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"11525 - Spanish laborers at work in Culebra Cut and loaded train hauling dirt from canal." copyright Underwood & Underwood.
The ANAGLYPH 3D version of this image that views in 3D when wearing RED/CYAN 3D glasses is here: www.flickr.com/photos/depthandtime/4687247997/
Author : @Kiri Karma
Travel to NOLA - February 2024 - Krewe Of Zulu
Early in 1909, a group of laborers in a club named ?The Tramps? went to the Pythian Theater to see a musical comedy that included a skit entitled, 'There Never Was and Never Will Be a King Like Me' about the Zulu Tribe. According to legend, after seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. The rest, as they say, is history. Years of extensive research by Zulu's staff of historians, however, seem to indicate that Zulu's beginning was much more complicated than that.
Conversations and interviews with older members indicate that, back in the day, the city was divided into wards, and each ward had its own group or ?Club.? The Tramps were one such group. The group that founded Zulu was probably made up of both members from the Tramps and other ward-based groups and members of a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community. For a small amount of dues, members received financial help when they got sick or there was a funeral to pay for.
While the men marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King. The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story in the early days were similarly attired.
The year 1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Today Zulu is famous for their coconut throw ? quite possibly the most coveted throw in all of Mardi Gras. Zulu?s honor guard is called the Soulful Warriors; and they have characters including Big Shot, Witch Doctor, Ambassador, Mayor, Province Prince, Governor and Mr. Big Stuff.
The most famous Krewe of Zulu king was Louis Armstrong who reigned in 1949.
Year founded: 1909
Membership: 1500 male riders
Signature throw: hand decorated coconuts
Persistent URL: digital.lib.muohio.edu/u?/tradecards,1394
Subject (TGM): Masonry; Caricatures; Bricklayers; Bricklaying; Laborers; Working class; Occupations; Ladders; Cosmetics & soap; Household soap; Chemical industry; Ethnic groups; Ethnic stereotypes;
Pengli harvests oil palm fruits. Laborers are paid approximately $3/day for harvesting oil palm fruits and tending the plantation. During harvest there are opportunities for bonuses and the company pays for healthcare and some other community development programs. Oil palm is a leading cause of deforestation and environmental degradation in the developing tropics. Many oil palm companies prefer to develop forested landscapes as opposed to previously cleared areas so that they can also benefit from logging the area before installing the oil palm trees. From a March 2009 trip with writer William deBuys traveling to Indonesian Borneo (Central Kalimantan, Indonesia) to visit with NGOs Yayorin and Orangutan Foundation UK to explore the social and environmental dynamics of forest conservation in and around the Lamandau Wildlife Reserve. The LWR is a release site for the Bornean Orangutans, the central area for an upcoming Rare Pride Campaign, and site of a proposed community-based carbon trading demonstration site for the UNDP's REDD (Reducing Emissions from Deforestation and Degradation) program.
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Maintenance Laborer Rodney enjoys a beautiful morning at the government boat launch in Hozomeen before starting his work day.
NPS/Deby Dixon
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
NOLA 2013 - Mardi gras - The Krew Zulu Parad
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
( Two weeks in NOLA for the mardi gras 2013 )
Laborer Frank Silecchia found this cross-like crossbeam that had fallen from the collapsing North Tower, among many others, amidst the rubble of 6 World Trade Center--an area dubbed "God's House"--just two days after the attacks of 9-11. At 20-feet tall, it was the most significant and affixed by ironworkers to a permanent base before being placed on the high walkway over West Street. Blessed by Father Brian Jordan, a Franciscan friar, on October 4, 2001, it was temporarily relocated near St. Peter's Church on October 5, 2006 and is slated to return to the WTC Museum when it opens.
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Travel to NOLA - February 2024 - Krewe Of Zulu
Early in 1909, a group of laborers in a club named ?The Tramps? went to the Pythian Theater to see a musical comedy that included a skit entitled, 'There Never Was and Never Will Be a King Like Me' about the Zulu Tribe. According to legend, after seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. The rest, as they say, is history. Years of extensive research by Zulu's staff of historians, however, seem to indicate that Zulu's beginning was much more complicated than that.
