™ื ืœืš ืชื—ื•ืฉื” ืฉืœ ื”ืžื•ืœื” ื•ืžื˜ืจื•ืคื•ืœื™ืŸ ื’ื“ื•ืœ ื•ื™ืฉื ื ืœื ืžืขื˜ ื‘ื ื™ื™ื ื™ื ื ืžื•ื›ื™ื ื•ื’ื‘ื•ื”ื™ื ืฉืžืจืชืงื™ื ืžื‘ื—ื™ื ื” ืื“ืจื™ื›ืœื™ืช ื‘ืฆื•ืจืชื ื”ืžื™ื•ื—ื“ืช

ื›ืžื• ื›ืŸ ื”ืžืขื‘ืจ ืœืชืœ ืื‘ื™ื‘ ืฉื”ื™ื ื‘ื™ืจืช ื”ืชืจื‘ื•ืช , ื”ื—ื•ืคืฉ , ื”ื—ื™ืœื•ื ื™ื•ืช ืื™ืคืฉืจื• ืœื™ ืœื—ื™ื•ืช ืืช ื—ื™ื™ ื›ืคื™ ืฉื‘ื—ืจืชื™ , ืœื—ื™ื•ืช ื‘ื–ื•ื’ื™ื•ืช ืขื ื’ื‘ืจ , ื™ืจื•ืฉืœื™ื ืฉื”ื™ื ืขื™ืจ ืžืกื•ืจืชื™ืช ื–ื” ื™ื•ืชืจ ืžื•ืจื›ื‘ ืœื—ื™ื•ืช ื—ื™ื™ื ื”ื•ืžื•ืกืงืกื•ืืœื™ื™ื , ื›ืžื• ื›ืŸ ืขื•ืœื ื”ืืžื ื•ืช ืžืชืจื—ืฉ ื‘ืขื™ืงืจ ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื•ื™ืชื›ืŸ ืฉืžื‘ื—ื™ื ื” ืžืงืฆื•ืขื™ืช ื–ื” ืžืืคืฉืจ ืœื™ ืœืงื™ื™ื ืืช ืขืฆืžื™ ื˜ื•ื‘ ื™ื•ืชืจ ื‘ืชืœ ืื‘ื™ื‘ ืžืืฉืจ ื‘ื›ืœ ืขื™ืจ ืื—ืจืช ื‘ื™ืฉืจืืœ .

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ื”ืื ื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืชืœ ืื‘ื™ื‘ ืฉื•ื ื™ื ืžื”ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื™ืจื•ืฉืœื™ื

ืชืฉื•ื‘ื”: ื”ืฆื™ื•ืจื™ื ืฉืœ ื™ืจื•ืฉืœื™ื ื—ืœืงื ื”ื’ื“ื•ืœ ื™ืฉ ื“ื’ืฉ ืขืœ ื”ืฆื‘ืข ื”ืฆื”ื•ื‘ , ื–ื”ื‘ , ืฆื‘ืข ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื ื•ืฉืื™ื ืฉืฆื™ื™ืจืชื™ ื‘ื™ืจื•ืฉืœื™ื ื”ื ื‘ืขื™ืงืจ ืกื•ื’ ืฉืœ ืื™ื“ื™ืืœื™ื–ืฆื™ื” ืฉืœ ื—ื™ื™ื ืฉืœื•ื•ื™ื ื‘ื™ืŸ ื™ื”ื•ื“ื™ื ืœืขืจื‘ื™ื ื•ืฆื™ื•ืจื™ื ืฉืขื•ืกืงื™ื ื‘ืขื•ืœื ื”ื“ืชื™ ื™ื”ื•ื“ื™ , ืžืกืคืจ ืฆื™ื•ืจื™ื ืžืชืืจื™ื ืืช ื›ืœ ื’ื•ื•ื ื™ ื”ื–ืจืžื™ื ืฉืœ ื”ื™ื”ื“ื•ืช ืฉืœ ื™ืžื™ื ื•

ืœื”ื‘ื“ื™ืœ ืฆื™ื•ืจื™ ืชืœ ืื‘ื™ื‘ ื”ื ื™ื•ืชืจ ืฆื‘ืขื•ื ื™ื™ื , ืขื ื’ื•ืจื“ื™ ืฉื—ืงื™ื , ื™ื , ื›ื“ื•ืจื™ื ืคื•ืจื—ื™ื ื•ืžื•ื˜ื™ื‘ื™ื ื™ื•ืชืจ ื—ื™ืœื•ื ื™ื™ื