Conversations and interviews with older members indicate that, back in the day, the city was divided into wards, and each ward had its own group or ?Club.? The Tramps were one such group. The group that founded Zulu was probably made up of both members from the Tramps and other ward-based groups and members of a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community. For a small amount of dues, members received financial help when they got sick or there was a funeral to pay for.
While the men marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King. The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story in the early days were similarly attired.
The year 1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Today Zulu is famous for their coconut throw ? quite possibly the most coveted throw in all of Mardi Gras. Zulu?s honor guard is called the Soulful Warriors; and they have characters including Big Shot, Witch Doctor, Ambassador, Mayor, Province Prince, Governor and Mr. Big Stuff.
The most famous Krewe of Zulu king was Louis Armstrong who reigned in 1949.
Year founded: 1909
Membership: 1500 male riders
Signature throw: hand decorated coconuts
Henry Thomas, president of 3,000-member Laborers’ Local 74 and the Washington, D.C. Laborers’ District Council, testifies before the House Committee on Un-American Activities (HUAC) December 6, 1950 where he testified about his communist actitivites and identifying other members of the Communist Party.
Thomas, appearing without an attorney, named five other Laborer’s Union members as members or former members of the Party. He had previously met secretly with committee investigators.
Roy Wood, D.C. Communist Party leader who would later be jailed under the Smith Act, called Thomas a “stool pigeon.”
Thomas also described the Communist Party organization in the District of Columbia identifying a high school branch, branches at Howard, American and George Washington Universities, a white collar branch and a secret branch.
He was in the largest, he testified, Unit No. 1 operating in midtown Washington, D.C. that spent most of its time organizing around issues of concern to black people, including police brutality.
Thomas testified he joined the Communist Party during the winder of 1937-38 and was active in the short-lived Congress of Industrial Organization (CIO) United Construction Workers that sought to organize the building trades along industrial lines.
Thomas came back the next day and provided the committee with more information, including the names of other people he said were Communist Party members.
Thomas was prominent in left-wing circles in the District of Columbia for approximately 12 years.
He was active in the campaign against police brutality in 1939-41.
He served 28 months in the U.S. Army during World War II and resumed his activities after his discharge in December 1945.
He worked to form a communist grouping within the AFL laborer’s union with three others. He then teamed up with Thomas Sampler, a rank-and-file activist who was seeking to oust mobsters from the union. Sampler later joined the Communist Party as well.
Thomas first won election as secretary treasurer and in 1948 the group was successful in ousting all of the old regime. The group resigned their Communist Party membership that year in order to sign the Taft-Harley non-communist affidavits. Thomas later testified that the group continued to meet with Communist Party leaders.
Laborers’ Local 74 was often among the sponsors of a number of civil rights and labor rights activities in the District of Columbia, including the Progressive Party and anti-police brutality events.
In June 1949 Thomas won a majority on the Laborer’s District Council to call a strike of all laborers’ locals in the area a day after union carpenters went on strike.
The month-long strike resulted in a wage increase, but set off an internal battle within the Laborer’s District Council between the left and right wings within the laborers that led to the investigations.
Thomas quickly broke with the Communist Party and without an attorney testified before the House Un-American Activities Committee about District of Columbia communist activities, naming names and describing party branches and activities. He also met privately with HUAC investigators.
Despite the controversy over his previous Communist Party membership, Thomas survived an attempt by the right-wing to oust him as president of Local 74 by eight votes.
In 1950 and 1952, the employers refused to meet with Thomas to negotiate contracts, but later relented after the laborers’ membership backed Thomas.
Thomas made some gains for the laborers, winning wage increases and establishing a comprehensive health plan.
Sampler, who had broken with Thomas and opposed him was later convicted of embezzlement of laborer’s funds and imprisoned where he died in jail.
Thomas later testified in the 1952 trial of Marie Richardson Harris, another District of Columbia alleged communist, who was convicted, in part, on Thomas’s testimony and sentenced to prison for failing to disclose her alleged communist affiliations on a government job application.
Thomas continued to serve as Local 74 president until 1955 when he was defeated 416-371. He went back to work as a laborer and periodically attempted to regain union office, unsuccessfully teaming up with activists of the 60s and 70s—often denying he had betrayed his left wing friends of the 1930s and 40s.
For more information and related images, see flic.kr/s/aHsk72YVXD
The photographer is unknown. The image is courtesy of the D.C. Public Library Washington Star Collection © Washington Post.
Local Accession Number: 06_11_004322
Title: Watchmaking n the jewelry department
Genre: Stereographs; Photomechanical prints
Date issued: 1893-1920 (inferred)
Physical description: 1 photomechanical print on stereo card : stereograph, halftone ; 9 x 18 cm.
General notes: Title from printed caption on verso.; No. 8.; Part of series: Sears, Roebuck & Co., Chicago, Ill.
Date notes: Date range supplied by cataloger based on the founding date of Sears, Roebuck & Company.
Subjects: Mail-order businesses; Factories; Clock & watch industry; Laborers; Sears, Roebuck and Company
Collection: Harper Stereograph Collection
Location: Boston Public Library, Print Department
Shelf locator: Sears Roebuck
Rights: Rights status not evaluated
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Laborers take a break after loading the agricultural produce on a transport headed for the market in Dhaka, Bangladesh.
Photo Credit: International Food Policy Research Institute / 2010
This is the temporary housing for laborers working in Pyongyang. This type of worker housing is similar to China's but somewhat less commodious.
Local Accession Number: 06_11_004325
Title: Packing goods for shipment
Genre: Stereographs; Photomechanical prints
Date issued: 1893-1920 (inferred)
Physical description: 1 photomechanical print on stereo card : stereograph, halftone ; 9 x 18 cm.
General notes: Title from printed caption on verso.; No. 11.; Part of series: Sears, Roebuck & Co., Chicago, Ill.
Date notes: Date range supplied by cataloger based on the founding date of Sears, Roebuck & Company.
Subjects: Mail-order businesses; Shipping; Laborers; Industry; Sears, Roebuck and Company
Collection: Harper Stereograph Collection
Location: Boston Public Library, Print Department
Shelf locator: Sears Roebuck
Rights: Rights status not evaluated
via Instagram Pictured here, #Palestinian laborers moving across the top of the que at the #Bethlehem check point. Nearly 100,000 documented #Palestinians head into #Israel every for work. This picture demonstrates the inadequacy in freedom of movement #Israel provides under their military occupation. You can see how #Palestinians are literally stacked up on top of each other as they move through the narrow gates. Your tangible contribution is act of justice and hope. Be the change in the world. Make a difference, click here: bit.ly/Pics_For_Peace #Jerusalem #StreetPhotograpy #israelioccupation #freepalestine #peace #love #apartheid #israel #Hebron #Bethlehem
Persistent URL: digital.lib.muohio.edu/u?/tradecards,1001
Subject (TGM): Fertilizer industry; Fertilizers; Farms; Agricultural laborers; Corn; Agricultural productivity; Agricultural industries; Agriculture; Farmers; Farming; Croplands; Agricultural productivity; Caricatures;
Masonry construction safety, fall hazard: Laborer/ hod carrier climbs from top of 3 ft high stack of concrete blocks to top of 2 - 2"x10" = 19" wide wood planks 25+ ft above ground, with no fall protection from safety line or guardrail. Ann Arbor, 2004.
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Laborers are paid approximately $3/day for harvesting oil palm fruits and tending the plantation. During harvest there are opportunities for bonuses and the company pays for healthcare and some other community development programs. Oil palm is a leading cause of deforestation and environmental degradation in the developing tropics. Many oil palm companies prefer to develop forested landscapes as opposed to previously cleared areas so that they can also benefit from logging the area before installing the oil palm trees. From a March 2009 trip with writer William deBuys traveling to Indonesian Borneo (Central Kalimantan, Indonesia) to visit with NGOs Yayorin and Orangutan Foundation UK to explore the social and environmental dynamics of forest conservation in and around the Lamandau Wildlife Reserve. The LWR is a release site for the Bornean Orangutans, the central area for an upcoming Rare Pride Campaign, and site of a proposed community-based carbon trading demonstration site for the UNDP's REDD (Reducing Emissions from Deforestation and Degradation) program.