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืคืจื˜ ืขืœ ืื™ื–ื” ืžื‘ื ื™ื ื•ื‘ื ื™ื™ื ื ืื“ืจื™ื›ืœื™ื ืืชื” ื‘ื“ืจืš ื›ืœืœ ืืชื” ื‘ื•ื—ืจ ื‘ืฆื™ื•ืจื™ ื”ืขืจื™ื ืฉืœืš

ืชืฉื•ื‘ื”: ื”ืžื‘ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื ื›ืืœื” ืฉื™ืฉ ืœื”ื ืฆื•ืจื” ืžื™ื•ื—ื“ืช ืฉื›ืœ ืื—ื“ ื™ื›ื•ืœ ืœื–ื”ื•ืช ื•ื”ื ืžืกืžืžื ื™ ื”ืขื™ืจ ื•ืืชืŸ ืžืกืคืจ ื“ื•ื’ืžืื•ืช :

ื‘ืขื™ืจ ืชืœ ืื‘ื™ื‘ ื”ื‘ื ื™ื™ื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ ื”ื : ื‘ื ื™ื™ืŸ ื”ืื•ืคืจื” ืขื ื”ืฆื•ืจื” ื”ื’ื™ืื•ืžื˜ืจื™ืช ื”ืžื™ื•ื“ืช , ืžื’ื“ืœ ื™ืฉืจื•ื˜ืœ ืขื ืจืืฉ ื”ืžื™ื•ื—ื“ , ืžื’ื“ืœ ื›ืœ ื‘ื• ืฉืœื•ื ืฉืฉื ื™ื ื”ื™ื” ืกืžืœ ืœื‘ื ื™ื™ืŸ ื”ื’ื‘ื•ื” ื‘ืชืœ ืื‘ื™ื‘, ื‘ื™ืช ืœื•ื™ืŸ ืฉื ืจืื” ื›ืžื• ืคื’ื•ื“ื” ื™ืคื ื™ืช, ืžืœื•ืŸ ื ื•ืจื“ืื• ื‘ืฆื‘ืข ื‘ื•ืจื“ื• ืขื ื”ื›ื™ืคื” ื”ืžื™ื•ื—ื“ืช ื‘ืงืฆื” ื”ื‘ื ื™ื™ืŸ , ื–ื•ื’ ืžื’ื“ืœื™ ืืœื•ืŸ ืขื ื”ืžื‘ื ื” ื”ืžื™ื•ื—ื“ ืฉืœื”ื™ื , ื‘ื ื™ื™ื ื™ ื‘ืื•ื”ืื•ืก ืื•ืคื™ื™ื ื™ื™ื ืœืชืœ ืื‘ื™ื‘ ืขื ื”ืžืจืคืกื•ืช ื”ืžื™ื•ื—ื“ื•ืช ื•ื—ื“ืจ ื”ืžื“ืจื’ื•ืช ื”ืžื™ื•ื—ื“, ื”ืžื–ืจืงื” ืฉืœ ื™ืขืงื‘ ืื’ื ื‘ื›ื™ื›ืจ ื“ื™ื–ื ื’ื•ืฃ ืžื•ืคื™ืขื” ื‘ื—ืœืง ื’ื“ื•ืœ ืฉืœ ื”ืฆื™ื•ืจื™ื , ืžื’ื“ืœื™ื ืจื‘ื™ื ืฉื ืžืฆืื™ื ื‘ืžืชื—ื ื”ื‘ื•ืจืกื”, ืžื’ื“ืœื™ ืื‘ื™ื‘ ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ื’ื‘ื•ื”ื™ื ืขืœ ืื™ื™ืœื•ืŸ , ื‘ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืœืงื—ืชื™ ืชื•ื›ื ื™ื•ืช ืžืชืืจ ืฉืœ ื‘ื ื™ื™ื ื™ื ืขืชื™ื“ื™ื™ื ืฉืฆืจื™ื›ื™ื ืœื”ื‘ื ื•ืช ื‘ืขื™ืจ ื•ืฆื™ื™ืจืชื™ ืื•ืชื ืขื•ื“ ืœืคื ื™ ืฉื”ื ื ื‘ื ื• ื‘ืžืฆื™ืื•ืช ,

 

ื‘ืฆื™ื•ืจื™ ื™ืจื•ืฉืœื™ื ื‘ื—ืจืชื™ ื‘ืขื™ืงืจ ืืช ืื™ื–ื•ืจ ื”ืขื™ืจ ื”ืขืชื™ืงื” ื•ืžื–ืจื— ื™ืจื•ืฉืœื™ื , ืฆื™ื•ืจ ืฉืœ ื—ื•ืžื•ืช ื”ืขื™ืจ ื”ืขืชื™ืงื”, ื”ื›ื•ืชืœ , ื›ื ืกื™ื™ืช ื”ืงื‘ืจ , ืžืกื’ื“ ืืœ ืืงืฆ'ืื”, ืžื’ื“ืœ ื“ื•ื•ื™ื“, ืžืจื‘ื™ืช ื”ื›ื ืกื™ื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ืขื™ืจ , ื™ืžื™ืŸ ืžืฉื”, ื‘ืžืจื‘ื™ืช ื”ืฆื™ื•ืจื™ื ื”ื™ื”ื•ื“ื™ ืœื‘ื•ืฉ ื‘ื—ื•ืœืฆื” ื›ื—ื•ืœื” ืขื ืฉืจื•ืš ืื“ื•ื ื–ื›ืจ ืœื™ืžื™ื ืฉื”ื™ื™ืชื™ ื‘ืชื ื•ืขืช ื ื•ืขืจ ื•ื”ืขืจื‘ื™ ืขื ื’ืœื‘ื™ื™ื” , ื•ื‘ืฆื™ื•ืจื™ ื”ืฆื™ื‘ื•ืจ ื”ื“ืชื™ ืื– ื™ื”ื•ื“ื™ื ืขื ื—ืœื™ืคื•ืช ืฉื—ื•ืจื•ืช ื•ื—ื•ืœืฆื•ืช ืœื‘ื ื•ืช, ื˜ืœื™ื˜ื•ืช , ื›ื™ืคื•ืช , ื›ื•ื‘ืขื™ื ืžื™ื•ื—ื“ื™ื , ื‘ืชื™ ื›ื ืกืช ื•ืขื•ื“

 

ื™ืฆืจืชื™ ื’ื ืฉืœื•ืฉื” ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ื—ื™ืคื” ื•ืฆื™ื•ืจ ืื—ื“ ืฉืœ ืฆืคืช

ื‘ืฆื™ื•ืจื™ ื—ื™ืคื” ืฆื™ื™ืจืชื™ ืืช ื”ืื•ื ื™ื‘ืจืกื™ื˜ื” , ื”ื˜ื›ื ื™ื•ืŸ , ืžื’ื“ืœ ืื’ื“ ื”ืžืคื•ืจืกื , ืžื’ื“ืœ ื”ืžืคืจืฉ , ื‘ืชื™ ืžืœื•ืŸ ื™ื“ื•ืขื™ื , ื›ืžื•ื‘ืŸ ื”ื’ื ื™ื ื”ื‘ืื”ื™ื™ื ื•ื”ืžืงื“ืฉ ื”ื‘ืื”ื™ , ื ืžืœ ื—ื™ืคื” ื•ื”ืกื™ืจื•ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืžื™ื ื‘ืขื™ืจ

 

ืฉืืœื”: ื”ืื ื™ืฆืจืช ืกื“ืจื•ืช ืฉืœ ืขืจื™ื ื ื•ืกืคื•ืช ืžื”ืขื•ืœื

ืชืฉื•ื‘ื”: ื™ืฆืจืชื™ ืกื“ืจื•ืช ืฉืœ ื”ืขื™ืจ ื ื™ื• ื™ื•ืจืง ืขื ื›ืœ ื”ืžื‘ื ื™ื ื”ืื™ื™ืงื•ื ื™ื ื•ื”ืžืคื•ืจืกืžื™ื ื›ืžื• : ืžื•ื–ื™ืื•ืŸ ื”ื’ื•ื’ื ื”ื™ื™ื ,ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื - ื‘ื ื™ื™ืŸ ืงืจื™ื™ื–ืœืจ , ืื™ืžืคื™ื™ืจ ืกื˜ื™ื™ื˜ ื‘ื™ืœื“ื™ื ื’, ืžืจื›ื– ืœื™ื ืงื•ืœืŸ , ื‘ื™ืช ื”ื›ื ืกืช ื”ืžืคื•ืจืกื ื‘ืขื™ืจ, ืคืกืœ ื”ื—ืจื•ืช , ื“ื’ืœื™ ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ืขื•ื“ ื‘ื ื™ื™ื ื™ื ืžืคื•ืจืกืžื™ื

ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ืœื•ื ื“ื•ืŸ ื•ื›ืœ ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื” , ื”ื‘ื™ื’ ื‘ืŸ , ืžื•ื ืžื ื˜ื™ื ืžืคื•ืจืกืžื™ื , ื”ื’ืœื’ืœ ื”ืขื ืง, ื”ืžืœื›ื” ืืœื™ื–ื‘ื˜ ื•ืžืฉืคื—ืชื”, ื”ืื•ื˜ื•ื‘ื•ืก ื”ื›ืคื•ืœ, ื”ื˜ืœืคื•ืŸ ื”ืฆื™ื‘ื•ืจื™ ื”ืžืคื•ืจืกื , ืืจืžื•ื ื•ืช , ื›ื ืกื™ื•ืช ืžืคื•ืจืกืžื•ืช , ืžื•ื ื•ืžื ื˜ื™ื ื™ื“ื•ืขื™ื