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Korean laborers taking a break, possibly with a GI of the 388th Engineer Pipeline Company, at the 388th's coastal base, possibly "Muk-Ho-Gin" (Mukho) in 1952.
they are day laborers... waiting to seek a job for the day...
they don't even know if they can earn today...
sunny... cloudy or rainy...however the weather is....
nothing resists... the waiting... looking towards a job...
just wait... and wait... and wait... if anyone recruit...
that's the hope... spirit of those smiley faces...
____________________________________
Taken with Canon EOS 40D, EF 135mm f2.8 SF
Taken from Manikgnag, Bangladesh.
Copyright :Abdul Aziz Apu
contact: apu029@gmail.com
NOLA 2013 - Mardi gras - The Krew Zulu Parad
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
( Two weeks in NOLA for the mardi gras 2013 )
A laborer in one of the areas hardest hit by salinity near the Bay of Bengal.
Rice Today (Jul-Sep, 2011): Bangladesh combats the white plague.
Part of the image collection of the International Rice Research Institute (IRRI).
Emad Khalil’s story as a Gazan worker in Israel Skin tanned and hands calloused from working forty-two years under the sun, Emad Khalil, a sixty-one year old retired laborer, sits in front of me. For thirty of those years, he worked in Israel. His story documents a tremendous change in attitude and policy towards Palestinian freedom of movement, employment opportunities, healthcare, and relations between Palestinians and Israelis. Read more... ift.tt/28S8jbR - ift.tt/28Yl2x9
Pengli harvests oil palm fruits. Laborers are paid approximately $3/day for harvesting oil palm fruits and tending the plantation. During harvest there are opportunities for bonuses and the company pays for healthcare and some other community development programs. Oil palm is a leading cause of deforestation and environmental degradation in the developing tropics. Many oil palm companies prefer to develop forested landscapes as opposed to previously cleared areas so that they can also benefit from logging the area before installing the oil palm trees. From a March 2009 trip with writer William deBuys traveling to Indonesian Borneo (Central Kalimantan, Indonesia) to visit with NGOs Yayorin and Orangutan Foundation UK to explore the social and environmental dynamics of forest conservation in and around the Lamandau Wildlife Reserve. The LWR is a release site for the Bornean Orangutans, the central area for an upcoming Rare Pride Campaign, and site of a proposed community-based carbon trading demonstration site for the UNDP's REDD (Reducing Emissions from Deforestation and Degradation) program.
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Two weeks in NOLA for the mardi gras 2017
Early in 1909, a group of laborers who had organized a club named 'The Tramps' went to the Pythian Theater to see a musical comedy performed by the Smart Set. The comedy included a skit entitled, 'There Never Was and Never Will Be a King Like Me,' about the Zulu Tribe.
That is how Zulu began, as the many stories go...
Years of extensive research by Zulu's staff of historians seem to indicate that Zulu's beginning was much more complicated than that. The earliest signs of organization came from the fact that the majority of these men belonged to a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community where, for a small amount of dues, members received financial help when sick or financial aid when burying deceased members.
Conversations and interviews with older members also indicate that in that era the city was divided into wards, and each ward had its own group or 'Club.' The Tramps were one such group. After seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. This group was probably made up of members from the Tramps, the Benevolent Aid Society and other ward-based groups.
While the 'Group' marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King.
The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story (William Crawford - 1910, Peter Williams - 1912, and Henry Harris - 1914) were similarly attired.
1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Zulu's 2017 Mardi Gras theme is 'Stop the Violence'
Travel to NOLA - February 2024 - Krewe Of Zulu
Early in 1909, a group of laborers in a club named ?The Tramps? went to the Pythian Theater to see a musical comedy that included a skit entitled, 'There Never Was and Never Will Be a King Like Me' about the Zulu Tribe. According to legend, after seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. The rest, as they say, is history. Years of extensive research by Zulu's staff of historians, however, seem to indicate that Zulu's beginning was much more complicated than that.