ื™ืฆืจืชื™ 4 ืฆื™ื•ืจื™ื ื ืื™ื‘ื™ื™ื ืฉืœ ืขืจื™ื ื‘ืกื™ืŸ, ืฆื™ื•ืจ ืฉืœ ืฉื ื’ื—ืื™, ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื–'ื• ื•ืฆื™ื•ืจ ืฉืœ ืคืืจืง ื”ืขื•ืœื ื‘ืขื™ืจ ื‘ื™ื™ื’'ื™ื ื’... ื‘ื—ืจืชื™ ืืช ืงื• ื”ืจืงื™ืข ื”ืžืคื•ืจืกื ืฉืœ ืฉื ื’ื—ืื™ ืขื ื›ืœ ื”ืžื’ื“ืœื™ื ื”ืžืคื•ืจืกืžื™ื , ื”ื˜ื™ื™ืœืช ื”ืžืคื•ืจืกืžืช, ืžืงื“ืฉื™ื ื•ื‘ื ื™ื™ื ื™ื ื™ืฉื ื™ื , ืฉื ื™ ืฆื™ื•ืจื™ื ืฉืœ ื”ืขื™ืจ ืกื•ื’'ืื• ืขื ืชืขืœื•ืช ื”ืžื™ื ื”ืžืคื•ืจืกืžื•ืช , ื”ื’ืฉืจื™ื , ื”ื’ื ื™ื ื”ืžื™ื•ื—ื“ื™ื , ืžื’ื“ืœื™ื ื•ื’ื•ืจื“ื™ ืฉื—ืงื™ื ื”ืžืคื•ืจืกืžื™ื ืฉืœ ื”ืขื™ืจ

 

ืฉืืœื”: ืจืคื™ ืคืจืฅ ืžื” ื”ืจืขื™ื•ืŸ ื”ื›ืœืœื™ ืฉืžืœื•ื•ื” ืื•ืชืš ื‘ืฆื™ื•ืจื™ื

ืชืฉื•ื‘ื”: ืœื™ืฆื•ืจ ืขื•ืœื ื˜ื•ื‘ , ื™ืคื” , ื ืื™ื‘ื™, ืชืžื™ื ืฉื ืจืื” ืืช ื”ื—ื“ืฉื ื•ืช ืฉืœ ื”ืขื™ืจ ื”ืžื•ื“ืจื ื™ืช ื“ืจืš ื’ื•ืจื“ื™ ื”ืฉื—ืงื™ื ืžื•ืœ ื‘ื ื™ื™ื ื™ื ืงื˜ื ื™ื ื•ื ืžื•ื›ื™ื ืฉืžื‘ื™ืื™ื ืืช ื”ื”ื™ืกื˜ื•ืจื™ื” ื•ื”ืขื‘ืจ ืฉืœ ื›ืœ ืžื“ื™ื ื” ื”ื›ื•ืœ ืขื ืฉืคืข ืฆืžื—ื™ื”, ืฉื“ืจื•ืช , ืขืฆื™ื

 

ืจื–ื•ืžื” , ื‘ื™ื•ื’ืจืคื™ื” , ืงื•ืจื•ืช ื—ื™ื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื•ืžืฉืคื—ืชื•

ืฉืืœื”: ืžืชื™ ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘-4 ื‘ืžืจืฅ 1965

 

ืฉืืœื”: ืื™ืคื” ื ื•ืœื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื ื•ืœื“ ื‘ื™ืจื•ืฉืœื™ื, ื™ืฉืจืืœ

 

ืฉืืœื”: ืžื”ื• ื”ืฉื ื”ืžืœื ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ืฉื ื”ืžืœื ืฉืœื• ื”ื•ื ืจืคืืœ ืคืจืฅ ื‘ืื ื’ืœื™ืช raphael perez

 

ืฉืืœื”: ืื™ื–ื” ืชื—ื•ื ืžืชืžื—ื” ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ืžืชืžื—ื” ื‘ืชื—ื•ื ื”ืฆื™ื•ืจ

 

ืฉืืœื”: ืžื”ื• ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ื‘ื™ืฆื™ืจืชื• ืฉืœ ืจืคื™ ืคืจืฅ ื”ื•ื ื‘ืฆื™ื•ืจื™ ื ื•ืฃ ืื•ืจื‘ื ื™ ืฉืœ ืขืจื™ื ื‘ื™ืฉืจืืœ ื•ื‘ืขื•ืœื

 

ืฉืืœื”: ืื™ื–ื• ืžื•ืกื“ ืœื™ืžื•ื“ื™ื ืœืืžื ื•ืช ื‘ื•ื’ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื‘ื•ื’ืจ ื”ืžืจื›ื– ืœืืžื ื•ื™ื•ืช ื”ื—ื–ื•ืช ื‘ื‘ืืจ ืฉื‘ืข

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœืฆื™ื™ืจ ื‘ืฉื ืช 1989

 

ืฉืืœื”: ืžืชื™ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช?

ืชืฉื•ื‘ื”: ืจืคื™ ืคืจืฅ ื”ื—ืœ ืœื”ืชืคืจื ืก ืžืžื›ื™ืจืช ืืžื ื•ืช ื‘ืฉื ืช 1999

  

ืฉืืœื”: ืื™ืคื” ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืจืคื™ ืคืจืฅ?

ืชืฉื•ื‘ื”: ืžืฉื ืช 1995, ืจืคื™ ืคืจืฅ ืžืชื’ื•ืจืจ ื•ืขื•ื‘ื“ ืžื”ืกื˜ื•ื“ื™ื• ืฉืœื• ื‘ืชืœ ืื‘ื™ื‘

 

ืฉืืœื”: ื‘ืื™ื–ื• ืžืกื’ืจืช ืฆื‘ืื™ืช ืฉื™ืจืช ื‘ืฆื”"ืœ?

ืชืฉื•ื‘ื”: ืฉื™ืจืช ื‘ื—ื™ืœ ื”ืชื•ืชื—ื ื™ื

 

ืฉืืœื”: ื‘ืื™ื–ื” ืขื‘ื•ื“ื•ืช ืขื‘ื“ ืœืื—ืจ ืฉื™ืจื•ืชื• ื”ืฆื‘ืื™ ?

ืชืฉื•ื‘ื” : ืจืคื™ ืคืจืฅ ืขื‘ื“ 15 ืฉื ื” ื‘ื—ื™ื ื•ืš ื‘ืžืกื’ืจื•ืช ื˜ื™ืคื•ืœื™ื•ืช ืœื™ืœื“ื™ื ื•ืœื™ืžื“ ืืžื ื•ื™ื•ืช ื•ืชื ื•ืขื”

 

ืฉืืœื”: ื›ืžื” ืื—ื™ื ื•ืื—ื™ื•ืช ื™ืฉ ืœืจืคื™ ืคืจืฅ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™

ืชืฉื•ื‘ื”: ืกื”"ื› ื”ื ืฉื‘ืขื” ื™ืœื“ื™ื , ืขื ื”ืฆื™ื™ืจ 5 ื‘ื ื™ื ื•ืฉืชื™ ื‘ื ื•ืช ,ื–ืืช ืื•ืžืจืช ืœืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ื™ืฉ ืขื•ื“ 4 ืื—ื™ื ื•ืฉืชื™ ืื—ื™ื•ืช

 

ืฉืืœื”: ื‘ืžื” ืขื•ืกืงื™ื ื”ืื—ื™ื ื•ื”ืื—ื™ื•ืช ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ืื— ื”ื‘ื›ื•ืจ ื“ื•ื“ ืคืจืฅ ืขืกืง ื‘ืชื—ื•ื ืœื™ืžื•ื“ื™ ื”ื“ืช , ื”ืื—ื•ืช ื—ื ื” ืขื•ืกืงืช ื‘ืชื—ื•ื ื”ื—ื™ื ื•ืš , ื’ื ื ืช ืœื™ืœื“ื™ื ื•ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ื , ื”ืื— ืื‘ื™ ืคืจืฅ ืฉื ืžืฆื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื›ื™ื•ื ื”ื•ื ืจื‘ ืงื•ื ืกืจื‘ื˜ื™ื‘ื™ ืื‘ืœ ื‘ืขื‘ืจ ืขืกืง ื‘ื—ื™ื ื•ืš ื•ื˜ื™ืคื•ืœ , ื”ืื— ืืฉืจ ืคืจืฅ ืขื•ืกืง ื‘ืชื—ื•ืžื™ ื”ื™ืฆื™ืจื” ื•ืชื›ืฉื™ื˜ื™ื , ื”ืื— ื”ืชืื•ื ืžื™ืงื™ ืคืจืฅ ืžืขืฆื‘ ืชืขืฉื™ื™ืชื™ ื™ื“ื•ืข ื•ืžื•ื›ืจ ื”ืื—ื•ืช ื”ืงื˜ื ื” ืฉืœื•ืžื™ืช ืคืจืฅ ืขื•ื‘ื“ืช ื‘ืชืคืงื™ื“ ื ื™ื”ื•ืœื™ ื‘ื‘ื–ืง