Conversations and interviews with older members indicate that, back in the day, the city was divided into wards, and each ward had its own group or ?Club.? The Tramps were one such group. The group that founded Zulu was probably made up of both members from the Tramps and other ward-based groups and members of a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community. For a small amount of dues, members received financial help when they got sick or there was a funeral to pay for.
While the men marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King. The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story in the early days were similarly attired.
The year 1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.
Today Zulu is famous for their coconut throw ? quite possibly the most coveted throw in all of Mardi Gras. Zulu?s honor guard is called the Soulful Warriors; and they have characters including Big Shot, Witch Doctor, Ambassador, Mayor, Province Prince, Governor and Mr. Big Stuff.
The most famous Krewe of Zulu king was Louis Armstrong who reigned in 1949.
Year founded: 1909
Membership: 1500 male riders
Signature throw: hand decorated coconuts
Happy Feast day St. James the Great!
This day Marks the 85th Founding Anniversary of My Alma Mater,
St. James Academy of Malabon, Founded by his Excellency Archbishop Michael Douherty of Manila
Feastday: July 25
Patron of Laborers
For James there was no indication that this was the day that his life would change. The dawn for him was not the bright beginning of a new day, but the end of long fruitless night of fishing. As James sat mending his nets in the boat with his brother John and his father Zebedee, he must have watched in wonder as his partner Simon brought in nets loaded with fish he had caught at the command of Jesus. Was he shocked when he saw Simon and his brother Andrew walk away from this incredible catch at a word from this same Jesus?
As he watched Jesus walk toward him followed by Simon and Andrew, did he feel curiosity, fear, hope, envy? Jesus didn't pass him by but, stopping by their boat, called James and his brother John to do just what Simon and Andrew had done. Without argument or discussion, James and John left their boat and even their father behind, and followed Jesus.
The first thing James saw after he followed Jesus was his teaching with authority in the synagogue and the cure of Simon's mother-in-law.
We all know that Jesus was the focus of James' life from then on, but it is also evident that James held a special place in Jesus' life.
He was chosen by Jesus to be one of the twelve apostles, given the mission to proclaim the good news, and authority to heal and cast out demons. To be named one of the twelve James must have had faith and commitment.
But even among the apostles he held a special place. When Jesus raised Jairus' daughter when all thought her dead, he only allowed James, John, and Peter to come with him. Even more important when he went up to the mountain to pray, he wanted James, John, and Peter to go with him. And it was there on the mountain they were privileged to witness what no one else had seen -- Jesus transfigured in his glory, speaking to Moses and Elijah, as the voice of God spoke from a cloud.
And with Simon Peter, James and John were the only ones of the apostles that Jesus gave a special name: Sons of Thunder.
To be singled out in these ways, James must have been a close and respected friend of Jesus.
It's no wonder then that James, along with John, felt that he had the right to go to Jesus and ask him to give them whatever they asked. As a mark of his love, Jesus didn't rebuke them but asked them what they wanted. They showed their lack of understanding of his mission when the asked that he let one of them sit on his right and the other on his left when he came into his glory. He replied that they didn't know what they were asking. They didn't see the cross in his future, but an earthly throne. Could they drink of the cup he would drink of? They replied that they could. He assured them they would indeed drink of that cup.
(Matthew has their mother asking for this favor for her sons. Despite the bad reputation their mother got for this, it should be remembered that she too had followed Jesus in his travels, providing for him, and was one of the women who stayed with Jesus as he was crucified when the apostles, including her son James, had fled.)
The other apostles were furious at this request. But Jesus used this opportunity to teach all of them that in order to be great one must be a servant.
James and John did show further lack of understanding of their friend and Lord when he was turned away by Samaritans. They wanted to use their newfound authority as apostles not to heal but to bring fire down on the town. (Perhaps Jesus gave them their Sons of Thunder nickname because of their passion, their own fire, or their temper.) Jesus did reprimand them for their unforgiving, vengeful view of their power.