 

ืฉืืœื”: ืกืคืจ ืขืœ ื”ื”ื•ืจื™ื ืฉืœ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ

ืชืฉื•ื‘ื”: ื”ื•ืจื™ ื”ืฆื™ื™ืจ ืจืคื™ ืคืจืฅ ืฉืžื ืฉืžืขื•ืŸ ืคืจืฅ ื•ืขืœื™ื–ื” ืืœื™ืก ื‘ืŸ ื™ืื™ืจ , ื”ืชื—ืชื ื• ื‘ืฉื ืช 1950 ื‘ื™ืจื•ืฉืœื™ื , ืฉื ื™ื”ื ื ื•ืœื“ื• ื‘ืžืจื•ืงื• ื•ืขืœื• ืœืืจืฅ ื‘ืฉื ืช 1949 , ืฉืžืขื•ืŸ ืคืจืฅ ืขื‘ื“ ื‘ื‘ื ื™ื™ืŸ ื‘ืฆืขื™ืจื•ืชื• ื•ืื—ืจ ื›ืš ื›ืคืงื™ื“ ืงื‘ืœื” ื‘ื‘ื™ืช ื”ื—ื•ืœื™ื ื”ื“ืกื” ืขื™ืŸ ื›ืจื, ืขืœื™ื–ื” ืืœื™ืก ืคืจืฅ ืขืกืงื” ื‘ืชื—ื•ื ื˜ื™ืคื•ืœ ื‘ื™ืœื“ื™ ื’ืŸ , ืขื‘ื•ื“ื” ื‘ื’ื ื™ ื™ืœื“ื™ื ื•ื›ืžื•ื‘ืŸ ื˜ื™ืคื•ืœ ื•ื’ื™ื“ื•ืœ ืฉื‘ืขืช ื™ืœื“ื™ื”

Dresden / Germany

 

See where this picture was taken. [?]

 

Here you can see the panorama with the interactive 360 degree viewer*

 

(9 single shots)

 

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Built in the 14th century, likely by Genoese merchants, the fortress was constructed to oversee the trading routes by sea and land in the region. In the 15th century, it was integrated into the Wallachian fortification system by King Mircea the Elder. However, in 1420, the fortress fell under Ottoman control and remained so for over 450 years, until the War of Independence in 1877.