But despite all these misunderstandings, it was still James, Peter, and John that Jesus chose to join him in prayer at the Garden of Gethsemane for his final prayer before his arrest. It must have hurt Jesus that the three of them fell asleep on this agonizing evening.
James did drink of the cup Jesus drank of, all too shortly after the Resurrection. Acts 12:1 tells us that James was one of the first martyrs of the Church. King Herod Agrippa I killed him with a sword in an early persecution of the Church. There is a story that the man who arrested James became a convert after hearing James speak at his trial and was executed with him.
James is called James the Greater because another younger apostle was named James. He should not be accused with this James, or the James who is a relative of Jesus, or the James who was an elder of the Church in Jerusalem and heard Peter's defense of baptizing Gentiles. James, son of Thunder, was dead by then.
Legends have sprung up that James evangelized Spain before he died but these stories have no basis in historical fact.
James is the patron saint of hatmakers, rheumatoid sufferers, and laborers.
In His Footsteps
What name would Jesus give you if he would describe who you are and your gifts?
Prayer:
Saint James, pray for us that we may be willing to leave everything to follow Jesus as you did. Help us to become special friends of Jesus as you were. Amen
www.catholic.org/saints​/saint.php?saint_id=59
HAPPY ST. JAMES DAY
"I am one with you in spirit"
"For God, For Country, For St. James"
Pengli harvests oil palm fruits. Laborers are paid approximately $3/day for harvesting oil palm fruits and tending the plantation. During harvest there are opportunities for bonuses and the company pays for healthcare and some other community development programs. Oil palm is a leading cause of deforestation and environmental degradation in the developing tropics. Many oil palm companies prefer to develop forested landscapes as opposed to previously cleared areas so that they can also benefit from logging the area before installing the oil palm trees. From a March 2009 trip with writer William deBuys traveling to Indonesian Borneo (Central Kalimantan, Indonesia) to visit with NGOs Yayorin and Orangutan Foundation UK to explore the social and environmental dynamics of forest conservation in and around the Lamandau Wildlife Reserve. The LWR is a release site for the Bornean Orangutans, the central area for an upcoming Rare Pride Campaign, and site of a proposed community-based carbon trading demonstration site for the UNDP's REDD (Reducing Emissions from Deforestation and Degradation) program.
Laborers are paid approximately $3/day for harvesting oil palm fruits and tending the plantation. During harvest there are opportunities for bonuses and the company pays for healthcare and some other community development programs. Oil palm is a leading cause of deforestation and environmental degradation in the developing tropics. Many oil palm companies prefer to develop forested landscapes as opposed to previously cleared areas so that they can also benefit from logging the area before installing the oil palm trees. From a March 2009 trip with writer William deBuys traveling to Indonesian Borneo (Central Kalimantan, Indonesia) to visit with NGOs Yayorin and Orangutan Foundation UK to explore the social and environmental dynamics of forest conservation in and around the Lamandau Wildlife Reserve. The LWR is a release site for the Bornean Orangutans, the central area for an upcoming Rare Pride Campaign, and site of a proposed community-based carbon trading demonstration site for the UNDP's REDD (Reducing Emissions from Deforestation and Degradation) program.
Sgt. Alvin C. York. The greatest (American) hero of World War I.
Born December 13, 1887 in a two-room dogtrot log cabin in Pall Mall, Tennessee, and raised in a rural backwater in the northern section of Fentress County, York was a semi-skilled laborer when drafted in 1917. Quite literally having never traveled more than fifty miles from his home, York's war experience served as an epiphany awakening him to a more complex world.
The third oldest of a family of eleven children, the York family eked out a hardscrabble existence of subsistence farming supplemented by hunting, and York became a competent marksman at an early age. Living in a region that saw little need for education, York had a grand total of nine-months schooling at a subscription school he attended in his youth.
As York came of age he earned a reputation as a deadly accurate shot and a hell raiser. Drinking and gambling in borderline bars known as "Blind Tigers," York was generally considered a nuisance and someone who "would never amount to anything." That reputation underwent a serious overhaul when York experienced a religious conversion in 1914.