ืจืคื™ ืคืจืฅ ืฆื™ื™ืจ ืืžืŸ ื™ืฉืจืืœื™ ืขื›ืฉื•ื•ื™ ืžื•ื“ืจื ื™ ื”ืฆื™ื™ืจ ื”ื™ืฉืจืืœื™ ื”ืขื›ืฉื•ื•ื™ ื”ืžื•ื“ืจื ื™ ืืžื ื•ืช ื™ืฉืจืืœื™ืช ืขื›ืฉื•ื•ื™ืช ืžื•ื“ืจื ื™ืช ื”ืืžื ื•ืช ื”ื™ืฉืจืืœื™ืช ื”ืขื›ืฉื•ื•ื™ืช ื”ืžื•ื“ืจื ื™ืช ืื•ืžื ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ื™ืฉืจืืœื™ื•ืช ื”ืขื›ืฉื•ื•ื™ื•ืช ื”ืžื•ื“ืจื ื™ื•ืช ืฆื™ื•ืจ ืฆื™ื•ืจื™ื ื”ืฆื™ื•ืจ ื”ืฆื™ื•ืจื™ื ื•ืฆื™ื•ืจ ื•ืฆื™ื•ืจื™ื ืœืฆื™ื•ืจ ืœืฆื™ื•ืจื™ื ืžืฆื™ื•ืจ ืžืฆื™ื•ืจื™ื ืžืฆื™ื™ืจ ืžืฆื™ื™ืจื™ื ื•ืžืฆื™ื™ืจ ื•ืžืฆื™ื™ืจื™ื ืฉืžืฆื™ื™ืจ ืฉืžืฆื™ื™ืจื™ื ื ืื™ื‘ื™ ื ืื™ื‘ื™ืช ื ืื™ื‘ื™ื™ืช ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ื™ื ื”ื ืื™ื‘ื™ ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ืช ื•ื”ื ืื™ื‘ื™ ืฉืœ ืขื ื’ื“ื•ืœ ื’ื“ื•ืœื™ื ื”ื’ื“ื•ืœ ื”ื’ื“ื•ืœื™ื ื•ื”ื’ื“ื•ืœ ื•ื”ื’ื“ื•ืœื™ื ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื•ื”ืชืขืจื•ื›ื” ื•ื”ืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื” ืœืชืขืจื•ื›ื•ืช ื’ืœืจื™ื” ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ืœื’ืœืจื™ื” ืœื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืื“ื•ื ื›ืชื•ื ืฆื”ื•ื‘ ื™ืจื•ืง ื›ื—ื•ืœ ืกื’ื•ืœ ืฉื—ื•ืจ ืœื‘ืŸ ื”ืื“ื•ื ื”ื›ืชื•ื ื”ืฆื”ื•ื‘ ื”ื™ืจื•ืง ื”ื›ื—ื•ืœ ื”ืฉื—ื•ืจ ื”ืกื’ื•ืœ ื”ืœื‘ืŸ ืฉื—ื•ืจื™ื ืœื‘ื ื™ื ืื“ื•ืžื™ื ื›ืชื•ืžื™ื ืฆื”ื•ื‘ื™ื ื™ืจื•ืงื™ื ืกื’ื•ืœื™ื ื”ืื“ื•ืžื™ื ื”ื›ืชื•ืžื™ื ื”ืฆื”ื•ื‘ื™ื ื”ื™ืจื•ืงื™ื ื”ืกื’ื•ืœื™ื ื”ืฉื—ื•ืจื™ื ื”ืœื‘ื ื™ื ืฆื‘ืขื™ื ืฆื‘ืข ื”ืฆื‘ืขื™ื ื”ืฆื‘ืข ื‘ืฆื‘ืขื™ื ื‘ืฆื‘ืข ืœืฆื‘ืข ืœืฆื‘ืขื™ื ื•ื”ืฆื‘ืข ื•ื”ืฆื‘ืขื™ื ืฆื•ื‘ืข ืฆื•ื‘ืขื™ื ื”ืฆื•ื‘ืข ื”ืฆื•ื‘ืขื™ื ื”ืืžืŸ ื”ืืžื ื™ื ื”ืื•ืžื ื™ื ืœืืžื ื™ื ืœืื•ืžื ื™ื ื•ื”ืื•ืžื ื™ื ืฆื™ื™ืจื™ื ื”ืฆื™ื™ืจื™ื ื•ื”ืฆื™ื™ืจื™ื ืœืฆื™ื™ืจื™ื ืžื”ืฆื™ื™ืจื™ื ืžื”ืืžื ื™ื ืื•ืžื ื•ืช ื”ืืžื ื•ืช ื‘ืืžื ื•ืช ืœืืžื ื•ืช ื•ืืžื ื•ืช ื‘ืื•ืžื ื•ืช ืœืื•ืžื ื•ืช ื•ื”ืื•ืžื ื•ืช ืืžื ื•ืชื™ ื”ืืžื ื•ืช ื”ืื•ืžื ื•ืชื™ ื”ืื•ืžื ื•ืช ืชืขืจื•ื›ื” ืชืขืจื•ื›ื•ืช ื”ืชืขืจื•ื›ื” ื”ืชืขืจื•ื›ื•ืช ื”ื’ืœืจื™ื” ื”ื’ืœืจื™ื•ืช ื‘ื’ืœืจื™ื” ื‘ื’ืœืจื™ื•ืช ื•ื”ื’ืœืจื™ื” ื•ื”ื’ืœืจื™ื•ืช ืžื”ื’ืœืจื™ื” ืžื”ื’ืœืจื™ื•ืช ืžื”ืชืขืจื•ื›ื” ืžื”ืชืขืจื•ื›ื•ืช ื—ื“ืฉ ื—ื“ืฉื ื™ ื”ื—ื“ืฉ ื”ื—ื“ืฉื ื™ ื—ื“ืฉื ื™ืช ื”ื—ื“ืฉื ื™ืช ืžืงื•ืจื™ ื”ืžืงื•ืจื™ ื”ืžืงื•ืจื™ืช ืžืงื•ืจื™ืช ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ ื”ืžื™ื•ื—ื“ื™ื ืžื™ื•ื—ื“ื™ื ื‘ื ื™ื™ื ื™ื ื”ื‘ื ื™ื™ื ื™ื ืžื‘ื ื™ื ืžื‘ื ื” ื‘ื ื™ื™ืŸ ื”ื‘ื ื™ื™ืŸ ืืชืจื™ื ื”ืืชืจื™ื ื”ืžืคื•ืจืกืžื™ื ื”ืžืคื•ืจืกื ืžืคื•ืจืกื ืžืคื•ืจืกืžื™ื ื‘ื™ืฉืจืืœ ื™ืฉืจืืœ ื•ื™ืฉืจืืœ ืชืœ ืื‘ื™ื‘ ืชืœืื‘ื™ื‘ ื‘ืชืœ ื‘ืชืœืื‘ื™ื‘ ื•ืชืœ ืžืชืœ ืื•ืจ ื”ืื•ืจ ื‘ืื•ืจ ืžืชื™ื™ืœื“ ื™ืœื“ื•ืชื™ ื”ื™ืœื“ื•ืชื™ ื”ืžืชื™ื™ืœื“ ื™ืœื“ ืชืœืื‘ื™ื‘ื™ ืื‘ื™ื‘ื™ ืฉืžื— ื”ืฉืžื—

ืื•ืคื˜ื™ืžื™ ื”ืื•ืคื˜ื™ืžื™ ืฉืžื—ื™ื ื”ืฉืžื—ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ื”ืื•ืคื˜ื™ืžื™ื™ื ืžืœืื™ ื‘ืฆื™ื•ืจื™ ืฆื™ื•ืจื™ ื™ื•ืฆืจ ื”ื™ื•ืฆืจ ื™ื•ืฆืจื™ื ื”ื™ื•ืฆืจื™ื ื•ื”ื™ื•ืฆืจ ื•ื”ื™ื•ืฆืจื™ื

ื•ืฆื™ื•ืจื™ ืœืฆื™ื•ืจื™ ืžืฆื™ื•ืจื™ ืจื—ื•ื‘ื•ืช ืจื—ื•ื‘ ื”ืจื—ื•ื‘ื•ืช ื”ืจื—ื•ื‘ ืื•ืจื‘ื ื™ ื”ืื•ืจื‘ื ื™ ืืงืจื™ืœื™ืง ื‘ืืงืจื™ืœื™ืง ืขืœ ื‘ื“ ืงื ื•ื•ืก ืงื ื‘ืก ืงื ื•ืก ื‘ืงื ื•ื•ืก ื‘ื“ื™ื ื ื•ืฃ ื ื•ืคื™ื ื”ื ื•ืฃ ื”ื ื•ืคื™ื ืœื ื•ืฃ ืœื ื•ืคื™ื ืžื”ื ื•ืฃ ืžื”ื ื•ืคื™ื ื ื•ืคื™ ื‘ื ื•ืคื™ ื—ื–ืงื™ื ืขื–ื™ื ื”ื—ื–ืงื™ื ื”ืขื–ื™ื ืœื‘ื™ืช ืœืกืœื•ืŸ ืœืžืฉืจื“ ื‘ื™ืช ืกืœื•ืŸ ืžืฉืจื“ ืœื‘ืชื™ื ืœืžืฉืจื“ื™ื ืžืฉืจื“ื™ื ื‘ืชื™ื ืœืžื›ื™ืจื” ืžื›ื™ืจื” ื”ืžื›ื™ืจื” ืžื›ื™ืจื•ืช ืžื•ื›ืจ ื”ืžื•ื›ืจ ืงื•ื ื” ื”ืงื•ื ื” ืงื•ื ื™ื ื”ืงื•ื ื™ื ื‘ืงื ื™ื™ื” ื‘ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ื”ืคื•ืžื‘ื™ืช ืœืจื›ื•ืฉ ืจื›ื•ืฉ ื‘ืจื›ื™ืฉื” ื™ืฉื™ืจื” ื™ืฉื™ืจ ืžื”ืืžืŸ ืขื™ืจ ื”ืขื™ืจ ืขืจื™ื ื”ืขืจื™ื

naivna umetnost slikarstvo folk slikar umetnik ingรชnuo arte pintura folk pintor artista ะฝะฐะธะฒะฝะพะต ะธัะบัƒััั‚ะฒะพ ะถะธะฒะพะฟะธััŒ ะฝะฐั€ะพะดะฝั‹ะน ั…ัƒะดะพะถะฝะธะบ ั…ัƒะดะพะถะฝะธะบ naรฏf art peinture folk peintre artiste saf sanat boyama halk ressam sanatรงฤฑ ingenuo artista pittore folk pittore Kunst Malerei Volksmaler Kรผnstler naรฏeve kunst schilderij folk schilder kunstenaar raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art naive naife naif naiv folk urban landscape cityscape colorful colorist colorfull fun happy israel urbanic picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images lage big size tel aviv painting paintings beautiful amazing famous

Description: Identification on verso (handwritten): "A.H. Wyant." Published in: Archives of American Art Journal v. 12, no. 4, p. 8. Landscape painter.

 

Creator/Photographer: Unidentified photographer

 

Medium: Black and white photographic print

 

Dimensions: 20 cm x 15 cm

 

Date: c. 1882

 

Collection: Macbeth Gallery Records, c. 1890-1964

 

Persistent URL: www.aaa.si.edu/collections/images/detail/alexander-h-wyan...

 

Repository: Archives of American Art

 

Accession number: aaa_macbgall_4868

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