A strict fundamentalist sect with a following limited to three states (Ohio, Kentucky, and Tennessee) the Church of Christ in Christian Union espoused a strict moral code which forbade drinking, dancing, movies, swimming, swearing, popular literature, and moral injunctions against violence and war. Though raised Methodist, York joined the Church of Christ in Christian Union and in the process convinced one of his best friends, Rosier Pile, to join as well.
When the United States declared war on Germany on April 6, 1917, York's new found faith would be tested. York received his draft notice from his friend, the postmaster and pastor, Rosier Pile, on June 5, 1917, just six months prior to his thirtieth birthday. Because of the Church of Christ in Christian Union's proscriptions against war, Pile encouraged York to seek conscientious objector status. York wrote on his draft card: "Dont want to fight." When his case came up for review it was denied at both the local and the state level because the Church of Christ in Christian Union was not recognized as a legitimate Christian sect.
Though a would-be conscientious objector, drafted at age thirty, York in many ways typified the underprivileged, undereducated conscript who traveled to France to "keep the world safe for democracy." With great reservations, York embarked for Camp Gordon, Georgia to receive his basic training. A member of Company G in the 328th Infantry attached to the 82nd Division (also known as the "All American Division) York established himself as a curiosity--an excellent marksman who had no stomach for war. After weeks of debate and counseling, York relented to his company commander, G. Edward Buxton, that there are times when war is moral and ordained by God, and he agreed to fight.
York's role as hero went beyond his exploit in the Argonne and continues to both inspire and confound. On October 8, 1918, Corporal Alvin C. York and sixteen other soldiers under the command of Sergeant Bernard Early were dispatched before sunrise to take command of the Decauville railroad behind Hill 223 in the Chatel-Chehery sector of the Meuse-Argonne sector. The seventeen men, due to a misreading of their map (which was in French not English) mistakenly wound up behind enemy lines. A brief fire fight ensued which resulted in the confusion and the unexpected surrender of a superior German force to the seventeen soldiers. Once the Germans realized that the American contingent was limited, machine gunners on the hill overlooking the scene turned the gun away from the front and toward their own troops. After ordering the German soldiers to lie down, the machine gun opened fire resulting in the deaths of nine Americans, including York's best friend in the outfit, Murray Savage. Sergeant Early received seventeen bullet wounds and turned the command over to corporals Harry Parsons and William Cutting, who ordered York to silence the machine gun. York was successful and when all was said and done, nine men had captured 132 prisoners.
That York deserves credit for his heroism is without question. Unfortunately, however, his exploit has been blown out of proportion with some accounts claiming that he silenced thirty-five machine guns and captured 132 prisoners single-handedly. York never claimed that he acted alone, nor was he proud of what he did. Twenty-five Germans lay dead, and by his accounting, York was responsible for at least nine of the deaths. Only two of the seven survivors were acknowledged for their participation in the event; Sergeant Early and Corporal Cutting were finally awarded the Distinguished Service Cross in 1927.
For his actions, York was singled out as the greatest individual soldier of the war and when he returned home in 1919 he was wooed by Hollywood, Broadway, and various advertisers who wanted his endorsement of their products. York turned his back on quick and certain fortune in 1919, and went home to Tennessee to resume peacetime life.
Yearning to return home and wed his sweetheart, York was taken back by his New York City hero's welcome. He prevailed upon Tennessee Congressman and future Secretary of State, Cordell Hull, to facilitate a hasty return to his home. Once back in Tennessee further surprises awaited him. The Rotary Club of Nashville in conjunction with other Tennessee clubs wanted to present York with a home and a farm. Unfortunately not enough money was raised and they gave him an unfinished home and saddled him with a healthy mortgage to boot. As late as 1922, the deed remained in the hands of the Nashville Rotary Club.
York died on September 2, 1964 and was buried with full military honors in the Pall Mall cemetery. His funeral was attended by Governor Frank G. Clement and General Matthew Ridgway as President Lyndon B. Johnson's official representative. He was survived by seven children and his widow.
Colour: ColourisedPieceofJake
More info: www.historynet.com/saving-sergeant-york.htm